The Panel Plus for 23 July 2025
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1News
a day ago
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Newsmakers: Looking back at NZ's first ever live Lotto draw
In this week's Newsmakers Revisited, we head back to the first-ever live Lotto draw in New Zealand. Radio presenter Doug Harvey and dancer Annie Wilson were the original hosts for the television debut on August 1, 1987. New Zealanders tuning into the draw were introduced to a very expensive piece of machinery - the barrel - a big plastic container holding the Lotto balls. In a sign of the times, people living rurally were given details of how they could get a ticket delivered by mail order. Also in the studio with the hosts were three scrutineers who sat and watched to make sure everything was above board. ADVERTISEMENT Wilson said that during the first draw, she wasn't thinking about the people who might be winning, but making sure she was at her best. "I don't think I thought about that at the time. I think I was just too busy reading the autocue and just making sure that knowing it was live, just to be on the ball, not to use a pun." She'd had to audition for the job by pretending the balls were falling and reading them out. The first ball of the first-ever lotto draw was number four, but Annie didn't have much time to dwell on the inaugural show — she had another performance to get to. "I was also performing in a show at eight o'clock that night. So literally, the draw happened, the champagne bottle, the cork got popped, and I had to go. "My mum was waiting outside in the little mini, [I was] changing into my costume over the Harbour Bridge and pulling my costume on, doing my makeup. Literally, someone shoved a mic on me and bang, I was on stage. It was a pretty funny night." Her love of the stage soon overcame her love for TV. She played Janet in the Rocky Horror Show with Russel Crowe and Sir Rob Muldoon. A stint as Dr Ropata's unfaithful fiancée on Shortland Street followed. ADVERTISEMENT But it was the weekly few minutes of the lotto draw that made people feel like they knew her, often stopping her on the street to say, "I hope you've got my numbers for Saturday". But those couple of minutes could be fraught. "One day, there was a light that exploded about a minute before we were about to go live. And it was just chaos and panic and sweeping up glass. "So those things happen. And I think one night we couldn't even do the draw because the machine wouldn't work. So we had to come on and say, 'Sorry. Here we are, but we can't do it'." However, that first draw in August 1987 went off without a hitch, with a Division One prize pool of $359,808.45.
RNZ News
2 days ago
- RNZ News
Telling Tales: Sue Vice
Professor Sue Vice Photo: SUPPLIED/University of Sheffield The current controversy over the authenticity of Raynor Winn's The Salt Path has given rise to a broader discussion about the nature and prevalence of literary hoaxes. Should a memoir be held to the same standard of accuracy as an autobiography? How do we distinguish fact from personal truth, perception from pure fraud? Professor Sue Vice is a lecturer at the University of Sheffield's School of English and the author of Textual Deceptions: False Memoirs and Literary Hoaxes in the Contemporary Era . Sue explains to Perlina she became interested in this field after herself falling victim to a literary hoax as a reader, many years ago. Books in a bookshelf. Photo: Unsplash / Jessica Ruscello
RNZ News
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The Detail: Reality TV's Achilles heel
Love Island logo Photo: Love Island Facebook Reality TV's summer of love ended with laughter, celebration and cheers, but no amount of fireworks could make up for what's arguably been Love Island UK' s most controversial season. Misogyny, sexist comments and bullying behaviour - show producers have been inundated with complaints about some of this season's contestants. One episode in particular prompted more than 1000 complaints and a call from Women's Aid UK. Today, The Detail speaks to senior entertainment writer Tara Watson about the show's problematic history and Jane Herbert, an associate professor in developmental psychology from Wollongong University, about the wider implications of reality TV. "We learn through just watching and observing the things that are in our world," Herbert said. "When we've got lots of programmes... presenting these extreme views to people, they start to see those behaviours as 'it's in my environment all the time, this must be the way that we're supposed to act'." Shows like Love Island are premised on creating as much drama as possible and one issue that arises is bigotry - when an individual has such a strong view on something that they refuse to even acknowledge another view. "We're not understanding what we might call a theory of mind, that people have other opinions that might be different from ours and that it's worthwhile listening to those opinions," Herbert said. It's important to note that Love Island UK isn't the only reality TV show with issues. Most recently, MasterChef UK fired two of its hosts , after separate allegations of racist remarks and sexual misconduct were substantiated. The host of another reality TV show - The Repair Shop - has recently been charged with two counts of rape . Ultimately, it is up to individuals to choose what they watch and how much they consume, but Herbert said the widespread popularity and tactical evening release time made shows like Love Island UK difficult to ignore. With the rise of social media and online streaming, access to these kinds of shows - whether that be through full length episodes or short social media clips - is easier than ever. "It's changed a lot from when we were younger and we only had a couple of channels, and everyone watched the same thing. "Now our viewing is very individual. We can pick and choose when we watch it, we can be watching it sometimes when we are in very vulnerable states and we can also share snip-bits with people as well, and present very distorted views," she said. Herbert didn't think we should get rid of reality TV, arguing it could actually bring up important discussions. "Number of partners or what things we enjoy in sex, there might not be a normal conversation and watching shows like [ Love Island ] might be helpful for getting some of those views out;" she explained. "When it becomes unhelpful is when you only hear one side of the story or one becomes very dominant." Despite all its flaws, the genre remains incredibly popular. After facing a slump in previous years, this season's viewership of Love Island UK rose to over 2.6 million for the first episode. "It feels like it's reality," Herbert said. "These shows, they draw us in, because we don't know exactly what's going to happen next. "The target audience for these ones [ Love Island ] are vulnerable people who are just learning about relationships... so we need to think about the way we support people, when they're watching these sorts of shows." Check out how to listen to and follow The Detail here . You can also stay up-to-date by liking us on Facebook or following us on Twitter .
