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From ‘The Last of Us' to ‘The Fantastic Four': First Steps': Pedro Pascal is dominating the spotlight

From ‘The Last of Us' to ‘The Fantastic Four': First Steps': Pedro Pascal is dominating the spotlight

Tatler Asia30-04-2025

'Materialists': A rom-com with an A24 twist
Pedro Pascal steps into rom-com territory with Materialists , the highly anticipated film from Oscar-nominated director Celine Song and produced by acclaimed studio A24. He plays a wealthy suitor caught in a love triangle with Dakota Johnson and Chris Evans, who portrays her broke-but-charming ex. Only one trailer has dropped so far, but fans are already rooting for Team Pascal. The film premieres in cinemas on June 13.
See also: 7 of Dakota Johnson's Most Memorable Red Carpet Looks 'The Fantastic Four: First Steps' enters the MCU
Pascal leads the latest reboot of The Fantastic Four, opening July 25, as Reed Richards, aka Mr Fantastic. He joins a star-studded cast featuring Vanessa Kirby as Sue Storm, Joseph Quinn as Johnny Storm and Ebon Moss-Bachrach as Ben Grimm, aka The Thing.
Now part of the larger Marvel Universe, the actor even made a surprise appearance at the Thunderbolts premiere, where co-star Florence Pugh was caught fangirling over his now-viral 'Protect the Dolls' shirt.
Don't miss: Ms Flo on the go: 5 Looks from Florence Pugh 'Star Wars: The Mandalorian & Grogu' will debut on the big screen
Marvel isn't the only universe Pascal has infiltrated. At the recently held Star Wars Celebration in Tokyo this April, Pascal was on hand to promote the upcoming movie Star Wars: The Mandalorian & Grogu , set to hit cinemas on May 22, 2026. He took the stage with director Jon Favreau, new castmate Sigourney Weaver, and co-star—and partner in crime—Grogu to talk about the film and treat fans to exclusive footage from the highly anticipated movie. Pedro Pascal shows off his moves in a Spike Jonze-directed Apple ad
And just in case there still wasn't enough Pedro Pascal content going around, he also starred in the Spike Jonze-directed ad for Apple's AirPods 4 with Active Noise Cancellation. In the short film, Pascal showcased his acting skills and some fancy footwork, dancing to "Perfect" by Sam i, Tropkillaz, Bia, and MC Pikachu. Chalk it up to the Pedro Pascal effect—the film racked up 2.5 million YouTube views within just 24 hours of its debut.

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Stars with taste: 9 foodie celebrities who live to eat

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Boo first, applaud later: 12 Cannes cult classics that outlived the jeers
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Boo first, applaud later: 12 Cannes cult classics that outlived the jeers

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Understanding why the Cannes Film Festival dress code is problematic
Understanding why the Cannes Film Festival dress code is problematic

Tatler Asia

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  • Tatler Asia

Understanding why the Cannes Film Festival dress code is problematic

Halle Berry had to ditch a voluminous Gaurav Gupta gown for a 'sensible' Jacquemus dress to adhere to Cannes Film Festival's dress code—here's why it's problematic Oscar-winner Halle Berry appeared at the 78th Cannes Film Festival in a chic striped Jacquemus dress—but it was her plan B. Her original intention was to wear an elaborate sculptural Gaurav Gupta gown with a sweeping train, but she had to ditch it last minute after festival officials announced a dress code that banned 'nudity' and 'voluminous outfits' on the Cannes red carpet. While Berry, who is a jury member at Cannes this time, played by the rules and even said that the festival's nudity ban was 'probably a good rule' in the press conference, her eleventh-hour wardrobe crisis spotlighted the real problem behind the Cannes Film Festival's stringent dress code—its attempt to restrict choices and autonomy in the name of 'decency' and 'managing traffic flow'. Read more: Cannes Film Festival: Most memorable fashion moments of all time Photo 1 of 2 Chinese actress Wan QianHui wore a voluminous couture gown to the Cannes Film Festival—exactly the kind that the festival organisers have advised against wearing, citing reasons of 'managing traffic flow' (Photo: Instagram / @qianhui_wan) Photo 2 of 2 L'Oreal ambassador Heidi Klum also wore a gown with a long train to the 78th Cannes Film Festival (Photo: Instagram / @heidiklum) While Berry opted for compliance, other stars chose defiance on the Cannes red carpet. Supermodel Heidi Klum turned heads in a overflowing petal-inspired Elie Saab creation that brazenly ignored the new restrictions. Chinese actress Wan QianHui similarly flouted the guidelines in a billowing Wang Feng couture tulle gown. A history of fashion rebellion at Cannes Above Kristen Stewart took off her heels at the Cannes Film Festival 2018 () Above Julia Roberts walked barefoot to the 'Money Monster' premiere at the Cannes Film Festival 2016 () However this isn't the first time that celebs have rebelled against the dress codes at Cannes Film Festival. In 2015, women were reportedly barred from screenings for wearing flat shoes instead of heels. In an apparent protest against this, in 2016, Julia Roberts walked the Cannes red carpet barefoot to the premiere of her film Money Monster . Kristen Stewart took her protest a step further. She wore checkered Vans at the 2016 opening gala dinner of Cannes Film Festival before switching to heels for the formal premiere. By 2018, Stewart had escalated her protest—removing her black Louboutin heels mid-carpet and proceeding barefoot for the screening of Spike Lee's BlacKkKlansman . Oscar-winner Susan Sarandon also joined the resistance, pointedly wearing elegant flat shoes on the Cannes red carpet in 2016. While the festival has now officially approved 'elegant shoes and sandals with or without a heel', sneakers remain forbidden—a curious distinction that continues to raise eyebrows. Beyond fashion: The politics of dress codes Above Halle Berry wore a Jacquemus dress to the 78th Cannes Film Festival, abiding by the dress code () Above On the other hand, Wan QianHui ignored the guidelines in a billowing Wang Feng gown (Photo: Instagram / @qianhui_wan) Meanwhile, the Cannes Film Festival's latest ban on 'nudity' reveals a deeper issue. Critics argue these rules disproportionately target women's bodies while reinforcing outdated ideas about female modesty. Ultimately, it's a manifestation of broader questions about women's autonomy in public life. As the festival continues its glamorous tradition, the red carpet remains a contested terrain where women are still forced to navigate these arbitrarily enforced and gendered restrictions. No matter how one reacts to these rules—a practical pivot like Berry's or Klum's open defiance—these responses make a powerful statement about women's ongoing struggles in our most visible cultural spaces.

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