Miley Cyrus Says She Wouldn't Change Any of Her Past ‘Mistakes' — Except for These Few Things
At just 32 years old, Miley Cyrus has had a truly wild life and career. And in a sit-down with personal hero Pamela Anderson, the star confirmed that she has no regrets — except for maybe just a few small things here and there.
While talking with the star of Gia Coppola's The Last Showgirl, Cyrus — who recorded original ballad 'Beautiful That Way' for the film — opened up about the many twists and turns she's faced since stepping into the spotlight as a preteen on Hannah Montana. 'I've had so many pivots and evolutions and — some might say 'detours' — within my path,' she began.
More from Billboard
Miley Cyrus Gets Emotional Over L.A. Wildfires While Reflecting on 2018 Malibu Home Loss
Bruno Mars Makes Spotify History as First Artist to Reach 150 Million Monthly Listeners
Bob Dylan Biopic, Documentaries About Celine Dion & Luther Vandross Nominated for AARP's 2025 Movies for Grownups Awards: Full List
'But it always ends up coming back around to make the next stage of what we are — something that's more potent, something that's more real,' the 'Flowers' singer continued. 'Funnily enough when I look back, all the mistakes, anything I was unsure of or I didn't understand, I am so proud of every moment and now every stage of my life.'
'I would not go back and change anything,' Cyrus added, before amending: 'Except [for] a couple things I was wearing.'
The singer's conversation with Anderson comes over a month after Cyrus' 'Beautiful That Way' received a Golden Globe nomination for best original song ahead of the 2025 awards, something she called 'an honor' on Instagram Stories. 'I am continuing to root for [Pamela],' Cyrus wrote at the time. 'It's so fun to watch her shine. Thank you Gia Coppola for inviting me to be a part of your gem.'
Watch Cyrus' conversation with Anderson below.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Miley Cyrus Makes A Shocking Confession About Past Drug Use
is opening up about one of the wildest chapters in her life, and the creative ways she kept her drug use under wraps. The Grammy-winning singer revealed during her candid appearance on the "Every Single Album" podcast Friday that she used to lie to her accountant about where her money was going while working on her 2015 psychedelic album, "Miley Cyrus & Her Dead Petz." Cyrus confessed that her 'biggest cost' at the time wasn't production, promotion, or wardrobe. It was drugs. 'We called them vintage clothes,' she admitted with a laugh. 'And every time [my accountant] saw me, she'd be like, 'Where's that, like, $15,000 original John Lennon T-shirt that you bought?' It's like, 'Oh, it's upstairs.'' To keep suspicions at bay, the "Flowers" singer said she'd claim the expensive items were being stored away for preservation. 'They're really delicate,' she'd explain. 'I want to protect them.' 'So I bought a lot of vintage clothes that year,' Cyrus added playfully. But behind the jokes lies a hard truth. Reflecting on her past substance use, the "We Can't Stop" star admitted, 'I'm so glad I survived that time in my life.' While she doesn't glamorize the behavior, she acknowledged her own journey with gratitude. 'I would definitely not encourage anyone else to go this hard," she said. "But the fact that I got through it. I'm very glad I got to do it.' Cyrus has long been open about her experimentation with substances. But, after years of partying, Cyrus got sober in 2017 following her reunion with then-boyfriend . She did, however, briefly relapse during the COVID-19 pandemic, but said in 2020 that she got herself back on track within two weeks. In addition to opening up about her past drug use, Cyrus also made a surprising confession about her days as Hannah Montana. For years after leaving Disney Channel, she says she wasn't allowed to perform any songs from the hit series that launched her career. 'After I left Disney, I wasn't allowed to perform any of the 'Hannah Montana' music,' she revealed. 'It's not like I wanted to. I mean, performing 'The Best of Both Worlds' between 'We Can't Stop' and 'Wrecking Ball' wouldn't have really made sense,' she said. 'But it was still sad knowing those songs have my voice, my face, and I wasn't allowed to sing them.' That restriction has since been lifted. After being honored as a Disney Legend last year, Cyrus said she now has the green light to revisit her "Hannah Montana" catalog whenever she chooses. 'It's pretty cool,' she added. After rising to fame on Disney Channel, Miley Cyrus made headlines for shedding her squeaky-clean image. Her transformation sparked widespread controversy, particularly following her provocative 2013 MTV Video Music Awards performance, where she infamously twerked on during "Blurred Lines." She also faced criticism for appropriating Black culture during her "Bangerz" era, especially for using Black dancers as props in performances and music videos. She later distanced herself from hip-hop culture, which led to further backlash when she criticized its lyrical content in a 2017 interview, only to later walk back those comments. While accepting her Disney Legend honor, she jokingly apologized to Mickey Mouse for her 'malfunction' phase, saying, 'I definitely wasn't created in a lab and if I was there must've been a bug in the system which caused me to malfunction somewhere between the years of 2013 and '16. Sorry, Mickey.' Cyrus starred in "Hannah Montana" from 2006 to 2011, playing a teenager living a double life as a regular girl by day and a global pop star by night. The series, which also starred her real-life dad, , became a cultural phenomenon and helped catapult her to global fame. In a 2020 appearance on "Carolina with Greg T" in the Morning, Cyrus expressed that she was open to returning to her role as Hannah Montana. "You know what honestly, I try to put that wig on all the time. She's just in storage collecting dust, and I'm ready to whip her out ... The opportunity will present itself," the singer said at the time. "I definitely would like to resurrect her at some point. She needs a big makeover because she's kinda stuck in 2008, so we'll need to go shopping with Miss Montana." Now, with hard-earned wisdom and a clearer outlook, Miley is looking back on her past with honesty, humor, and a sense of peace.
Yahoo
4 hours ago
- Yahoo
Miley Cyrus's Plunging Naked Dress Is Literally Dripping In Crystals
Miley Cyrus wore a naked dress covered in crystal embellishments for the premiere of her visual album Something Beautiful at Tribeca Film Festival on June 6. The dress featured a fringed skirt and Cyrus wore a matching fringe coat around her shoulders. Cyrus said that the visual album was "about using art as a medicine" on the red Cyrus just took the naked dress trend and turned it into something (even more) beautiful. After all, what could be more appropriate for the screening of her visual album, Something Beautiful, at the Tribeca Film Festival? The singer has been experimenting with some of her boldest looks to date while promoting the album—a punk-rock leather vest and skirt combo, a sparkly fringed halter top with jean shorts over fishnets, an open blazer with nothing underneath, a sheer black dress with nothing under it but a thong. Her latest look is just as daring—if a little more glam. For the world premiere of Something Beautiful with Miley Cyrus during the 2025 Tribeca Festival at The Beacon Theatre on June 06 in New York City, she opted for a SS25 Schiaparelli by Daniel Roseberry net dress. The plunging naked dress that was decorated with countless sparkly crystal embellishments. The sheer fabric revealed a nude bodysuit below. The skirt of the glamorous gown was made entirely of off-white fringe. She donned a matching fringe coat, which she wore around her shoulders. Cyrus completed the look with a cream clutch bag and a pair of cream pointed-toe heels. She wore her hair in her new signature 'do—voluminous curls in a bold millennial side part. 'Seeing Something Beautiful on the big screen at @tribeca @beacontheatre surrounded by the screams of the audience, was so worth every bit of effort lovingly labored into this visual album,' she wrote on Instagram. 'Tonight was emotional, deep, fun & fabulous. All my favorite things, but YOU the crowd were my absolute favorite of all. I love you.' During her appearance at Tribeca, Cyrus opened up about what inspired the visual album project. "It's about really using art as a medicine to attempt to heal a sick culture that I think all of us have been feeling," she said as she walked the red carpet. "And it can be a little bit uncomfortable, but there's something really beautiful in that, too." She went onto explain that although her career has been all about transformation, her latest project is "all about embracing those different eras." Read the original article on InStyle
Yahoo
4 hours ago
- Yahoo
8 Best Moments From Olivia Rodrigo's Headlining Gov Ball 2025 Set: ‘I Want Them to Hear Us in F—king Manhattan'
Olivia Rodrigo is a machine. More from Billboard Thousands Fill Nation's Capital for WorldPride Parade With Reneé Rapp, Laverne Cox, Gay Men's Chorus & More Miley Cyrus Says Disney Stopped Her from Singing 'Hannah Montana' Songs After Series Ended: 'Not Like I Wanted to' Rod Stewart Cancels Additional U.S. Tour Dates Due to Illness: 'I'm Devastated' While most artists would opt to take a break after touring an album around the world for over a year, Rodrigo wasn't quite done after wrapping her GUTS tour last fall. In March, she took the stage at Lollapalooza Chilé — her first of a whopping 18 headlining festival sets she booked for 2025. A handful of Latin America gigs later, Rodrigo made her way back to the States for the second day of Governors Ball on Saturday (June 7) night. Her first appearance at the New York City festival unfortunately didn't come without obstacles — particularly for fans. Due to inclement weather, (heavy rain and lightning were forecasted for a few hours during the day), festival organizers announced that doors would be pushed from 11:45 a.m. to 4:30 p.m., leaving dozens of fans who arrived bright and early for a prime barricade spot to wait outside the gates even longer. When doors finally did open, a handful of afternoon sets were cut, while others were shortened and pushed. Rodrigo's main stage set moved from 8:30 p.m. to 9:25 p.m., immediately following Feid, who performed during her original set time on the nearby Kiehl's stage. When she finally hit the stage dressed in a sparkly new red two-piece set, Rodrigo controlled the crowd with a rock 'n' roll prowess we haven't seen since artists like Avril Lavigne and Gwen Stefani toured in the early aughts. She effortlessly blended her pop-rock bangers with her somber ballads for nearly an hour and a half — keeping the crowd of all ages captivated whether she was strumming her guitar, playing the piano or dancing and jumping all over the stage. The weather delays may have been rough, but they didn't stop Rodrigo from delivering a set to remember. Here are the 8 best moments from her headlining set below. About an hour after The Go-Go's 'We Got the Beat' blasted through the mainstage speakers as part of Rodrigo's pre-show playlist, who would've guessed that another 1980s classic would make its way onto her setlist… and with an IRL surprise. Following a moving performance of 'favorite crime,' a starstruck Rodrigo introduced rock legend David Byrne for a duet rendition of Talking Heads' 'Burning Down the House.' Rodrigo and the now 73-year-old rocker, wearing a white tee and red overalls (which perfectly matched Rodrigo's two-piece set), flawlessly switched off lines of the 1983 smash and happily danced around the stage. Throughout the performance, Rodrigo even took part in some of Byrne's signature choreo. After kicking off the final set of the night with her GUTS deluxe single 'obsessed' followed by fan-favorite 'ballad of a homeschool girl,' Rodrigo slowed it down with what could only be described as a holy trinity of back-to-back ballads. Sitting at a grand piano, 'Vampire' was the perfect way for Rodrigo to tee up the trio of slower songs. By the time its climactic bridge hit, the crowd's vocal cords were warmed up for what was to come: the song that started it all and her first Billboard Hot 100 No. 1 'drivers license' (Rodrigo said that she thinks 'of my life in before and after this song'). For the final song in this little trio, she went with 'traitor' a clear fan-favorite from her debut album considering that the crowd was just as loud, if not louder, than they were just one song before. 'I wrote this song when I was falling in love with this boy,' Rodrigo cheekily shared with the crowd before going into 'so american,' a GUTS (spilled) track that fans believe was written as a love letter to her boyfriend, English actor Louis Partridge. 'Maybe you'll understand this feeling when you're first falling in love with someone, and everything you do, you just think of them,' she continued. 'When I wrote this song, I was driving in the car, thinking of this person, and I started humming this chorus, and it turned into this song.' We'll take the Louvia crumbs. Other than a shortened setlist, there were a few key differences between Rodrigo's festival set and last year's GUTS tour. For one, the on-screen visuals are slightly different, although they definitely still fit within the GUTS world. Her background dancers were also cut from this gig, giving the spotlight to just Rodrigo and her all-female band. She performed a stripped-back rendition of 'pretty isn't pretty' with just her strumming her acoustic guitar, and later equipped herself with just an electric guitar for a solo performance of her heart-wrenching SOUR ballad, 'enough for you.' Some encores don't give what they need to give, but Rodrigo's was not that. It was a couple minutes after 10:30 p.m. when she wrapped up her performance of 'deja vu' — which seemed to be the final song of the night after Rodrigo exited the stage. That was until a stunning visual of her gracefully sitting in a white slip dress popped up across the big screen, which was soon engulfed in digital flames. By 10:37 p.m., Rodrigo re-emerged, equipped with a red megaphone adorning her first and only outfit change of the night: a red and white cropped baseball tee that read 'New York City Never Looked So Blue.' The songs in the encore were just as satisfying: 'brutal,' 'all-american b—h,' 'good 4 u' and 'get him back!' With him taking the stage just an hour before her, Rodrigo took a minute out of her set to give a shoutout to her longtime friend and fellow artist, Conan Gray. 'I love him so much, he's my best friend,' she excitedly told the crowd ahead of singing 'enough for you' (a SOUR track she revealed is her 'favorite song she's ever written'). Gray delivered a mainstage set complete with props and a costume to match the sailor aesthetic of his upcoming album Wishbone, for which he just released its first single, 'This Song.' 'Have you listened to his new song yet?' Rodrigo asked the crowd, which immediately erupted in screams. 'That's the right answer. I love him so much and I love playing music.' It became a GUTS tour tradition for Rodrigo to lead fans in a primal scream fest during her performance of 'all-american b—h' — and that tradition continued for her Gov Ball set's penultimate song. 'There is so much s—t to be pissed off about in the world today,' she said before getting into the song's bridge. 'When I tell you 'go,' I want you to scream as loud as you can and let it all out. Okay? I want them to hear us in f—ing Manhattan.' (The festival takes place outside the city in Queens, N.Y.). Probably channeling their emotions that came with the delay, downpour, mud and muggy weather that came earlier in the day, the crowd certainly followed directions. When Rodrigo tee'd up the screams with the first line of the bridge and and said 'go,' the stage went completely black — and for a good 10 seconds, all that could be heard were the most guttural of screams. Not that the rest of the show wasn't, but this was a true moment of group catharsis. 'obsessed' 'ballad of a homeschooled girl' 'vampire' 'drivers license' 'traitor' 'bad idea right' 'love is embarrassing' 'pretty isn't pretty' 'happier' 'enough for you' 'so american' 'jealousy, jealousy' 'favorite crime' 'Burning Down the House' (with David Byrne) 'deja vu' Encore 'brutal' 'all american b—h' 'good 4 u' 'get him back!' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart