
Saiyaara Final Advance Booking: Ahaan Panday and Aneet Padda starrer sells 1.90 lakh tickets in top national chains, set for BLOCKBUSTER opening
Saiyaara sells 1.90 lakh tickets in top national chains for Day 1
Bankrolled by Yash Raj Films, Saiyaara is leaving no stone unturned to become a box office colossal this year. The movie has sold around 1.90 lakh tickets in the top three national chains— PVR Inox, and Cinepolis- for the opening day alone. It is expected to touch 2 lakh tickets before the first show begins in the morning.
Interestingly, it has surpassed the opening day PIC pre-sales of several star vehicles- Salman Khan 's Sikandar (1,43,000 tickets), Akshay Kumar's Housefull 5 (94,750 tickets), Ajay Devgn's Raid 2 (93,000 tickets), and Aamir Khan's Sitaare Zameen Par (49,750 tickets). The movie recorded the second-best pre-bookings in the top three national chains and remained only behind Vicky Kaushal's Chhaava.
For the record, Chhaava had sold 2,23,000 tickets for the opening day, and debuted with a massive opening of Rs 29.50 crore.
Saiyaara targets a massive opening of Rs 20 crore; biggest debut in last 25 years
Based on the outstanding advance bookings, on-ground hype, and buzz on social media, Saiyaara is targeting a massive opening of Rs 20 crore. However, a lot will depend on the spot bookings and walk-in audience.
It will be the biggest debut in the last 25 years at the Indian box office. If we consider the real value, such mayhem was last seen in 2000, during the release of Hrithik Roshan's debut film, Kaho Na Pyaar Hai, and Abhishek Bachchan's Refugee. Ahaan Panday and Aneet Padda are set for a massive blockbuster at the box office. All eyes are now on its word-of-mouth and audience reception.
Saiyaara in theaters
Saiyaara is releasing in cinemas tomorrow, July 18. You can book your tickets from the online ticket booking web portals or grab them from the counter itself.
Stay tuned to Pinkvilla for more updates.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hindustan Times
15 minutes ago
- Hindustan Times
Ahaan Panday almost lost Saiyaara due to his mimicry video of Shah Rukh Khan? Mohit Suri says, ‘Meri wife ne dekha aur…'
Filmmaker Mohit Suri is back with yet another romantic drama, titled Saiyaara, which marks the Bollywood debut of Ananya Panday's cousin, Ahaan Panday. When the film was announced, Ahaan's old video mimicking Shah Rukh Khan and recreating his iconic scenes from films like Ae Dil Hai Mushkil and Mohabbatein surfaced on the internet, leading to immense criticism. Now, in an interview with Radio Nasha, Mohit has revealed that Ahaan almost lost the role in Saiyaara because of those videos. Mohit Suri reveals how Ahaan Panday bagged Saiyaara. Mohit Suri on Ahaan's mimicry videos When asked about the rumours that Ahaan was almost rejected for Saiyaara due to his mimicry videos of Shah Rukh Khan, Mohit denied it and said, "Usne bhut pehle, industry main aane se pehle kuch kiya tha. Meri wife ne dekha tha aur unhe laga bhut endearing hai. Maine dekha nahi tha (He had done something a long time ago, before entering the industry. My wife had seen it and found it very endearing. I hadn't seen it). By the time I came across him, he had taken it down because people were telling him, 'Do you want to do mimicry or become an actor?' When I came on board, Adi sir told me, 'I have a guy who's perfect for you,' after reading the script, and he made me meet Ahaan. But Ahaan wasn't going to get the film because of the auditions he was giving at that time." He recalled how he initially believed Ahaan was nothing similar to the character in Saiyaara and said, "I met him, and even in his behaviour, I didn't see anything that matched the character in my film. He is a very sweet, nice boy, and I told Adi, 'He's nothing like what you're saying.' Then Adi said, 'Do one thing — go to dinner with him and tell him he's not getting the role.' That night, I was with him till 3 am. By the end of the night, I saw my character in him. I've still never seen his mimicry video of Shah Rukh Khan. He's such a wicked guy — after completing the film, he WhatsApped me all his terrible audition videos, saying, 'Look who you've cast'." About Saiyaara Mohit Suri helmed the film, which was produced by YRF. Saiyaara is a romantic musical drama starring Ahaan Panday and Aneet Padda in lead roles. Its music is by a powerful line-up, including Mithoon, Sachet-Parampara, Vishal Mishra, Tanishk Bagchi, and more. The movie has garnered a positive response from the audience and is set to have a bumper opening.


India Today
16 minutes ago
- India Today
Sitaare Zameen Par writer says Aamir never interfered: He respects the written word
Aamir Khan's latest release 'Sitaare Zameen Par' created a stir at the box office, having already earned over Rs 160 crore. The superstar also took a bold move by having a cinema-only release, which, as per trade experts, was the ace-card to the film's the performances, especially by people with neurodivergent conditions, impressed audiences, it was also the sweet and simple writing by Divy Nidhi Sharma that made an impact. In an exclusive chat with India Today, the writer opened up about the film, why they took the humour lane for this emotional drama and whether Aamir Khan is the interfering actor, as it's rumoured to we asked the writer if Aamir Khan, touted to be a perfectionist, interfered in the creative process of his writers and director, he replied with a firm no. Talking about his experience and interaction with the superstar, Sharma said, "Honestly, I had also heard about these things, but after being part of 'Laapataa Ladies' writing team, and now 'Sitaare Zameen Par', I can assure that while he remains involved, there is no interference." He added, "Because I was also on set during the shoot, I can even say from Prasanna's side that there was zero interference. It was perhaps one of the finest experiences of our lives. He does take time to trust, but when it's been built, it's a smooth ride. Even if he has a counterpoint, it never came from Aamir Khan as there was room for discussion and debate, and he was even more than willing to concede. He is one of the few actors who respects the written word. Even if he had to change a comma, he would ask the writer, and not once did he impose himself on the director." Several reviews stated that the film was trying to push the message too loudly. It tried to underline every emotion and expression for people to comprehend, almost as if doubting their intelligence. Defending his work, Divy Nidhi Sharma said that he, too, read those reviews, only carried by the 'elite English press'. He said, "I am an Indian writer, and also a typical audience. We like our emotions to be underlined.""Even in the last scene, many felt that Aamir need not have had a dialogue, but as an audience, and a writer, I instinctively felt that he needed to say something. I would like to believe that the majority of the audience shared that emotion. Today, a lot of reviewers have gone so far from the public; they don't speak their language. They are physically compelled to be in Mumbai, but their minds have already shifted to New York (laughs). Even then, I have taken their feedback, and I hope they will like my work in the next projects," he though at the core it's an emotional drama, 'Sitaare Zameen Par's' humour was much appreciated. The writer shared that they didn't want to show these characters as "sorry figures". "We didn't want to make them cry or force audiences to cry with or for them. And secondly, we didn't even want to put them on any pedestal. We treated them how we would treat any neurotypical character; we didn't want to put them in a bracket. We gave them regular attributes and even flaws. Hence, it's all very situational humour based around their kind of normal. If you've seen the film, it's Gulshan who is the butt of all jokes. It's always laudable for Aamir sir, because he's always done saviour roles, so it was also refreshing for the audience," Sharma by RS Prasanna, 'Sitaare Zameen Par' also stars Genelia D'souza. It's still running in theatres, almost four weeks since its release.- EndsTrending Reel IN THIS STORY#Aamir Khan


Indian Express
16 minutes ago
- Indian Express
A look at what is driving the trend of re-releasing popular and acclaimed movies
During Valentine's Week in 2023, when the film industry was still grappling with the pandemic's after-effects and production work was slow, the multiplex chain PVR INOX re-released a few popular rom-coms as 'fillers' to cope with the lean period. The shows of fan-favourite Jab We Met (2007) — which had Geet, who epitomises self-love and transforms Aditya — were sold out across India. This success prompted the re-release of the Imtiaz Ali directorial. This time, too, the movie pulled the crowd back to the theatres. At a time, when cinema halls were struggling with dismal footfall, such overwhelming response to older movies, high on nostalgia, led to the return of much-talked about movies such as Rockstar (2011), Tumbbad (2018), Kal Ho Naa Ho (2003), Interstellar (2014) and Yeh Jawaani Hai Deewani (2013). The focused re-release strategy under the multiplex chain's 'Curated Shows' segment brought a mixed bag of classics as well as the critically-acclaimed films, which may not have enjoyed box-office success earlier. About a year ago, PVR INOX did a week-long retrospective of Zoya Akhtar's movies that also marked her 15-year journey as a director. The unexpected boost to this initiative came with the re-release of Laila Majnu, the film featuring Tripti Dimri and Avinash Tiwary, on August 9, 2024. With that, the 2018 movie that was not a box-office success in spite of being critically appreciated, finally, got a chance to reconnect with the audience. Laila Majnu, which had earlier registered a box-office collection of Rs 3 crore, earned about Rs 10 crore. The folk-horror film Tumbbad, which had earned Rs 15 crore earlier, earned about Rs 35 crore when it was re-released. Popular movies like Yeh Jawani Hai Deewani and Rockstar made around Rs 25 crore and Rs 10 crore, respectively. The romantic drama Sanam Teri Kasam (2016) earned Rs 50 crore worldwide (source: Saclink), becoming the highest-grossing re-released film. Also Read | Bring back Bollywood – As films are re-released, here's what should also return to the Hindi film industry The re-release of movies has now evolved into a major celebration. A grand cinematic evening was rolled out at Maison PVR, Mumbai, recently to celebrate Muzaffar Ali's Umrao Jaan. Niharika Bijli, lead strategist, PVR INOX, shared: 'We were surprised by the organic publicity its release triggered.' The movie, which was restored by the National Film Development Corporation of India (NFDC), went on to be released in about 30 Indian cities. Moments before the premiere of Umrao Jaan's 4K restored version, Ali was excited that a new generation of cinema lovers will be watching the 1981 masterpiece on the big screen. 'I am waiting with bated breath to know how they will receive it. There is a continuity of feelings related to Umrao Jaan — people have watched it on small screens and heard about it from their parents. There is also a time lapse. Some of them have watched it earlier and are watching it again,' said Ali. Fresh energy and thoughts have gone into making the 'Cult Classics' segment stronger. Niharika says, 'We are trying to devise it in a way that we have a large circuit. There are about 1,700 screens (of PVR INOX). In a week that's action packed and has Hollywood releases, we have the ability to offer something different. There is no compulsion that we have to release a certain number of films in a year. However, we are committed to preserving and reintroducing timeless films to newer generations through curated big-screen experiences.' Presented by Viacom18 Studios and Rakeysh Omprakash Mehra Pictures, Bhaag Milkha Bhaag (2013) will release on August 8. The Godfather Trilogy and Pride and Prejudice (2005), too, will play in theatres soon. Also Read | Eros denies Aanand L Rai's stand on re-release of Raanjhanaa, says using AI to present 'a respectful creative reinterpretation' of original Sanjeev Kumar Bijli, executive director, PVR INOX Ltd, said, 'Everytime we look at the release, the idea is to make it big. Some movies organically become big, given the audience's love for them or depending on the starcast and director. We had 287 re-releases last year. That's a big number.' Nearly 8.5 per cent of their overall revenue last financial year came from re-releases. A post shared by PVR Cinemas (@pvrcinemas_official) When asked about what's driving the audience to watch the re-released movie, Sanjeev emphasises on 'the comfort of predictability' as the primary reason. However, describing 'the film business as very mystical', he said, 'Even today no one knows what will work. This is an industry where you can't serve the same dish again and again. The audience prefers a buffet. At the end of the day, whether the movie is a spectacle or not, the story has to resonate with the viewers and the execution has to be good.'