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The Lincoln Lawyer Season 4: Release date rumors, cast updates and what to expect next

The Lincoln Lawyer Season 4: Release date rumors, cast updates and what to expect next

Business Upturn7 days ago
By Aman Shukla Published on July 16, 2025, 20:13 IST
If you're still recovering from that wild Season 3 finale of The Lincoln Lawyer , you're not alone. Mickey Haller (Manuel Garcia-Rulfo) getting framed for murder? Talk about a plot twist! Fans are dying to know what's next, so let's dive into the latest on The Lincoln Lawyer Season 4—when it might drop, who's in the cast, and what's coming up for our favorite lawyer working out of his Lincoln. When Can We Expect Season 4 on Netflix?
Netflix hasn't spilled the beans on an exact release date yet, but there's enough chatter to piece together a rough timeline. The cast and crew were filming in Los Angeles from February to June 2025, as Ted Humphrey, one of the showrunners, shared on Instagram. Looking at past seasons, post-production usually takes a few months—Season 1 hit in May 2022, Season 2 rolled out in July and August 2023, and Season 3 landed in October 2024. That pace suggests Season 4 could pop up around late 2025, maybe October or November. Some folks think it might slip to early 2026 since Netflix didn't mention it in their 2025 lineup. Either way, it's not too far off, and I'm already counting down! Cast Updates: Who's Returning and Who's New?
The core cast is set to return, bringing back the heart of Mickey Haller's legal team. Confirmed returning actors include: Manuel Garcia-Rulfo as Mickey Haller, the charismatic defense attorney now facing his toughest case yet.
Neve Campbell as Maggie McPherson, Mickey's ex-wife and a prosecutor, who will be a series regular after a limited role in Season 3.
Becki Newton as Lorna Crane, Mickey's legal aide and second ex-wife.
Jazz Raycole as Izzy Letts, Mickey's driver and former client.
Angus Sampson as Cisco Wojciechowski, Mickey's investigator and Lorna's fiancé.
Elliott Gould as David 'Legal' Siegel, Mickey's mentor.
Krista Warner as Hayley Haller, Mickey's daughter.
Notably, Yaya DaCosta's character, Andrea Freeman, a prosecutor and Mickey's love interest from Season 3, wasn't mentioned in the renewal announcement. Given her role in the story and Mickey's current legal troubles, her absence could be intentional to avoid conflicts of interest, but fans hope she'll make a return.
Season 4 is also bringing in exciting new faces to shake things up: Cobie Smulders , known for How I Met Your Mother , joins in a mysterious role that's being kept under wraps. There's even talk she could return for a potential Season 5.
Constance Zimmer as Dana Berg, aka 'Death Row Dana,' a tough prosecutor with ties to Maggie McPherson, set to face off against Mickey in court.
Sasha Alexander ( The Morning Show ) and Emmanuelle Chriqui ( Superman & Lois ) in undisclosed roles, adding star power to the season.
Jason O'Mara, Javon Johnson, and Nancy Silverton as guest stars, with roles like Jack Gilroy and Carter Gates, promising fresh dynamics. What to Expect in Season 4: Plot and Storyline
Season 4 is diving into The Law of Innocence , the sixth book in Michael Connelly's Lincoln Lawyer series. If you thought Season 3's ending was intense, buckle up. Mickey's in deep trouble after cops find the body of an old client, Sam Scales (Christopher Thornton), in his Lincoln's trunk. He's arrested, slapped with a murder charge, and stuck in jail with a $5 million bail. For once, Mickey's the one who needs defending, and he's got to do it from behind bars at Twin Towers in LA.
The season's going to be a wild ride, with Mickey fighting to clear his name and sniffing out a conspiracy that's got him in its crosshairs. Ted Humphrey called it Mickey's 'biggest challenge yet,' and I believe it. Expect plenty of courtroom showdowns, plus more of Mickey and Maggie's complicated relationship—Manuel Garcia-Rulfo hinted at some emotional moments between them. Lorna, Cisco, and Izzy will be all in to help Mickey, and with new characters like Dana Berg stirring the pot, there's no telling what twists are coming. Fans of the books might hope for a Harry Bosch cameo, but since Bosch is on Prime Video, that's probably a long shot.
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Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at BusinessUpturn.com
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There's Nothing Happy About This Meal: Wendy's and Netflix's Wednesday Cook Up a "Meal of Misfortune"
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  • Yahoo

There's Nothing Happy About This Meal: Wendy's and Netflix's Wednesday Cook Up a "Meal of Misfortune"

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‘Pokémon Concierge' Returns With New Guests and Heartfelt Adventures
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‘Pokémon Concierge' Returns With New Guests and Heartfelt Adventures

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Want to save money on your streaming? It's time to embrace commercials
Want to save money on your streaming? It's time to embrace commercials

USA Today

time33 minutes ago

  • USA Today

Want to save money on your streaming? It's time to embrace commercials

Every time I watch my favorite TV show, I have to sit through commercial breaks. And I don't mind. As a TV critic amid our current streaming revolution, I've sat comfortably on my couch enjoying my Netflix and Disney+ and HBO Max without ever having to suffer the indignities of a car commercial. Yet my obsession of the moment − the hilarious and somewhat niche British TV panel series "Taskmaster" − is only available in the U.S. on YouTube, and I don't pay to go ad-free. So betwixt and between every silly scene of Jason Mantzoukas doing a dumb-but-funny "task" comes an ad for a sports betting app or Dunkin' drinks, and my focus drifts away to my phone or my husband for five minutes, and then the British buffoonery begins anew. But I still get the laughs, and don't have to pay YouTube a cent. Faced with the choice of happily watching 19 seasons of "Taskmaster" with occasional ad breaks or watching my monthly bill for the major streaming services rise even more, I'm starting to come around to the idea that sitting through commercials isn't that bad. The price of streaming is getting out of control: Peacock is just the latest streamer to raise its monthly fees to the stratosphere: As of July 23, it costs $17 a month to watch the "Love Island" streamer without commercials. And that's just one among many: Watching the latest season of "Squid Game" without interruptions will nearly double the price of Netflix, to $18 a month. The rest of life is too expensive, with inflation hitting groceries, housing and everything else, for your entertainment to take up such a big part of your budget. If you subscribe to more than one service's premium ad-free tier, the costs add up quickly. To go ad-free, you're paying an extra $10 for Netflix, $6 for Disney+, $3 for Prime Video, $6 for Peacock, $7 for HBO Max, $5 for Paramount+ and $9 for Hulu. Tally it all up and suddenly "cutting the cord" is way more expensive than cable ever was: If you subscribed to all seven of these services, you could save $552 a year by watching ads. Many families are looking to cut frivolous expenses. But you don't need to sacrifice great entertainment for the sake of your budget. Just accept the commercial breaks. Your parents did it their whole lives. Though I might have once been a snob about sitting through ads, happily inhaling "Stranger Things," "Andor" or "The Summer I Turned Pretty" with nary an interruption, the increased prices have me coming back around again to this partial solution to our financial woes. I don't need premium everything. Just enough to get by. Streaming services led by Netflix burst onto the media landscape in the 2010s promising, among other innovations, commercial-free TV and movies. While broadcast and cable networks need ad breaks to pay the bills, Netflix, Hulu, Amazon Prime Video and the like promised your low monthly subscription fees were all they ever needed. So I, like so many of you, streamed with anti-capitalist glee, proud to not be learning any more cat-food jingles than I already knew. And if I wanted to watch a network or cable show I had plenty of commercial-free options, from next-day streaming to DVR. But that was when Apple only made technology, not TV shows, when a month of Netflix cost less than a Chipotle burrito and there were more than 400 new scripted TV shows premiering every year. Streaming was shiny and new and growing, the money for new shows flowed freely and there were only a handful of services to choose from. Now there are more than a baker's dozen of streamers, network TV is shrinking with increasing speed and prices are rising while simultaneously streamers cut back on their offerings. If you're ever going to make the jump back into the land of ad-supported TV, now is the time. Streamers are purposefully keeping those prices down to encourage viewers to switch from premium to ad tiers, because they can make more money that way by selling both commercials and subscriptions. The savings may not always be this big. I won't sugarcoat it: Commercials are annoying. There's a reason commercial-free TV was one of the original selling points of streaming. Ads are loud, manipulative and distracting to lure you into parting with more of your hard-earned cash. But once upon a time that was the only way to watch TV, yet access to outstanding classics, from CBS's "I Love Lucy" to NBC's "Friends" or ABC's "Lost," was worth the tradeoff. The idea of the commercial break is so ingrained in TV storytelling that writers have long used it to their advantage: Building the action to a cut-to-black before ads is a structure many classic TV series employ. Going back to watching that way is just like riding a bike, albeit one with "WELLS FARGO" printed on the side. But the pedals still work, the jokes still hit and everyone saves a dime or two.

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