Sammy Winward's daughter Mia Dunn, 19, reveals she's bought her first house abroad from the thousands she's made on OnlyFans after parents 'cut her off' for joining X-rated site
The 19-year-old signed up for the adult content creator site in April last year, angering her now-estranged parents ex-Emmerdale star, Sammy Winward, and former Blackburn Rovers footballer, David Dunn.
It has been reported that both Sammy and David are no longer on speaking terms with their daughter over her decision to join the platform.
However, Mia appears to be laughing her way to the bank, as she took to her Instagram this week to declare her racy content has allowed her to buy a property abroad.
In line with her usual X-rated posts, she shared a video of her twerking, showing off her bottom in a pair of skintight leggings and a skimpy bandeau.
Smirking at the camera, across the clip she wrote: 'How I feel after 350,000 men payed [sic] for my house in a whole different country.
She further added in the caption of the video: 'Waiting to mooooovvvveeee Thanks to the 350,000 x'.
Despite hailing from Bolton, Mia now spends most of her time in Toronto, Canada and Tulum, Mexico where she makes X-rated content for a living.
And in March she revealed the staggering amount of cash she had made so far, as she celebrated one year on the platform.
She took Instagram to boast that she'd raked in a jaw-dropping $420,000 (£322,725) in her first year, alongside a daring bikini-clad snap and slew of explicit videos.
She captioned her post: 'One month and it'll be a whole year with you guys so unbelievably grateful for everyone who supported me watch out for a surprise on [OnlyFans] keep an eye out x'.
However, her success has come at a cost, with Mia no longer on speaking terms with her famous family due to her controversial career choice.
She recently claimed the family feud has reached a new low, claiming her dad David, called her a 'w***e' and slammed the phone down on her.
She told The Sun: 'I tried to reconnect with my dad and he called me a w***e on the phone. I'm completely fully cut off and they want any sort of contact, which is really big shame because I thought I'd be the bigger person in the whole situation.
Despite hailing from Bolton, Mia now spends most of her time in Toronto, Canada and Tulum, Mexico where she makes X-rated content for a living
'I think it's crazy to have such anger towards me when I am in fact at the end of the day their daughter.
'I do totally get the fact that they don't love what I do, but at the same time, I am, I'm a human being and especially - I am the human being that came out of my mother.'
Mia has also claimed that her mother is envious of her hugely successful career, after the pair previously shared a close bond - appearing on Loose Women together in 2021, and being described as like sisters.
Mia, who goes by the name of Mia Kate Rose, told the publication: 'I think the main thing with my mum is that she was really young – 18 – when she had me.
'I think she's got some animosity towards me. I think she is maybe just jealous about me doing so well and so quickly.
'I think that's what my parents' issue is really. They think I've done it off their backs, but actually, behind the scenes, it takes a lot more work than just being their daughter.'
Mia previously said that Sammy has prevented her from getting in touch and that other relatives have called and texted her with abusive messages when she tried to contact them.
Speaking in August, she said: 'My mum has me blocked on everything. So yeah, she didn't contact me whatsoever.
She recently claimed the family feud has reached a new low, claiming her dad David, called her a 'w***e' and slammed the phone down on her (David pictured in 2021)
Mia has also claimed that her mother is envious of her hugely successful career, after the pair previously shared a close bond - appearing on Loose Women together in 2021 (pictured) and being described as like sisters
'A few other family members have contacted me but I made the decision to let them cool off slightly because the messages they were sending weren't lovely.'
The mother and daughter were thought to have been close, previously describing their relationship as being like 'best mates', but Mia admitted that was untrue and in fact they sometimes 'butted heads' due to their similarities.
She said: 'I've honestly not got anything bad to say about any of them per se, but the way they've reacted to the situation personally, it just wouldn't even cross my mind to do that to my own child, I think.'
While she remained hopeful at the time that she and Sammy could patch things up, Mia explained that she would be taking a step back until everyone had cooled off and said it would be down to her family to be the ones to reach out to make amends.
She said: 'I feel like at this point it is going to have to be them coming to me because I've tried to maintain contact in the past and they just don't have any of it and then I end up getting like, all the abuse like through the phone, through text messages, calls.
'So I'm just going to wait until they come to me, maybe like in a calmer manner and you know, they're a little bit less fresh to the whole situation.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
2 hours ago
- Daily Mail
New series takes popular city's worst houses and flips them into luxury homes in only WEEKS
One man's trash is another man's treasure - but for these house flippers, the trash may just be... trash. Best friends Kristy Etheredge and Rebecca Franchione are taking on some ambitious house flips in A&E's new series, The Mother Flip. The series, which will air on August 16, will follow Kristy and Rebecca, along with contractor Roy Salinas, as they transform some of the worst homes in Texas ' Hill Country into real estate gold for big profits. 'Everything is bigger in Texas,' the women noted enthusiastically. 'And that includes the chance to make money in real estate.' 'We've cracked the codes to flipping the worst houses in the best parts of Texas,' the renovation experts and moms quipped, adding they 'don't do basic b**ch flips.' In the first episode of the series, entitled Junkyard Gem, the duo score a look at an a hoarder's three bedroom, two-and-a-half bathroom property located in Beckett-Meadows, a sought-after neighborhood in Austin, Texas. The home is selling for $450,000, which according to is below the median price for the area of $585,000 to $675,000. 'The house is in a prime location near local parks and top-rated schools,' Rebecca enthused. 'Three and two [bedroom houses] are selling for $725,000,' Kristy incredulously added, with them both agreeing it doesn't look at all like the 'dump' the real estate agent described it as. However, the women's excitement is short lived after they discover that the entire house is somewhat occupied - by garbage. 'No, no,' they both say in dismay, walking into the large foyer, with Rebecca declaring it was 'the biggest pile of junk she's ever seen.' 'We've taken on some dirty, dilapidated houses before - but this is probably one of the worst I've ever seen,' she added. The foyer alone was filled with broken furniture, boxes, and miscellaneous junk that would need to be completely removed from the house before any renovations started. After walking into the kitchen - complete with solid wooden cabinets - they noted a terrible smell, filthy appliances littering the counter, and no stove. While both women noted the kitchen renovations will cost a lot, they also agreed a large, functional kitchen was important to potential buyers. The duo noted the kitchen and primary bath are in major disrepair, and the backyard is an overgrown jungle, however, they noted the potential of the house. However, the women's excitement is short lived after they discover that the entire house is somewhat occupied - by garbage The women say they've 'cracked the codes to flipping the worst houses in the best parts of Texas,' the renovation experts and moms quipped, adding they 'don't do basic b**ch flips' Rebecca, Kristy and Roy spent a week clearing the home, and did the demolition in one day. They also found some outdoor equipment in a disused shed they planned to sell to recoup some of their costs Kristy and Rebecca listed the home for $750,000 and they received three competing offers within a week of it going on the market They ran through the costs, estimating they'd need to spend around $10,000 on landscaping, $12,000 on a bathroom renovation, and totally gut the kitchen and bathroom. They also noted they would need 'four to five dumpsters' to put all of the junk in, in comparison to the usual one, which would cost between $4,000 to $5,000. Budgeting total renovations at $100,000, the duo would try and sell the newly renovated home for $750,000. Taking into account closing costs, they hoped to make $162,500. Rebecca, Kristy and Roy spent a week clearing the home, and did the demolition in one day. They also found some outdoor equipment in a disused shed they planned to sell to recoup some of their costs. They decided to pay for a staging team to set up for the home open, giving them them a date seven weeks from the day they started the renovation for them to come in. However, they missed the deadline, leaving them scrambling to finish off the renovations while the crew moved the furniture in. The women managed to put in the finishing touches just in time, showing the jaw-dropping transformation to their realtor. The house, which was once dingy, dirty and full of garbage, now has natural light flooding in after its modern makeover, with the professional flippers even turning a loft into a fourth bedroom. Kristy and Rebecca listed the home for $750,000 and they received three competing offers within a week of it going on the market. They ended up selling it for $760,000, with the buyer also covering the realtor fees. In total, they spent $576,000, giving them a $184,000 profit.
Daily Mail
2 hours ago
- Daily Mail
Sylvester Stallone opens the door to his splashy $35M Florida home that has 12 bathrooms
Sylvester Stallone has opened the doors to his splashy $35M mansion in Florida. The coastal property, which was built in 2014, can be seen in the September/October issue of Veranda magazine. The 79-year-old Tulsa King star purchased the Palm Beach property four years ago with his model wife Jennifer Flavin but they moved in only two years ago. There are seven bedrooms with 10 full and two half bathrooms in the two-story main residence and two guesthouses. The backyard has a lot to offer: a keyhole-shaped pool, sandy beach, and a view of the water. His neighbors are Jon Bon Jovi, Rod Stewart, Howard Stern and Rush Limbaugh. The property is the only home in Palm Beach with access to a private beach, according to the outlet. Famed interior designer Martyn Lawrence Bullard, who has worked with the Kardashians, did the decorating. What he came up with was 'laid-back glamour,' Veranda said. Bullard wanted 'a loungy vibe' as well. Flavin said the home needed to be large to fit them and their three daughters: they have Sophia, 28, Sistine, 27, and Scarlet, 23. The Rambo actor is also dad to two sons with ex-wife Sasha Czack: Seargeoh, 44, and Sage, who died in July 2012 at 36. The home also had to house Stallone's vast art collection. 'I consider it like a wardrobe,' he said of his art collection. 'With art, you can take a piece that you've not blasé about, but you're not exactly overwhelmed by it anymore. 'You move that piece to another room — now you're invigorated! It's like furniture: messing around, moving it around, constantly restimulating our minds.' Flavin wanted a warm feeling. 'I've always made every house we've ever had a home,' she said. 'I don't care if someone spills something. I can replace the rug or get it cleaned. 'We have three dogs and a cat and lots of children — nothing we own is precious.' She added, 'Our family is precious, but the material things are not precious.' Stallone and Flavin reportedly sold their Hidden Hills, California property in 2023 for $17million, according to Robb Report. Before that they lived in a Beverly Park mansion. The actor sold that dwelling to Adele for a reported $58million. Stallone and Flavin originally listed it for $110 million. This comes after Stallone joined a coalition of Hollywood unions and industry leaders to urge Donald Trump to support tax incentives aimed at revitalizing the movie and TV business. The actor was appointed by Trump alongside big-screen veteran Jon Voight, 86 – a longtime supporter of U.S. President Trump – as 'special ambassadors' to Hollywood. But they have also joined the unions group to appeal for help from the U.S. President. It includes the Motion Picture Association (MPA), SAG-AFTRA, the Writers Guild of America, the Directors Guild of America, and they have sent Trump a letter to the president advocating for the reinstatement and expansion of specific tax provisions. The note focuses on three key tax measures: the extension of Section 181, which allows immediate expensing of up to $15 million in production costs (or $20 million for productions in certain areas); the revival of Section 199, which provided a deduction for domestic production activities; and the reauthorization of Section 461, permitting companies to carry back net operating losses to offset prior year tax liabilities.
The Guardian
6 hours ago
- The Guardian
Slow jams, smash hits and Popeye samples: Carly Rae Jepsen's 20 best songs – ranked!
Carly Rae Jepsen loves to squirrel away killer songs for her now-standard B-side collections. The opener to The Loveliest Time (the companion to 2022's The Loneliest Time) evinces several CRJ trademarks: a love of odd production in the drily funky guitar and playful percussion, breathy falsetto – and obsessive, intense lyrics about being willing to do anything for love. You can plot Jepsen songs on a spectrum of 'laser-eyed intensity' to 'dreamy reverie'. This Kiss, from her first pop album Kiss (after her dreary post-Canadian Idol debut, 2008's Tug of War), epitomises the former, with EDM-era synths that rattle and gleam like arcade machines and a sledgehammer vocal performance about wanting forbidden pleasures. CRJ is a fiend for pure sensation who literally called an album Emotion: often her lyrics skip over any specific object of affection and cut straight to the feeling, as a song later in this list spells out. So when she sings 'he never wants to strip down to his feelings' on this pained ballad from Emotion Side B, you know it's terminal. Anyone who's only ever heard the radioactively perky Call Me Maybe and (wrongly) considers CRJ a one-hit wonder might be stunned to learn that she's elite at genuinely sultry come-ons. No Drug Like Me lives up to its narcotic premise – a risky cliche to sell – with its slinky, muted boogie and Jepsen's gasped promises to 'blossom for you'. Avant garde collaborators love Jepsen, but unlike, say, Caroline Polachek or Charli xcx, she's never made leftfield cool her brand. Those moments feel more like surprise gems in her enjoyably wayward catalogue: All That, made with Ariel Rechtshaid and Dev Hynes, is a sparkling devotional that forms a perfect period trifecta with Sky Ferreira's Everything Is Embarrassing and Solange's Losing You. The verse to Joshua Tree is all sharp, hungry anticipation of – what else – some kind of sensory high. Jepsen makes it worth the wait when the tension breaks into a chorus of rapturous satisfaction, à la Jessie Ware's sultrier disco moments: 'I need it / I feel it,' Jeppo sings, her unusually fragmentary lyrics evoking the strobe-lit half-memories of an ecstatic night out. The cutely funky Boy Problems solidified CRJ's gay icon status – you'll seldom see a crowd yell louder than when she sings, 'Boy problems, who's got 'em?' – and gave the concept a self-aware spin, acknowledging how bored her friends are of hearing about her messy love life. The sing-songy chorus sends up her predicament and is totally addictive. Intended for Jepsen's scrapped second album Curiosity, Tiny Little Bows got a glow-up from its coffee shop-pop demo to the machine-tooled whirling strings and snapping bass of its incarnation on Kiss. The lyric about chasing Cupid and his dinky arrow makes little sense (how do you think it goes with those tiny little bows? Err, fiddly?) yet hits like the best of Scandi-pop nonsense. CRJ had failed to clear this song's sample of He Needs Me, from Disney's 1980 Popeye film. So, naturally, she went to Disneyland and got Mickey Mouse to sign a fake contract approving it, then sent it to the publishers: 'The big star boss says it's OK.' They relented, and thank god, otherwise this slice of flirty madness, with its chorus that ascends like a starlet climbing a light-up staircase on a TV special, would never have existed. ''Cause I want what I want / Do you think that I want too much?' could be the Jeppo MO. On Gimmie Love, she lunges for, then suddenly withdraws from her crush, scared by the enormity of the feeling. It echoes within the cavernous, bass-wobbling production, offset by her effervescent vocals – and a determined cheerleader chant pivot in the middle eight. No stranger to gothic intensity, Jepsen sings that she's 'forever haunted by our time' on this sleek, sumptuous recollection of a formative romance. It was originally written for a scrapped disco album, its cool bass and enveloping sparkle hinting at a student of the French touch sound. The Sound offers a rarity in the Jeppo catalogue: unequivocal exasperation, anger flashing as she rebukes an unpredictable lover. 'Love is more than telling me you want it,' she sings over an abrupt beat, craving – once again – the feeling. The tender piano in the verses drives home what she's missing. Not to accuse co-producer Jack Antonoff of recycling, but this song's bass/percussion intro very much recalls his work on Lorde's Hard Feelings/Loveless. Anyway, it sets up a fantastically feral CRJ moment: 'I wanna do bad things to you!' she rhapsodises, with teeth-baring pep to rival early Madonna and robotic zip out of the Daft Punk playbook. Jepsen's lead singles have sometimes failed to recreate former glories: see Call Me Maybe redux I Really Like You, a red herring for the depth of Emotion. But for the first taste of The Loneliest Time, she ditched her bangers-first approach for this gorgeous, dusky Rostam collab, a pandemic rumination on memory. Charli has form for drawing out unexpected sides of well-known artists, and the first taste of mixtape Pop 2 showed off an unusually, captivatingly desolate CRJ. The pair spun a tale of powerless self-sabotage in relationships, their Auto-Tuned voices fluttering 'all alone, all alone, all alone' over AG Cook and Easyfun's tweaky ghost-in-the-machine ballad. Jepsen may be as good a successor to Kylie as we've ever had: a beloved, benign pop presence with an endless thirst for cheeky disco. Shy Boy is Minogue-worthy: a commanding, tart invitation to the dancefloor, although CRJ fabulously overplays her hand in a wordy bridge that reveals just how frazzled desire has left her. One billion times better than a song written for an animated kids' film about a ballerina should be, Cut to the Feeling is raw Jepsen ID: she's sticking her hand straight in the socket of desire, and conducting it through the rowdy, euphoric chorus, written at peak leaping-around tempo. It's basically Run Away with Me 2.0, but this is a song about overcoming reason, so just give in to it. The first time I heard Call Me Maybe I thought it 'wasn't that catchy'. Like biting into a chilli and declaring it 'not very spicy', only to be left weeping and demanding pints of milk, its delirious strings, pogoing beat and Carly's nuclear-force yet endearingly innocent crush got the better of me. And rightly so. Emotion arrived a year after Taylor Swift's 1989, the latter laden with lyrical Easter eggs that clearly identified her songs' subjects. Emotion hit certain listeners hard because it felt so free from subtext, hungering instead for BIG FEELINGS shot straight to the heart. The brazen sax and 'oh-oh-whoa / OH-OH WHOA!' of RAWM are a direct hit. The moment a crush becomes reality is rare and beautiful. Often, it simply never happens. If it does turn into a relationship, that moment of tingling anticipation can still only happen once. Here, Jepsen and Rostam precisely capture the feverishness of finally being so close to someone's face, you can feel their breath. Their subtle rapture softens the arpeggiated judder of Robyn's Call Your Girlfriend into a beat that rushes like adrenaline, the song's body heat contrasting the parched desperation in Jepsen's voice. It skips the cathartic peak of many of her hits to circle this precious feeling, willing it to last as long as possible.
