"I Made Four Figures In 30 Minutes": 21 Shocking Stories Of Sex Workers' First Client Encounters
1."I was a 22 y/o crossdresser at the time, and I found a guy (let's call him Kevin) on Grindr. He said he liked spoiling people and said he'd pay me to have sex with him. He was a ... not my type, but I wasn't bothered by it. I let four people know exactly where we were going to be and who he was before I did it. I dressed up in a cute fit, and he complimented me, and I felt affirmed at a time when I was questioning my gender. He asked if $100 was okay. I was only expecting half that, so of course, I said it was okay. We had sex outside, and he was really sweet. We cuddled and talked more than we had sex. He told me his nephew was transitioning and started living with Kevin because he was escaping his bigoted parents. Kevin asked for advice on how to make his nephew feel safe and stuff. Kevin even respected my boundaries as far as what I did and did not want. He was a really caring guy who was just lonely."
"After I left, I bought some outfits and sent pics of me to him. I haven't heard anything after that. I hope he's doing okay."
—u/RavenQuill
2."I remember my first client wanted a foot job. I was in no way prepared for giving that type of a repeated movement with my legs. It was so physically exhausting. I was in my early twenties at the time. I just remember the client looking really young. I wore lingerie the whole time and did the foot job. After he came, he just wanted to talk for the rest of the session. He asked me a lot of questions about the job I was doing."
—u/LauraLovexxxgodes
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3."I was about 20/21 at university and worked in a cafe run by these two funny gay guys. They told me one day that they knew a lot of older women who were looking for sex and willing to pay for it. All I needed to do was turn up, be dressed nicely, have dinner and drinks, maybe a river cruise through the city, and back to their hotel for sex. This was before smartphones, so not once did I get a photo of these women beforehand, and I was always worried about what I was walking into and if I could perform."
"I only did it five to ten times for money, and I was fortunate that none of them were completely unattractive, and they were all extremely nice and interesting to spend time with.
The first one was a lady in her fifties who was career driven and just kind of missed the boat for marriage and children. First impressions: she looked like a cold corporate woman, but she was actually quite lovely and just lonely and wanted attention. We actually caught up again a few more times for no money, but she would always pay for everything."
—u/GhostKingHoney
4."I was absolutely terrified. I entered the industry for the first time as a mature woman, surrounded by young girls with long legs and perky tits. I had always been a very sexual person, so I thought that I'd be like a fish to water, but I was not prepared for the emotional toll of trying to sell myself to every man who walked in. My first booking was a man in his early thirties, and it turned out he was high on coke. ... He couldn't even get hard. I thought it was me. I never doubted my oral skills but assumed he wasn't attracted enough to me. It was some of the more experienced girls who later explained coke dick to me."
"Fourteen months later, I'm still in the industry and love it. The selling aspect has become so much easier. I make good money and meet some truly fabulous people. But whenever I get upset about missing a booking or not getting as many as I'd like to, I think about how excited I was the first time I was told that someone was paying to have sex with me and the dread that immediately followed about 'what now,' and I realize that a quiet day isn't so bad."
—u/BustyRedd
5."He asked to be humiliated. I smiled and made him confess everything and saved the receipts. Now, he tips extra just to keep them hidden. First client. Still my favorite toy."
—u/Mistress_Zaveya
6."I was 18, fresh out of high school, and wanted to make money for Christmas, but nowhere 'normal' was hiring. I got work at a brothel/parlor that I didn't realize at the time had a horrible reputation. It had known gang-affiliated clients. The owner would collect her 'room fees' in the morning (of a $200 one-hour booking, we would get $125 for ourselves, and $75 would go to her for using the room) and have a general vacuum and tidy up before leaving for the day; whatever girls were working that day were also the 'receptionists,' answering the phone, doing all the laundry, collecting money from clients, cleaning rooms, and locking up at the end of the night. We had no security on site. It was run out of a residential house, and it was JUST us girls for the whole day: 10 a.m. to 11 p.m."
"My first client was an absolutely lovely older fella whose client nickname/regular visitor codename was Hot Rod. He was a super gentle fella, took it really slow, and actually tried to get me off before anything else happened (I was too nervous to, bless him, but he tried his best). He really tried to put me at ease and enjoy myself, tipped well, and was just a really nice guy.
The next 10 clients (10 hours as a first shift) I had that day were back-to-back bookings who were mostly alright, but some of them were super rough and tried to push boundaries (it's illegal to have sex for money without a condom or protective barrier between you and the client, but very legal/decriminalized to have sex for money with protection — including blowjobs with condoms on, which most guys absolutely hated and tried to get out of all the time). They tried to go over the booked time, and one sixties-ish man tipped me at least $500 to give him a blowjob with no condom and cum in my mouth because he knew I was 'fresh' and didn't have the backbone to say no at that point.
I lasted about a week at that place before I quit. I burnt out so quickly, having 8-12 clients every day, because everyone wanted to test ride the barely legal new girl. Thankfully, during university the next year, I found a much nicer parlor with an actual receptionist, and the owner stayed on-site the whole shift. Clients were actually vetted before they could book, and all the money exchanges happened in an actual office with security cameras all over the place. I worked there for three more years before I 'retired' when the business sold and I got into a career with animals. I'm still friends with the old owner and most of the girls I worked with to this day."
—u/FailAffectionate544
7."I was 19, and I was told I would be taking a woman to a wedding. There was no talk of sex. Just the promise of a bonus from the woman who set up the date if the woman I escorted gave me a good review. The mark was a 32-year-old divorcee who was absolutely gorgeous. The wedding was for her ex' sister, who was also her best friend. I played the part through the ceremony, where she pointed out her ex. He was skinny, short, and had no muscle — totally the opposite of me. We went up to change for the reception. That's where I learned what it would take to get the bonus, and I obliged. She was exaggerating and screaming since the ex was in the next room. We were all over each other at the reception. Back to the room where we performed all night, and she would get digs in on her ex. The morning, she pushed me out of the door naked in front of her ex, whom my manhood must have dwarfed, by the look on his face."
"Luckily, there was a room service cart. I used the house phone to call my handler. I was driven to her house, and I got the bonus. I was enchanted by the mark but disappointed because I didn't get out with the new tux or suit. A week later, those were dropped off with an envelope with 5k and a note saying I was a bargain, amongst other things. I admired her and wish I would have seen her again."
—u/Arnaghad_Bear
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8."When I was 19, I was stationed with the US Air Force near Tokyo. One time, at a local gay bar, I was essentially recruited by a local massage service...that was expected to end with extra services. I was young and enlisted, not making a lot of money. So the amount of money they told me I could make with my clients seemed really attractive. My first time working was a Friday night. I got off work, dressed, and went to the massage parlor. Clients could come into the shop, or we could be called for an out-call to a hotel. Clients would choose us in person or from a website. The boss came in and told me I had been 'reserved' for a hotel meet-up. I cleaned up and took the subway to the nearby hotel. I was so nervous. My Japanese was very weak, and I felt like everyone in that hotel lobby was staring at me and knew why I was there. ... The short elevator ride up, I almost bailed. I was about to have sex with a total stranger."
"What if he wasn't hot? What if he wanted things I didn't enjoy? I got to the room, and a well-dressed, decently fit man in his forties answered. I went in, and we barely spoke since neither really spoke each other's language. We showered, and I nude-massaged him until it was 'time.' To my surprise, he wanted me to TOP! It hit me — I just assumed I would always be the bottom. I was a twinky young guy. I didn't even consider I would be topping.
So it didn't go well. I couldn't stay hard. The condom was too small. It was hot in the room. He was very passive and didn't seem to be into it.
We finished, and I couldn't have gotten out of there any faster. I didn't feel great about it, but it got easier over time. I did it for the rest of my tour. I met a lot of really nice clients who mostly just seemed either lonely or looking to avoid the hassle of sex dating apps. I did top way more than I normally do, but I got better at it."
—u/throw_me_4way
9."He was a prominent Canadian businessperson, and I was a college student in Indiana in my twenties. He was married and used a fake name, but I figured out who he was. He was kind and generous, and we saw each other several times whenever he came into town. He really liked to see himself as a mysterious benefactor and had a weird breeding kink, but he was a lovely man. Then he died of cancer and had a big plaza named after him, and sometimes I see it mentioned and think, 'Huh. That was a weird time.'"
—u/All_In_A_Row
10."The first time was purely just to say I had done it. I was 19 and went on Craigslist and answered a post from a guy asking for a threesome with two women. We messaged back and forth for a while, but our schedules didn't line up right away. He had a woman text me to verify he wasn't dangerous and actually paid. He lived a bit away, and I didn't drive, so he eventually ended up driving to my city, picking me up, and getting a hotel. I brought a bottle of wine and some weed because I was nervous. We ended up talking for about an hour. Then, we eventually moved on to the deed. He basically had a micro penis, and that was my first time ever seeing such a sight. But I keep it professional. At some point, probably because I was tipsy, I started making out with him. That caught him off guard."
"Anyway, we finished (well, he finished), and I changed. He paid me and took me to a friend's house. I never met up with him again, but he did text me to ask about the kissing. He was so used to sleeping with working girls who had strict boundaries (rightfully so) that that had never happened to him before. He then proceeded to text me for nearly five years after that to try to arrange a meet-up. I figure I was more personable than other, more experienced girls, and he liked it was more like a girlfriend experience."
—u/-zombie-mami-
11."This guy liked to buy custom videos of me, and he asked me if I would make a video for him of me fucking some college student. I found a guy who I already wanted to fuck but who just lived an inconvenient distance away, and it turned out he was down to be filmed. I drove to his place, had an AMAZING time, took a video, edited it together nicely, sent it to the buyer, and got $3600. So, it really couldn't have gone better."
—u/Brueguard
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12."I didn't even realize it was happening until he paid me. I sneaked into the Bike Stop in Philly at the age of like 17 or 18, back in like 2002. Immediately, older dudes are offering me drinks and chatting me up. It was so much attention. I'm a chubby nerd, and it's new and flattering as hell. I wound up talking to this dude for a while. He was talking about how he was a lawyer. I was asking him about cases and shit. Finally, he was like, 'Are we going home?' and I was like, 'Yeah, alright.' So we got back to his place, we did some stuff, and it was all fun. I hopped in the shower for a minute, and when I got dressed and came back out, he handed me like $100 and said, 'For the cab,' with a wink."
"Yeah...I went back the next week. I made so much cab money."
—u/Netzapper
13."I was extremely nervous. I knew nothing about my client, and I was worried about whether or not she would enjoy herself. I arrived at the hotel and knocked on the specified door. She ended up being a perfectly average middle-aged woman. I followed my instruction manual to the letter for all the introductory stuff. She warned me that she doesn't get off easily and requires a lot of warmup."
"Long story short, I went down on her for at least 40 minutes. She went from zero reaction to a muted one, but I didn't see anything that indicated she might have gotten off. I raised the white flag after 40 minutes and apologized if I didn't get her off. She said, 'Are you kidding me? I got off like five times!' She ended up repeating this with me two more times and left some great reviews for me. She also gave me some insights about the industry. 10/10 first customer."
—u/WindJammer27
14."I'm a former OnlyFans girl. I'm well-educated, but I'm from a poor country, and I'm a breadwinner. I was so, so lucky; my first client was a sweet man — a widower. He just wanted company and some playtime. For my second client, I was even luckier. She was a lovely woman. She was just lonely. It was her first time ever on OnlyFans, trying it out. Everyone else after that were pigs. I really felt like an object. I was dissociating a lot and hated my body. But I stayed on for the money to pay for school (Master's, mind you) and my parents' hospital bills...until my second client (the woman), whom I had gotten close to, offered me a large sum so I could leave the business and focus on finishing my degree and getting another job where I was safer."
"I stopped. We kept in touch, got even closer, and fell in love. We're dating now. I'm in a good job and I graduated. It's been two years now, and I'm happy and safe!"
—u/ThrowRASufficient34
15."I was in my late twenties, had lost my job, a parent had died, I was about to be evicted, and my cards were maxed out. I knew a ton of gay escorts and porn models. I pretty much kept it to referrals only, as for a quick minute, I was on Rentboy. It mostly was that either someone wanted a three-way or the friend couldn't do it (usually out of town). So I wasn't nervous the first time I did it on my own. The first time I did one alone, it was pretty fun, and I earned a bit of money. He was in his late fifties and pretty good-looking, but nothing super wild. He came six times. It lasted like 30 minutes, and it was four figures. And when I stopped, I still hooked up with him."
"I was on Doxyprep, so I would charge extra without condoms. I don't do drugs, so that got strange at times, but most didn't ask. I kept testing every two months, and things turned out fine health-wise.
I met a few people, and most were professionals who saw it as a convenience. When I smelled meth, or something seemed odd, I just left."
—u/ughliterallycanteven
16."I was a sugar baby to different successful men for three years. My first sugar daddy had 800K followers and 'public figure' in his Instagram profile bio. He smiled and told me not to be nervous because I was just his type. When I asked him what that was, he said, 'Scared skinny European girls who don't talk.'"
—u/slavicgypsygirl
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17."Does phone sex count? Many moons ago, there used to be phone numbers in little sleazy magazines with pictures of pretty girls and women. Phone 18-year-old Missy now! Talk to 33-year-old Karen, the single mum, now! 55-year-old granny Rita is ready for your call now! Ring Gina, the transgender 24-year-old, for a chat! None of these people actually existed. All but one of us on the phone lines were ex-working girls. I was the exception. We signed into the phone system on our own home phone. We heard a code when calls were connected, and then we knew which character we were to play."
"I was terrified for the first call. I had no idea what to say, but I got through it. The boss listened in. Funnily enough, I turned out to be exceptionally good at it. I bought some books on the psychology of sex and sexual fantasies, and that helped. I was running the company, doing the phone system, the rostering, and checking on the girls' calls within a couple of months of starting. I was also making phenomenal money. We were paid by the minute. Later in my employment, I was offered a video slot when they began doing video calls. I left the company. I was fine being an anonymous, never-to-be-found voice on a phone line, but no way was I going to do video chatting.
... The most popular characters on the phone lines were the transgender ones. By a country mile!!!
I also became adept at sound effects. Some guys wanted to hear you urinate on the toilet (always kept a glass of water next to the loo), high heels walking across a floor (high heels on a coffee table), a 'wet pussy' was a mouthful of water and a finger squishing around in there or a piece of latex with some lube and of course a vibrator had to always be on standby.
Personally, I preferred the guys who were just lonely and wanted someone to talk to. My record was over four hours with one caller. The system would automatically hang up every hour as a reminder to the caller about how much money he was spending. Depending on the line he rang in on, it was $1.95 or $3.95 a minute. I got about a dollar a minute. Not bad sitting at home in my comfy clothing watching TV with closed captions whilst pretending to be in sexy nightwear with an insatiable sexual appetite!"
—u/Lightfairy
18."I met him on SeekingArrangement. I was 19 years old. We had a drink at a dive bar I was familiar with in the downtown part of my hometown. I blew him in the backseat of my car for $200. I had sex a bunch, so I was 'experienced,' but I never did it in a straight-up transactional way. I had worked some shifts at strip clubs, though, so I wasn't SO green on taking the money. But the money actually changed my life. I needed it badly for some bill. I went immediately to the bank right after he finished to deposit and pay the bill. I didn't use a condom because I'm an idiot, but yeah, that was the first time."
—u/stephiree
19."I was on the SeekingArrangement website for not very long, and there were some genuinely nice men, looking for their taste, I guess (IDK a better way to put it), but there were also some straight-up creeps. I will admit I slept with a guy 30 years my senior, and we had arranged a monthly agreement where he'd pay me $2000. It didn't work out, but the men I met on there beforehand made me question society. They were blatantly cheating on their wives, not even trying to hide it, saying you will get this amount if you have a place I can fuck you, or this amount if I have to rent a hotel."
—u/leighsknees16
20."It was stressful AF. Meeting someone new and then having sex as a service instead of for fun was definitely anxiety-provoking. ... For me, I think most of the jitters came from the fear that I would disappoint the client in some way. What if he sees my body in real life and doesn't like it? What if I'm too awkward? What if I'm not as good at tomfoolery as I thought? What if he wants me to ride him, but I lose my balance and break his dick and accidentally punch him in the face while trying to catch myself??"
—u/Iskracat
21.And finally..."It was a blast. I got tossed and flipped around like a doll. She was a 6ft Slavic woman. Mira, wherever you are, I miss you so."
—u/This-Peace654
If you've worked in the porn, stripping, or sex industry, we want to hear your story — share in the comments below or via this anonymous form.
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And thank God he didn't say, 'Take a hike,' 'cause I would've had no life." There's a "lost" episode that was never filmed. "The Bet" was written by Larry Charles, who was inspired by fellow writer Elaine Pope. He told Screen Crush, "I can't remember if she was contemplating buying a gun or whether she had already bought a gun, but she felt very justified in buying the gun and would defend that position. And it was also at a time when that was a subject that was finding its way into the media: women buying guns. And I thought that was kind of fascinating. And I think it was as simple as me wondering, 'What if Elaine bought a gun?'" One line in particular didn't sit right with Julia Louis-Dreyfus. Joking about shooting herself in the head, Elaine would mention "the Kennedy" in reference to JFK's assassination. The rest of the cast joined her in not wanting to film the episode. Director Tom Cherones told Screen Crush, "As I recall, there was some reference to make a joke called 'a Kennedy.' And that offended me. And I guess it offended the cast as well... I was told to go back to the stage and work on the episode, which is what normally happens. I went back to the stage, and the actors looked at me and said, 'We don't want to do this episode.' I said, 'I agree with you. Guns are not funny, no matter what you say.' I walked back before the network guys left, and I said, 'We don't want to do this episode. That cast and I do not want to do this.'" Writer Peter Mehlman told InsideHook, "We only ever did things out of what was best for the show and the story. I remember we got a call once from Paul McCartney's manager saying he loved the show and would love to be on, but I had to say to his manager, 'Look, Paul's a god to me, but we don't do stunt casting for the sake of stunt casting, it has to fit into the story.' Julia Louis-Dreyfus almost killed me for that." Elaine wasn't originally part of the main cast. However, after the pilot aired, NBC ordered four additional episodes on the caveat that they add a female lead. So, Larry decided to base her on an ex-girlfriend he'd stayed friends with. Monica Yates Shapiro, Larry's ex, told "[Larry] told me they wanted a woman in the show, and he thought of me and our friendship. He had written an episode about the time he met my father." Larry fought against NBC's push to have Jerry and Elaine end up together. Julia told the Sunday Times, "Oh, the network wanted it! They wanted a will-they, won't-they, all that crap. But Larry was just immovable on that point. The show was built on doing things that were outside the norm, so doing something stereotypical would have been atypical of the show." Writer Larry Charles told CBS Mornings, "Julia came into the office one day crying because we were not writing for her; we weren't really giving her great stuff. And it's like, 'Well, how do you fix that?' And Larry had the idea: 'Let's take this George story and just give it to Elaine and see what happens.' And that exploded Elaine, because we'd never written women before, honestly. And so now, we had a way to write a woman that was kind of like the guys. She was as dark, as untrustworthy, as vain as the guys were, and that made her fun – fun to write for and expanded her character." Before Julia auditioned to play Elaine, Megan Mullally, Rosie O'Donnell, and Patricia Heaton read for the role. Kramer was inspired by Larry's real-life neighbor, Kenny Kramer. In 1996, Kenny launched Kramer's Reality Tour, which he told the New York Times was "a shameless attempt to capitalize on [his] illustrious name and branded identity." He and Larry really did leave their doors unlocked and visit each other unnanounced. Larry said, "Kenny was always coming up with these oddball schemes that sounded like they were made up for a television show. He'd talk you into doing something with him, and it would invariably turn out bad for you. He'd do something like disappear and leave you waiting in the car for an hour. This new idea, the Reality Tour, is something that the television Kramer would do. I hope it works out for Kenny better than most of Kramer's ideas on the show." At first, Kenny Kramer — who's a former stand-up comedian — tried to get the role of Kramer on the show. He told the New York Times, "If I'd played Kramer, it never would have flown the way it has with Michael [Richards]. He's the one who came up with the weird clothes and the physical antics that have nothing to do with me. He has to figure a new way to walk in the door every week. It takes amazing preparation, minute detail and a lot of work." On The Howard Stern Show, Jason revealed that Danny DeVito was offered the role of George Costanza. Theorizing why he turned it down, Jason said, "His career, when we started Seinfeld, would've been at its apex. So, he probably didn't wanna do a sidekick role." Jason also said that Chris Rock turned down the role of George. He said, "Why Chris wouldn't do it, I don't know. Maybe it didn't get to an offer stage. I don't know." Jason based George on Woody Allen until he finally realized the character was actually based on Larry David. On All Things Comedy, Jason said, "I go into the series with Woody Allen in my head. There was an episode, and I can't remember what it was, but when we did the table read, I thought the George storyline was a little preposterous. I just thought it was this weird thing, never gonna happen, and they've got me reacting to it in this strange way. So after the table read, I went up to Larry, and I said, 'Larry, you gotta help me with this, because we both know this would never happen in life, and if it did, nobody would react like this. So what are you thinking?' And Larry said, 'I don't know what you're talking about. This happened to me. It's exactly what I did.' And in my head, I went, ' is Larry. Larry is George.'" "I started really looking at Larry and trying to incorporate his tics and his rhythms and some of his personality quirks into George. And I think he knew. We never talked about it, but I think he knew that I finally knew that he knew that I knew. And it made the whole journey much easier, because anytime I didn't understand something on the page, I'd go, 'Oh, but Larry,'" he said. Jason told Foundation Interviews, "What was interesting about our process was — and this is not to diminish the contributions of any of our directors; they were considerable — but our directors didn't stage the show. They didn't come up with business, which was really interesting, because the dynamic of the four of us – Julia and I were classically trained, but Julia's career had been more in sketch. Michael was a stand-up. He had some formal training, but he was a stand-up and sketch and improv. Jerry had a little bit of training, but he was a stand-up. I had no improv, no sketch, but theater. Theater, theater, theater, theater, theater. So we have a lot of different disciplines colliding, and we would all approach material in a slightly different way with slightly different priorities." He continued, "And the four of us would get up, and we would go — because there was no, for the most part, there was no behavior indicated on the page, just dialogue. And we would go, 'Okay, well, what are we doing? What's going on? We can't just stand and talk. What are we doing?' And it was very challenging because, much like Jerry's real life, the sets were minimal. His apartment set, you would never, if you knew you were doing a series for nine years, you would never build that set. First of all, it was tiny, and there was nothing there. There was a couch and a table and a chair and a countertop and a desk way over there in kind of an inaccessible cover of the set and then a bathroom door way up front and a front door. No tchotchkes." He said, "There was nothing there. Nothing to make you go, 'I'm gonna go over there and do this. I'm gonna go over here and play with this. I'm gonna move here. I'm gonna sit here, and now I'm gonna sit here. I'm gonna stand.' So we would actually have to concoct reasons to be there and things to do. And the four of us would get up there, and we'd start reading lines to each other and go, 'Well, we can't just stand here. What are we gonna do?' So I'd say, 'Alright, I just came in off the street. I'm gonna get something out of your refrigerator.' And Jerry [would say], 'You're just gonna go in my refrigerator?' I'd go, 'Yeah, that's what people do. They just, if you're friends, they go in the refrigerator.' 'Okay.' 'And then you go turn on the TV set for no reason, and you...'" "And the four of us started kind of moving each other around and finding ways to use the space and use each other. And I think people talk about the four of us as a unique ensemble, and I agree, I think we were a very unique and chemically perfect ensemble. And I think it grew out of this, 'Alright, you're stuck. Let me help you. If you go over there, I can do this, and if I go over here, you can do that.' That quickly became, 'You know what? This wouldn't be as funny on me as it would be on Julia. Let Elaine do it.' Or her going, 'Well actually, it's a Kramer move. Why doesn't he just [do it]?' SO instead of just worrying so much about, 'What am I gonna do?", our emphasis was on, 'What are we gonna do?' because the four of us can't just stand here and say this stuff. And in trying to figure out as a unit how we were going to make this thing live and breathe like people instead of a radio play, " he concluded. Seinfeld added several now-common words and phrases to our lexicon, such as "yada yada yada," "regifting," "double dipper," and "Not that there's anything wrong with that." According to the New York Times, Jerry's address on the show — 129 West 81st Street — is actually his real former address in New York City. While writing "The Parking Garage," Larry didn't think about shooting the episode. In a behind-the-scenes featurette, he said, "I really didn't think about the execution... I never think about execution, I just think about the show and let somebody else worry about the execution." This led to massive challenges for the production team, who tried and tried to find a real parking garage where they could film, but it just wasn't financially or practically feasible. So, they ultimately decided to strike the permanent sets in their entirety and build a parking garage on the soundstage. To make it look more realistic, they put mirrors on the walls. Production designer Tom Azzari said, "One element that made that entire set work was the ceiling grid. So, I built a ceiling grid, which was only 7'6" high, over the entire stage, and that was 140 feet. Then what we did is build wild columns that would fit underneath the ceiling grid so we could rearrange it to make it different sections. Michael had the props department put a real air conditioner in the box Kramer carried during "The Parking Garage" because he "wanted the real weight" of it. Even during rehearsals, he held it to tire himself out. In the featurette, he said, "When I threw the box into the trunk of the car, banged my face, which was good for the comedy, but I had a bit of a bump... I never broke character. And the ending of "The Parking Garage," where the car doesn't start, wasn't planned at all! Jason said, "Tom Cherones, who was directing, has chewed us out already because we've had the giggles, and nobody's into any of this. [And he goes], 'We don't stop for anything! Goddammit, this is the last take. I don't care what the hell we get.'" After a long, late-night shoot, they were supposed to get into the car and pull out of the garage, but when Michael turned the key in the ignition, the car — which Larry called a "pile of junk" — wouldn't start. Michael said, "When that car didn't start, I knew instantly we had a blow... It was perfect, and we all felt like the show was blessed." Jennifer Coolidge lied to get her role as Jerry's girlfriend on "The Masseuse." She told GQ, "It was a weird day. I booked Seinfeld the same day that I booked this very short-lived series called She TV, which was an all-women sketch show on ABC. I didn't really have any jobs before that. I only had lies on my resume. I'd gone to a school called American Academy of Dramatic Arts up in Pasadena, and I'd just named all these shows and all these different theaters at the school as if they played there. You have to do that if you have a blank resume until you start getting jobs. Then you can slowly erase the lies. I'd love to get my hands on that resume now." However, the role was a big boon for her career. She said, "After my episode aired, all these people, all these casting directors that would never let me through the doorwell, it kind of changed a lot for me. Seinfeld and American Pie really opened the doors. Years later, I was up for a pilot, and it was between me and another girl, and I think they were leaning toward the other girl. But then the producer told me a rerun of my Seinfeld episode had aired that night, and everyone had seen it, and it had gotten me the job." The main cast wasn't always great to work with. Sarah Silverman had a terrible time guest-starring on "The Money." On a 2021 episode of her podcast, she said, "I was in an episode of Seinfeld. I was Kramer's girlfriend, and I will tell you this: Everyone was really nice, but I had a bad experience with Michael Richards. The first scene I shot, I'm in bed with Kramer, and he's scared because he hears noises. He says something like, 'What was that noise?' Then my line is, 'It's probably the wind.'" However, she flubbed her line and said, "It's probably the rain." Sarah continued, "This guy, Michael Richards, breaks character and just starts ripping me a new asshole... He points to the window and he goes, 'Do you see rain in that window? Do you see rain in that window?' and I go, 'No,' and he says, 'Then why did you say rain? It's not rain. There's no rain in that window! The line is wind!" She felt a "lump in [her] throat" and was upset he got away with treating her that way. The next day, while shooting a diner scene, he acted polite and tried to talk to her. She recalled, "And finally, I just cut him off, and I say, 'I don't give a fuck!'... And he's kind of stunned, and it's like he snapped out of it a little. He understood what I was saying was, 'You don't talk like that and act like nothing happened. I'm not going to be one of those people that joins in and acts like nothing happened. That was shitty behavior." Afterwards, he was more gracious. Guest star Armin Shimerman "hated" the Seinfeld cast. At the 2017 Florida Supercon, he said, "Hated them. They were non-communicative, ugly, I was the guest star. The episode's called 'The Caddy.' I played a caddy. I played the caddy. I was on that show for six days, five days. Every day, nobody said a word to me except cues. Nobody came up and started a conversation. I was already on Deep Space Nine. I was a series regular on a... TV show. That's not acceptable... If you have a guest star, if you have a day player, if you have an extra, you do not avoid them. You speak to them. We're all human beings together... And those four people on Seinfeld never said boo to me." He also alleged that, once, when the gaffers had to redo the lighting, he was sitting between Jerry and Julia while they waited for half an hour. They talked to each other the entire time, never once acknowledging him. He said, "It was as though I wasn't there. So, I'm not very fond of them." On The Skinny Confidential, Kathy Griffin said, "I had never met [Jerry] until I was on the show, and he was such a dick that I then went and told a story about him in my special. He actually, to his credit, thought it was funny. He didn't clutch his pearls and go, 'How dare you? I'm a star!' So they wrote the second episode where my character becomes a stand-up comic whose whole act is making fun of Jerry Seinfeld. And that was amazing." Heidi Swedberg's character Susan was killed off because the rest of the cast thought she was "impossible" to play off of. On the Howard Stern Show, Jason Alexander said, "Her instincts for doing a scene, where the comedy was, and mine were always misfiring... Julia actually said, 'Don't you want to just kill her?' And Larry went, 'Ka-bang!'" However, Jason later apologized for how he told that story, tweeting, "OK, folks, I feel officially awful. The impetus for telling this story was that Howard said, 'Julia Louis-Dreyfus told me you all wanted to kill her.' So I told the story to try and clarify that no one wanted to kill Heidi... [She] was generous and gracious, and I am so mad at myself for retelling this story in any way that would diminish her. If I had had more maturity or more security in my own work, I surely would have taken her query and possibly tried to adjust the scenes with her. She surely offered. But, I didn't have that maturity or security." Lawrence Tierney, who played Elaine's father on one episode, was never brought back because the rest of the cast found him intimidating and scary. In a Season 2 DVD extra, Julia said, "It's too bad he was so cuckoo because I'm sure he would've been back otherwise." Jason said, "There was every reason in the world to have that be an ongoing character because there was just so much tension between him and every other character. It was brilliant." However, the cast went on to describe an incident where Lawrence allegedly stole one of Jerry's knives from the set and hid it in his jacket. After Jerry called him out on it, Lawrence tried to make a joke then pulled the knife out, made the Psycho sound, and advanced on Jerry a bit. Jason added, "Lawrence Tierney, I think, scared the living crap out of all of us." On her podcast Wiser Than Me, Julia revealed one of the strangest places a Seinfeld fan has ever recognized her — the maternity ward! She said, "I was giving birth, and, when you're in labor, they put that monitor around your tummy. And I was in the bathroom, and I was naked, and I had the thing around my tummy, and I was massive, by the way. I gained like 50 pounds when I was pregnant. And I was standing there, and my water broke, and all of a sudden a nurse came into the room, and I went, 'My water broke!' Okay, reminding you [I'm] naked. And she goes, 'Elaine!' ...It was so awful. Isn't that crazy?" To Jerry, the funniest moment they ever filmed was when George saved a whale by pulling Kramer's lost golfball out of its blowhole "The Marine Biologist." At the 2017 New Yorker Festival, Jerry said, "The hardest thing in comedy is to have the biggest laugh at the end, and it's the most satisfying thing... We got very lucky. Larry and I came up with it the night before we were shooting. We wrote it late at night, and Jason memorized the whole speech in one day." "The Revenge" was partially based on Larry's experience quitting his job as a writer for Saturday Night Live — and the immediate regret that followed. On The David Letterman Show, Larry said, "I decided, that's it. They're fooling with the wrong guy. I walked up to the producer, it was like five minutes before the show was about to begin, I walked up and I said, 'That's it. I'm done! I've had it! Take your show! Shove it." However, his real-life neighbor, Kevin Kramer, advised him, "Why don't you just go back on Monday and pretend it never happened?" So, that's exactly what Larry did. "The Junior Mint" was not an instance of paid product placement. Andy Robin, who wrote the episode, told the Hollywood Reporter, "I knew I wanted Kramer to think of watching the operation like going to see a movie. At first, I thought maybe a piece of popcorn falls into the patient. I ran that by my brother, and he said, 'No, Junior Mints are just funnier.'" Julia came up with Elaine's iconic terrible dancing from "The Little Kicks" herself. She told Vanity Fair, "The night before the table read, I had the script, and frankly, I just stood in front of a mirror and tried to do movements that looked incredibly bad. I had a few of them, and I remember my mom was staying with us at the time, and I came downstairs, and I sort of auditioned these different movements for my mom and my husband — and they all voted on the one that I did." In an essay for Parade, writer Peter Mehlman explained that the sheer amount of Superman references wasn't planned. He said, "Much like the infant who fell from the sky into small-town America, Superman simply dropped into the orbit of Seinfeld. Contrary to rumor, it was never planned to make the Man of Steel a recurring theme, and the writing staff, on which I worked for six seasons, never got an edict dictating regular mentions of him. He just magically appeared early in the series and evolved into a go-to guy for humor — another superpower for a being faster than a speeding bullet." "That happy accident made it doubly amazing that, in the hopelessly earthbound, self-absorbed, conniving world of Seinfeld, Superman was not merely a comic-book hero — he was a role model. Great Caesar's Ghost … so much comedy gold arose from that berserk dynamic. Just consider: Superman was devoted to truth, justice, and the American way:" the Seinfeld characters were devoted to lying, cheating, and getting their own way," he said. "The Bizarro Jerry" was born from writer David Mandel and Jerry's shared love of Superman. David told Cracked, "When I pitched the concept of the Bizarro Jerry, Jerry was all over it. He knew what it was and loved it and he saw why that would be funny. I always give him credit because he was the one to say 'take it further.' It's because of Jerry that there's that ending scene of the show where they actually talk in Bizarro-speak. That was Jerry saying, 'Go for it.' That happened a lot in those final two seasons, Jerry encouraged the writers to go further." In the same episode, the "Man Hands" storyline was "loosely" inspired by David's wife. He told Cracked, "She has entirely normal-sized hands, but she grew up on a farm, and she always said her hands were 'farmy,' so that story grew out of that." Julia was able to bring her kids to work. Guest star Jami Gertz told GQ, "[She] had just had a baby, and she had a little nursery on set. So I brought my son, and our kids were able to play together on set." Originally, the show was reportedly titled The Seinfeld Chronicles. However, it had to change its name because of The Marshall Chronicles, another sitcom that was airing at the time. Production designer Thomas Azzari told the Santa Fe New Mexican, "My philosophy is that you should never be aware of the sets. You want to make sure they're appropriate, but you don't want to take anything away from what's going on. That's why Jerry's apartment is gray. … The color is the actors." By Season 9, the show was reportedly "the most expensive sitcom to produce in TV history." Each episode cost $3-3.5 million to make, and Jerry was paid $1 million per episode! The show made an estimated $1.1 billion in revenue in just the second round of syndication. After filming ended for the final season, Jerry took home a pretty big piece of memorabilia — his apartment's front wall! The rest of the set went into storage at Warner Bros. The Season 9 episode "The Puerto Rican Day" was pulled after criticism from the National Puerto Rican Coalition, who called out the show for — among other depictions of harmful stereotypes — joking that rioting and vandalizing were part of "everyday" in Puerto Rico. The scene where Kramer accidentally catches a Puerto Rican flag on fire was particularly called into question. Manuel Mirabal, president of the National Puerto Rican Coalition, told the New York Times, "It is unacceptable that the Puerto Rican flag be used by 'Seinfeld' as a stage prop under any circumstances." In a statement, NBC said, "We do not feel that the show lends itself to damaging ethnic stereotypes, because the audience for Seinfeld knows the humor is derived from watching the core group of characters get themselves into difficult situations." However, the episode was put back on air in 2002. In hindsight, Jerry would "absolutely" like to redo a few episodes differently. In 2021, he told People, "There's a number of them that I would love to have a crack at, but I don't really believe, philosophically, in changing or even thinking about the past. My philosophy of life is that just happened the way it happened, and we're going to go from here. And that's the best way to ... live. I think regret is a philosophical position that I disagree with. It kind of assumes you could have changed the past, so I wouldn't even think of that. But if you forced me or you gave me a time machine, yeah, there's a few [where] I would fix some things." One episode Jerry might like to change — the controversial finale. At the 2017 New Yorker Festival, he said, "I sometimes think we really shouldn't have even done it. There was a lot of pressure on us at that time to do one big last show, but big is always bad in comedy." The poor audience reactions to the finale changed the way Larry approached TV. He told Grantland, "Well, you know, I got so much grief from the Seinfeld finale, which a lot of people intensely disliked, that I no longer feel a need to wrap things up... I wouldn't say I'm mad about it, but it taught me a lesson that if I ever did another show, I wasn't going to wrap it up." However, he stood by the episode, saying, "No, I was not interested in an emotional ride, and neither was Jerry. No wonder why they would dislike it, yeah. But let me toot my own horn for a second. I thought it was clever to bring back all those characters in a courtroom and testify against them for what they did, and then show those clips, and also for why they even got arrested in the first place. And then to wind up — forget the self-aggrandizement here... I thought it was clever." And finally, ending the show was a mutual decision among the four leads. Jerry told People, "I do remember when I was in the ninth season, and I was thinking, maybe it's time to wrap this up. I remember inviting Michael and Julia and Jason to my dressing room, and we all just sat there and we stared at each other. And I went, 'You know, I was thinking maybe this is our moment to make a good exit. We've had a lot of good fortune here. Maybe we shouldn't push our luck too far.' And we all agreed that this was the right moment." Do you love all things TV and movies? 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