logo
Here's 2025's best family movie of the year (and it's not KPop Demon Hunters)

Here's 2025's best family movie of the year (and it's not KPop Demon Hunters)

Time Out10 hours ago
KPop Demon Hunters proved to be one of Netflix's biggest successes this year, with the animated musical not only dominating global streaming charts but also the Billboard Hot 100 with songs like 'Golden' and 'Soda Pop'. Beloved by K-pop listeners and novices alike, KPop Demon Hunters deservedly earned a spot on Time Out's list of the best family movies of 2025 (so far).
From the Chinese blockbuster Ne Zha 2 to A Minecraft Movie, this year has offered us plenty of family-friendly options to catch up on. But perhaps the most impactful of them all has been a relatively low-budget feature from Latvia.
We're talking about Flow, an animated odyssey of a cat and his new furry friends as they brave a flood in a creaky wooden boat. That simple premise is elevated by director Gints Zilbalodis's vision and animals that transcend languages and global borders.
Flow opened in cinemas early this year and went on to win Best Animated Feature at the Oscars, cutting above big studio nominees like Disney's Inside Out 2 and DreamWorks's The Wild Robot.
What makes Flow 's win all the more commendable is that the entire film was designed and animated in the free-to-use online software Blender. In fact, the Latvian filmmaker and animator even gave a shout-out to Blender during his acceptance speech.
With children's animation traditionally relying on talking animals and cartoonish mannerisms, Flow is slightly unconventional in the sense that it emphasises hyper-realistic sounds and movements of its animals. The result is a hard-hitting watch without any spoken dialogue, further enhanced by the ambient, minimalist score co-composed by Zilbalodis himself.
But with that being said, there's also plenty of fun to be had with Flow for younger audiences. The feline protagonist's curiosity leads him to a sleepy, Zen-like capybara, a hyperactive Labrador, and a kleptomaniac lemur.
The talkless banter between the cat's four-legged companions, along with the visually immersive Blender worlds, makes Flow the finest family movie of the year. Quite the relaxing antidote to an overstimulated, screen-addicted generation.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Hostage: 'Playing the Prime Minister 'changes your perception' of politics' says Suranne Jones
Hostage: 'Playing the Prime Minister 'changes your perception' of politics' says Suranne Jones

BBC News

timean hour ago

  • BBC News

Hostage: 'Playing the Prime Minister 'changes your perception' of politics' says Suranne Jones

Actress Suranne Jones has taken on the role of many women under immense pressure. In Doctor Foster she suspects her husband of having an affair, in Vigil she investigates a death on board a submarine, and in Gentleman Jack she develops a dangerous lesbian romance. But none of the roles are quite as pressured as her latest - playing a British prime minister whose husband is kidnapped. Hostage, Netflix's new political thriller, sees Jones' character, Abigail Dalton, build an uneasy alliance with French President Vivienne Toussaint - played by Julie Delpy - who is being blackmailed during a London two leaders work together in order to rescue the PM's husband, unmask the kidnapper and blackmailer, and bring those responsible to justice. 'Political with a small p' Given its themes of immigration, the funding of the NHS and public trust, audiences may be tempted to connect Hostage to today's headlines. But, both stars insist the show is less about mirroring today's politics and more about creating a thrilling story set in the political world. "We're entertaining and we're in the political world, but it's in no way a reflection of the world we live in," Jones tells the BBC."It's political with a small p - there's enough that roots us in the real world but the world is too complicated to link it directly and I think it would be inappropriate." Delpy agrees and says: "Things change every day. It's impossible to be in the political moment because tomorrow is something else."The show's writer, Matt Charman, explains that there are some connections to the real world as it's "impossible to write a show that exists in the climate we live in that doesn't end up feeling that it's in dialogue with it". "If you wrote a show that isn't connected to our world it would feel weird," he says, "but I hope the show does have the ability to exist in its own oxygen." It is rare to see two female world leaders sharing the spotlight in a political thriller, but, for Charman, making sure Dalton and Toussaint were women was integral to the way the series was conceived and it was both a creative and political choice. "What was exciting was the idea of women in power and how we explore that," he says, explaining that he tried to explore how each situation the characters face would be different for a woman. "There's a double standard for women, so giving full dramatic freedom to that was very important." Charman and Jones have shared an agent for the past 10 years and Hostage came about because Charman really wanted to work with Jones and the pair settled on creating a political thriller. Jones says she particularly enjoyed exploring "how these two women have to dance around each other"."A female politician is used to dealing with men so it's interesting to see how it plays out when it's two women." While viewers quickly learn about Jones' character - a loving wife and mother who is idealistic about bettering the country - Delpy's character is more drawn out and our opinion of her changes throughout the show."We made sure not to play into the female politician stereotypes," Delpy say. "What I like is that these women actually have some things in common like they both want change and came into office hopeful." The Guardian describe Hostage as "quite unusual" in that it doesn't remind you of any other political thrillers. "It's a little biting but it's not House of Cards cynical, it has a breakneck pace but it's not 24, the dialogue is sharp but never played for laughs," Zoe Williams writes. 'Cost of being in power' To play Dalton convincingly, Jones, who also served as an executive producer on the show, says she really immersed herself in the reality of political life. She visited the House of Commons, spoke to the Speaker of the House and devoured books, podcasts and documentaries. "I'm a bit of a geek when it comes to research," she admits. "I was fascinated by not emulating anyone but by understanding a life I knew nothing about. And it's the cost of being in a powerful position in that way that really struck me."Charman also talks about the extraordinary amount of research that went into creating the show. I ask him whether Dalton or Toussaint were inspired by any real life politicians and he confesses that they are, but he won't say who. "We interviewed a lot of people and Suranne had incredible access to people who had been prime minister who talked about their time in office and the pressure on their family. But it was all agreed that they would speak about this as long as it could remain confidential," he says. Jones won't say which politicians inspired her character but says all of her previous characters are a part of her and she has "a boardroom of personalities" which feed into who she plays. She says all the research into what it's like to be a politician "changes your perception for sure" and makes you realise "the cost of being in a powerful position". One question the show raises is whether or not it's possible for a politician today to stick to their ideals once they come into office and while Jones is unsure, Charman is an optimist. "I wanted to explore how there can be decent people in politics who are fundamentally good but get pushed around," he says. He adds that it's not "inevitable" that people give up their ideals once in office, but "it's definitely tough to keep your morals". Above the thrills and drama of Hostage, Charman says the show explores "what it takes to be a good person in a system that doesn't always reward good people."Delpy is slightly more pessimistic and explains that given "politicians have to be heard, if you're too reasonable you won't be listened to as there's so much noise of both extremes"."If you have a moderate view you get lost in the noise as people are only listening to the loudest."

JUST IN: New Australian report debunks Gen Z drinking myths (spoiler: they're not sober)
JUST IN: New Australian report debunks Gen Z drinking myths (spoiler: they're not sober)

Time Out

time3 hours ago

  • Time Out

JUST IN: New Australian report debunks Gen Z drinking myths (spoiler: they're not sober)

Great news for Australia's bars, nightlife culture and hospo lovers: despite the chatter, Gen Z isn't dry. And we've got the stats to back it up. The Time Out Australia Sip Happens white paper is a trend report that deep-dives into how Gen Z and Millennials are drinking in 2025. You reckon Gen Z has swapped cocktails for kombucha? Nope. Turns out 81 per cent of Australian Gen Zs drink alcohol – that's only 3 per cent less than Millennials. That said, they're prioritising experiences over binge drinking, as well as concept-led bars and socially responsible sips. We'll cheers to that. The Sip Happens research, compiled by Time Out Australia's creative solutions and insights team, took quantitative and qualitative consumer insights from Time Out Loud, our proprietary research community, combined with editorial expertise from Time Out's editors and professional perspectives from key industry stakeholders. It found that 70 per cent of Gen Z respondents choose brands that align with their values. While 80 per cent of Gen Z are influenced by a venue's vibe (hello, groovy underground haunt Pleasure Club), and price is the number one factor in deciding whether to drink. The report reveals seven key trends shaping Gen Z and Millennial drinking culture in 2025, from 'main character' dinner parties and PowerPoint nights in, to chasing TikTok-famous cocktails like the 'Spicy Sauvy B'. Across these trends, one theme is clear: this is a generation choosing quality over quantity, prioritising vibe over volume, and balancing wellness with weekends worth remembering. Seven trends shaping how Gen Z enjoy drinks in 2025: The Rise of 'Main Character' Hosting: Forget sticky-floored clubs – a popular drinking spot for Gen Z is at home with friends and family. Think moodboard-worthy dinner parties, let's-get-lit book clubs and PowerPoint parties, all paired with cocktails as curated as the glassware they're served in. Intentional Nights Out: Lockdowns may have changed nightlife, but Gen Z still goes 'out out' – just on their terms. Shorter, more intentional evenings at vibey bars like Sydney's Bar Planet or Melbourne's Caretaker's Cottage are in; sunrise benders are out. From Binge to Balance: Gen Z can hit the rooftop bar and still make their 8am pilates class. While money, not health, is their main reason for skipping drinks – they're all about moderation, mini cocktails and wellness-meets-social nights. Experience Over Excess: When Gen Z heads out, they are chasing the vibe. They are 30 per cent less likely than Millennials to opt for traditional options, instead favouring immersive pop-ups, live music and multi-concept venues. From matcha-fuelled café raves to arcade-bar cocktail crawls, drinking is just one part of the experience, not the focus. Mixed to Match the Moodboard: For Gen Z, a drink can be an accessory. The vibe and aesthetic of a venue is just as important as what's in the glass, with TikTok and Instagram driving discovery. Cocktails need to look good not just in pictures, but also on video – theatrical martinis, nostalgic throwbacks and viral 'Spicy Sauvy B' cocktails are all part of the mix. Bougie on a Budget: Cost of living is shaping how and where Gen Z drinks. They want affordable luxury: $16 Negronis at all-day happy hours, drag brunches with bottomless bubbles and BYO nights at premium restaurants. Socially Responsible Sips: Values matter as much as flavour – 77 per cent are more likely to choose a brand or bar that stands for something they believe in, with natural wine, local producers and sustainable venues leading the way. Kaylie Smith, Time Out's Managing Director, APAC, says: 'Time Out knows cities like no one else, so when we started to ideate the theme for this report, we listened to our partners and clients. Knowing how to reach and engage with Gen Z – a key part of our Time Out audience – has been a misunderstood topic for a long time, especially in the alcohol space. 'When we uncovered these insights in our research, we knew we needed to use our connections and expertise to debunk the myth that Gen Z have all gone sober. Experiences are more important than ever, and we hope that through this research, we can provide insights for brands into Gen Z attitudes and behaviours.' And if you're looking for inspiration for where to do fun stuff, Time Out is a great place to start. You can check out the full Time Out Sip Happens report here. And on that note, we say it's time for a drink.

Spectator Competition: Category error
Spectator Competition: Category error

Spectator

time3 hours ago

  • Spectator

Spectator Competition: Category error

Comp. 3413 was prompted by J.G. Ballard's story 'The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race' (itself inspired by Alfred Jarry's 'The Crucifixion Considered as an Uphill Bicycle Race'). You were invited to consider some event in a category to which it did not belong. It was harder than ever to choose winners; Adrian Fry, Bill Greenwell, Paul Freeman, Martin Brown, Sue Pickard, J.S.R. Fleckney, Nicholas Stone and Sylvia Fairley are a few of the runners-up. The prizes go to those below. The Big Bang considered as a TV baking challenge The initial cosmic oven temperature was unbelievably high. Whoever was responsible for turning it on should have read the thermodynamic instructions with more care. The particle dishes eventually cooled down, while the all-seeing Judge oversaw the creative aspects of the show to ensure things were co-ordinated. The three challenges were: a signature volcanic bake to test creativity; a technical bake which took skill and talent, especially with dark matter ingredients; and finally a showstopper with fruity neutron bombes. Two would-be stars were eliminated due to a surfeit of black holes in their sponges, while another lost out during desert week. Sadly, the baked Alaska dish was not received well. In the later stages, the fundamental forces of the strong and weak came to the fore. Various quirks and quarks combined to form exciting new recipes. Uplifting, like gravity. John O'Byrne Anne Boleyn's death as an RHS seminar Tower Green today hosted an RHS seminar on the early dead-heading of tender young blooms judged to have become expendable following their excessive and unsuitable cross-pollination. The event culminated in a dramatic demonstration given by a visiting French expert who, despite an initial concern over the proper positioning of his main prop, performed his task with admirable speed and neatness which earned him a Patron's Gold Award of some £23. The said Patron, though absent due to a prior engagement, was reported to have been well satisfied with the morning's outcome and confident that it would not deter his country's most respected seedsmen from continuing to supply him with the most desirable specimens from their own exclusive stock. Indeed, an early replacement for the once-fragrant, though apparently unreliable, Rosa Boleynii may be announced very shortly. Martin Parker The first world war as a Netflix crime series The first episode of this much talked-about crime noir opened literally with a bang, the murder of a feathery-hatted aristocrat and his wife. The hit-man is swiftly arrested, but who was behind it all? Cue then a whole range of the usual stock figures, often expendable, to come and try to sort things out, including incompetent Frenchmen who need to be rescued, until things get repetitive and the plot gets bogged down near the unlikely and insignificant river Somme. In a somewhat predictable twist in episode five, the increasingly implausible action requires some entirely new characters, of course American, to tidy it up. In an overly showy final scene set – why? – in a palace full of mirrors, the principal American, apparently called Woody, apportions rewards and blame. Every-one claims it to be 'the end', but it is abundantly clear that we are being set up for a second series. Brian Murdoch The Charge of the Light Brigade as a cricket match Raglan gave the order. From the top of the pavilion he rang the starting bell. When Cardigan trotted out, it was believed he had misunderstood the instructions. He had a bad start. Dancing down the wicket to Starc he missed entirely. Next ball he repeated the madness and was caught in the deep. Raglan looked on in horror. As Australia brought out the big guns things only got worse. The 13th Light Dragoons were hit hardest at first: Duckett, Crawley and Pope all fell before lunch. Later, the 17th Lancers and the 11th Hussars took the brunt, with Brook and Smith gone by 2.30. Only Root held out till tea, when the end of the innings brought a stop to the madness. Still, the question remained. Why had England tried to play T20 cricket in a Test match? David Harris It's the Brexit round of Strictly Come Dancing, the European Union holding the floor as the UK considers a move; will she stay or withdraw? They have long been uneasy partners, out of step, missing the beat, dancing to different tempos as they struggle over who will lead. A brisk comparison of choreography; it may be a case of 'take back control' with the UK as the music starts. Leavers and Remainers begin to tango, pressed close, a passionate, heated dip and rise, a kick or two. Incredible tension. A battle for independence, a flirtation with staying in sync. This may be the last tango in Paris, or anywhere in Europe for that matter. The judges confer, and the Leavers waltz away with the crown, leaving the Remainers feeling slighted, shocked and boxed into a corner with little room to manoeuvre. It's been absolute murder on the dancefloor. Janine Beacham The Annual Budget as a Branch of Mathematics Sturtevant and Yang propose erecting a new branch of maths, to be known as Governmental, Impure or Speculative Mathematics, but there is more to the subject than the commonplace that cancellarian two and two do not usually make four. Consider Cook's Variable Constant, C, (the 'Fudge Factor') defined as modulus (Ng – Nw), where Ng = the number you have and Nw = the number you want. Particularly interesting is the finite summation of an infinite diverging series, so that government borrowing can increase forever without repayment. A further promising development is Quantum Statistics, in which figures can be right and wrong simultaneously. The novel use of infinitesimals, as applied to spending cuts, is more controversial, but a ground-breaking use of pi, as something we can have tomorrow, but never today, exemplifies the useful creativity of the new subject. Frank Upton No. 3416: Throuple You are invited to submit a passage which marries romantasy with a third genre, e.g. political thriller, comic fiction, noir (150 words max, not too rude). Please email entries to competition@ by 3 September.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store