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EA Reportedly Cancels Black Panther Game, Shutters Cliffhanger Studio

EA Reportedly Cancels Black Panther Game, Shutters Cliffhanger Studio

CNET29-05-2025
Almost two years after it was initially announced, EA has reportedly canceled a Black Panther game that was in the works, and the publisher closed the studio that was developing the game.
According to a report from IGN, news of the Black Panther game's cancellation came on Wednesday. Along with canceling the game and closing the studio, EA laid off additional workers from various teams, but there were no specifics on the number of people affected.
An email from EA Entertainment President Laura Miele laid out these changes along with details about layoffs, saying they were to "sharpen our focus and put our creative energy behind the most significant growth opportunities," according to IGN.
"These decisions are hard," Miele wrote in an email, according to IGN. "They affect people we've worked with, learned from and shared real moments with. We're doing everything we can to support them, including finding opportunities within EA, where we've had success helping people land in new roles."
EA didn't immediately respond to a request for comment on the game's cancellation.
EA formed Cliffhanger Games to develop the open-world single-player Black Panther game. Heading the studio was Kevin Stephens, a former VP of Monolith Productions, which made the Middle-earth: Shadow of Mordor and Middle-earth: Shadow of War games. Few other details about the game were known other than that it was supposed to take place in Wakanda, the fictional home of Black Panther.
This Black Panther game is different than the Marvel 1943: Rise of Hydra game that was announced back in 2022. That game was expected to feature Captain America and Azzuri, T'Challa's grandfather, who was the Black Panther during World War II. Marvel 1943 is being published by Skydance New Media, partnered and Plaion, and was initially planned to come out this year, but Skydance announced earlier in the month that the game is being pushed back to early 2026.
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Gilat Awarded Over $60 Million for Stellar Blu ESA Sidewinder Terminals
Gilat Awarded Over $60 Million for Stellar Blu ESA Sidewinder Terminals

Yahoo

time16 minutes ago

  • Yahoo

Gilat Awarded Over $60 Million for Stellar Blu ESA Sidewinder Terminals

Orders mark milestone for Gilat's linefit ESA strategy, driving in-flight connectivity expansion PETAH TIKVA, Israel, Aug. 20, 2025 (GLOBE NEWSWIRE) -- Gilat Satellite Networks Ltd. (NASDAQ: GILT, TASE: GILT), a worldwide leader in satellite networking technology, solutions, and services, announced today that its Commercial Division has been awarded more than $60 million in orders from a leading satellite operator for its Stellar Blu ESA Sidewinder in-flight connectivity terminals. Deliveries are expected in the next 12 months. These orders, for hundreds of additional Sidewinder ESA terminals, support new airline fleet awards in retrofit and the first production run of Sidewinders for the eventual OEM linefit terminal for Boeing. 'The Stellar Blu Sidewinder ESA is redefining airborne connectivity with the performance and flexibility today's aviation customers demand,' said Tracy Trent, President, Gilat Stellar Blu. 'This momentum is opening significant opportunities to expand into high-value markets like VVIP and special mission aircraft, delivering advanced solutions that meet the most demanding connectivity requirements.' About Gilat Gilat Satellite Networks Ltd. (NASDAQ: GILT, TASE: GILT) is a leading global provider of satellite-based broadband communications. With over 35 years of experience, we develop and deliver deep technology solutions for satellite, ground, and new space connectivity, offering next-generation solutions and services for critical connectivity across commercial and defense applications. We believe in the right of all people to be connected and are united in our resolution to provide communication solutions to all reaches of the world. Together with our wholly owned subsidiaries, Gilat Wavestream, Gilat DataPath, and Gilat Stellar Blu, we offer integrated, high-value solutions supporting multi-orbit constellations, Very High Throughput Satellites (VHTS), and Software-Defined Satellites (SDS) via our Commercial and Defense Divisions. Our comprehensive portfolio is comprised of a cloud-based platform and modems; high-performance satellite terminals; advanced Satellite On-the-Move (SOTM) antennas and ESAs; highly efficient, high-power Solid State Power Amplifiers (SSPA) and Block Upconverters (BUC) and includes integrated ground systems for commercial and defense markets, field services, network management software, and cybersecurity services. Gilat's products and tailored solutions support multiple applications including government and defense, IFC and mobility, broadband access, cellular backhaul, enterprise, aerospace, broadcast, and critical infrastructure clients all while meeting the most stringent service level requirements. For more information, please visit: Certain statements made herein that are not historical are forward-looking within the meaning of the Private Securities Litigation Reform Act of 1995. The words 'estimate', 'project', 'intend', 'expect', 'believe' and similar expressions are intended to identify forward-looking statements. These forward-looking statements involve known and unknown risks and uncertainties. Many factors could cause the actual results, performance or achievements of Gilat to be materially different from any future results, performance or achievements that may be expressed or implied by such forward-looking statements, including, among others, changes in general economic and business conditions, inability to maintain market acceptance to Gilat's products, inability to timely develop and introduce new technologies, products and applications, rapid changes in the market for Gilat's products, loss of market share and pressure on prices resulting from competition, introduction of competing products by other companies, inability to manage growth and expansion, loss of key OEM partners, inability to attract and retain qualified personnel, inability to protect the Company's proprietary technology and risks associated with Gilat's international operations and its location in Israel, including those related to the hostilities between Israel and Hamas. For additional information regarding these and other risks and uncertainties associated with Gilat's business, reference is made to Gilat's reports filed from time to time with the Securities and Exchange Commission. We undertake no obligation to update or revise any forward-looking statements for any reason. Contact: Gilat Satellite NetworksHagay Katz, Chief Products and Marketing Officerhagayk@ Alliance Advisors:GilatIR@ +1 212 838 3777Error al recuperar los datos Inicia sesión para acceder a tu cartera de valores Error al recuperar los datos Error al recuperar los datos Error al recuperar los datos Error al recuperar los datos

Watch out, Orlando, a new world theme park capital is rising in the Arabian desert
Watch out, Orlando, a new world theme park capital is rising in the Arabian desert

CNN

timean hour ago

  • CNN

Watch out, Orlando, a new world theme park capital is rising in the Arabian desert

The Middle EastFacebookTweetLink Follow EDITOR'S NOTE: This CNN Travel series is, or was, sponsored by the country it highlights. CNN retains full editorial control over subject matter, reporting and frequency of the articles and videos within the sponsorship, in compliance with our policy. For decades, Orlando has reigned as the global capital of theme parks — a place where Disney, Universal, SeaWorld and countless other attractions have drawn millions of visitors. But a challenger for the crown has emerged from an unlikely place: the deserts of the Arabian Gulf. In a destination once known more for oil wealth and camel racing than roller coasters, Abu Dhabi is building an adrenaline-charged playground that could give Orlando a run for its money. And it just landed the ultimate weapon: Disney. In May 2025, when Disney announced its first new theme park in 15 years, it chose Abu Dhabi over other key theme park destinations in California, Japan and even Orlando. There was 'no question,' says Josh D'Amaro, chairman of Disney Experiences. The UAE capital, already home to Ferrari World, with the world's fastest roller coaster; Warner Bros. World (built under license by CNN's parent company, Warner Brothers Discovery); Yas Waterworld, an epic network of slides and pools; and more recently, SeaWorld Yas Island Abu Dhabi. It's clear the emirate is emerging as the most serious challenger Orlando has ever faced. Disneyland Abu Dhabi, expected to open on Yas Island in the early 2030s, will be the company's most technologically advanced park ever. Renderings show a shimmering, futuristic tower at its center — more closely resembling Abu Dhabi's gleaming skyline than a traditional European castle. It will be the first Disney resort set on an accessible shoreline, located just 20 minutes from downtown Abu Dhabi. What began as a shared passion between two friends has grown into the "Abu Dhabi House Movement" — a fast-growing community redefining the city's music scene. Co-founder Tom Worton takes us inside this grassroots world, where music lovers, DJs, and cultural spaces collide. The theme park will be developed, built and operated by Miral, the Abu Dhabi company behind Yas Island's roster of other attractions. Disney Imagineers will handle creative design and operational oversight, making sure the new park is in keeping with Disney's brand. Miral's CEO, Mohamed Abdalla Al Zaabi, says demand already exists: 2024 saw a 20% rise in theme park attendance on Yas Island. And expansion is already in the works — a Harry Potter–themed land at Warner Bros. World, more record-breaking rides at Ferrari World, new themed hotels, and even two beaches along Yas Bay Waterfront. Abu Dhabi's location, a medium-haul flight away from both Europe and Asia, and relatively short hop away from India, means millions of potential visitors are within relatively easy reach. 'This isn't about building another theme park,' Saleh Mohamed Al Geziry, Abu Dhabi's director general of tourism, told CNN. 'It's about defining Abu Dhabi as a global destination where culture, entertainment and luxury intersect.' Abu Dhabi's rise comes as Orlando and US tourism more broadly face headwinds. International travel to the US has slowed recently, with lengthy visa processes, unpredictable immigration checks, and heightened security scrutiny all blamed for deterring visitors. Abu Dhabi currently offers a smoother alternative to the US. Many nationalities can enter the UAE visa-free or with an e-visa, and the capital's airport — currently being expanded — has a reputation for fast border processing and easy connections. Despite wider regional tensions, Abu Dhabi continues to position itself as a safe, reliable tourism hub. The UAE ranked highly on the 2024 Global Peace Index. 'In times of uncertainty, people look for destinations they can trust,' Al Geziry added. Once on Yas Island, visitors experience indoor, climate-controlled attractions, shorter lines, and a level of sophistication not typically associated with theme parks. 'For families used to theme parks in the US or Europe, Abu Dhabi is a revelation,' says Steven Hopkinson, a British expatriate living in Abu Dhabi. 'You don't spend hours waiting in the heat, and everything feels more refined, more accessible, which is such a luxury when you're with small children.' Orlando may have Florida sunshine, but in summer it also has humidity and crowds. Temperatures still soar in Abu Dhabi, but its climate-controlled indoor parks keep the experience consistent no matter what's happening outside. Warner Bros. World and Ferrari World are entirely enclosed, with air-conditioned walkways and restaurants, and even SeaWorld's aquariums and animal experiences are under cover. 'Compared to places like Florida, it's a different level of comfort,' said Ahmed El Khoury, a Palestinian expatriate and father of three. Despite the comparisons, Abu Dhabi isn't positioning itself as a direct rival to Orlando — it's aiming to be something more. The emirate sees its theme parks as part of a bigger portfolio of attractions, alongside cultural landmarks, luxury hotels, pristine beaches, and desert adventures. A 15-minute drive from Yas Island, Saadiyat Island is home to the Louvre Abu Dhabi, a franchised outpost of the famous Paris art museum, which welcomed 1.4 million visitors last year, 84% from abroad. The Guggenheim Abu Dhabi and Zayed National Museum are both under construction, adding to a cultural district that will be one of the region's most concentrated hubs of art and heritage. 'Abu Dhabi's unique appeal lies in the diversity of our tourism offering,' Al Geziry added. 'For thrill-seekers, we have record-breaking roller coasters and dune bashing in the desert. For culture lovers, historic sites like Al Ain Oasis and institutions like the Saadiyat museums. And for luxury travelers, world-class dining, private island resorts, and high-end shopping. 'Where else can you start your day under the Louvre's iconic rain-of-light dome and end it in the immersive, story-driven worlds of Warner Bros. World or Ferrari World?' Still, not everyone is convinced that Disney's expansion into the Middle East is a sure bet. 'The region has seen its share of false starts,' says Dennis Speigel, founder of the International Theme Park Services consultancy, comparing it to neighboring Dubai's patchy record with theme park expansion ambitions in the mid-2010s. 'Several of them struggled for profitability in their first decade.' Spiegel believes Abu Dhabi is different. 'Disney made a smart choice. The infrastructure, safety, and existing leisure developments create an ideal entry point,' he told CNN earlier this year. 'It's a much more controlled and calculated move.' Under its Tourism Strategy 2030, Abu Dhabi aims to grow annual visitors from 24 million in 2023 to more than 39 million by the end of the decade. With Disneyland as a centerpiece, those targets may well be surpassed. The city's population has already grown from 2.7 million in 2014 to more than 4.1 million today, a reflection of its rising profile as a regional hub. Yas Island alone has been transformed in the space of a decade from a largely undeveloped stretch of sand to a self-contained resort destination, complete with golf courses, marinas, a mall, more than 160 restaurants, and a cluster of high-end hotels. Orlando's head start remains formidable — it still offers multiple Disney and Universal parks, has decades of brand loyalty, and an infrastructure built to handle tens of millions of tourists annually. But Abu Dhabi is catching up fast. Its combination of frictionless travel, year-round comfort, cutting-edge attractions, and a cultural scene that adds depth to the experience gives Abu Dhabi its own unique selling point, potentially offering a model for the next generation of theme park capital. CNN's Natasha Chen and Liam Reilly contributed to this report.

Column: Abbott Kahler's ‘Eden Undone' tells the story of how a nightmare was created on a lonely island
Column: Abbott Kahler's ‘Eden Undone' tells the story of how a nightmare was created on a lonely island

Chicago Tribune

timean hour ago

  • Chicago Tribune

Column: Abbott Kahler's ‘Eden Undone' tells the story of how a nightmare was created on a lonely island

The parrot's name is Dexter and he is 24 years old and he is punctuating the conversation I am having with his owner, the writer Abbott Kahler, who is on the phone from Long Island, where they spend some weekend time away from a small New York City apartment she shares with her husband and Dexter. I ask about another island, Floreana, which is roughly 2,000 miles from New York. 'It's hard to get to,' she says. 'It takes two full days. Planes, trains, automobiles, ferries, the whole thing. But to finally see it … To see where my characters walked and slept and lived. There's only about 150 people on Floreana today, and it's still difficult to live there. It gave me a real sense of what it was like almost 100 years ago.' Floreana is the setting for her latest book, a thrilling, captivating nonfiction 'Eden Undone: A True Story of Sex, Murder, and Utopia at the Dawn of World War II.' It is a mystery tale, a survival story and a lot more, focusing on a small group of people (some of them half nuts to begin with and others driven to madness during the book's 350-some pages) who came to the remote and lonely Galápagos island of Floreana seeking to make and live in a utopia, create new lives. With the Depression as a backdrop and the coming storm that will be World War II casting shadows, the events and intrigue, deprivation and death on the island provide shocks and surprises on every page. 'These people were fleeing the craziness of Europe but wound up creating a crazy world of their own,' Kahler says. They were an egomaniacal doctor and philosopher from Berlin who, among other weirdness, had his teeth removed and replaced with steel dentures, and his lover, a woman with multiple sclerosis; a World War I veteran with PTSD and his lover and sickly teenage son; and an Austrian baroness who left a husband in Paris to journey to the island with two young boyfriends with the intention of building, unlike the others, what Kahler calls, 'another Miami Beach,' a spot for American tourists. Her nickname was 'Crazy Panties.' Add to this crowd packs of wild animals and visiting millionaires, tourists and scientists, and you have a wild stew. And a great book, not Kahler's first but her best. As Karen Abbott, she made a big splash in literary circles and became a Chicago favorite in 2007 with her first book, 'Sin in the Second City,' the story of our city's most famous madams, the Everleigh Sisters. Her subsequent books were also polished and popular: 'American Rose,' about Gypsy Rose Lee; 'Liar, Temptress, Soldier, Spy,' which tells of four female spies during the Civil War; 'The Ghosts of Eden Park,' about one of the most successful, if ill-fated, Prohibition bootleggers. Toss in a fine and inventive 2024 novel, 'Where You End,' and you'll have an admirable bookshelf. In 2012, she became Abbott Kahler, because, as she says, 'A reader told me that Google had listed 'Karen Abbott' as having died back in 2010. That rather disturbing error prompted me to change my name legally.' She has been tied to what has become 'Eden Undone' for more than a decade. When she first pitched the story, she was greeted by a short-sighted publisher who said, 'No, you are only known for writing about Americans.' And so, as she worked on her other books, she also began to collect research materials for this book. Eventually, she found an interested publisher. 'COVID had arrived and it was perfect to really dig in and there was so much available,' she says. She benefitted from letters, hundreds of photographs, newspaper articles and the memoirs of some of the early settlers, many of which had to be translated from their original German, French, Spanish, Norwegian; the archives of such early island visitors as biologist Waldo Schmitt and millionaire and moviemaker George Allan Hancock, who had filmed some of the island's residents. She was likely the first person to consult the papers donated in 2020 to the University of Southern California by a fellow named Lorenzo DeStefano, a playwright who had hoped to write a screenplay in the 1970s. He had interviewed some of the earliest settlers. Kahler's ability to marshal all of this material into a propulsive narrative is a stunning accomplishment. Since being published last September, the book has gathered a mountain of praise, but I'll just give you this, from author Susan Orlean, who has called it a 'wild ride through an extraordinary true story … addictive and astonishing. It combines a forgotten piece of history with the urgency of a murder mystery in the most unlikely setting. It will captivate you.' Many have been grabbed by the characters and details of the story. Filmmaker Ron Howard was similarly bewitched, though Kahler is not quite sure how he came upon the relatively unknown story. 'A friend in England sent me a newspaper clipping about Ron Howard being in Australia with Jude Law filming a movie called 'Eden,' based on some of the same people and events in my book,' Kahler says. Now, it is every writer's dream to have their work associated with a high-profile Hollywood movie and its attendant publicity. She unsuccessfully attempted to contact Howard, who directed the film and co-wrote the script with Noah Pink. Knowing that the film would be screened at the Toronto Film Festival in September last year, Kahler's publisher pushed up her hardcover publication date. But the film's release was delayed by distribution challenges. It opens Friday. 'Of course I plan to see the movie,' says Kahler, telling me that Jude Law plays the man with the steel teeth, which he may or may not have in the film, and that Ana de Armas plays the Baroness, with Sydney Sweeney, Vanessa Kirby and Daniel Brühl also in the cast. 'I love this story so much. I 'know' these people.' Kahler has been busy with promotional duties for 'Eden Undone,' which will include a Sept. 6 appearance at the Printers Row Lit Fest. She has yet to find the topic for her next nonfiction book, but is working on a second novel and is especially excited by an upcoming article for Vanity Fair, saying, 'This is a story I have wanted to tell for 25 years.'

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