
Absolutely Everything We Know About Sam Taylor-Johnson
It's been an exciting week for red carpets. Under 24 hours after Jurassic World Rebirth made its premiere in Leicester Square, London, the highly anticipated 28 Years Later had its world premiere.
The film is a sequel to Danny Boyle's post-apocalyptic horror film, and features a star-studded cast including Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes and Alfie Williams, a 14-year-old newcomer set to make an impact on the big screen.
The film is set 30 years after the original, and focuses on how humanity has adapted to survive. True to the film's style, the red carpet was decorated with biohazard signs and in one section, several skulls.
Joining Aaron on the red carpet was his wife, Sam Taylor Johnson, who he's been with for 15 years. The pair put on a loved up display at the premiere, and lots of people are curious to know more about the woman who captured Sam's heart.
Sam Taylor-Johnson is a director, whose debut was Nowhere Boy, in which Aaron played a future John Lennon. It was hugely successful, and Sam went on to cement her name in the industry. In an interview with Vanity Fair, she spoke about her decision to cast Aaron as John Lennon.
'It wasn't about, "Oh this guy looks like Lennon,"' Sam told the outlet. 'Because I think, as you said, by the time you finish watching the film it doesn't matter that Aaron's not identical to him. He's sort of embodied the spirit of him, which I think was much more important to try and get across.'
Over her career, Sam has a number of successful movie titles under her belt, including Back to Black, Fifty Shades of Grey, and A Million Little Pieces.
Sam Taylor-Johnson was born on 4 March 1967, making her 58-years-old. This means there's a 23-year-age gap between her and Aaron, who is 35-years-old.
The pair have addressed this age gap in past interviews. 'I don't really analyse our relationship,' Sam told Mr. Porter. 'I just know that it works. I just feel secure and loved and safe. We have this very deep connection. We're just in sync.'
In a 2017 interview with The Hollywood Reporter, Sam said: 'If I gave a second thought to other people, I would be the unhappiest person, probably still in a miserable marriage. People like to talk about it. I'm like, 'Yeah, but it works better than my last marriage'. It's lasted longer than a lot of my friends' marriages.' Prior to meeting Aaron, she was married to the art deal Jay Joplin for eleven years, and the couple have two daughters.
Aaron told The Telegraph in 2019 he 'knew instantly' that Sam was his 'soulmate'.
The couple had a whirlwind romancer that all began on set. Aaron and Sam met in 2008 filming Nowhere Boy, which was Sam's directorial debut. Aaron was 18 when they met, and Sam was 42. Things moved pretty quickly from there; the pair the following year and got married in 2012 after having two children together, who were born in 2010 and 2012.
'We were very professional through the entire film. ... But everyone on set knew. And as soon as we finished, he told me he was going to marry me. We had never been on a date, or even kissed,' Sam told Harper's Bazaar in 2019.
Aaron added: 'And a year to the minute after we met, exactly one year to the minute, I got down on one knee and asked her to marry me.'
In a 2013 interview with The Independent, Aaron gushed that Sam was a wonderful mother. 'My whole thing, my priority, is my family, my kids, and my wife,' he told the newspaper. 'That's my future. I don't really care about what role is next. I don't live to act, to go from job to job ... I live for my wife and my kids and I wake up to them and that's what I enjoy.'
Sam was previously married to Jay Jopling, an art dealer and gallerist, and Sam was working as a photographer at the time. The couple wed in 1997 and had two children together, before announcing their split in 2008.
In a joint statement, they said: 'Jay Jopling and Sam Taylor-Wood are saddened to announce that, after 11 years of marriage, they have agreed amicably to separate. No other parties are involved.'
The statement continued, 'For the sake of their two daughters, who are their number one priority, they have asked that their privacy be respected.'
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Times
an hour ago
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Graziadaily
an hour ago
- Graziadaily
The Verdict Is In On 28 Years Later - Here's What Film Critics Say
With heatwaves continuing around the country all week, it's not exactly horror film weather, yet the highly anticipated sequel, 28 Years Later, lands in cinemas on 20 June. The follow up to Danny Boyle's last post-apocalyptic films, 28 Days Later and 28 Weeks Later, the third instalment promises to be every bit as terrifying. The stellar cast features Jodie Comer, Ralph Fiennes, Edvin Ryding, Aaron Taylor-Johnson and Jack O'Connell. The film will be closely followed by 28 Years Later: The Bone Temple, which is out in January, and was shot back to back with the film out this month. The latter also stars Hollywood stalwart Cillian Murphy, famed for dedicating himself to his roles, who was rather unfortunately mistaken for the zombie on the film's poster. There's certainly a lot of hype around the movie – and an assumption that, despite the blazing sun, fans of the first two will flock to a cold, dark cinema to watch it in their droves. Is that something you should consider doing this weekend? And how do the critics think it fares against Boyle's first two horrors? Read below to find out. According to the synopsis, the third instalment picks up three decades since the rage virus escaped from a biological weapons laboratory. Still living in a ruthlessly enforced quarantine, some have found ways to exist amid the infected. One such group lives on a small island connected to the mainland by a single, heavily defended causeway. When one of them decides to venture into the dark heart of the mainland, he soon discovers a mutation that has spread to not only the infected, but other survivors as well. The review embargoes lifted 24 hours before the film hit cinemas and locked in an impressive 93% rating on Rotten Tomatoes. Most critics seem to agree that 28 Years Later is well worth the wait and the story has benefitted from the lengthy gap between instalments. It has also received 7.4/10 on iMDb. One top critic summarised, 'A deeply earnest film, a picture whose sincerity is initially off putting until it's endearing.' Another wrote, ' 28 Years Later is a disorienting barrage of visuals and ideas that works more than it doesn't.' A third put, 'This one feels like a true and proper sequel that, like the original, goes in directions completely unexpected for the genre.' Robbie Collin at The Telegraph has awarded the film five stars and described it as 'transfixingly nasty' and 'a terrifying vision of Britain turning in on itself'. NME also gave the film five stars, with Jordan Bassett calling the film 'brilliantly bizarre' and says it 'turns the franchise on its (decapitated) head'. The Guardian 's chief film critic Peter Bradshaw was less gushing, however. 'This tonally uncertain revival mixes folk horror and little-England satire as an island lad seeks help for his sick mum on the undead-infested mainland,' he wrote. The same goes for Clarisse Loughrey at The Independent who also gave it three stars. Her headline captures her response: ' 28 Years Later feels like being repeatedly bonked on the head by the metaphor hammer.' Meanwhile, Ben Travis at Empire offered four stars. ' 28 Years Later brims with thematic resonances, a canvas on which to illustrate a national identity-crisis,' he writes. 'There is a clear Brexit analogy in a country experiencing isolationism — the rage-ravaged Britain secluded from the world; its people secluded from their own land.' Caryn James at the BBC described the film as a 'monster mash up' which is 'never dull', awarding four stars. 'Separated from the original in every way except its source story, for a long stretch the film lands as a more visually stunning, less emotionally rich variation on The Last of Us ,' the review reads. And it's five stars from the Evening Standard , describing the film as a 'freakshow slaughter fest' and a 'monstrous delight'. Nick Howells writes, 'They've stuffed this film full to the brim. There are even themes of toxic masculinity and assisted dying for those looking for zeitgeisty triggers.' With relatively mixed but overall positive reviews, an incredible cast and a lot of hype, it definitely sounds like 28 Years Later is worth your time. If you still need convincing, watch the trailer below. Nikki Peach is a writer at Grazia UK, working across entertainment, TV and news. She has also written for the i, i-D and the New Statesman Media Group and covers all things pop culture for Grazia (treating high and lowbrow with equal respect).