Kid Cudi ties the knot with Lola Abecassis Sartore during wedding in South of France
In photos exclusively shared with Vogue magazine, the "Pursuit of Happiness" hitmaker, born Scott Mescudi, and Sartore's nuptials took place on June 28 at the luxury Cap Estel hotel in Èze, overlooking the ocean.
"It was bliss," the menswear designer said. "A moment out of time where the world stopped, and it was just the two of us. We forgot everything around us. It was just us and our love, and it was the purest moment."
All the witnesses who took the stand in the Diddy trial, including Cassie and Kid Cudi
The couple first met in 2018 at Virgil Abloh's first show for Louis Vuitton: "I was working behind the scenes, and Scott was walking the runway," adding that "our eyes met in the chaos, and there was a silent spark. After the show, Scott walked straight up and asked for my number."
Abecassis Sartore revealed that the couple also included special touches that paid tribute to Off-White founder Abloh, including a "full circle moment" featuring Badbadnotgood (the band from the night the couple met at the fashion icon's show) playing during cocktail hour and building a bounce castle to pay homage to him.
"Everyone (we know who had) already gotten married told us it would go fast," the bride told Vogue. "We didn't know it would go this quickly (though). We're on cloud nine in our little bubble of love. It's so overwhelming to receive so much love in such a short amount of time."
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"You want this feeling to never end. It was really the most perfect, flawless, peaceful day, and we want to do it all over again. Looking back, I wouldn't change a thing," she added.
The happy news comes after the rapper took the stand in Sean "Diddy" Combs' federal sex-crimes trial, leveling allegations that Combs broke into his home and locked his dog in a bathroom – and that his vehicle blew up in another incident – after the embattled mogul found out they both dated Cassandra "Cassie" Ventura Fine.
The rapper dated Ventura Fine briefly in 2011. Ventura Fine told the court that when Combs learned of their relationship, he lunged at her with a corkscrew and kicked her in the back.
After his testimony ended, Cudi thanked fans and said, "I've been seeing all the love and support. I just wanna say thank you so much, man."
"People been hitting me up the past week, just checking in," he added. "And even today. It really means a lot to me, man. You guys are the best. I love y'all. This is a stressful situation. I'm glad it's behind me. I love y'all, man. Big love. Go stream 'Neverland,'" in reference to his recent single.
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Forbes
7 hours ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
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But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 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In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... 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In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.
New York Post
9 hours ago
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Caroline Wozniacki and ex-Knick husband David Lee welcome third baby: ‘Couldn't be happier'
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Vogue
12 hours ago
- Vogue
From the Archives: Vogue Revisits Jackie Kennedy's Literary Legacy as Doubleday Book Editor
'The First Lady of Letters,' by Darcey Steinke, was originally published in the February 2005 issue of Vogue. For more of the best from Vogue's archive, sign up for our Nostalgia newsletter here. 'Remember, just like you, Jackie Onassis puts her pants on one leg at a time,' my father reminded me as he helped me into the cab that ferried me up to the Doubleday offices in midtown Manhattan where Jackie was an editor. It was 1987, and I was 25 years old and still in graduate school at the University of Virginia. Dad's advice was meant to bolster my confidence, but it didn't really calm me as I sat under the harsh fluorescent light in Doubleday's waiting room. 'The wrrrrrriter!' Jackie said enthusiastically as she came through the door and took both my hands in hers. In person the tremendous symmetry of her face was startling; her cheekbones protruded, and her eyes were far apart. Jackie's dark hair was pulled back in a low ponytail held with a tortoiseshell clip. There was a skeletal elegance about her; she wore blue slacks, a tailored white shirt, and patent leather pumps. Her office was smaller and shabbier then I'd imagined, her metal desk piled high with white manuscript pages; she was in the process of collaborating on Joseph Campbell's The Power of Myth. She asked me about my trip. I said the flight from Charlottesville had been bumpy and I didn't really like to fly. The corners of her mouth turned down, and she leaned forward. Unlike my mother, or any other older lady I knew, Jackie wasn't cautious or fearful. She thought you should try everything. 'Oh, Darcey,' she said in her lilting voice, which was famously feathery and very feminine, 'can't you have a little white wine on the plane? If you don't fly, you'll miss out on so much.' My cheeks flushed: I said I would try. I felt an odd intimacy with Jackie. She had become my editor after my writing teacher George Garrett, himself a Doubleday author, suggested I send her my first novel. Though we'd never met before and talked on the phone only once, I knew the outer structure of Jackie's life, and I wondered if she didn't feel exposed. Everyone who met her had seen footage of her in Dallas in the rawest moment of her life. We talked about my novel. Like many a young writer, Jackie said, I digressed too often. Flashbacks appeared on almost every page, and I used metaphors like drinking water. Up Through the Water takes place over a single summer on Ocracoke Island, on North Carolina's Outer Banks. I had waitressed there summers while I was in college, so I knew the general rhythms of a beach resort, but I didn't know much about narrative structure or motivation. Jackie was most interested in my character Emily, a promiscuous 35-year-old prep cook. 'She is an undine, who swims with the fish and sleeps with any sailor,' Jackie said. 'How will she deal with aging? Will she be able to be faithful to her boyfriend?' At 25, I'd never thought of promiscuity or taking one's youth for granted as something that might have tragic repercussions. As I listened to her I thought, How can the most elegant woman in America identify with a profligate prep cook? But Jackie found Emily mesmerizing. 'What is wrenching about her is that one of her loveliest facets, her animal nature, carries with it her doom.'
