
Paul Libin, a forceful presence on and off-Broadway, dies at 94
'I depended on Paul entirely,' Landesman said in an interview. 'Someone had to run the company. But I wouldn't describe his role as corporate. He was as likely to be climbing into the air-conditioning ducts at the St. James Theater as he was to be sitting at his desk. He came in every day with enthusiasm.'
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That enthusiasm dated to Mr. Libin's early days as an assistant to Jo Mielziner, a Tony-winning scenic designer and producer. When Mielziner produced the Broadway musical 'Happy Hunting,' which opened in late 1956, he promoted Mr. Libin to stage manager.
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In 1958, on his way to a dentist appointment, Mr. Libin passed the Hotel Martinique, on West 32nd Street near Broadway, and saw a sign advertising the ballroom's availability. He thought of it as a space that he and director Word Baker could turn into a theater-in-the-round for a production of 'The Crucible,' a 1953 Tony-winning Broadway play about the Salem witch trials and an allegory of the McCarthy-era Red Scare.
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'I talked to the manager of the hotel,' Mr. Libin said in an interview with The New York Times in 2013. 'A really tough character. Used to carry a snub-nosed .38.'
The hotel manager was not enthused about Mr. Libin's idea. But being overly confident, the 27-year-old Mr. Libin telephoned Miller's agent to say, 'We have the theater.'
The agent told him that Miller would have to see it.
When Miller showed up at the hotel with his wife, Marilyn Monroe, the hotel manager didn't initially see her standing off to the side.
'I said, 'I'd like you to meet his wife,'' Mr. Libin recalled telling the hotel manager. 'When the guy turned, I thought he was going to melt right there. He could hardly speak.'
The hotel manager, gobsmacked, quickly agreed to a deal with Mr. Libin.
The Martinique Theater's production of 'The Crucible' was a big success; it closed after 571 performances, nearly three times the 197 the play had on Broadway.
Paul Libin was born Dec. 12, 1930, in Chicago. His parents, Ely and Chaika (Belatzkin) Libin, were Russian immigrants who ran a grocery store.
In 1949, when he was about 19, he was studying international relations at the University of Illinois Chicago when he attended a production of Miller's 'Death of a Salesman.' After he saw Thomas Mitchell, who was playing Willy Loman, leave the theater, he recalled saying, 'Oh, my God, Willy Loman is alive!' -- as if to convey the magic of Mitchell's performance and theater itself.
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That performance made him want to become an actor. He transferred to Columbia University's School of the Arts in 1951 and acted in summer stock before being drafted into the Army in 1953.
At Fort Hood, in Texas, he told his commanding officer that he had producing experience -- he did not -- and formed a theater group, turning a movie theater on the base into a stage. After he was discharged in 1955, he completed his education at Columbia, receiving a Bachelor of Fine Arts degree the next year. One of his professors recommended him to Mielziner.
After the success of 'The Crucible,' Mr. Libin produced more shows at the Martinique and at other theaters in the New York area, including children's shows performed by his Peppermint Players repertory company.
His connection to Circle in the Square was forged in 1963, when Mann asked him about staging Luigi Pirandello's 'Six Characters in Search of an Author' at the Martinique Theater, which Mr. Libin was leasing.
'I said, 'Why don't we do it together?' And we did,' Mr. Libin told Playbill in 2005.
Mr. Libin joined Circle in the Square that year as Mann's co-producer and the company's managing director at its theater in Greenwich Village (he would later hold the titles of producing director and president), and then at its larger venue on Broadway in 1972.
Their many shows included works by William Shakespeare, Eugene O'Neill, George Bernard Shaw, Noël Coward, Molière, Anton Chekhov and Tennessee Williams. In 1976, the theater received a special Tony Award for its first 25 years of quality productions.
'He was one of the old-timers who thought a producer had to do everything and anything to get the show on,' Susan Frankel, CEO of Circle in the Square, said in an interview. 'He was extremely hands-on -- and a handy man.'
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Mr. Libin was also involved with various industry organizations, and was president of Broadway Cares/Equity Fights AIDS for 24 years.
In addition to his son, Mr. Libin is survived by his wife, Florence (Rowe) Libin; his daughters, Claire and Andrea Libin; and three grandchildren.
In 1974, Mr. Libin had another encounter with Miller, shortly before a revival of 'Death of a Salesman' was to open at Circle in the Square, with George C. Scott directing and playing Willy Loman. Scott proposed that Willy's neighbors be Black, but Miller told Mr. Libin, 'That's not what I wrote.'
'I said, 'Arthur, the world is changing; it's a powerful component,'' Mr. Libin told the Times. Miller again balked, and Scott threatened to drop out of the play unless he relented.
'Ted Mann worked on George, and I worked on Arthur,' Mr. Libin recalled -- and Miller gave in.
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Geek Vibes Nation
an hour ago
- Geek Vibes Nation
Ozzy Osbourne: A Legacy of Music, Reality TV, And Film
The Prince of Darkness Dies at 76 world said goodbye to John Michael 'Ozzy' Osbourne, the legendary frontman of Black Sabbath. He was 76. His family confirmed the news, sharing that Ozzy passed peacefully, surrounded by loved ones. His death follows a long battle with Parkinson's and chronic health issues, closing the final chapter on a career that reshaped music, television, and pop culture. From heavy metal icon to reality TV pioneer, Ozzy's influence is unmatched — loud, unpredictable, and unforgettable. Today, the, the legendary frontman of. He was 76. His family confirmed the news, sharing that Ozzy passed peacefully, surrounded by loved ones. His death follows a long battle with Parkinson's and chronic health issues, closing the final chapter on a career that reshaped music, television, and pop culture. From heavy metal icon to reality TV pioneer, Ozzy's influence is unmatched — loud, unpredictable, and unforgettable. Forging the Sound of Heavy Metal Born in Birmingham, England on December 3, 1948, Osbourne's early life gave little clue of the legacy he'd build. That all changed in 1968 when he co-founded Black Sabbath with Geezer Butler, Bill Ward, and Tony Iommi. Named after a Boris Karloff horror film, the band developed a slow, ominous sound that laid the groundwork for heavy metal. Albums like Paranoid (1970), Master of Reality (1971), and Sabbath Bloody Sabbath (1973) introduced a new kind of sonic darkness — and Ozzy's ghostly vocals made it unforgettable. Dubbed the 'Prince of Darkness' for his theatrical stage presence and wild reputation, Ozzy was just as beloved for his offstage sincerity. After parting ways with Sabbath in 1979 due to substance abuse, he launched a solo career that began with Blizzard of Ozz (1980) and never let up. He also created Ozzfest, a festival that grossed over $100 million and helped put countless hard rock and metal bands on the map. His final live performance — a Black Sabbath reunion on July 5, 2025, in his hometown — saw him seated on a throne, offering a heartfelt farewell to a crowd of 40,000. Changing TV Forever with The Osbournes In 2002, Ozzy once again broke new ground — this time in reality TV. MTV's The Osbournes, which ran until 2005, gave viewers a fly-on-the-wall look at his eccentric family life with wife Sharon and kids Jack and Kelly. The show was loud, messy, and deeply relatable, turning Ozzy into a baffled-yet-lovable dad figure and launching a new era of celebrity reality shows. Unlike many of its successors, The Osbournes felt real — sometimes painfully so. The series didn't shy away from Sharon's cancer battle or Ozzy's near-fatal ATV crash. The show quickly became MTV's most-watched program and even won a 2002 Primetime Emmy for Outstanding Reality Program. In a 2023 interview with Spin, Ozzy recalled: 'What you saw was what really went on. It wasn't contrived.' That raw honesty helped the series pave the way for shows like Keeping Up with the Kardashians, but it also set a standard few have matched. Ozzy later appeared in Osbournes Reloaded (2009), a variety show, and Ozzy & Jack's World Detour (2016–2018), a travel documentary series with his son. A planned BBC docuseries, Home to Roost, was announced in 2022 but remains unreleased due to his declining health. From Soundtracks to Cameos: A Pop Culture Fixture Ozzy's voice wasn't just made for records — it helped shape movie soundtracks and gave life to a number of film roles. His music enhanced iconic moments in films like *Iron Man*, *School of Rock*, and *Almost Famous*, while his quirky and sometimes eerie persona lent itself perfectly to the screen. Here are some of his standout appearances: Trick or Treat (1986): Played a reverend in his feature film debut, poking fun at his own 'satanic' image. Played a reverend in his feature film debut, poking fun at his own 'satanic' image. 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USA Today
2 hours ago
- USA Today
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Yahoo
3 hours ago
- Yahoo
Sick of online dating, NYC singles are looking for love via PowerPoint presentations
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