New Brighton i360 owner Sarah Willingham reveals purchase price
Brighton i360 entered administration in November 2024 before closing suddenly the following month, with the loss of over 100 jobs.It reopened in March following Nightcap's takeover.The company plans to invest an additional £1.5m in hospitality space at Brighton i360 by September 2026, according to a March trading update.The city council agreed to finance construction of the observation tower in 2014 after planning permission was originally granted in 2006. The tower opened in 2016.
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South Wales Guardian
3 hours ago
- South Wales Guardian
Culture minister says ‘biggest anxiety' is public service broadcasters' budgets
The commissioning budgets of PSBs have been 'squeezed by the real-terms reduction of the BBC licence fee', as well as a reduction in advertising revenue, according to a report from the Culture, Media and Sport (CMS) Committee published earlier in the year. The MP also spoke about the Government's rejection of a streamer levy, after the report called for platforms, such as Netflix, Amazon, Apple TV+ and Disney+, to commit to paying 5% of their UK subscriber revenue into a cultural fund which would help PSBs through financing drama with a specific interest to British audiences. Speaking at the Edinburgh TV Festival, he said: 'We want to get a mixed economy. I love the fact that the streamers and big Hollywood houses make lots of shows in the UK … I want to mix it, to be making our own stuff.' Speaking about the importance of 'a mixed economy', he said: 'Film and TV, and high-end television in particular is fundamentally an international thing. 'I think that some politicians in the world don't seem to fully understand us, but one of the things I've been trying to achieve in the UK is, yes, it's great that the streamers do make fabulous stuff here, and lots of wonderful films made here. 'Tom Cruise is probably one of the biggest investors in the UK economy over the last decade. Brilliant. 'I really want to celebrate that, but I don't want everything that is made in the UK, all the IP (intellectual property), simply to go back to the West Coast of the United States of America. 'I'd like us to have some IP that remains here so that we can continue making investments and have strong UK production companies, which also make stuff which maybe sometimes is specifically made for a UK audience as well as for a wider audience. 'So I've been trying to make that mixed economy.' Cruise's blockbuster Mission Impossible films, particularly recent instalments, have frequently filmed in the UK, with locations including London, Derbyshire and the Lake District. Sir Chris added: 'My biggest anxiety is the state of public service broadcasting budgets, and if they haven't got any funding, they're not going to be making any progress.' After the report into British film and high-end television, chairwoman of the CMS committee, Dame Caroline Dinenage, said 'there will be countless distinctly British stories that never make it to our screens' unless the Government intervenes to 'rebalance the playing field' between streamers and public service broadcasters (PSBs).
Daily Mirror
4 hours ago
- Daily Mirror
ITV boss warns of 'challenging' changes to daytime ahead of huge cuts
ITV boss Kevin Lygo has lifted the lid on upcoming cuts to the channel's daytime offerings, admitting that certain shows are a huge expense to make ITV boss Kevin Lygo has insisted the channel will try to make their daytime shows look the same next year but admitted it will be 'challenging' - as he spoke out about the budget cuts to daytime. From January 2026 Lorraine Kelly's morning show on ITV will be cut from an hour to 30 minutes as more than 220 jobs across the station's daytime output are being cut, the broadcaster announced in May. Asked directly if the best days of daytime TV were behind them at ITV, ITV managing director Lygo said 'no, I don't think so' but admitted there would be changes. He said: 'As a commercial broadcast you earn most of your money with big audiences in peak time. That is what advertisers want and the cost of those has gone up and up and up. Those are the things that drive us commercially. 'Those morning shows have been on forever and they are brilliant and they are watched and they are seven hours of TV a day but they do cost a great deal of money. 'So we thought, is there a way of keeping those long standing brands on air and keeping the familiar faces on that give comfort to people? So the editorial brief was if you have a lot less money, which you will do from January, to try to make it so the audience isn't shocked. They should look more or less the same, they are less funded so that will be challenging to the producers. But unfortunately that means people doing a perfectly good job will lose their jobs because we need fewer people making them.' Lygo also defended the decision to keep Torode's John and Lisa's Weekend Kitchen on air on ITV after he was sacked from MasterChef following an independent report. Questioned over this decision to let him remain on screen, Lygo said he 'felt it was a bit much for us to jump on the bandwagon and just deny these shows to go out.' He added: 'We don't know the details, the BBC haven't come out with that. We pre-recorded those shows. We did ask the producers of our shows if there were any incidents and they said everything was fine.' Torode was sacked after the report, initially examining allegations against Wallace, upheld a complaint against him for use of racial language. Torode has apologised but denied the incident took place. In a separate session at the Edinburgh TV Festival, the BBC's chief content officer said the corporation 'acted fast' after misconduct allegations against former MasterChef presenter Gregg Wallace. Wallace, 60, issued an apology saying he was 'deeply sorry for any distress caused' and that he 'never set out to harm or humiliate', after a review said 45 out of 83 allegations made against him were upheld. Speaking at the Festival, Kate Phillips said: 'I think when complaints came to me about Gregg Wallace, which was 2019, when I dealt with it, I always dealt with it straightaway. 'So there were two complaints. I dealt with them. I acted on them fast. 'I think we weren't as joined-up in the BBC as we are now, so I didn't know about some of the historical things that had taken place. So if I'd known about those at the time, yes, I may have acted differently, but I acted on the information I was given. 'I think I acted responsibly. I left him in no doubt of the expected behaviour that we expect at the BBC, if you like. I stand by the actions I took at the time with the knowledge that I had.' ITV staff working on daytime were told in a meeting in May that 220 production staff out of 440 will lose their jobs On the other daytime shows as previously revealed in the Mirror there will be cuts to Loose Women which will see less panelists needed than the current rota of 26. One insider insister 8-10 might leave in the New Year and it would mean the next six months would see panelists being more outrageous and bold with their comments than normal to keep the spot on the show. ITV have insisted there will be no widespread cuts when it comes to panelists. Good Morning Britain will also see big cuts and changes but the one constant will be Susanna Reid. A source previously told the Mirror: 'When there are cuts this big normally no one is safe but Susanne Reid is someone ITV want to build the show around and is seen as an essential part of daytime. She is 100% safe from the cuts but will be very worried for friends she has on GMB and what the cuts mean for the quality of the programme on screen.' Hundreds of staff are now in a consultation process at ITV.
Rhyl Journal
9 hours ago
- Rhyl Journal
Culture minister says ‘biggest anxiety' is public service broadcasters' budgets
The commissioning budgets of PSBs have been 'squeezed by the real-terms reduction of the BBC licence fee', as well as a reduction in advertising revenue, according to a report from the Culture, Media and Sport (CMS) Committee published earlier in the year. The MP also spoke about the Government's rejection of a streamer levy, after the report called for platforms, such as Netflix, Amazon, Apple TV+ and Disney+, to commit to paying 5% of their UK subscriber revenue into a cultural fund which would help PSBs through financing drama with a specific interest to British audiences. Speaking at the Edinburgh TV Festival, he said: 'We want to get a mixed economy. I love the fact that the streamers and big Hollywood houses make lots of shows in the UK … I want to mix it, to be making our own stuff.' Speaking about the importance of 'a mixed economy', he said: 'Film and TV, and high-end television in particular is fundamentally an international thing. 'I think that some politicians in the world don't seem to fully understand us, but one of the things I've been trying to achieve in the UK is, yes, it's great that the streamers do make fabulous stuff here, and lots of wonderful films made here. 'Tom Cruise is probably one of the biggest investors in the UK economy over the last decade. Brilliant. 'I really want to celebrate that, but I don't want everything that is made in the UK, all the IP (intellectual property), simply to go back to the West Coast of the United States of America. 'I'd like us to have some IP that remains here so that we can continue making investments and have strong UK production companies, which also make stuff which maybe sometimes is specifically made for a UK audience as well as for a wider audience. 'So I've been trying to make that mixed economy.' Cruise's blockbuster Mission Impossible films, particularly recent instalments, have frequently filmed in the UK, with locations including London, Derbyshire and the Lake District. Sir Chris added: 'My biggest anxiety is the state of public service broadcasting budgets, and if they haven't got any funding, they're not going to be making any progress.' After the report into British film and high-end television, chairwoman of the CMS committee, Dame Caroline Dinenage, said 'there will be countless distinctly British stories that never make it to our screens' unless the Government intervenes to 'rebalance the playing field' between streamers and public service broadcasters (PSBs).
