
This Morning fans rage 'stop promoting animal cruelty, this is just wrong!' as 'scared and shaking' dog models outfits on ITV show
Chinese Crested pooch Mia appeared on the ITV show with her owner Bev Nicholson to talk about her recent role as Astrid in Netflix hit Too Much.
The 13-year-old pup walked down a red carpet dressed to the nines in a prom dress before joining Rochelle Humes, 36, and Dermot O'Leary, 52, on the sofa.
Bev explained: 'Mia is a rescue dog, she had a sticky start. Ended up with me, she's been with me for quite a long time now...'
The hosts were keen to find out how Mia ended up getting such a big role in Too Much, which hit the popular streaming service this year and follows the story of a New Yorker called Jessica (Megan Stalter), who moves to London after a break-up.
Bev said: 'I used to have Muggley, who was the world's ugliest dog... he was on an agency who didn't have any cresties at the time.
'So I said I've got a houseful! So at the time I had seven. So we put all of them on the agency and we didn't hear anything from them for 10 years...
'So I'd kind of forgotten about it. And then we got a phone call. They said "Would you like to go for a casting?" I wasn't too sure.'
She continued: 'We turned up for this casting and Lena Dunham came out of the office and scooped her up and said "This is Astrid!"
'They had made their mind up already. We were the only ones there.'
The pooch was treated like royalty during her stint on the show as Dermot pointed out that she had her own trailer.
Bev said: 'We'd turned up and I'd taken her in a buggy because I thought at least that way, they're off the floor, they have their own space.
'I asked "Where do you want us?" They said "Your trailer is the second one down there". It was like Oh my gosh!'
Mia had to take part in some long days, but owner Mia said confess: 'Most is just sitting around and waiting.'
Dermot asked: 'Was she well looked after?'
Bev replied: 'Very well looked after. She got puppuccino everyday!'
Very early on in the interview, Mia was shaking while sitting on Bev's lap, to which Dermot asked: 'Is she shaking because she's a bit cold or?'
Bev replied: 'Yeah it's chilly in here.'
Rochelle confessed: 'I'm glad you say that because I'm a bit chilly myself!
Despite sharing how well looked after she was, and how much fun they had, some viewers took to X, formerly known as Twitter, to share their worry.
'Stop dressing animals in clothes.'
Despite sharing how well looked after she was, and how much fun they had, some viewers took to X, formerly known as Twitter, to share their worry
'#thismorning I wish this programme would stop promoting this cruelty to dogs. It's absolutely not ok.'
'#thismorning just take that hideous dress of the poor dog.'
'Some of us disagree on this hashtag, some of us argue. But all of s love animals. This is cruelty.'
'This dog is shaking because it's cold in the studio???? How about scared & worried!! This is just wrong.'
It comes after a grieving husband broke down in tears as he relived his wife's 'horrendous' death after contracting rabies from a dog scratch while on holiday in Morocco.
Yvonne Ford, 59, from Barnsley, South Yorkshire, was scratched by a stray puppy who had been lying under her sunbed back in February - but thought nothing of it at the time.
Around four months later, the grandmother began suffering from an 'unbearable' headache and was admitted to Barnsley Hospital.
Within days, she was hallucinating, unable to walk, talk, sleep or swallow, and developed a fear of water - all distinguishable symptoms of rabies.
Yvonne was transferred to Royal Hallamshire Hospital in Sheffield where she was put into a coma and eventually diagnosed with the virus and sadly passed away.
Rabies is uncommon in the UK, having been almost completely eradicated, but is still easily contactable in other parts of the world, such as Morocco, Asia, Africa and north Africa. It is often caught from a bite or scratch of an infected animal and is almost always fatal once symptoms appear.
Many people are unaware that rabies can lay dormant, showing no symptoms, for a period time which can span a few months up to two whole years. This is known as the incubation period.
Yvonne's husband Ron and her two children Robyn and Adam appeared on the ITV 's This Morning today to tell their devastating story and raise awareness around the disease.

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The Guardian
2 hours ago
- The Guardian
How KPop Demon Hunters became the surprise Netflix smash of the summer
School is out, young audiences are available, and yet still, Hollywood animation is having a bad summer at the box office. In contrast to last year, when Inside Out 2 and Despicable Me 4 occupied two of the season's top three (and combined for about $2.7bn worldwide), it seems entirely possible that not a single fully animated movie will crack the top 10. Adding insult to injury: the Disney-Pixar original Elio has been trounced by 'live-action' remakes of Lilo & Stitch and How to Train Your Dragon, which faithfully reproduce old cartoons with bland new actors and CG visual effects. With younger audiences steered toward those movies and seemingly also welcomed into big-tent hits like Superman and Jurassic World: Rebirth, it's all the more remarkable that Netflix has somehow managed to have its biggest animated movie ever. KPop Demon Hunters, about a trio of women who form a pop group while moonlighting as, yes, demon hunters, was released in June – on the same weekend as Elio, no less – and has become a soundtrack-selling, replay-friendly phenom. Netflix numbers can be opaque, but there's confirmation in Golden, a centerpiece song from the movie, hitting #2 on the Billboard charts. When was the last time a Disney movie made a play for song of the summer? Animation seems like a safe bet for budget-conscious streaming content. After all, the much-lamented cost of a movie ticket is tripled or quadrupled when bringing a family (and then maybe tripled again if they want snacks). On a per-person basis, streaming a new cartoon is the more affordable option. But even after poaching film-makers from major animation studios, the streamers have struggled with original material; Netflix's The Sea Beast isn't anywhere near as good as Moana, with which it shares a co-director, and its Over the Moon (the directorial debut of Glen Keane, a longtime Disney animator) is downright ghastly. Spellbound, from Skydance's attempt to start their own animation house led by the disgraced former Pixar honcho John Lasseter, arrived with barely a peep last Thanksgiving. Most of the time, the Netflix charts are dominated by older animated titles from established studios like DreamWorks and Illumination. So why did KPop Demon Hunters break through? Maybe it helps that it isn't an in-house Netflix production; the movie was actually produced by Sony Pictures Animation, the studio that worked such genre-bending magic with the Spider-Verse movies. KPop isn't quite as ambitiously style-forward as that series, but it shares the same basic visual approach of intentionally choppy but eye-catching, shapeshifting animation that imitates both comic-book splash pages and anime, splattered in purple and pink hues. It's not clear when Sony decided they would pursue a streaming release, but Netflix previously distributed the similarly manic (and original) The Mitchells vs the Machines when the pandemic delayed its planned theatrical release. The Netflix-Sony cartoons seem to indicate that maybe there's more cultural cachet in standing out from the animation crowd, rather than doing off-brand versions of Disney-style songs and Pixar-style secret worlds. In particular, KPop Demon Hunters seems freer to capitalize on a cultural trend than its mainstream competition. Disney has become so self-conscious about its own iconography that its last non-sequel in-house animated feature, Wish, was an extended 100th-anniversary celebration for its parent company, packed with references to their animated classics. Their big release for this fall is Zootopia 2, a stringing out from a great original idea they debuted almost a decade ago. The other big US animation houses are similarly sequel-fixated; the last big animated release of the summer is The Bad Guys 2, from DreamWorks. Not only is KPop Demon Hunters not a sequel, nor even a comics adaptation, it feels engaged with a world outside of its parent company, no matter how heightened its wild fantasy action becomes. By making the central characters a K-pop group, the movie finds something that breaks the princess/talking animal/scrappy kid hegemony. It's about young-adult characters with major responsibilities (even if those responsibilities involve the equally fantastical pop-girlie grind and Buffy-esque demon-fighting), carried out with an aspirational big-sister energy that younger kids can watch with wide-eyed admiration usually reserved for Disney princesses. American interest in K-pop may have even peaked; technically, the optimal time for this movie might have been circa 2021 – not coincidentally, the year the movie's production was announced. But though KPop Demon Hunters has some adult themes and scary monsters, it's also pitched young enough that it's almost better-equipped than if it had come at the height of the BTS craze. The movie very much repackages K-pop for an even-broader audience of native English speakers (something K-pop itself has been doing for years at this point) in a way that draws from the trend's fandom without relying exclusively on it. Demon Hunters also constructs a fantasy version of the pop machine, particularly the astonishing levels of training received by a lot of K-pop acts; here, all the girls' hard work is entirely at the behest of their own artistic vision, and they rise-and-grind off the couch voluntarily, not because a music label is forcing them. It's probably no accident that the lower reaches of the movie's audience are probably also discovering their own music for the first time – and making their preferences known on the charts, as a whopping nine songs from KPop Demon Hunter are currently on the Billboard Hot 100. That closeness to the pop world also allows the movie to make pop stars its dauntless heroines and devious villains all at once. (The demons disguised as a boy band sing an infectious ditty called Soda Pop that even the movie's demon-savvy characters can't really resist.) So much pop taste formation involves sussing out what you find irresistible versus what you find deeply annoying, two qualities that can reverse themselves with surprising ease. Even if KPop Demon Hunters is ultimately more about self-acceptance and friendship than the dynamics of pop music, it's letting a younger audience try out pop fandom. In that way, it welcomes those viewers into the kind of faux-grownup world that they often get from PG-13 live-action superhero movies. As with superheroes, the response to this movie's success will mostly be 'make sequels to this specific movie, forever' with a possible dash of 'streaming animation is really happening this time!' It shouldn't be, though. In the wake of so many sequels from Disney, Pixar, Illumination and DreamWorks, KPop Demon Hunters is a reminder that kids in particular hunger for novelty, probably more so than their nostalgia-drunk adult counterparts. Despite their ongoing enthusiasm for any number of cartoon franchises, family audiences aren't just waiting around for Despicable Me 5. They are hoping, conscious or not, for something with more pop.


Daily Mail
4 hours ago
- Daily Mail
Jenna Ortega channels her inner Wednesday Addams in an eery gothic dress as she attends Paris premiere for the Netflix hit's second season
Jenna Ortega channeled her inner Wednesday Addams in a distressed gothic dress as attended the Paris premiere for the Netflix 's hit's second season in the French capital on Thursday. In the show, she plays the wily yet reserved protagonist who always manages to keep her cool under pressure. And Jenna channelled her starring character as she stepped out in a brown floor-length gown which featured a daringly high slit. Her gown featured a ruffled lining around the plunging neckline as she showcased her petite frame with a matching belt. She added inched to her statuesque frame as the actress slipped into a pair of towering brown platform heels. To accessorise, she kept in theme with her gothic ensemble as she wore an oversized cross necklace. The gothic comedy, which follows the antics of Wednesday Addams (played by Jenna), debuted on the streaming service in November 2022. It was quickly renewed for a second series in January 2023. It is one in a series of takes over the years on The Addams Family, the eccentric fictional old-money clan, famously macabre and gothic in manner and look. The second series of the Emmy-winning programme, executive produced and often directed by horror icon Tim Burton, 66, is set for release on 6 August 2025. And now, it has been announced that not only will Wednesday be back for a third series, but a spin-off programme is currently under discussion, according to Hollywood Reporter. Fans were delighted to hear the fate of the beloved show has been secured, taking to social media to express their excitement. Catherine Zeta-Jones posted on Instagram confirming the news: 'When Wednesday comes a better day. 'Wednesday season three. It's official... we shall return.' Her gown featured a ruffled lining around the plunging neckline as she showcased her petite frame with a matching belt One fan wrote in the comments section: 'And for many more seasons.'; 'I love this because then they can start filming soon and it won't be such a long pause between seasons! Or that's the hope!' The second series was announced in January 2023, but by the time it comes out later this year, it will have been more than two years in the making. The first series of Wednesday follows the titular troublemaker character after she is expelled and transferred to Nevermore Academy, a school for monstrous outcasts. Her cool, creepy manner and rebellious streak often see her in trouble and struggling to fit in. But after she discovers she is a psychic like her mother and applies her skills to solving a local murder case, she soon finds her stride. The programme boasts an impressive regular cast, with Game of Thrones' Gwendoline Christie and Narcos' Luis Guzman also starring. They feature as Nevermore headteacher Larissa Weems and Wednesday's father, Gomez Addams, respectively. The upcoming second series looks to be even more star-studded, with Lady Gaga, Joanna Lumley, Steve Buscemi, and Thandiwe Newton also joining the cast. Star Jenna and director Tim also worked together on Beetlejuice Beetlejuice, the 2024 sequel to the original 1988 horror film starring Winona Ryder. And they have now told all about what fans can expect from the upcoming second series and the newly announced third instalment. Scream queen Jenna, who rose to fame in slashers Scream, X and Scream VI, was embroiled in controversy in recent months for comments she made during a podcast interview. She said she spent her time on the show 'changing lines' and 'had to put my foot down' because 'everything I had to play did not make sense for the character'. Jenna said she felt terrible about this and never meant it that way, simply meaning to say she improvised a lot and was permitted to. Tim sympathised with her, feeling the comments had been interpreted in a way she had not meant. But the pair revealed that after these events, Jenna is now a producer on the show. Co-creator Alfred Gough, who made the show with Miles Millar, said this made sense, as she is already so involved in every part of the show, as well as giving notes on the script, in a way he praised. Wednesday's first series pulled in a whopping 252million viewers globally, making it Netflix's biggest English-language series of all time. Alfred has now teased a spin-off: 'It's something we're definitely noodling; there are other characters we can look at.' Netflix chief content officer Bela Bajaria, meanwhile, added: 'There's a lot to explore in the Addams Family.' New cast member Joanna Lumley previously told Netflix news site Tudum: 'There's always something thrilling about working for Tim Burton. 'His whole mind takes him to a different world, and the world that they've created here for Wednesday and Nevermore and the family is just intoxicating. 'It's wonderful. I get to wear many, many huge wigs, one on top of the other — and lots of quite constraining clothes, so I love it.'

Leader Live
5 hours ago
- Leader Live
Lucy Spraggan ‘clashed heads a bit' with boxer Conor Benn on Celebrity SAS
The 32-year-old singer, who made her name on ITV singing show The X-Factor, will appear in the military reality show's latest series when it airs on Sunday at 9pm – having watched it 'avidly' and written about it in her diary when she was younger. Spraggan said she ended up befriending Benn, and became so close with drag artist Bimini Bon Boulash, former Love Island star Adam Collard and Michaella McCollum, who was jailed for smuggling cocaine in Peru with Melissa Reid in 2013, during her time on the show, that she invited them to her wedding. The singer, who is best known for her songs Last Night (Beer Fear), Lighthouse and Tea And Toast, said: 'To be honest, it was mainly Michaella, Bimini, Troy, Adam (that she got on with best) but I also got on with Conor too, although we did clash heads a bit. 'It was only to do with him not really liking direction and I was picked to direct one of the tasks. 'I thought Adam was such a great guy. As a woman, when a man really makes you feel comfortable around them, he was that for me the whole time. Adam, Bimini and Michaella came to my wedding after the show.' Celebrity SAS: Who Dares Wins sees celebrities enter SAS training, where they are not eliminated and are instead culled by the directing staff or able to withdraw themselves, with those who remain at the end declared the winners. Fellow contestant Chloe Burrows, best known for finishing second on Love Island series seven in 2021, described her time on the show as 'hell on earth', and added that she 'wasn't in great nick going in'. The 29-year-old said: 'It lived up to my expectations, but in my wildest dreams, it was much more intense, much more straining. 'It was so much more intense than I thought it could be, but because of all the stuff you don't see on camera, if that makes sense. 'I would actually love the opportunity to give it another go. I know Pete Wicks has given it another shot. If I did I would say to my management I need a month off and I'm going to train, get SAS ready beforehand.' Benn, who is the son of former boxer Nigel Benn, said he was inspired by his father's time in the military to join the programme, and added that the only thing that would have scared him on the show was spiders. He said: 'It definitely lived up to my expectations. It was very real. It was brutal, intense, can be mind-breaking. 'But in a weird way, if you sort of ride the storm, you find yourself and find out what you're about, who you are. I find out who I am when I'm in the ring with another man. 'Whereas for the other celebrities, who don't have to go to that place to really find out what minerals they're made of, this is the perfect test. They can find out if they're strong and put their resilience to the test.' The rest of the recruits will be made up of former footballers Adebayo Akinfenwa and Troy Deeney, TV dancer Louie Spence, Strictly Come Dancing 2025 runner-up Tasha Ghouri, former The Traitors winner Harry Clark, singer Hannah Spearritt, model Rebecca Loos, and rapper Lady Leshurr. Celebrity SAS: Who Dares Wins, airs on Channel 4 at 9pm on Sunday, and will continue on Sundays and Mondays throughout August.