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Kristin Hannah's ‘The Nightingale' Gets Movie Cast & Release Date

Kristin Hannah's ‘The Nightingale' Gets Movie Cast & Release Date

Yahoo4 days ago
If you love Kristin Hannah's bestselling historical fiction novels, then we have some good news for you! After several years of watching and waiting, there is finally news on The Nightingale movie, including casting updates (spoiler, it's two very famous sisters) and a release date! Read on to learn about the film, including what Hannah herself has to say about the cast and the highly anticipated book-to-screen adaptation.
What we know about 'The Nightingale' movie
On Tuesday, July 22, Deadline exclusively reported that TriStar Pictures, along with Reese Witherspoon's company Hello Sunshine, will be producing a feature film adaptation of Hannah's bestselling World War II historical fiction novel The Nightingale. They also shared that Michael Morris (To Leslie and Bridget Jones: Mad About the Boy) would be directing, and sisters Dakota (Ripley and The Perfect Couple) and Elle Fanning (Maleficent and A Complete Unknown) would be starring in it and helping to produce it. The Nightingale will be the first time the two have worked on a project together.
'This has been a long time coming and I know that fans of the book are more than ready to get the news,' Hannah wrote on Instagram following the announcement. 'The whole process has been a reminder that faith and commitment and passion for a project can ultimately move mountains. We've made it through a worldwide pandemic and two strikes, and yet here we are, poised to begin!'
'I want to thank a few of the many people whose passion for the project made all the difference. First and foremost to my readers who NEVER stopped asking me when the movie was coming out. Thank you @ellefanning and @dakotafanning and @lewellenpictures for years of faith and making it all work, thanks to @filmbymichaelmorris for stepping up to lead us.'
This isn't the first of Hannah's books to make it off the pages and onto the screen: Her 2008 novel, Firefly Lane, was adapted into a Netflix miniseries starring Katherine Heigl and Sarah Chalke. It had 26 total episodes.
What is 'The Nightingale' about?
The Nightingale is a bestselling historical fiction novel originally published in February 2015. It has since become one of the most talked about books on BookTok (book TikTok). The plot follows two sisters—Vianne and Isabelle—as they try to learn how to live in France after the Nazis take over.
The novel has more than a million ratings on Goodreads and it won the Readers' Favorite Historical Fiction award back in 2015 thanks to its page-turning storyline and well-researched plot.
'I love the research. It's very easy to keep researching long after the moment that you should start writing. But what I love the most is editing,' Hannah exclusively told Woman's World last year. 'I love the research. It's very easy to keep researching long after the moment that you should start writing. But what I love the most is editing. My least favorite part is coming up with an idea and actually rallying around it, being like, 'Okay, this is what I'm going to spend three years of my life on.' That's the hardest part.'
When will 'The Nightingale' movie release?
As of publication, The Nightingale is due to release on February 12, 2027. The studio said they made this decision because it coincided with Valentine's Day and the Super Bowl. It is also set to be the first female-centered film of that year.
For more book news, keep scrolling!
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McDonaldland meal with volcano shake to joins menu for limited-time. Here's when
McDonaldland meal with volcano shake to joins menu for limited-time. Here's when

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  • Yahoo

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This Billionaire Is Partnering With The Ellisons On The Paramount Deal
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  • Forbes

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A Graceland discovery inspired Peter Guralnick's myth-busting biography of Colonel Tom Parker
A Graceland discovery inspired Peter Guralnick's myth-busting biography of Colonel Tom Parker

Yahoo

timean hour ago

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A Graceland discovery inspired Peter Guralnick's myth-busting biography of Colonel Tom Parker

As the author of multiple books about Elvis Presley — including his magisterial 1994 biography 'Last Train to Memphis' and its 1999 sequel, 'Careless Love' — Peter Guralnick has interviewed hundreds of subjects and combed through a tall mountain of archival material in his quest for the truth about the most consequential American musical artist of the post World-War II era. But as it turned out there was more material, far more than Guralnick could squeeze into his Elvis biographies, and that material is the basis for his latest deep dive, "The Colonel and the King." A visit to the Graceland archive shortly after the publication of 'Last Train to Memphis' revealed a trove of correspondence written by Presley's manager Colonel Tom Parker, the rotund, blustery operator that shepherded the musician's career from the mid-1950s until shortly before his death in 1977. A cursory sift through the material revealed tens of thousands of letters tracing in minute detail the inner workings of Elvis business, from publicity campaigns to the finer points of his recording and movie contracts. These missives exploded the myths around a man who has for decades been derided as a cynical and unscrupulous opportunist that cheapened Presley's legacy while enriching himself at his client's expense. 'I read the letters and thought, 'Oh my God, this is nothing like the person that has been portrayed,'' says Guralnick from his Massachusetts home. What Guralnick found was a scrupulously honest businessman in love with what he called 'the wonderful world of show business' and the art of the handshake deal, in thrall to his star client's talent and willing to do whatever was necessary to keep him front and center. Guralnick's new book is the story of an immigrant scrapper who became a kingmaker with his unerring instinct for the main chance. The first half of the book is Guralnick's narrative; the second half contains a generous selection of Parker letters. Born Andreas Cornelis van Kuijk in Holland, Elvis' manager-to be-dropped out of school at 12. "His uncle owned a small circus," Guralnick notes. "He did every sort of job, like how to site the tent so it would have the maximum visual impact. He knew how to water the elephants, he studied the acrobats.' After a few false starts, he stowed away in 1929 on a ship bound for New Jersey, adopting the name Tom Parker shortly after reaching American soil. There was an Army stint in Hawaii, some odd jobs, and then he found what he loved: the itinerant world of the traveling carnival. At home in this milieu, Parker mastered the art of grassroots promotion, of pulling in large crowds by plastering the town with loud, hyperbolic placards. "In the world of the carnival and the circus, nobody questioned your pedigree," says Guralnick. "Your handshake was your word, and everyone trusted and supported each other." Parker scouted talent and took them on as clients. By the time he witnessed Elvis performing at the Louisiana Hayride in the summer of 1955, he had already enjoyed big success with singers Hank Snow and Eddy Arnold and had adopted the Colonel moniker. Elvis, he sensed, was different. 'He sees in Elvis someone without limits, a great creative artist with great drive,' says Guralnick, "and Parker was prepared to throw over all of what he had achieved with Arnold and Snow in order to cultivate this untested talent. And he put everything he had into it.' Even a cursory reading of Parker's voluminous correspondence reveals a man not prone to passing over even the smallest detail in order to please his client. Working with a small staff of loyalists including his trusted associate Tom Diskin, Parker oversaw every aspect of Elvis' business, from meals to publicity to hotel accommodations. Work was play, it consumed his life, and this is exactly how he liked it. "It is of course these funny letters and my feeling that One must enjoy his work or grow stale keeps me on the go," he wrote to his friend Paul Wilder in a 1957 letter. He was a tireless proselytizer for his star client. Shortly after signing Elvis to a management deal, he immediately set about convincing the William Morris Agency of the greatness of his charge, writing to agent Harry Kalcheim that Elvis "has the same type of personality, and talents along the line of James Dean," and that "if you ever follow one of my hunches, follow up on this one and you won't go wrong." Elvis, for his part, deeply appreciated Parker's enthusiasm and loyalty. "Believe me when I say I will stick with you thru thick and thin and do everything I can to uphold your faith in me," Presley wrote to Parker in November 1955, shortly after he had secured a recording contract with RCA. "I love you like a father." "Parker defended Elvis against every single entity with which he was dealing," says Guralnick. "RCA wanted to turn him into a mainstream artist, like a crooner, and Colonel wouldn't allow that to happen. When Kalsheim asked Parker to rein in Elvis, because he was too wild on stage, Parker refused." "The Colonel and the King" debunks some of the most stubborn myths about Parker, refuting the notion that Parker destroyed Elvis' career by force-feeding awful material down his throat. While Parker was a hawk when it came to contract negotiations, he had no say in any artistic decisions and fended off record and film executives with designs on grabbing Elvis' ear. "He completely removed himself from Elvis' creative life," says Guralnick. "It was a partnership of equals, but Parker didn't get involved in that aspect of Elvis' career." For many Elvis fans of long standing, Parker's hands-off approach as revealed in his letters will be hard to square with the singer's enlistment in the Army in 1958 and his subsequent posting to Germany, which, so the conventional wisdom tells us, killed the first vital phase of his career and kick-started the descent into awful Hollywood movies that effectively turned this erstwhile force of nature into a B-movie hack. Read more: Heartbreak estate: Inside the legal battles of Elvis Presley's financial legacy Parker endorsed Elvis' Army move — his client wasn't about to be a draft dodger — but the decision to push Elvis into movies was a bilateral strategy that both men agreed was the best way to generate income at a time when Presley was reeling from his mother's death and fretting about money — as was Parker. 'It was actually financial and psychological,' says Guralnick about the left turn that changed Presley's career. 'And so the Colonel needed to reassure him, to say, 'things are even better now than when you went into the Army, and when you get out you'll be making even more money.'' But even 'Clambake' and 'Harum Scarum' couldn't douse Presley's musical artistry and fire. His triumphant 1968 comeback TV special kick-started an artistic renaissance. The hits returned: 'In the Ghetto,' 'Suspicious Minds,' 'Burning Love.' In 1969, Parker booked Elvis for a triumphant series of dates at the International Hotel in Las Vegas. The downside of this was that Parker picked up a nasty gambling habit, while his client soon became dependent on prescription drugs. Presley and Parker grew distant, as Presley insulated himself with sycophants and his behavior both on and offstage grew increasingly erratic. Read more: Col. Parker Dies; He Made Elvis a Star Parker was cast adrift by Elvis' death in 1977, retreating to his Palm Springs home. Ten years later, he was brought back into 'Elvisland' by Priscilla Presley and Elvis Presley Enterprises President Jack Soden, coordinating an Elvis festival at the Las Vegas Hilton and selling all of his memorabilia to the estate. But he never regained his standing at the top of the Elvis hierarchy, much to his dismay. In assessing Parker's legacy, Guralnick thinks that it all comes down to 'the great music he helped Elvis bring to the world — not through any musical contributions of his own, obviously, but by creating the conditions necessary to ensure Elvis' creative independence from the start. Not to mention all the joy he himself delivered and derived from what he always liked to call the Wonderful World of Show Business.' Get the latest book news, events and more in your inbox every Saturday. This story originally appeared in Los Angeles Times. Solve the daily Crossword

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