
Finas committed to take local talents to international stage
The National Film Development Corporation of Malaysia (Finas) is committed to boosting the presence of local talents and works at the international level through various strategic initiatives, including support funds, participation in world film festivals and cross-government agency collaboration.
Its chairman Datuk Hans Isaac said the achievements of local actors in the foreign film industry are gaining prominence and need to be supported comprehensively to become a catalyst for the development of the country's creative industry.
"Finas is very proud and fully supports the success of local production companies and individual talents who have succeeded in penetrating the international market. This success proves that our creative industry can be accepted and compete at the international level," he said.
He added that among the main initiatives provided by Finas are the Creative Content Fund (DKK), Film In Malaysia Incentive (FIMI), human capital development funds and international market participation funds, as well as promotions and facilities for high-potential works.
Hans said Finas also provides international synergy routes through participation in major world film festivals and markets such as Cannes, Berlinale and Busan, as well as establishing collaborations with agencies such as the Ministry of Investment, Trade and Industry (MITI), embassies and foreign agencies as facilitators for local industry players.
He said the long-term goal is to produce more successors to international industry figures such as Tan Sri Michelle Yeoh and Henry Golding, as well as behind-the-scene professionals.
Among the local talents currently stealing attention abroad is young actor Irfan Zaini who has the opportunity to star in a film in India with the country's famous star, Vijay, thus making him one of Malaysia's new faces on the global stage.
Irfan, who was previously active on the local screen, described cross-country collaborations as the best space to gain experience and bring Malaysia's name to a higher level in the film world.
Commenting on the development, Hans described Irfan's success as a tribute to the industry and a testament to the abilities of local people if given the opportunity and support.
"I hope Irfan will take this opportunity to bring glory to the country's creative industry and be an example to other industry players. Finas is very proud of his achievements," he said. – Bernama
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Star
9 hours ago
- The Star
The claw grip is trending, and it says a lot about women's fashion woes
Everywhere you look, women have their hands full. They are clutching water bottles, phones, cups of matcha and wallets. Now that it's summer, sunglasses dangle off the pinkies of already stuffed hands. Never mind that women's handbags, where these items could theoretically live, make up an entire industry and that bigger bags, in particular, are having a moment. The phenomenon, in which women are gripping their necessities without the aid of pockets or bags, is called the claw grip, and on social media, it has been crowned as a secret superpower. In one video on TikTok, a woman challenged herself to carry as many items as possible in one hand. She managed 15, including a lip balm, a pen, a bottle of hand sanitiser, a Kindle, a notebook, a wallet, a power bank, a comb and three water bottles. Read more: Why toes are taking over: Fashion's growing obsession with feet-first style An Instagram account dedicated to girls carrying things (which uses a profane synonym for 'things' and sometimes goes by GCS) posts images submitted by users of their hands full of various bric-a-brac. 'I have seen my grandma do the claw grip all her life,' comedian Atsuko Okatsuka said in an email. 'Every grandma of every culture and race always has, like, a napkin or a piece of trash that they've been carrying around for a long time, maybe years. 'I have taken on the passed-down tradition of claw hands myself,' she added. 'Whether it's mayonnaise packets, or napkins or my cellphone, I am always holding stuff.' For Halle Robbe, personal experience with this tradition prompted her to create the GCS account on Instagram. In 2021, Robbe had run out to a nearby bodega. 'I just brought my keys, my wallet and my AirPods with me, and then I was going to get a Red Bull,' she said, noting that she did not bring a bag. 'I had it all in my hand so I took a photo and put it on my personal Instagram with some silly caption that was some version of, like, 'After hundreds of years of evolution, this is what I can do.'' Her friends responded to her post almost immediately, saying they do the same thing. Robbe created the GCS account that same day. She initially solicited photos from friends and co-workers, and now she receives more than 100 submissions a day. 'I think we've all been there when we have just, like, an assortment of stuff and we're running out the door,' said Abby Cox, 29, a fashion historian and a YouTube content creator. 'I need to make sure I have my glasses. I need my water bottle. Do I need to bring a snack? 'And so you're going out the door with your purse,' she added, 'And then the stuff that should be in your purse.' A popular theory around the origins of the claw grip is that it is a reaction to the fashion industry's refusal to provide women with the functional pockets that are standard in men's clothing. It was not always this way. As far back as the Regency and Victorian eras, women had pockets in the form of bags that were tied around their waists underneath their big, flouncy skirts, Cox said. Their dresses had slits through which women could access these pockets, which could be as big or small as necessary. Cox added: 'They would have pockets in the hems of skirts or they would have what we call butt pockets, because in the back pleats of gowns, you could hide a deep pocket.' In one of her YouTube videos, in which she is dressed in Victorian clothing, she put an entire bottle of prosecco in such a pocket. In the late 20th century, as female clothing shifted toward narrower silhouettes and lighter textiles, substantial pockets became difficult to incorporate, so they were sized down or erased from garments altogether, she said. In February 2024, Hailey Bieber's brand, Rhode, released a phone case with a built-in lip gloss holder that generated a wait list of more than 200,000 interested customers. Now the case and the lip gloss have become immediately recognisable, partly because of how many times they're seen peeking through women's hands – or particularly, Bieber's hands. This month, Glossier – which from its earliest days had packaged items in pink transparent reusable pouches – released a pair of terry-cloth shorts with a sliver of a pocket that fit only lip balms. There are also side pockets, which could fit a phone, and a single belt loop, potentially for key rings. There are also theories that the claw grip reflects the chaos of the minds of women who are thinking through to-do lists and mentally writing text messages and running errands all at the same time. 'I think holding things in our hands actually is our need to keep something in control,' Okatsuka said. 'I started getting submissions that were like, 'Oh, I'm carrying XYZ and the weight of the world' or something metaphorical like that,' Robbe said. The claw grip, she added, could be seen as 'an extension of or in parallel with the mental and emotional and spiritual burdens that women carry'. Read more: From kopitiam to cool: How the white tank top became a style staple for men It is an idea that artist Maira Kalman started to explore three years ago. 'One day at a farmers market, I saw a woman carrying an absolutely gigantic cabbage,' Kalman said in a 2023 TED Talk. 'It made me think of all the things women hold, literally and metaphorically.' Yes, they hold cabbages, balloons, phones. But also, in her own words, "the home and the family and the children and the food". "The friendships, the work, the work of the world and the work of being human. The memories and the troubles and the sorrows and the triumphs and the love. Men do as well, but not quite in the same way,' she added. She turned her observations into a book of paintings. It is called Women Holding Things. – ©2025 The New York Times Company This article originally appeared in The New York Times.


The Star
13 hours ago
- The Star
Let it stylishly hang loose: Untucked shirts are all the rage right now
Somewhat unkempt, yet considered, this short-sleeve shirt is tucked in at the front, but hanging out slightly at the back. Photo: Instagram/Prada If fashion would have it, every day would be a dress-down Friday. Shirts are hanging out and proud, and we're not just talking polos, but crisp office shirts and even formal tuxedo ones. It's a deliberate departure from stiff, formal traditions, allowing shirttails fly free as a kind of modern nonchalance. It's fashion's way of saying, 'I'm not obsessed with fashion, but I am effortlessly aware.' It's a calculatedly casual way to look hip, cool and unbothered. This undone, off-duty trend carries an undercurrent of rebellion, which accords the wearer a certain rakishness. While this style may be relaxed, it does take some thought. The shirt has to be the right length, the fabric intentional, and the rest of the outfit, whether tailored trousers or casual denim, needs to balance the ease. Read more: Why toes are taking over: Fashion's growing obsession with feet-first style It's a look that requires a sense of fashion, perhaps a little swagger too, or you might end up looking sloppy than stylish. This Japanese label gives the trend a modern spin with a simple half-tuck that makes the undone look feel sharply styled. Photo: Instagram/Sacai The style can be seen in the Spring/Summer 2026 Louis Vuitton menswear collection where a traditionally formal pairing comprising beige trousers and white shirt complete with necktie is layered with a buttoned-up pink sweater. At first glance, nothing appears out of the ordinary. But the white shirt is worn untucked, its hem peeking out beneath the sweater, lending the outfit a quietly rebellious edge. Over at the much-awaited Spring/Summer 2026 Dior menswear collection, new Dior designer, Jonathan Anderson, champions a similarly untucked spirit. A light blue and white pinstripe shirt is not only left untucked, but its cuffs are left undone. Even the necktie is rendered inside out, which is a deliberate design quirk rather than a wardrobe blunder. Tailored, with a fun and casual twist! Japanese label Sacai's take on the trend is half-tucked, and we're here for it. A pair of black, baggy trousers is styled with a white shirt that is tucked in on one side, left to hang loose on the other. Read more: Slim, sequinned, silky: Scarves and neckerchiefs steal the fashion spotlight Turning up the drama is Kenzo, where an evening suit, coat and all, gets a cheeky remix where a white tuxedo shirt is tucked out, and the bow tie? Untied, of course. Call it bold or playful, it's a fresh take on evening wear. Chinese actor Deng Wei joins in with a brown Moschino suit, his crisp white shirt left untucked for just the right touch of ease. Then there's Prada, its striped short-sleeve shirt that is tucked in at the front, but hanging out slightly at the back. A little undone, but in a cool way. Dashing but not too neat. Now that's what you call a tuck with attitude.


Sinar Daily
16 hours ago
- Sinar Daily
Irfan Zaini aims to bridge Malaysian, global film industries
Irfan, whose full name is Muhammad Irfan Mohamed Zaini, 30, achieved an impressive milestone by appearing in three Tamil films alongside renowned star Thalapathy Vijay, 51, who is also actively involved in politics in Tamil Nadu, India. 27 Jul 2025 12:01pm According to Irfan, the opportunity to act in India did not come easily. It required nearly five years of back-and-forth travel, meeting directors and producers, and even being scammed by individuals who made false promises. - Bernama photo KUALA LUMPUR - Behind his calm demeanour and modest smile, rising actor Irfan Zaini harbours a big dream-not just to be known on the local screen, but to serve as a bridge connecting the Malaysian film industry to the international stage. Irfan, whose full name is Muhammad Irfan Mohamed Zaini, 30, achieved an impressive milestone by appearing in three Tamil films alongside renowned star Thalapathy Vijay, 51, who is also actively involved in politics in Tamil Nadu, India. Irfan said that in trying to break into the Kollywood industry, there's no set strategy to follow, but his deep passion drove him to work hard and patiently wait for his chance. - Bernama photo The young actor from Kuala Lumpur made his debut in the film Kuruvi (2008) at the age of 12, followed by Greatest of All Time (GOAT) (2024), and is now working on Jana Nayagan, which is currently in production and expected to be released early next year. According to Irfan, the opportunity to act in India did not come easily. It required nearly five years of back-and-forth travel, meeting directors and producers, and even being scammed by individuals who made false promises. "People think I went there and immediately got acting roles, but the truth is, I lost a lot of time, money, and energy. Many are still waiting for their chance, but I consider myself lucky because I was desperate to act in India,' he said in an interview with Bernama recently. He said that in trying to break into the Kollywood industry, there's no set strategy to follow, but his deep passion drove him to work hard and patiently wait for his chance. "Maybe others would have given up halfway,' he added. Irfan, who gained recognition among Malay audiences after starring in Blood Brothers: Bara Naga, said acting in India opened his eyes to the vastly different work culture, with productions managed in a more professional and structured manner. "In Malaysia, a film might have only two to four assistant directors. But in India, they can have over 20. "Each has a specific role-some handle the filming locations, others coordinate hundreds or even thousands of crew members, and some focus solely on planning complex sets like large-scale action scenes. Everything needs to be managed efficiently and quickly,' he explained. He added that most film crew members in India are part of a film workers' union that protects their welfare, including compensation in the event of injury or death during filming. "But in terms of quality-like camera work and storylines-I think Malaysia is already on par with India, even though our films are mostly made with smaller budgets,' he said, expressing his determination not only to make a name abroad but also to open more doors for collaboration between the Malaysian and international film industries. He pointed to the Indian film industry's recent focus on pan-India films, which bring together actors and crew from different regions such as Tamil, Telugu, Hindi, and Malayalam, and are released in multiple languages simultaneously-creating a nationwide phenomenon. "If they can bring together actors from different cultures and languages, I believe we too can start collaborating with neighbouring countries like Korea, Thailand, or Indonesia. "So when foreign actors appear in our films, our market will grow even bigger,' he said, believing that such a model could elevate Malaysian cinema on the global stage. - BERNAMA