logo
Paris Fashion Week lights up with bold hues from Issey Miyake, Sean Suen, Bluemarble and Amiri

Paris Fashion Week lights up with bold hues from Issey Miyake, Sean Suen, Bluemarble and Amiri

Fashion Network27-06-2025
A renewed sense of vibrancy pulsed through the menswear collections on day three of Paris Fashion Week for Spring/Summer 2026. In contrast to the subdued tones that have dominated recent seasons—often reflecting the world's uncertain climate—color made a striking comeback. Designers embraced both delicate, springlike hues and fearless, high-impact tones, signaling a shift toward optimism on the runway. Nowhere was this bold resurgence more apparent than at Issey Miyake, Sean Suen, Bluemarble and Amiri.
See catwalk
At Issey Miyake, innovation met performance in a showcase that placed fabric and movement at the forefront. The IM Men collection, titled "Dancing Texture," debuted at the soon-to-be-relocated Fondation Cartier, where colossal textile panels depicting abstract landscapes floated above a live performance. Dancers moved fluidly beneath them, dressed in samurai-inspired garments that brought the designs' sculptural qualities to life.
Color and texture took the lead, expressed through inventive techniques. The design trio of Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi drew inspiration from Japanese ceramicist Shoji Kamoda. His rounded, scale-like motifs were echoed across suits, tunics, kimono jackets and draped trench coats in a lively color palette.
Elsewhere, the collection explored the contrast of matte vermilion against undulating white, inspired by Kamoda's jars, or adopted the look of ash-glazed ceramics. Textures deepened—from faded gray denim sets to wavy-knit leggings and satin harem trousers in emerald green.
As always, the label displayed a masterful sense of color harmony. Vivid and pastel tones were layered with effortless finesse, such as a grass-green raincoat worn over a bright red jacket and electric blue trousers, or a lilac cotton suit paired with a lime mandarin-collar shirt.
See catwalk
At Sean Suen, subtle bursts of color brought freshness to a neutral-toned wardrobe. Golden yellow and olive green cropped sweaters were layered over powder blue and sky-colored shirts, paired with flowing trousers or Bermudas. A pale pink trench was thrown over an ice-blue knit and a sage green shirt, creating a dreamlike palette.
The Chinese designer envisioned a hazy summer afternoon: a student slouched over his desk in a law library—specifically, the historic Cujas Law Library, repurposed as the show venue—drifting into reverie. These daydreams materialized as silhouettes that blurred eras, styles and fabrics. Draped wraps reminiscent of antiquity were worn over modern shorts, blending fantasy and wearability.
Classic suits in lightweight wool or distressed leather were reinterpreted through surreal details: trousers clipped to jackets, shirt collars with ancient coin buttons, tank tops adorned at chest height with the same coins, sleeve-like scarves trailing to the ground, and ribbon-tied socks evoking the opulence of the Louis XIV era.
See catwalk
At Bluemarble, color reached an explosive crescendo. Roaring tigers were woven into red sweaters, highlighter-yellow pants clashed playfully with oversized green coats lined in camouflage, and caftan-style tunics were covered in travel pins, rendered in both vibrant orange and multicolor versions.
This season, designer Anthony Alvarez looked to his childhood in Toulon for inspiration, recalling trips up Mont Faron in a cable car. These nostalgic visuals—azure skies, snow-capped peaks, steel cables—were translated into prints on denim pieces, while models walked through a fog-filled runway scattered with leaves and bark.
The collection leaned into Bluemarble's streetwear essence with a more focused, grounded approach: ripped and washed jeans, hoodies, bombers, and knitwear—all accented with shimmering embellishments. Sequined mosaics lit up white T-shirts, rhinestone edelweiss motifs climbed up trousers and burst across shirts, and metal studs discreetly dotted lumberjack plaids. Climbing ropes edged pockets, continuing the mountaineering theme with a youthful twist.
See catwalk
Amiri transported its audience to a romantic, storybook setting, presenting its collection in a classic French garden adorned with fountains, gravel paths and rose-covered trellises. Spring unfolded in full bloom—both figuratively and literally—as embroidered cherry blossoms stretched across shoulders, crept down jackets and spilled over cardigans. One standout tapestry-style bomber was entirely saturated in florals, blurring the line between garment and garden.
The American label's signature dandies remained as suave as ever, with vintage hotel room keys dangling from belt loops and lapels, and '70s sunglasses completing the look. Waistcoats plunged dramatically, jackets lengthened with exaggerated lapels, and leather pieces were so soft they mimicked the sheen of satin.
Models strode confidently in three-piece suits—whether in lightweight wool with pinstripes or Prince of Wales checks, or in lush velvets. Tailoring was flawlessly fluid, and rich embellishments—satin lapels, embroidered motifs—elevated the ensembles. Pajama sets were paired with luxurious silk robes, and sparkling polos added flair. Between safari jackets with cigar pockets and lace-trimmed pieces, these modern dandies had no shortage of stylish choices.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ombudsman gives Gosden another International, Derby hero Lambourn loses
Ombudsman gives Gosden another International, Derby hero Lambourn loses

France 24

time11 hours ago

  • France 24

Ombudsman gives Gosden another International, Derby hero Lambourn loses

Gosden, who shares training duties with his son Thady, might have feared a case of deja vu after another stable star Field of Gold was beaten by his pacemaker at Goodwood in the Sussex Stakes. Rab Havlin set a searing pace on Ombudsman's pacemaker Birr Castle and when he was 25 lengths clear it looked like he might pull off a shock on the 150/1 shot, sent over from France by Andre Fabre. However, he began to tire and William Buick found an extra gear on Ombudsman to take the honours with second favourite Delacroix, who had beaten him in their previous clash the Eclipse Stakes, finishing runner-up. Birr Castle took third and a hefty cheque of £141,000 ($190,000), due reward for his efforts -- Buick doing a high five with Havlin for his riding performance. Japanese runner Danon Decile failed to justify his tag as third favourite, watched on television by an estimated 3 million people back in Japan, finishing second last of the six runners with his connections saying "there were no excuses". For Buick, though, it was a bitter sweet victory as he dedicated the victory to a close friend. "Lost a dear friend last week," said the 37-year-old Norway-born jockey. "I was meant to be having dinner with him tonight but he passed away suddenly." Gosden said he had been worried at one stage Fabre's horse would win. "With two furlongs to run I thought Andre had won the race!" said Gosden. "But Ombudsman is a lovely horse, he won it emphatically, he has only been beaten in the Eclipse this season and that was a muddling affair. "He is getting better and better, he's a proper horse." 'Where he belongs' Earlier the warning signs were out for Ryan Moore and Lambourn a fair way from home in the Group Two Voltigeur Stakes. As he faded to fifth it was Pride of Arras, a horse that finished well behind him both at Epsom and in the Irish Derby, that prevailed. Well fancied for Epsom when he won the Dante at York in May, it appeared trainer Ralph Beckett's decision to geld him had transformed him. The only downside is that it rules him out of running in the oldest classic, the English St Leger at Doncaster in September. "He is just a very good horse," said Beckett. "There is never one specific factor in losing one's form, there are layers. "He needed gelding. After his two disappointing Derby runs the game was gone as regards being a stallion. "He is now back to where he belongs, it is fantastic." Beckett was loathe to say it was his greatest training performance. "I suppose at the end of the year we will be proud to have got him back to the top tier." Winning jockey Rossa Ryan said gelding him had been the right call. "I won't lie, I lost a bit of belief in him," he said. "Form, though, is temporary, class is permanent and he showed that in the Dante and today." Distant Storm cost Dubai's Godolphin Operation 1.9million euros but the 11/10 favourite failed to sparkle in the Group Three Acomb Stakes fading to finish third behind Gewan and Aidan O'Brien's Italy. Gewan's victory owed much to jockey PJ McDonald, who has struck up a great relationship with trainer Andrew Balding. This was his 17th winner in 55 rides for him. Gewan, whose performance earned him a 16/1 quote for next year's English 2000 Guineas, had shown he has the ideal big race temperament by falling asleep in his box an hour before the race. "He is so laid back, an ideal ride" purred McDonald.

Time to Go: Japan pro board game player retires at 98
Time to Go: Japan pro board game player retires at 98

France 24

time21 hours ago

  • France 24

Time to Go: Japan pro board game player retires at 98

Go is a strategy game considered to be even more complex than chess and involves players placing black and white stones at points on a square wooden table. Kazuko Sugiuchi turned professional in 1948 and won her first title 11 years later, before going on to win the prestigious Women's Meijin Championship four times in a row. She became Japan's oldest professional player in April last year, breaking the record previously held by her late husband Masao. She is set to be promoted to the rank of ninth dan after retiring, becoming the first woman to reach that level. She said the gruelling sessions at the board were the reason why she is calling it quits. "I have always worked hard with the belief that Go is an art and a lifelong pursuit, but I have decided that playing six hours without a break is no longer possible," she was reported as saying by national broadcaster NHK. "I would like to express my deepest gratitude to everyone who has shown me kindness over the 80 years since I first aspired to be a Go player."

Kazakhstan marks National Day at World Expo 2025 Osaka, Kansai, Japan
Kazakhstan marks National Day at World Expo 2025 Osaka, Kansai, Japan

Euronews

time7 days ago

  • Euronews

Kazakhstan marks National Day at World Expo 2025 Osaka, Kansai, Japan

Osaka, Japan – World Expo 2025 Osaka, Kansai, Japan continues to welcome guests from across the globe, with around 160 countries and seven international organisations showcasing their pavilions. Each nation celebrates its National Day during the six-month event. Kazakhstan's turn came on 10 August. The morning in Osaka began with Kazakh music. The celebrations opened with a parade led by strongman and four-time world record-holder Sergey Tsyrulnikov carrying the national flag, joined by Kazakh warriors (batyrs) and an orchestra. The performance drew a large crowd along the Grand Ring, the Expo's main wooden structure encircling all pavilions, symbolising unity among nations. The delegation made its way to an authentic yurt, where battle re-enactments and performances on folk instruments immersed visitors in the country's nomadic history. For Kazakhstan, the date also coincided with the 180th anniversary of Kazakh philosopher and thinker Abai Kunanbaiuly, whose influence extends across the Central Asian region. 'Abai's ideas still speak to us today – about unity, justice, and the pursuit of knowledge,' said Kazakhstan's Minister of Trade and Integration, Arman Shakkaliyev. 'Marking his anniversary in Japan shows how deeply our values align.' When cultures sing together At the opening ceremony, audiences heard more than Kazakh melodies. A highlight was the Sarmad Orchestra's performance of the Japanese folk song Sakura on the jetygen, a rare Kazakh string instrument. After the concert came a touching moment: despite the rain, Japanese visitors gathered outside the hall to sing the Kazakh national anthem. 'I've dreamed of hearing Kazakh music live,' said Rina Kawamoto from Fukuoka. We met guests from across Japan, including fans of Dimash Kudaibergen, who hope one day to visit Kazakhstan. 'I can't travel to Kazakhstan, so I came here from Fukuoka to experience Kazakh culture. I see people from so many countries here, all brought together by Dimash Kudaibergen's art,' added Kawamoto. Queues for the final concert Kazakhstan's National Day culminated in a major performance. Despite the rain, queues formed outside the Shining Hat venue hours before the doors opened. By the evening, around 3,000 people had gathered. The Birlik Dance Ensemble (meaning 'Unity') earned loud applause. Bringing together performers from across Kazakhstan's many ethnic groups, the ensemble was a fitting symbol of the day. The programme featured works by renowned composers Nurgisa Tlendiev, Karshyga Akhmedyarov, Latif Khamidi and Yevgeny Brusilovsky. Kazakhstan Pavilion nears its millionth visitor The Kazakhstan Pavilion remains one of the Expo's most popular attractions and is expected to welcome its one-millionth guest this month. It draws both locals and tourists with its rich showcase of Kazakh history and culture. Its centrepiece is ALEM (Astana Life Ex-situ Machine), an innovation in organ transplantation that preserves donor organs and allows treatment before surgery. 'Our pavilion is more than an exhibition,' said Kazakhstan's General Commissioner at World Expo 2025 Osaka, Kansai, Japan, Daulet Yerkimbayev. 'It's a conversation with every guest. We wanted to show that heritage and innovation are not in conflict. They're two sides of the same story.' The Kazakhstan Pavilion offers a rich and inspiring experience – from the traditional lifestyle of the Kazakh people to the most advanced medical innovations. These exhibits capture the spirit of the Expo's theme, Designing Future Society for Our Lives, by allowing visitors to connect with Kazakhstan and reflect together on the society of the future, said Japan's Parliamentary Vice-Minister of Economy, Trade and Industry, Kato Akiyoshi. 'I have been involved with the Osaka–Kansai Expo since the bidding stage, and as Secretary-General of the 2025 Japan World Expo Bid Committee, I had the privilege of visiting the 2017 Astana Expo. That visit left me with a deep sense of connection to Kazakhstan.' Sweet encounters at the pavilion At the pavilion, we also met travel blogger and polyglot Yuji Beleza, known for his love of Kazakh chocolate. He became popular online for videos where he gives out Kazakh chocolate bars around the world. 'This pavilion really shows the heart of Kazakhstan,' Yuji said. 'It's not only beautiful but also interactive – you can feel the culture, the hospitality, and see the country's innovations all in one place.' The upcoming Almaty–Tokyo direct flight The day closed with a look to the future: next year, Air Astana will launch a direct flight between Almaty and Tokyo, according to Minister Shakkaliyev. Since 1991, Kazakhstan and Japan have built strong partnerships in trade, investment, science, education, and environmental protection – and this new route is set to bring the two countries even closer.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store