On the Podcast: Bella Hadid Is British Vogue's June Cover Star! Plus: Harris Dickinson Makes His Directorial Debut at Cannes
Not only did Bella Hadid make a stunning entrance at the Cannes Film Festival this week, debuting her new blonde hair and challenging the naked dress ban, but she's also the cover star of British Vogue's June issue! On this episode of The Run-Through, hosts Chloe and Chioma dive into Bella's stunning shoot with Steven Meisel.
They also discuss the Knicks fever sweeping New York (especially our favorite floor-seat couple, Timothée Chalamet and Kylie Jenner) and Chioma's recent meeting with the Princess of Wales during the presentation of the Queen Elizabeth II Award for British Design.
Later in the episode, we revisit one of our favorite interviews: actor, director, and writer Harris Dickinson's conversation with Chloe and Marley Marius, Vogue's features editor, from late last year. In it, he opens up about his directorial debut, Urchin—which premieres at Cannes this spring—as well as his unforgettable Met Gala encounter with Nicole Kidman and all things Babygirl.
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Among the finest examples of the Roger Corman school of filmmaking (rooted in low-budget genre filmmaking but reaching unexpected heights), both 'Piranha' and 'The Howling' were written by John Sayles, who would go on to a notable career as a filmmaker in his own right. Also on Saturday will be will be a screening of 'Hellbound: Hellraiser II' with writer Peter Atkins and director Tony Randel present, as well as 'Return of the Living Dead 3' with director Brian Yuzna in person. Yuzna's 1989 cult classic 'Society' will also show. 'Personal Best' and 'Star 80' The New Beverly is featuring a double-bill of movies starring Mariel Hemingway on Monday and Tuesday: Robert Towne's 1982 'Personal Best' and Bob Fosse's 'Star 80' from 1983. 'Personal Best' was the directorial debut for the Oscar-winning 'Chinatown' screenwriter Robert Towne, who died in July of last year. The film stars Hemingway as a rising track star who falls in love with an older athlete, played by real-life Olympic track and field athlete Patrice Donnelly. Both are training for the 1980 Olympics. The film was noteworthy at the time for its frank depiction of a lesbian relationship, as well as its focus on the athletes at work. A January 1982 profile of Towne by Dale Pollack found him in a suite at the Westwood Marquis Hotel (now the W) 'filled with typewriters, phones, vodka bottles and stacks of yellowing newspapers.' In a sign of the moment (and mindset) in which he was making it, Towne took some objection to classifying 'Personal Best' as a gay-themed film, saying, 'I don't think in any way this is a lesbian or homosexual movie. What I'm interested in is how you deal with a society that encourages competition, and still care about other people. These two women are in love with each other. In order to place emphasis on who they're making love to, you have to show it. But there are only two minutes of sex in the film; there are two hours of competition.' I know I've talked about Bob Fosse and 'Star 80' around these parts a number of times before, but for me it always rates a mention. Thinking of the film specifically in relation to 'Personal Best' is worthwhile, as both films meditate on the use and meaning of women's bodies. Few films are as unsparing and dispiriting in their depiction of the star machinery of Hollywood as 'Star 80.' Hemingway plays Dorothy Stratten, the Playboy Playmate turned actor who was brutally murdered by her ex-husband and manager, played with psychotic commitment by Eric Roberts. In her original review of the film, Sheila Benson called it 'creepy' and added, 'Worst of all, there is a feeling of complicity that is not far from voyeurism that you get as part of 'Star 80's' audience, sitting through the increasingly morbid tightening of the story.' Two local theaters are finding unique ways to support their communities this summer. Vidiots is launching Movie Den, a program of tween and teen-centric matinees focused on engaging a new generation of film lovers. Underwritten by Mubi and Golden Globe Foundation, screenings will take place in the venue's microcinema. Tickets are $2 and popcorn is free. Titles in the program include 'Scott Pilgrim vs. the World,' 'Princess Mononoke,' 'Rear Window,' 'La Bamba,' 'Hairspray,' 'The Half of It,' 'Hot Rod' and more. In a statement, Maggie Mackay, executive director of Vidiots Foundation, said, 'As a mom to teens and a member of a community that has been through so much this year, it was important to me and our team that we try to make what we know will be a hard summer for so many a little easier, by expanding programming with an intention to get us out of the house, off devices and reconnected.' 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