
And Just like That: Fans Have a Theory About How the Show Will End
Despite the (very!) mixed reviews the SATC spin-off has received since it started airing in 2021, fans have understandably been quite cut up about bidding farewell to these iconic characters—more on their reactions in a moment.
That being said, after decades in the SATC universe, it's only natural that viewers are theorizing about how the show will close, and one theory seems to be pretty prominent, especially among Samantha Jones fans.
"And Just Like That needs to end with Samantha waking up and saying 'What a horrible dream!?'" one fan suggested on X, referencing the absence of Kim Cattrall's legendary character.
"But for real, And Just Like That should end with Samantha waking up from a three year long coma and going: 'I just had the worst dream'. And then smash to black," another fan agreed, as someone else shared: "It should end with a Samantha scene!! She was the show!!"
Other viewers hope that we'll see the show switch to Samantha's life in London, although, given the wording that the entire SATC "universe" is coming to an end, that might be unrealistic. "It'd be even better if they could pass the baton over to Samantha in London for the last hour of show – we get a tiny glimpse into her wonderful sex life with a younger man, her social life with Black and gay friends, her office fling with an older man coz duh, she trying poly!" one fan suggested, as another wrote, "I'd like a Samantha spin off."
Elsewhere, another viewer pointed to how relieved the actress who played her must be feeling. "Kim Cattrall after seeing this news, realizing no one will ever bother her about playing Samantha Jones again," they posted.
Here's a few more reactions to the news that AJLT is ending...
AJLT's final episodes will air later this month. Say it ain't so!
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New York Post
2 hours ago
- New York Post
Maxim's 'unsexiest women' list surfaces with surprising first-place winner
More like 'unsexy and the city.' Online viewers are ripping on a controversial 18-year-old Maxim article that listed the most 'unattractive' women in showbiz — with 'Sex And The City' star Sarah Jessica Parker topping the Mount Rushmore of alleged off-putting celebs. The unflattering ranking came to light via a Reddit post raising eyebrows online. 'In 2007, Maxim thought it was clever to publish a list of 'Unsexiest Women Alive',' the original poster wrote. 'Here are the 5 women they selected.' SJP was named the 'unsexiest woman alive' with the men's mag describing her as the 'least sexy woman in a group of very unsexy women,' per an article in Today. 'How the hell did this [horse] Barbaro-faced broad manage to be the least sexy woman in a group of very unsexy women and still star on a show with 'sex' in the title?' it read, per 5 'Am I really the unsexiest woman in the world?' spluttered Sarah Jessica Parker while reacting to the unflattering list in an interview with Grazia magazine. WireImage Coming in second in this not-hot 100 was Amy Winehouse. The 'Rehab' singer, who died four years later of alcohol poisoning, was lambasted for her supposed 'openly hemorrhaging translucent skin, rat's nest mane and lashes that look more like surgically attached bats.' 'Grey's Anatomy' star Sandra Oh placed third on this famous person 'face mash,' which the Maxim scribes attributed to her 'cold bedside manner and boyish figure.' 'Self-righteous bellyaching and rapid postnuptial deterioration' landed pop sensation Madonna in fourth place, per the article, which compared her to 'Nosferatu' actor Willem Defoe. Britney Spears, who was in the throes of her highly publicized meltdown at the time, rounded out the so-called cosmetically catastrophic quintet due to her weight gain and turbulent personal life. 5 Maxim ripped Sandra Oh for her 'cold bedside manner and boyish figure.' Getty Images for Tribeca Festival Maxim derided the pop princess as 'filling chicken-grease-stained sweatpants on the cover of every trashy tabloid and gossip blog on the Internet' and having 'gained two kids, two useless ex-husbands, and about 23 pounds of Funyun pudge,' per The body-shaming hit list came out as a veritable aesthetic Razzie Awards to their Hot 100 list, which was released earlier that year. Coming in first place on the 'sexiest woman' rankings was Lindsay Lohan, followed by Jessica Alba, Scarlett Johansson and Christina Aguilera. 5 Amy Winehouse arrives at the South Bank Show Awards at The Savoy Hotel on January 23, 2007 in London, England. Getty Images 5 Britney Spears was lambasted for her messy personal life and weight gain. FilmMagic Thankfully, even the oft-merciless Reddit legions were horrified by the derogatory piece. 'Excuse the f–k out of me?' spluttered one Redditor, while another wrote, 'Never understood the criticism for SJP's looks.' 'All these women are hot? Wtf,' exclaimed a third. Some chalked up the list to the ridiculous beauty standards of the aughts. 'We don't talk enough about how ridiculously cruel the 2000s were to women's bodies,' said another. 'Jessica Simpson could not dare to add half a pound without some low life tabloid turning it to the headline.' 5 Meanwhile, 'self-righteous bellyaching and rapid postnuptial deterioration' landed pop sensation Madonna in fourth place on the list. FilmMagic 'So, two Jewish women with prominent noses, an Asian woman, a 49-year-old woman, and a woman who had recently aged out of her sexy-baby marketing,' rued one critic. 'Let's call it like it is, none of these women fit into the Eurocentric-blonde-hair-button-nose-big-boob-flat-tummy-'good-genes'-barely-legal category, so sadly I'm not surprised.' Others thought the article was especially hypocritical given how most of the writers behind said countdowns generally weren't easy on the eyes themselves. 'It should be mandatory for anyone who publishes articles like this to post a picture of themselves beside their work,' declared one appalled reader. Pajiba writer Kayleigh Donaldson pointed out that the article was even reviled at the time, writing that many media outlets deemed it in 'shockingly poor taste and stunningly sexist' despite celeb body-shaming being in vogue. 'Everyone engaged in this circle of human bear-baiting, with this handful of women held up as the acceptable targets,' she wrote. 'The word 'trainwreck' had never been more utilized in the media vernacular.' Sarah Jessica Parker spoke out about how much the article upset her. 'Am I really the unsexiest woman in the world?' the actress said in an interview with Grazia magazine, the Daily Mail reported. 'Wow! It's kind of shocking.' She added, 'It's so brutal in a way, so filled with rage and anger.'


Elle
3 hours ago
- Elle
Sarita Choudhury Feels ‘Lucky' She Didn't See That Infamous Trey Scene in 'The O.C.'
Sarita Choudhury makes a point of avoiding the ever-fervent And Just Like That… discourse. 'I protect myself by not reading anything,' says the veteran stage and screen actress, who portrays the ultra-confident and unapologetically sexy real estate broker Seema Patel on the Sex and the City sequel series. But last week, news broke that Choudhury couldn't avoid—even on vacation in Spain. A day after she jumped on Zoom to speak with ELLE, series creator Michael Patrick King and star Sarah Jessica Parker dropped the bombshell that And Just Like That… would end with the remaining two episodes of the current third season. Immediately after, Choudhury reposted Parker's tribute in her Instagram Story, but has otherwise remained quiet. (Her representatives declined to comment.) In 2021, Choudhury—whose career took off after starring opposite Denzel Washington in Mira Nair's 1991 film, Mississippi Masala, and recently stole scenes in Fallout and Ramy—joined three-fourths of the original SATC cast in And Just Like That... After helping a widowed Carrie (Parker) sell the apartment she shared with Big (Chris Noth), Seema filled out an expanded and more diverse circle of high-powered, well-dressed, and quick-witted women that's actually representative of New York City. She brings the single, child-free, and self-made woman energy to the group—which sometimes elicits an oversimplified comparison to Kim Cattrall's Samantha. But in AJLT's now-final season, Seema embarks on an uncharted and revealing journey that feels much higher-stakes than when she was a victim of Birkin bag theft. Professionally, Seema—at the top of her game in a posh real estate agency—is thrown for a loop with her business partner and friend, Elliott (John Glover) announces early retirement. Instead of elevating her to sole owner of Proust & Patel, like originally promised, Elliott sells his controlling shares to Owning Manhattan's showboating deal-closer Ryan Serhant. Bouncing back from her initial shock and humiliation, a resolute Seema starts her own luxury boutique agency. But she encounters hurdles along the way, like getting real about her finances, swapping her chauffeured car for an MTA card, and braving a case of pink eye, thanks to her budget-friendly, but hygienically-challenged neighborhood lash spot. After breaking up with smooth but distracted movie director Ravi Gordi (Armin Amiri), Seema finds an instant spark with Carrie's crunchy, hunky landscaper Adam, played by Logan Marshall-Green, a.k.a. The OC's Chino hothead, Trey Atwood. Choudhury, however, didn't watch the mid-aughts teen drama, so she wouldn't have been preoccupied by, say, memories of a comatose Trey after Marissa (Mischa Barton) shot him. 'I'm lucky I didn't,' says Choudhury. Adam, who's at ease with his own feelings (maybe due to his close relationship with his late hippie, artist mother) plays a perfect foil to the bold, but emotionally guarded Seema. With Adam, she learns to be vulnerable and honestly express her feelings, which is perhaps a more daunting prospect than starting her own business. Behind the scenes of AJLT, Choudhury settled into a groove, too, especially with filming raucous lunch scenes with the rest of the main cast. 'The group scenes are now my favorite, because it's the only time I get to see everyone and we get to hang out in the makeup trailer before,' says Choudhury, who at first feared those moments back in season 1. 'Those lunch scenes in Sex and the City back in the day were iconic. So in my head, I was like, 'It doesn't even make sense for me to sit at that lunch table.' It was too meta for me. But now, it's completely the opposite.' Choudhury explains she quickly found her footing in season 1, largely because the original cast members, Parker, Cynthia Nixon, and Kristin Davis, were so supportive and welcoming. 'The original girls are so amazing. They're so normal. It's shocking. That's why it was actually very easy [to settle in],' she says. 'You don't feel that pressure on the set. I mean, it's women in their 50s hanging out. Everyone has children, and there's so many things that we're juggling.' While Choudhury ignores her social mentions and comment section, she welcomes the fans who approach her on the street—many of whom are rooting for Seema and Adam. 'They're super excited and they just give me a lot of energy,' says Choudhury. 'I've never experienced that. I've never done a show with that kind of energy.' Ahead, Choudhury—who was extremely careful not to reveal finale spoilers—discusses why Adam is different from other guys, a time when she felt like she lost her power, and how she takes inspiration from her character during a 'shake up.' I didn't actually take anything from my own. I got the help from MPK [Michael Patrick King]. There were two scenes, specifically, where you're being told something, and people are watching your expression, you're covering up, but you can't help but show [emotion] a bit. When we were shooting, MPK was like, '[Seema] covers up immediately, and then her awkwardness or vulnerability [later] betrays it. But she would never [reveal it immediately in the moment].' So she'll take the champagne and be like, 'Well, that's for me. I deserve it.' Because she's in a business suit, in the meeting, being told she's not getting the company or being valued for all that work. I think I do that. I think we all do that, where you have the facial reaction and then, later, you have the phone call or the road trip with Carrie. But in terms of my life, as an actor, you go through it all the time. Because everything is about your artistic desire versus what you're receiving. Maybe the job doesn't align perfectly with what you want. Or we audition and don't get the part. We're so good at rejection as actors. I'm really enjoying it in season 3. Because in season 1, it was more, 'Oh, I need to pull this off, because I'm so different from Seema.' This comedy, mixed in with a very grounded—oddly—story, is an opportunity I've had in theater, but never really on screen. So it's been fun to be agile. It's like doing math. You literally have to figure out the comedy and keep it real. It's new for me and I love it now. I remember realizing, 'Oh, my God, this is the rom-com moment.' Everyone probably thinks Seema's really tough, but I think every woman wants that moment. Every other scene with Adam before that was sparring with words and Seema just making fun of [him] because she liked him. You do that when you're 12 years old; that's how she was behaving. So for me, that scene was just like, 'It's happening, so just let it happen and enjoy it.' It's that moment you can't quite believe it's happening, and there's part of your brain that just is like, 'Don't talk. Just accept it. It's so beautiful. Oh my god.' I think I was having that realization even though everyone is staring at me, and there is a side to it that's just so outlandish. Logan is so good at this. [Adam] is so grounded and he watches, and that disarms her. Because I think she's the watcher and the mover. Like, she says something, and he matches it with a phrase. It's like Beatrice and Benedict in Much Ado About Nothing. They're not the ones that are supposed to fall in love. They're constantly sparring. Of course, as you're watching it, you're like, 'Of course, they're gonna get together.' He's the only one who doesn't let it go. He's matching her word for word. He touches her … like [removing her] eyelash and coming in that close and touching her face. I don't think Seema was used to that on any level. Again, as women, we love that, but we don't know how to tell a guy to be like that. You can't train someone to be like that. A guy is like that or not. Yeah, his hands are in the dirt every day with things that are growing. He's just the opposite of Seema. It's the kind of thing, when you're so happy in your own world, and then a friend or someone just goes, 'Yeah, but…'' Like, reminding me of something I wanted to do, as if I hadn't remembered myself. It's embarrassing. [For Seema], it's like, 'Well, you think you're on top of the world with everything, but then why is your love life always such a sham?' Even in her business mind, she's like, 'Wait a minute, the equation is not working. Let me try and play with this equation.' But within three wrong sentences, either from the brilliant Cheri Oteri, or from the guy on the date, she's out. She's not gonna give anything too long. I never thought I'd feel this, because I know it's a scene where I'm playing the character doing this. But when I saw the costume options, I was literally appalled. I've played Seema long enough, but it kind of shocked me. I felt like an imposter, even with the straightened hair. It was perfect for that [scene]. Because you could wear pastels in the style that you usually dress and still feel some odd power. It felt like I had no angle that I was used to! So I lost my power. I didn't know how to navigate these colors and clothes. Oh, wow. [Long pause.] It's funny because we get the scripts ahead of time by a few or maybe five days. But I remember, as we were hitting this area, I was even thinking, 'Oh my god, what is going to happen?' Because, with shows, sometimes you open the script that's just been sent to you, and you're praying—because some story lines you enjoy—and you're like, 'Oh, please don't shift this one away.' So I can't give anything away, obviously, but the question you are asking is exactly how I felt as an actor at this point in the series. I remember thinking, 'Oh my god, what are they going to do with the last?'—especially because there's only a few left. I did not know what was going to happen. I know that doesn't answer your question. But I'm aligned with you in asking it. Oh I know, it's inspiring to me too, because we all get shaken up—or need shaking up—and I don't know which one is truer. Because she's a so-called 'strong woman,' it's kind of great to see, 'Oh, how did she deal with it?' Because, I need to learn that all the time. This interview has been edited and condensed for clarity.


Vogue
20 hours ago
- Vogue
Was a 2020s Carrie Bradshaw Ever Really Going to Satisfy Us?
It's a common thing among New Yorkers to feel like you've just missed the city's greatest era, but I genuinely mourn the fact that I wasn't a Brooklynite during the original run of Sex and the City on HBO. No less an authority on rom-coms than Mindy Kaling underscored the impact of the show in her first book, Is Everyone Hanging Out Without Me?, writing: 'Let me take a moment here to stress again just how pervasive the Sex and the City culture was in New York in 2002. You could be an NYU freshman, a Metropolitan Transit Authority worker, or an Orthodox Jewish woman living in a yeshiva: you watched Sex and the City.' And what, exactly, has my generation of Netflix-addled millennials been handed instead of the SATC culture that Kaling raved about? And Just Like That…, of course, a series that was to the original series what the five million Bring It On sequels were to the first 2000 film. Now that the less-than-perfect reboot is officially ending after three seasons, I'm left wondering just what it was that went so awry. This season in particular has been something of a slog to get through, and I'm a person who used a picture of Carrie Bradshaw as the background of the first computer I ever owned. If I'm only watching out of professional obligation, you know something is wrong. Carrie may have inspired generations of young women to worship graven images of her clothes, but what I loved about her on the show's original run was that she wasn't aspirational, not all the time. Yes, she had the great job and the perfect wardrobe and the cute apartment and the girl squad and the line of men waiting in the wings to date her, but she also got pigeonholed as a sex columnist and couldn't afford her outfits or apartment and fought with her friends and got dumped and did a million other things that made her feel like an actual person, not just Pinterest fodder. I don't doubt that the 50-plus-and-fabulous life of a rich New York widow was an exciting proposition for some (especially mankeeping wives who hate their husbands but will only admit it after two white wines), but modern-day Carrie's story was also freighted with loss (see: Mr. Big), decades-old baggage (see: eternal loser Aidan), and storylines like disliking the mega-luxe New York City apartments her hot realtor friend showed her. (No offense, but…snore!) Of course Carrie's life in her 50s was going to look different than it did in her 30s, but it's been hard to shake my image of our heroine as the ultimate single, unencumbered, footloose-and-fancy-free-in-expensive-Manolos New Yorker who arguably prefigured the West Village girlie. Sure, she flirted a bit with her weird British neighbor, but why didn't we get to see Carrie really hit the dating market again? I would pay good money to see this woman's Hinge profile! (Okay, fine, she'd clearly be on Raya, but still.)