logo
Netflix's controversial new thriller watched 2,400,000 times gets second season

Netflix's controversial new thriller watched 2,400,000 times gets second season

Metro9 hours ago

Netflix has officially confirmed the live-action manga series Bet will be back for a second season after millions tuned in to the first.
Based on the Japanese manga Kakegurui (which translates to 'compulsive gambler'), the new Netflix adaptation raked in 2.4 million views in its first week on the streamer and spent three weeks on the global top 10 list of English-speaking shows.
Starring Miku Martineau, Ayo Solanke and Eve Edwards, the drama sees Japanese teen Yumeko start at the exclusive boarding school St Dominic's, where gambling is a way of life.
Literally. Students forgo traditional curriculum, instead playing various games and gambling huge sums of money to rise up the school's social hierarchy.
As students wager their parents' cash, Yumeko uncovers her hidden knack with a deck of cards which soon morphs into an obsession.
Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter.
Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you.
The show will return for a second season of 10 episodes at 30 minutes a piece, following a similar format to the first installment.
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
Bet showrunner and Warrior Nun creator Simon Barry confirmed the news in a statement, saying: 'I'm extremely happy for our amazing Bet fans from all over the world, who get to enjoy another season, and for this incredible cast and crew to return to St. Dominic's for more gambling and general madness.'
Live-action adaptations of a manga can be a tricky business, given it's hard to please both existing fans and newcomers who haven't read the comic books – prompting some mixed reactions online.
Certain viewers leapt to the show's defence on X, praising the adaptation which currently holds a 60% score on Rotten Tomatoes.
@ite0luwakiishi shared: 'I actually liked the 'bet' series on Netflix…' while @mxxnlitt added: 'People complaining about the bet series on Netflix but I'm eating it up idc I get entertained by anything.'
@buffylipino posted: 'Y'all idk but the new show on Netflix Bet is actually good I hope there is a season 2.'
Elsewhere, the bulk of the criticism for the show surrounded unfavourable comparisons of the Americanised adaptation to the live-action Japanese TV show, which is also on Netflix. More Trending
Taking to Google reviews to voice their misgivings, Ole Smenes wrote: 'Sooo an American version of the Japanese TV show. The Korean version is waaay better the drama is darker. This is just a baaad copy of them.'
Mery Onghad had a similar opinion, writing: 'The Japanese version may have been over the top at times, but it still delivered an exciting plot. In contrast, the American version falls flat. There's surprisingly little focus on gambling and far too much on a side plot about a girl trying to avenge her parents.
View More »
'The characters in the US adaptation often feel exaggerated to the point of being cringeworthy, and the acting doesn't help. Overall, it lacks the intensity and charm of the original. Don't waste your time on this version.'
Got a story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.
MORE: Netflix actor 'left visible teeth marks on co-star after biting her'
MORE: Netflix quietly adds all 4 episodes of 'gripping' spy thriller with Line of Duty star
MORE: How to stream Sleeper Cell TV series that left viewers 'in constant state of suspense'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Lee Carsley snubbed for Saipan film role but hopes to write Hollywood movie script with Euros sequel with England U21s
Lee Carsley snubbed for Saipan film role but hopes to write Hollywood movie script with Euros sequel with England U21s

Scottish Sun

time2 hours ago

  • Scottish Sun

Lee Carsley snubbed for Saipan film role but hopes to write Hollywood movie script with Euros sequel with England U21s

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) LEE CARSLEY knew nothing about a potential role in new movie Saipan — but he is desperate to write his own Hollywood script in Slovakia. The England Under-21s boss was part of the Republic of Ireland's 2002 World Cup squad that witnessed the huge row between boss Mick McCarthy and captain Roy Keane. Sign up for Scottish Sun newsletter Sign up 4 Lee Carsley missed out on a potential movie role in the new Saipan film Credit: Getty 4 He hopes to have a Hollywood ending to England's Euro campaign in Slovakia Credit: Getty 4 Lee Carsley (left) was part of the Irish World Cup that Roy Keane left in 2002 Credit: Sportsfile In fact, it was Carsley and Jason McAteer that had to face the media the day after the explosive incident, which led to Keane walking out on the team. A trailer for the movie, starring Steve Coogan as McCarthy, has set tongues wagging. Unfortunately for Carsley, despite Oliver Coopersmith being cast to play McAteer, producers felt there was no place for the Young Lions chief. But the 51-year-old is more concerned about leading England to a second-straight Euro crown, with a semi-final against the Netherlands tonight. Carsley said: 'Holland are a team that we've been watching now for a while. 'They're very attacking, very expansive in the way they play. 'Technically very good. I really like the system that they play as well. 'We've spoken about making sure the Spain game can't be the highlight of our tournament. BEST FREE BETS AND BETTING SIGN UP OFFERS 'So the players are really determined. 'We've had a good couple of days training. We're looking forward to the game now.' England u21s clash with Germany SUSPENDED as stadium plunged into semi-darkness and players taken off pitch After Carsley's side slapped Spain 3-1 in the quarter-finals on Saturday, he is now hoping they produce another masterclass to sink the Dutch. He said: 'Ideally and I've spoken to the players about it, you want to coach a team where you watching them play and you're enjoying watching them. That Spain game and the second half of the Germany game, you are on the side, enjoying watching the players play and expressing themselves. 'You want foreign journalists to speak about our players the way we sometimes speak about their players, in terms of their technical ability or the way they can take the ball. 'We're definitely changing that perception of English players.' Holland coach Michael Reiziger has been impressed by the Young Lions. His side beat Portugal 1-0 last time out despite Ruben van Bommel's 21st- minute red card. 4 Michael Reiziger has been impressed by England's style of play Credit: Getty Reiziger said: 'They're not playing in a typical English style. 'They are playing really well with a lot of good quality and they are growing into the tournament. 'It will be a tough game but that is logical. 'We've watched every match of England. 'Two strong teams that love to play football, two teams that have quality. 'It is going to be an interesting game. We have some comparison with England. 'We started not that well but are getting better every time, resulting in the fact we won a game with ten men.' After over two decades of misery in penalty shootouts, Sir Gareth Southgate helped instil a no fear factor into England players, with the seniors winning three of their last four. And Carsley insists his lads are ready for penalties if it comes down to it tonight. He said: 'There's more of an awareness of penalties and the technique and structure that goes behind a shoot-out. 'We are fortunate to have a lot of players who take penalties for their clubs. 'It is very difficult to replicate the walk from the halfway line to the penalty spot, especially if you are not used to it. 'It's something Gareth pushed which filtered down the pathway. 'It is so important because of the amount of resources thrown at the senior team to be the best at shootouts. 'That awareness of how important they are has definitely trickled down and we have benefited from that.'

Video released showing Liam Payne's final TV appearance
Video released showing Liam Payne's final TV appearance

The Independent

time2 hours ago

  • The Independent

Video released showing Liam Payne's final TV appearance

Netflix has released a preview of Liam Payne 's final TV appearance in the upcoming reality show Building the Band. The show features the One Direction star mentoring aspiring singers, with the trailer showing him coaching contestants and engaging with crowds. Payne died in October 2024, aged 31, after falling from a third-floor hotel balcony in Argentina. The two-and-a-half-minute trailer for his final project was released on Tuesday. Watch the video in full above.

Review: ‘Disney's Hercules' at Theatre Royal Drury Lane
Review: ‘Disney's Hercules' at Theatre Royal Drury Lane

Time Out

time3 hours ago

  • Time Out

Review: ‘Disney's Hercules' at Theatre Royal Drury Lane

One of theatre's greatest mysteries is how Disney literally made the most successful musical of all time and then proceeded to learn absolutely nothing from it. Virtuoso director Julie Taymor included all the dumb stuff required by the Mouse in her version of The Lion King – farting warthogs, basically – but nonetheless crafted an audacious and iconic production that departed radically from the aesthetic of the film and is still in theatres today. Subsequent Disney musicals like Aladdin and Frozen aren't bad, but they take zero risks – effectively just plonking the film onstage – and are not in theatres today. And here comes Hercules, the next in the megacorp's long line of perfectly adequate, not very imaginative adaptations of its bountiful '90s animated roster. Book of Mormon director Casey Nicholaw's production is good looking and high energy. Robert Horn and Kwame Kwei-Armah's book is appropriately big hearted with a handful of very funny gags. The show's not-so-secret weapon is the retention of the film's sassy quintet of singing Muses. Here turbocharged into a full-on gospel group, they're a whole lot of finger snapping, head shaking, quick-changing fun, and also add a note of character to Alan Menken's likeable but unremarkable Alan Menken-style score. Hercules is a unit of generic Disney stage entertainment However, the Muses are also symptomatic of the fact that the show's Ancient Greece comes across as a reskinned small-town America, without having any comment to make on small-town America. Everyone has American accents, and does American things: the notoriously vindictive goddess Hera is reimagined as a twinkly-eyed all-American mom. While there's a vague nod to Hellenistic art, there were endless opportunities to have done something visually audacious and aesthetically interesting, and they were all passed upon. Sure, The Lion King does insist on the accents, but Taymor's production is pointedly steeped in vivid pan-African aesthetics. Here, Dane Laffrey's sets and George Reeves's video design are often impressive, but they never don't look like a themed restaurant (to be fair, one scene is actually set in a themed restaurant). All that accepted, it's a sturdy action-adventure romp that absolutely does the trick and is eminently worth taking The Kids to during the hols. It begins when Hercules is born to chief gods Zeus and Hera (classical scholars, just sit this one out). The infant is set to enjoy a heavenly existence on Mount Olympus until Stephen Carlile's enjoyably batshit Hades strips away the baby's immortality. Cast out of Olympus and raised by a human single mother, Luke Brady's adult Hercules belatedly discovers his divine parentage and resolves to become a hero, dragging Trevor Dion Nicholas's gruff warrior trainer Phil out of retirement to assist him. Heroic exploits follow: the special effects aren't groundbreaking, but they're good fun, especially the setpiece battle between Hercules, Phil and a many-headed puppet hydra. Brady is a boyish and likeable lead. His permawhite smile is bigger than his pecs – but it's kind of the point that he's not a beefcake, but rather an affable young man bewildered by his own strength. Mae Ann Jorolan gives good 'sassy love interest' as Hercules's sassy love interest, who is called Meg for some reason. They have a particularly great scene together where Meg is lecturing the smitten young man about how it's misogynist to assume she needs his help, and he keeps beatifically zoning out to sing about how hot she is. It's all absolutely fine, and accepting it's not a screechingly ambitious piece of work then perhaps all it really lacks is a big showstopper moment. The songs are solid, but there's no 'Circle of Life'/'A Whole New World'/'Let It Go'-style megabanger. Carlile's Hades turning into a much bigger puppet version of himself in the final showdown almost does the trick visually, but the scene as a whole is a muddle: it's unclear where the climactic battle between the gods is happening, or why it happens when it does, and the combat is pretty wishy washy until the afore-mentioned giga-puppet turns up. Disney musicals have vast budgets and The Lion King is an ongoing reminder that even staying within the lines of the IP, bold creatives can achieve something special with that dosh. Hercules, though, is one unit of generic Disney stage entertainment. It has charm, because it's adapted from a charming film and talented people have made it, but it's definitely not going to go down in legend.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store