Carmen Jones' Ultimate Teena Marie Tribute Tour Hits Oakland, Inglewood & Las Vegas – Tickets On Sale Now
'Carmen Jones Makes Her Las Vegas Debut with the Ultimate Teena Marie Tribute – Live at Cannery Hotel & Casino, April 5!'
OAKLAND, CA, UNITED STATES, February 12, 2025 / EINPresswire.com / -- Experience the magic of Carmen Jones' Ultimate Teena Marie Tribute, a show that has captivated audiences for over a decade. This soulful, high-energy performance honors Teena Marie's legacy while showcasing Carmen's unique artistry. Audiences will experience this unforgettable tribute live, featuring Carmen's powerhouse vocals and signature arrangements:
📍 March 2, 2025 – Yoshi's, Oakland, CA – A special celebration of Teena Marie's March birthday!
📍 March 8, 2025 – Miracle Theater Backyard, Inglewood, CA – A special celebration of Teena Marie's March birthday!
📍 April 5, 2025 – Las Vegas Debut – The Club at Cannery Hotel & Casino
🎟 Get Tickets & More Info
ABOUT THE SHOW: A SOULFUL TRIBUTE THAT HONORS TEENA MARIE'S LEGACY
For over a decade, Carmen Jones has brought Teena Marie's timeless music to life, earning the support of Teena's closest family, friends, and fans—those who knew and loved Lady T best.
🔥 This is NOT an impersonation—it's a deeply personal and heartfelt celebration. Carmen's tribute captures the essence, energy, and artistry of Teena Marie's music with a soulful and powerful authenticity. Teena Marie broke industry norms as a white woman with a deep-rooted connection to Black music, earning unwavering respect in the R&B community. Carmen Jones, who is Black and Italian, shares an uncanny resemblance to Teena Marie—not just in appearance but in the passion and depth of her performance.
As a teenager, Carmen had the rare honor of singing Teena Marie's songs directly for the legend herself. In a moment that shaped Carmen's musical journey, Teena said: 'Don't stop.' Those words became a guiding force in Carmen's career, now culminating in the premiere of her new single, 'Don't Stop'—a tribute to perseverance, artistry, and staying true to one's musical roots.
THE CULTURAL SIGNIFICANCE OF THIS TRIBUTE
Teena Marie's music holds a timeless significance in R&B, soul, and funk, with a career that continued to flourish until her passing in 2010, particularly among those who cherish the golden era of these genres spanning the late 1970s through the 1980s. Known for her soulful voice, poetic lyricism, and deep connection to Black music culture, Teena Marie transcended industry boundaries, becoming an iconic figure celebrated across generations.
Carmen Jones' tribute pays homage to this rich cultural legacy, providing longtime fans with a rare opportunity to relive the magic of songs that defined an era. More than just a concert, this performance is a celebration of musical heritage, nostalgia, and the continued influence of Teena Marie's artistry. From classics like Square Biz to the heartfelt Portuguese Love, Carmen delivers an authentic, deeply felt tribute that resonates with longtime fans while introducing a new generation to Teena Marie's impact.
WHY THIS SHOW IS A MUST-SEE
👉 First-ever Las Vegas Performance! – Live Music in Las Vegas
👉 Powerful Live Band & Unique Arrangements – A fresh, authentic take on Teena's biggest hits.
👉 Fan-Favorite Classics Performed Live – Square Biz, Portuguese Love, Lovergirl, Ooo La La La, and more!
👉 New Music! – The exclusive premiere of Carmen's original single, 'Don't Stop.'
Since 2011, Carmen Jones has been captivating audiences nationwide with her electrifying performances, earning praise for her soulful authenticity and powerhouse vocals. She has performed at top venues like Yoshi's (Oakland) and Blue Note (Napa) and shared the stage with Jamie Foxx, Howard Hewett, Al B. Sure, and El DeBarge.
📅 March 2, 2025 – Yoshi's, Oakland, CA
📅 March 8, 2025 – Miracle Theater Backyard, Inglewood, CA
📅 April 5, 2025 – The Club at Cannery Hotel and Casino, Las Vegas, NV
🎟 Tickets & More Info
Seats are limited! Get your tickets now before they sell out!
Contact: CJM Entertainment Group, Inc.
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Tiffany Thompson
CJM Entertainment Group, Inc.
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Miami Herald
an hour ago
- Miami Herald
New '1984' foreword includes warning about ‘problematic' characters
The 75th anniversary edition of George Orwell's novel 1984, which coined the term 'thoughtcrime' to describe the act of having thoughts that question the ruling party's ideology, has become an ironic lightning rod in debates over alleged trigger warnings and the role of historical context in classic literature. The introduction to the new edition, endorsed by Orwell's estate and written by the American author Dolen Perkins-Valdezm, is at the center of the storm, drawing fire from conservative commentators as well as public intellectuals, and prompting a wide spectrum of reaction from academics who study Orwell's work. Perkins-Valdez opens the introduction with a self-reflective exercise: imagining what it would be like to read 1984 for the first time today. She writes that 'a sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity,' noting the complete absence of Black characters. She also describes her pause at the protagonist Winston Smith's 'despicable' misogyny, but ultimately chooses to continue reading, writing: 'I know the difference between a flawed character and a flawed story.' 'I'm enjoying the novel on its own terms, not as a classic but as a good story; that is, until Winston reveals himself to be a problematic character,' she writes. 'For example, we learn of him: 'He disliked nearly all women, and especially the young and pretty ones.' Whoa, wait a minute, Orwell.' That framing was enough to provoke sharp critique from novelist and essayist Walter Kirn on the podcast America This Week, co-hosted with journalist Matt Taibbi. Kirn characterized the foreword as a kind of ideological overreach. 'Thank you for your trigger warning for 1984,' he said. 'It is the most 1984ish thing I've ever f***ing read.' Later in the episode, which debuted on June 1, Kirn blasted what he saw as an imposed 'permission structure' by publishers and academic elites. 'It's a sort of Ministry of Truthism,' he said, referring to the Ministry of Truth that features prominently in the dystopian novel. 'They're giving you a little guidebook to say, 'Here's how you're supposed to feel when you read this.'' Conservative commentator such as Ed Morrissey described the foreword as part of 'an attempt to rob [Orwell's work] of meaning by denigrating it as 'problematic.'' Morrissey argued that trigger warnings on literary classics serve to 'distract readers at the start from its purpose with red herrings over issues of taste.' But not all responses aligned with that view. Academic rebuttal Peter Brian Rose-Barry, a philosophy professor at Saginaw Valley State University and author of George Orwell: The Ethics of Equality, disputed the entire premise. 'There just isn't [a trigger warning],' he told Newsweek in an email after examining the edition. 'She never accuses Orwell of thoughtcrime. She never calls for censorship or cancelling Orwell.' In Rose-Barry's view, the foreword is neither invasive nor ideological, but reflective. 'Perkins-Valdez suggests in her introduction that 'love and artistic beauty can act as healing forces in a totalitarian state,'' he noted. 'Now, I find that deeply suspect... but I'd use this introduction to generate a discussion in my class.' Taibbi and Kirn, by contrast, took issue with that exact line during the podcast. 'Love heals? In 1984?' Taibbi asked. 'The whole thing ends with Winston broken, saying he loves Big Brother,' the symbol of the totalitarian state at the heart of the book. Kirn laughed and added, 'It's the kind of revisionist uplift you get from a book club discussion after someone just watched The Handmaid's Tale.' Perkins-Valdez, a Black writer, Harvard graduate and professor of literature at American University, also noted the novel's lack of racial representation: 'That sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity at all.' Kirn responded to that sentiment on the show by pointing out that Orwell was writing about midcentury Britain: 'When Orwell wrote the book, Black people made up maybe one percent of the population. It's like expecting white characters in every Nigerian novel.' Richard Keeble, former chair of the Orwell Society, argued that critiques of Orwell's treatment of race and gender have long been part of academic discourse. 'Questioning Orwell's representation of Blacks in 1984 can usefully lead us to consider the evolution of his ideas on race generally,' he told Newsweek. 'Yet Orwell struggled throughout his life, and not with complete success, to exorcise what Edward Said called 'Orientalism.'' Keeble added, 'Trigger warnings and interpretative forewords... join the rich firmament of Orwellian scholarship-being themselves open to critique and analysis.' Cultural overreach While critics like Kirn view Perkins-Valdez's new foreword as a symptom of virtue signaling run amok, others see it as part of a long-standing literary dialogue. Laura Beers, a historian at American University and author of Orwell's Ghosts: Wisdom and Warnings for the Twenty-First Century, acknowledged that such reactions reflect deeper political divides. But she defended the legitimacy of approaching Orwell through modern ethical and social lenses. 'What makes 1984 such a great novel is that it was written to transcend a specific historical context,' she told Newsweek. 'Although it has frequently been appropriated by the right as a critique of 'socialism,' it was never meant to be solely a critique of Stalin's Russia.' 'Rather,' she added, 'it was a commentary on how absolute power corrupts absolutely, and the risk to all societies, including democracies like Britain and the United States, of the unchecked concentration of power.' Beers also addressed the role of interpretive material in shaping the reading experience. 'Obviously, yes, in that 'interpretive forewords' give a reader an initial context in which to situate the texts that they are reading,' she said. 'That said, such forewords are more often a reflection on the attitudes and biases of their own time.' While the foreword has prompted the familiar battle lines playing out across the Trump-era culture wars, Beers sees the conversation itself as in keeping with Orwell's legacy. 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Buzz Feed
4 hours ago
- Buzz Feed
Adults Share Heartwarming Stories About Grandparents
As a certified Grandma's Gal, I always love hearing stories about other people's grandparents — especially older folks. There's something so nostalgic and comforting about them that feels like getting a big warm hug. Recently, older people on Reddit shared some of their fondest memories with their grandparents, and it made me grin from ear to ear. Here are some of the top comments: "Me and my sister would go to my grandparents' house almost every weekend. I had an Italian grandma. She showed me what love is. We would watch Lawrence Welk, and I'd dance in the crochet slippers she made me. My grandpa would tell us stories about Little Red Riding Hood, and in her basket were Liverwurst sandwiches. I lost my teddy while sleeping, and my grandma got into bed and snuggled me. So much comfort. So much love." —Present-Two-98 "I had only a grandmother who lived an hour away. Every year, I spent a week at her house. When I was about 10, she taught me how to play canasta, and we played a lot over the years. A couple of years later, while I was at her house, it was her turn to host the ladies' canasta party. All the ladies were in a tizzy because at the last minute, one player called to say she couldn't make it. Finally, Grandma proposed that I play as the 8th player. I could tell none of the ladies liked that idea until Grandma said I would be her partner. With relief, they all agreed." "Panama City, Florida, summers between about 1968 and 1977. Sitting on the front porch with my grandmother, shelling butterbeans or breaking snap beans in half. I hated the tedium of it at the time, but looking back on it, I'd love to be able to do that with her again. Being set up for bed, on summer nights, with my sister, on their screen porch, with blankets and a box fan. On some nights, they'd turn off the TV and just listen to the radio. Every now and then, my grandfather would pull my grandmother up from her chair and have a quick dance." "My grandmother teaching me how to shoot pool with a cigarette hanging out of her mouth. She was born in the 1800s. Gramps was killed in a liquor deal gone bad. She was a 'woman of the streets,' so to speak. She was deemed not fit to raise my dad, so he left to go live with her sister, his aunt, who had seven other boys; he was the youngest. He ended up enlisting at 15, served in three wars, and became an officer. He always sent her money and letters, which she kept. The money she spent. I was her fave." —TinCupJeepGuy "My mema would always say 'Give me some sugar' and kiss me and give me the most awesome hugs when we would go visit." "My grandma took me to the movies to see The Beatles' Hard Day's Night when it first came out. She was in her 60s and looked like the typical grandma. She was carded to get in. My grandma built Mardi-Gras floats in Mobile. She did the work by herself, and was in her 50s when she started that work. She built frames, did papier mache, applied gold leaf by hand, etc. All her grandkids loved hanging out in the warehouses she worked out of. We would get any candy leftover after Mardi-Gras. I could go on. She was the most amazing woman. She had nine kids and 59 grandchildren. I'm honored to have had her in my life." "Our Opa would stand in front of the curtained pantry, reach up and grab a candy bar from the top shelf (that us littles couldn't see) and tell us the cloud man came to visit." —KWAYkai "Once I was really sick in the winter, but it was sort of a nice day, so my grandma let me sit in her car with her in the sun while she taught me how to play Gin Rummy." "My maternal grandpa played the fiddle, and my siblings and I danced." "My paternal grandfather was my favorite grand. I'd sit on his knee and we'd talk and talk. He called me by the Scottish version of my name and never teased me about my red hair. I fell asleep many times while resting my head against his chest and listening to his heartbeat. He died when I was 8. I'm an old lady now, but I still miss him." —PeaceOut70 "My grandpa taking me fishing at dawn. Paddling ever so quietly away in the canoe while everyone was still sleeping on their houseboat. Him telling scary bedtime stories as I nestled in my sleeping bag outside under the bright, shiny stars up on top of said houseboat." "Standing in my grandpa's kitchen with him as he opened a popcorn maker. Kernels were still popping and going all over the kitchen. Their little Pomeranians were dashing around, eating popcorn off the floor. With every pop my grandpa was exclaiming 'dammit! dammit' while I just laughed. Standing in the same grandpa's kitchen 20-something years later, as he taught me to make salsa." "In 1st grade Sunday school, I was approached to play Joseph in the Christmas Pageant. I didn't want to do it…no how, no way. My grandmother made a special trip to come see me with her proposal. She would buy me a special toy right there and then if I agreed to be in the pageant. I loved all things space and astronaut-related. I shot for the moon — Major Matt Mason Space Station. We made the rounds of the stores in North Jersey and finally found one." "When it came time for the pageant, I hammed it up perfectly. I made like I was searching high and low for an empty inn, mimed an argument with the 'No Vacancy' innkeepers, and doted over my Wife Of The Night. People ate it up! My grandmother had tears in her eyes, she was so happy. It would be the biggest toy I ever received, and I played the hell out of it!"—stilloldbull2 "My Grandpa was missing three fingers from his left hand from a saw accident. He could still play the piano just as amazingly as before the accident." "Speaking Sicilian with my Nonno (grandfather). During my most awkward years (12-13), he was my best friend. Playing cards, sneaking into his room after the house was quiet, drinking Brown Derby beer (from the closet), and smoking Lark cigarettes." "Mine mostly passed when I was quite young or before I was born. I was always kind of jealous of kids who had good relationships with their grandparents. My one surviving grandmother was strange. I remember she had a cat journal where she documented her cat Totsy's daily activities, like almost a fanfiction. Totsy also lived for like 20 years. She didn't write anything about my mom in them, just cat." —NeiClaw "Some of my best memories were with my grandma. When I was younger, we'd bake pies and she'd take me to the mall for lunch and shopping. In her later years, the roles were reversed. She was one of the most genuine, positive, and beloved people I've ever known. She lived to be 100. I'll miss her dearly until the day I see her again." "My grandparents were the most wonderful people. I think my best memory of them, together, was at a wedding when I was 8. My grandmother was dancing the tarantella scarf dance, and my grandfather was laughing and clapping along. They were so happy. With my grandfather, my favorite memory was around the same time; my grandfather was a train engineer, and he would take me to work and let me 'drive the train.' He died when I was 10, but I lived with my grandmother until I joined the Army at 18. Probably my favorite memory of my grandmother was when I was I high school. I was in a band, and we would practice at her house. One day, the neighbors complained that they couldn't hear their TV, and my grandmother told them they should turn it up. I always felt supported by my grandmother, no matter what I did." "The smells at their house: the cypress trees that framed the front door, the clay of the garden in the back, the yeast rolls my grandmother made every day, and the clove gum my grandfather chewed. Just one of those smells takes me back, even 60 years later." —Baebarri "We went to my grandparents' house every Saturday when I was growing up. Everything just tasted better when my Gramma made it. We had egg salad, tuna fish, or cold cut sandwiches for lunch (cookies for dessert). 'Supper' (as they called it) was either London Broil or Chicken Parm (with one of my Gram's exquisite homemade pies for dessert). My Gramma played with me and my sister while Knight Rider was on TV (she would say, 'That Michael Knight is such a nice boy!'). Haha. My dad and grandfather watched sports in the other room. They're all gone now except for me and my sister. I still remember every inch of it." "The fish fries my grandparents would throw on Fridays or Saturdays. My grandpa was an avid sports fisherman and would always throw down fried bass with hushpuppies, cole slaw, and roasted parsley potatoes. We'd all stay outside in their rural, pastoral backyard catching fireflies until it got too dark, and then we'd all come inside and listen to someone bust out some amazing music. Then someone would say, 'Let's hit the highway, y'all.' This time has come and gone. It is a sweet memory. I am grateful for it." "My Grandma had an electric dryer that, when done, played the tune 'How Dry I Am.' She got me up very early one morning and insisted I sing for the milkman. I got a glass bottle of chocolate milk." —Sknowles12 "My paternal grandparents lived 8 hours away. We had a reel-to-reel with speakers and a microphone. We would record messages to them, mail them, and they would send one back. My favorite was my grandfather whistling for the dog, and he barked at the player." "I remember my grandma making delicious Dutch Olliebollen every Saturday morning and going for walks with her through Hoboken, New Jersey, where she would point out the houses and apartment buildings where people she knew died from the Spanish Flu. Then we'd stop at a pier and watch the tugboats push ocean liners into their berths." "My grandmother flew to see us, early in the mid-50s, 1955 or 1956. She smuggled a little kitten in her purse. She had the purse under the seat, and the kitten got out and wandered the plane. The flight attendant (stewardess, then) brought the kitten to my grandmother and said, 'I think you lost this.' Without a blink, she said, 'Thank you so much. It is a gift for my grandson.' We called the kitten Smudge because of the irregular dark mark on the forehead of the white kitten." —Off2xtremes "My grandparents were from rural Alabama. In 1978, we dug their last outhouse. We got them running water to the house four years later, but the memory of taking leave from the Army that summer and digging that hole while my grandma made us sweet tea was such a yin/yang moment. She made another ten years but at least had her own 'shitshed,' her words, not mine." And finally, "My grandfather had a tin with boiled sweets, but he was famous for not sharing. Us grandkids would never be allowed to have any... until he left the room. Then my grandma would call us in and have us quickly grab two each, 'One for the mouth, one for the hand.'" What's a special memory you have with your grandparents that shows how much times have changed? Share it with us in the comments or via the anonymous form below:
USA Today
8 hours ago
- USA Today
Beyoncé fans react to dance captain's absence during London concert: 'Where is Amari?'
Beyoncé fans react to dance captain's absence during London concert: 'Where is Amari?' Beyoncé Knowles-Carter lit up the stage for the second night of her "Cowboy Carter" tour in London, and while fans were thrilled to see Les Twins dancing once again, many pointed out one familiar face was missing. The Grammy-winning singer took the stage June 7 for her Cowboy Carter and the Rodeo Chitlin' Circuit Tour at Tottenham Hotspur Stadium. During the electric performance many fans noticed that Amari "Monster" Marshall, dubbed Beyoncé's dance captain, was not among the performers onstage. One fan wrote, "What happened to Amari," and many others cosigned. Marshall began working with Beyoncé during her iconic 2018 Coachella "Beychella" performances. She eventually assumed the role of dance co-captain on the "Renaissance World Tour," where she played a key part in mentoring Beyoncé's then 11-year-old daughter Blue Ivy during her stage debut. Beyoncé publicly praised Marshall for her guidance with the family dubbing her Blue's 'dance stage momma." She also took the stage with Bey during her 2024 Christmas Day NFL halftime show during the Texans-Ravens game. Marshall has continued performing with Beyoncé as dance captain on the "Cowboy Carter" tour, often sharing photos from various tour stops. However, she appeared to be absent from the stage in London, and fans especially noticed during Saturday night's show. It's not yet clear why Marshall didn't appear onstage or if she'll be making a return soon. The concert marked Beyoncé's second of six shows at the stadium. She is set to hit the stage again June 10, 12, 14 and 16, before heading to Paris for three fans know, Beyoncé first debuted her "Cowboy Carter" tour at SoFi Stadium in Los Angeles on April 28 with 39 songs on the set list. Her shows have been filled with family, fashion, different music genres, and most notably country music and cultural commentary. Of course, Beyoncé first released the 27-track project in March 2024. It has since made history and broken multiple records. As Beyoncé's first country album, she deliberately featured country legends and emerging Black country artists alike. She became the first Black woman to win best country album at the 2025 Grammys and also took home album of the year. The nine-city tour will span the U.S. and Europe with the grand finale taking place in Las Vegas on July 26. Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.
