
MALE drone better than Predator, Brahmos, radar: Indian armed forces to get Rs 67,000 crore booster. Here's what's coming
87 armed medium-altitude long-endurance (MALE) remotely-piloted aircraft
Equipped with air-to-ground missiles and laser-guided bombs
To be produced in India with 60% indigenous content via a foreign partnership
Estimated cost: ₹20,000 crore, plus ₹11,000 crore for 10-year logistical and OEM support
Over 110 air-launched BrahMos supersonic cruise missiles
Range: 450 km, speed: Mach 2.8
Estimated cost: ₹10,800 crore
Operated in combination with Sukhoi-30MKI fighter jets
Eight BrahMos fire control systems and vertical launchers for older Indian warships
Estimated cost: ₹650 crore
Intended for warships not yet fitted with the BrahMos system
Around 20 frontline warships, including the latest destroyers and frigates, are already armed with the BrahMos missiles
New thermal imager-based driver night-sights for BMP infantry combat vehicles
To enhance night driving and mobility of mechanised infantry
Compact autonomous surface crafts for the Navy
For detection, classification and neutralisation of underwater threats during anti-submarine warfare missions
Upgrade of older Israeli Barak-1 point defence missile systems on warships
Specialised mountain radars for the Indian Air Force
To improve air surveillance along northern borders with China
Upgrade of the Saksham (Israeli-origin Spyder) anti-aircraft missile system
Current range: 15 km
Aimed at enhancing air defence capabilities
Sustenance support for US-origin C-17 and C-130J aircraft fleets
Comprehensive annual maintenance contract for Russian S-400 long-range air defence missile systems
Focus on faster indigenous production
Live Events
BrahMos continues to be a key weapon
(You can now subscribe to our
(You can now subscribe to our Economic Times WhatsApp channel
The defence ministry on Tuesday approved modernisation proposals worth ₹67,000 crore, including the procurement of 87 armed heavy-duty drones and over 110 air-launched BrahMos supersonic cruise missiles. The weapons cleared under the 'acceptance of necessity' (AoN) by the Defence Acquisition Council (DAC), chaired by Defence Minister Rajnath Singh , are aimed at strengthening strike and surveillance capabilities across all three armed forces.The Indian Air Force had used BrahMos missiles and Israeli-origin kamikaze drones during recent hostilities with Pakistan in May under Operation Sindoor . The 87 new drones, capable of returning to base after strike missions, are intended to speed up induction compared to the 31 MQ-9B Predator drones from the US, which will only be delivered in 2029–30.According to defence ministry officials and reports from the Times of India:The MALE drones, which come with intelligence, surveillance and reconnaissance (ISR) and strike capabilities, are expected to be inducted faster than the MQ-9B Predator HALE (high-altitude, long-endurance) drones ordered from the US for ₹32,350 crore in October last year, which will be delivered only in the 2029–30 timeframe. Officials said the need for such systems was evident during Operation Sindoor.While India had previously used Israeli-origin Harop and Harpy drones as kamikaze systems during cross-border operations, the new drones will offer reusable strike capability and long-range endurance.The BrahMos missile , jointly developed by India and Russia, has become the primary conventional precision-strike weapon for the armed forces. The missile has been deployed on warships, aircraft and mobile launchers, with cumulative contracts exceeding ₹58,000 crore to date.In March 2023, the ministry signed a ₹19,519 crore deal for over 220 BrahMos missiles for frontline warships. About 20 frontline Indian warships, including the latest destroyers and frigates, are already equipped with the system.(With inputs from TOI)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Time of India
6 minutes ago
- Time of India
'You Signed A Death Pact': Khamenei Aide Vows To Block 'Trump Route' After Armenia-Azerbaijan Deal
'False And Fabricated': Centre Denies Reports Claiming Halt In Arms Purchase From U.S. Indian Defence Ministry officials have denied media reports claiming it paused US weapons deals in response to steep tariffs imposed by former US President Donald Trump. The Defence Ministry called the claims 'false and fabricated,' adding that procurement processes are proceeding as per standard procedures. It also clarified that Defence Minister Rajnath Singh's visit to Washington was never finalized, countering reports that it had been cancelled. Meanwhile, Indian refiners are reportedly pulling back from spot purchases of Russian crude amid tariff-related pressure. However, the government has issued no formal directive, and key oil cargoes from Russia are still expected to arrive as planned.#indiausrelations #defencedeals #ustariffs #rajnathsingh #russiaoil #trade #indianeconomy #geopolitics #modigovernment #defenceprocurement #toi #toibharat 19.1K views | 1 day ago


Mint
6 minutes ago
- Mint
‘Historic,' Jaishankar lauds Armenia-Azerbaijan treaty; Isreal ‘praises Trump's bold vision'
External Affairs Minister S Jaishankar on Saturday called the Armenia-Azerbaijan peace treaty reached in Washington an "important achievement" for dialogue and diplomacy that India advocates. In a post on X, Jaishankar also said he spoke to his Armenian counterpart Ararat Mirzoyan and congratulated him on the development. The deal, aimed at ending the decades-long dispute over the Nagorno-Karabakh region, was formalized by Azerbaijani President Ilham Aliyev and Armenian Prime Minister Nikol Pashinyan, with U.S. President Donald Trump acting as mediator. At a White House peace summit on Friday, leaders of Armenia and Azerbaijan signed an agreement aimed at ending decades of conflict. "Good to speak to Armenian FM @AraratMirzoyan. Congratulated him on the Armenia-Azerbaijan Peace Treaty reached in Washington DC. This is an important achievement for dialogue and diplomacy that India advocates," Jaishankar said in the post. Prime Minister Benjamin Netanyahu and Israeli leaders on Saturday welcomed the peace agreement between Azerbaijan and Armenia and lauded President Trump for brokering the deal "Congratulations to President Trump! Your bold leadership and global vision have made another peace agreement possible," Prime Minister Benjamin Netanyahu tweeted. "I also congratulate President Aliyev, Prime Minister Pashinyan, and the peoples of Azerbaijan and Armenia on signing this historic agreement." Netanyahu added, "May you all enjoy a new era of reconciliation and shared prosperity." President Isaac Herzog tweeted that he was "deeply moved to see the signing of the historic agreement," adding, "Great achievement President Trump! Thank you for your leadership and passionate commitment to help reach peace in our world. I hope and pray we will see many more historic achievements around the world under your leadership - above all the urgent return of our hostages from the hell they are going through at the hands of Hamas in Gaza."
&w=3840&q=100)

First Post
6 minutes ago
- First Post
'Gehraiyaan' director Shakun Batra on Raanjhanaa's climax being altered by AI: 'It raises concerns because...'
Batra is the first Indian filmmaker to collaborate with Google on an experimental Al- driven storytelling campaign. With this latest campaign, Shakun's Jouska Films explores how Al can reshape storytelling read more Filmmaker Shakun Batra, who has directed Ek Main Aur Ekk Tu, Kapoor & Sons, and Gehraiyaan, is the first Indian filmmaker to collaborate with Google on an experimental Al- driven storytelling campaign. With this latest campaign, Shakun's Jouska Films explores how Al can reshape storytelling & streamline production. And in an exclusive interview with Firstpost, Batra spoke about all of it and also his own films he has directed so far. Edited excerpts from the interview STORY CONTINUES BELOW THIS AD What do you have to say about your collaboration with Google for the AI-driven storytelling? It's been a really exciting space to explore. The collaboration was born out of curiosity—just a genuine interest in what could happen if storytelling and these emerging AI tools met somewhere in the middle. We weren't aiming for perfection; we were testing, playing, pushing boundaries to see what new kind of cinematic language could emerge. Google came in with the same spirit—open to experimentation, which made it feel less like a partnership and more like a creative lab. We're still learning, and that's the most interesting part of it. Do you see AI as a potential threat or a boon in the filmmaking process in India? It's a bit of both—and I think it's important to be honest about that. On one hand, AI can absolutely be a leveller. In India, we have no shortage of stories, but we do often face limitations—budget, access to equipment, time. AI can help reduce those barriers. A student in a small town could potentially create something visually compelling with tools they can afford, without needing a massive crew or infrastructure. That's a huge shift in who gets to tell stories and how. But at the same time, there are real concerns. If we start treating AI as a shortcut that bypasses craft, or if it leads to generic storytelling, we risk losing the richness that comes from effort, collaboration, and time. There's also the question of how AI models are trained—whose work is being used, and whether artists are being credited and compensated. These are ongoing conversations. I don't think we should be blindly optimistic or overly fearful. We need engaged, intentional use—and open dialogue as we move forward. How did this collaboration come about? It started from a place of genuine curiosity. I had been experimenting with some of Google's early AI tools on my own—playing with visual prompts and narrative textures, to see what cinematic language could emerge. That led to conversations with their team, where I shared my interest in pushing storytelling through these tools—not as a gimmick, but as a new kind of craft. STORY CONTINUES BELOW THIS AD The idea grew organically. There was no big pitch—just shared curiosity about whether we could create something cinematic through AI. That's how the car chase came to life. From that, we decided to develop a special project called Imagine—a series exploring five different ideas using AI to push cinematic storytelling in fresh, emotional, structural ways. It's work-in-progress, but that's precisely the point—to explore, to test, to learn. We recently saw a Hindi film (Raanjhanaa) whose climax was altered with AI. Does this scare or bother you as a filmmaker? It does raise concerns—not because AI was involved, but because the filmmaker's consent wasn't part of the decision. That's the bigger issue. Tools and techniques may change, but creative intent must always remain central. That kind of alteration without the director's voice in the room risks eroding what the art stands for. We need open dialogue and creative integrity—not silent overrides. What do you feel are the advantages of AI? STORY CONTINUES BELOW THIS AD Speed and access. You can now visually explore an idea in hours instead of weeks—something that can fundamentally change the storytelling pipeline, especially for filmmakers without big budgets. It also helps bridge collaborative gaps—writers, editors, designers, directors can work in tighter, more visual loops. Used thoughtfully, AI can make creation faster and more thoughtful. The plumber scene in Kapoor and Sons is often viral on social media. What are your memories of shooting it? I'm still pleasantly surprised every time it pops up on my phone. It wasn't something I expected would become such a shareable moment—but it always brings a smile. The whole film was special because of the people and place—Coonoor was magical, and the atmosphere stayed with me. It's probably my most cherished memory from any shoot. The final scene of Gehraiyaan, where the old lady recognizes Deepika, is one of the best cliff-hangers of recent times. Why do you end the film right there, and what do you feel happens next? STORY CONTINUES BELOW THIS AD We ended it there because that moment felt complete. It wasn't about delivering closure—it was about letting everything land in the silence. What happens next? I leave that for the viewer to decide. That's where the emotional weight sits—it becomes theirs, not mine. What are your upcoming projects? When can we see you direct next? Lust stories for Netflix is up next and I'm developing a few projects—some traditional, some experimental. I'm writing again, which feels refreshing. Hopefully very soon.