Seven's Stranded on Honeymoon Island gets bumped to later time slot amid dire ratings - as cast member goes rogue and reveals major spoiler
But the dating show is in all sorts of trouble as it faces dire ratings - while a cast member has taken to social media to reveal a major spoiler.
Matched with 29-year-old executive Emily, business analyst Tom Brown, 30, appears to have wasted no time moving on after the show completed filming in 2023.
Posting to his Instagram, Tom has shared steady updates on his new relationship with fiancée Morgan Mitchell, who competed on this year's Australian Survivor.
He's even shared the news that he's fathered twins - Honey and Maya with Morgan last month, after the couple were engaged in July 2024.
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Tom's decision to share relationship details is considered a no-no in reality TV world, especially while a show is on air with storylines yet to play out.
His posts have included pictures of himself holding one of his newborn twins, while Morgan holds her sister and takes a selfie.
Another photo shows the couple posing with a 'twin pram'.
Meanwhile, Stranded on Honeymoon Island has been bumped to a later time slot after its underwhelming debut on Monday.
This means Seven's hopes of replicating the success of Nine's Married at First Sight with its own raunchy dating series are sinking fast.
The show managed an average of 539,000 viewers nationally with its premiere episode, but by Tuesday fans had already deserted the romantic castaways by the thousands.
Only 376,000 fans tuned for the second two-hour episode.
Now, TV Tonight reports that Seven has moved the show from its prized 7.30 pm slot to 8.30 pm next Monday - but will screen Tuesday's episode at 7.30 pm.
The industry blog also states that episodes planned for July 7 and July 8 remain scheduled for 7.30 pm.
A combination of MAFS and Survivor, the long-awaited show follows 12 unlucky-in-love singles who are stranded on a remote island with no hope of escape for 21 days.
Narrated by high-profile radio host Jackie 'O' Henderson, the format is based on a hit Danish concept and adapted locally by Endemol Shine Australia.
It comes after Stranded On Honeymoon Island's Amy Dickinson has opened up about her wild ride on Seven's new reality dating experiment.
Speaking to Daily Mail Australia on Tuesday, Amy, 30, revealed that she was left 'petrified' after being matched with motorsport presenter Mike, 37, and knew almost immediately that their honeymoon was going to be anything but blissful.
'I called it Nightmare Island immediately,' she admitted.
'As soon as I got to the island, I kind of realised what I'd got myself into… I had a little panic attack.'
Despite feeling an instant spark with another contestant during the chaotic two-minute speed dating round, Amy was blindsided when she was paired with Mike - and the red flags started waving before they even reached their bamboo hut.
'In his vows, he made a comment about hoping his future wife could make a better sandwich than his mum,' she revealed.
'He claimed he wrote it when he was seven, but that was obviously a lie. I don't like liars – and I definitely don't like misogynists.'
The influencer, who joined the show hoping the experts would have better taste in men than she does, said she's had her fair share of toxic relationships.
When asked what viewers can expect from the series, Amy teased: 'Drama. Tears. Chaos. It's so raw.'
'It's like MAFS on steroids. With MAFS, you kinda know what to expect now - cheating scandals, wine throwing - it's textbook.
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The Guardian
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- The Guardian
David Stratton, legendary film critic who championed Australian and international cinema
At last count, the film critic, writer and cinephile David Stratton had seen and critiqued at least 25,000 films, not counting those he watched more than once. His goal was to see one new film every day, a childhood habit that developed into a career spanning six decades that celebrated and advanced the Australian film industry. Stratton, who has died aged 85, had an incomparable passion for celluloid storytelling. As a seven-year-old boy in England watching his childhood hero Chips Rafferty wrangling cattle in The Overlanders, Stratton had little idea that Australian films would transform his life. He left England in 1963 as a '10-pound Pom' intent on exploring Rafferty's outback for himself, but, like the protagonist John Grant in Wake in Fright, one of Stratton's favourite films, he found it menacing and dark. Instead, he was drawn to the Sydney film festival and the prospect of seeing films for free as a volunteer usher. Three years later, in 1966, he became its director and remained so for 18 years. Much to his father's disappointment, Stratton chose to make Australia his home and the support and promotion of the Australian film industry his life's work. Since Australia had no recognised film industry at the time, Stratton's first task as festival director was to launch short film competitions and promote untapped talent. Entries were received from names now synonymous with some of the country's best and most successful movies. By the 1970s, federal funding was in place, and with it came the rise of Australian cinema's new wave. Stratton ensured that classics such as Picnic at Hanging Rock (he saw it 'dozens of times'), Mad Max and Newsfront received international exposure, thus drawing the world's spotlight to the unique qualities of Australian cinema and its stories. In one memorable stunt at the opening night of the 1975 film Sunday Too Far Away, 40 sheep were brought in and a city street closed off so the film's star, Jack Thompson, could give a shearing demonstration. '[Stratton] was a warrior in the cause of finding an audience for Australian films, which was, and remains, difficult,' the writer and broadcaster Phillip Adams said. A fan of French cinema since his teens, Stratton was also keen to introduce Australian audiences to the diversity of world cinema. 'I still vividly remember seeing Truffaut's first feature, 400 Blows, for the first time and walking out of the cinema feeling I'd seen something extraordinary,' he said. Programming a series of Soviet films for the festival in the late 1960s resulted in Stratton being put under surveillance by the Australian Security Intelligence Organisation (Asio), who photographed him outside the Soviet embassy in Canberra. When he became aware of it, Stratton declared it 'a complete and staggering waste of time and money'. He had been there getting a visa to attend the Moscow film festival. In bringing international films to Australia – and with the emerging local film industry gaining momentum – Stratton found his focus turned to overthrowing what he called the country's 'draconian censorship' laws of the 1960s. 'It was films of real stature and real importance that were being attacked by the philistines at the film censorship board at the time,' he said. 'They were ignorant, stupid people.' Stratton was most recognisable as the white-bearded, bespectacled and avuncular co-host of The Movie Show on SBS, which ran from 1986 to 2004, and then At The Movies for a further 10 years. The good-humoured repartee between the no-nonsense Stratton and his cheerful (and stylish) co-host Margaret Pomeranz as they sparred over their star ratings and favourite films won them a devoted audience and led the Guardian to label them 'the head and heart of Australian film culture.' Their star ratings were divisive, with fans declaring themselves either 'a David' or 'a Margaret'. One director not happy with Stratton's review of his film, Romper Stomper, was Geoffrey Wright, who called him a 'pompous windbag' and, two years later, flung a glass of wine over the critic. David James Stratton was born on 10 September 1939 in Melksham, England, the oldest son of Wilfred and Kathleen Stratton. During the second world war, his parents were absent, his father posted overseas and his mother volunteering with the Red Cross. His grandmother became his primary carer, and every afternoon she would take David to the cinema to see a matinee. He left school in Salisbury at 16, spending his time with local film societies when not working in the family grocery business, Stratton Sons & Mead, established in 1830. In the 2017 documentary of his life, Stratton became emotional talking about the 'fractious relationship' he had with his father, who had groomed his son to take over the family business and could not understand his interest in films. Stratton's younger brother, Roger, said the relationship between David and his father was difficult in part 'because my brother didn't know him for the first five or six years of his life because when he came back from the war, he was a stranger'. From 1984 to 2003, Stratton wrote reviews for the US entertainment magazine Variety, earning a reputation as their fastest critic. He had been reviewing films since he was a boy and continued to do this for every film he saw throughout his life, recording typed or handwritten details on cards filed in wooden drawers. He was a member of the international jury at the Berlin, Montreal, Chicago and Venice film festivals and served twice as president of the international film critics jury at Cannes. He was made a Member of the Order of Australia in 2015, and in 2001 a Commander of the Order of Arts and Letters, France's highest cultural honour, for his services to cinema. His 2008 autobiography, I Peed on Fellini, describes an unfortunate meeting with the famous Italian director after Stratton had drunk copious amounts of champagne. He wrote several books about his favourite movies, and in 1990 began teaching film history at the University of Sydney, where he received an honorary doctorate in 2006. He was intensely private and lived in the Blue Mountains, west of Sydney, for many years with his wife, Susie Craig. No further details of his family are available. David Stratton, film critic, born 10 September 1939; died 2025.
Daily Mail
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Footy star says anyone who disagrees with the AFL hiring Snoop Dogg to play at the grand final is a RACIST
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Daily Mail
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Aussie TV legend dead at 85 after decades on screen with his long-running sidekick
Popular film critic David Stratton has died aged 85. He died peacefully in hospital near his Blue Mountains home west of Sydney, his family announced on Thursday. He was best known for starring on Australian screens alongside Margaret Pomeranz on various movie review shows. 'David's passion for film, commitment to Australian cinema, and generous spirit touched countless lives,' his family said. 'He was adored as a husband, father, grand and great grand father and admired friend. 'David's family would like to express their heartfelt gratitude for the overwhelming support from friends, colleagues, and the public recently and across his lifetime.' More to come.
