
Malaysian Singer Nadeera To Hold First Showcase In KL This May; Ticketing & Seating Announced
The voice behind the hit Raya song 'Meriah Lain Macam' will debut her first showcase, 'An Evening With Nadeera', at PJPAC on 30th May 2025 (Friday). Promising an unforgettable night filled with her hit songs, here's what we know so far about her show:
Farah Nadeera Zaini, or more famously known as Nadeera Zaini, began her music career in the second season of 'Vokal' in 2012. She was selected to be Zainal Abidin's protégé in the 2014 show 'Mentor Legend', and after the completion of the show, she released her first single, 'Hasrat Hati'.
From there, her music career took off as she took home the gold for two reality shows, namely the second season of 'Lagu Cinta Kita' in 2020 and the fifth season of 'Big Stage' in 2023. In 2024, her song 'Bukan Lagi Kita' competed in the 39th 'Anugerah Juara Lagu', where it stood in second place and amplified her music into mainstream media. If you want to hear this talented vocalist live in person, here are details of her show:
Nadeera Zaini 'An Evening With Nadeera Zaini' Live In KL
Date: 30th May 2025 (Friday)
30th May 2025 (Friday) Time: 8:30pm
8:30pm Venue: Nero Event Space, PJPAC, 1 Utama
Nero Event Space, PJPAC, 1 Utama Organiser: Mask Team, USANITA Entertainment
Mask Team, USANITA Entertainment Ticketing: RM158 (Bukan Lagi Kita), RM108 (Emas)
General sales begin 1st May 2025 (Thursday) at 12pm on the official One Tix Malaysia website. Come and experience one of Malaysia's rising stars in her first-ever showcase, for a night of pure vocals and energy.
Source: Instagram
Alyssa Gabrielle contributed to this article
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The Star
05-08-2025
- The Star
Teochew performing arts family keeps the flame of tradition alive
For one night only, the Teochew Puppet and Opera House brings Klang Valley audiences a rare glimpse into traditional Teochew puppetry, opera and music. The Penang-based troupe will perform Maestro Of Paper Shadows at Stage 1 theatre, Petaling Jaya Performing Arts Centre (PJPAC) tomorrow (Aug 6) – a 135-minute tribute to the 62-year legacy of Toh Ai Hwa, founder of the Kim Giak Low Choon Teochew Puppet Troupe. The show pays tribute to Toh's artistic career, which spans over six decades. Now 74, she has trained her children and grandchildren into accomplished artists, building a five‑generation legacy recognised locally and abroad. Toh Ai Hwa, matriarch of the Goh family and Teochew performing arts master. Beyond telling Toh's life story, Maestro Of Paper Shadows touches on the history and practice of traditional Teochew performing arts, particularly iron-rod puppetry, opera and traditional instruments, such as the erxian (two-string fiddle), yangqin (hammered dulcimer) and yehu (coconut-shell fiddle). The show features around 70 cast and crew, including the Malaysia Century Chinese Orchestra and Resonance Choir. Performed in Teochew, it will have English and Chinese subtitles. 'We wanted the show to be accessible to everyone, especially those unfamiliar with Teochew culture,' says Toh's daughter, Goh Hooi Ling (better known as Ling Goh) in a recent interview. 'Even many in the younger Teochew generation don't know much about our opera, music and puppetry, so it's important for us to keep these traditions alive,' she adds. Ling established the Teochew Puppet and Opera House in 2014 and founded the Iron Gang Puppet Theatre in 2022. Ling now directs the Teochew Puppet and Opera House, a museum and small school she founded in 2014 to preserve and teach traditional Teochew arts. Last year, she published the book, Toh Ai Hwa: Mistress Of Teochew Rod Puppetry, chronicling her mother's life and artistry. A living legacy Prior to becoming the matriarch of the artistically talented Goh family, Toh was born into a family of Chinese opera practitioners, particularly Teochew opera. Her grandmother, Lee Gek Hong, was a renowned actress in the 1920s, and her mother, Yeoh Cheng Im (Dua Muey), was a famous young male lead in the 1940s. Toh's third brother, Toh Ah Hock, was also a renowned old male lead. At just 12, Toh chose to diverge from the family tradition and began learning puppetry. One of the iron-rod Teochew puppets used by the Teochew Puppet and Opera House. She joined the Lao Rong Xiu Chun Puppet Troupe, specialising in drums and performing young and old male lead roles. Her rich, melodious singing earned her the nickname 'Malaysia's Chen Chu Hui' (after the famed Teochew opera singer). In 1989, she founded the Kim Giak Low Choon Teochew Puppet Troupe, which she still leads today. Toh was named a 'Penang Intangible Cultural Heritage Inheritor' in 2008 and received the 'George Town Knowledge Contribution and Heritage Award' in 2020. All in the family In many performing arts families, there will be at least one who follows in their parents' footsteps, but for Toh, all three of her children – Goh Lih Shan, 50; Ling Goh, 44; and Goh Lih Tat, 41 – are carrying the family's legacy in their own way. Lih Shan is the music director of the Teochew Puppet and Opera House and founded the Gaik Lai Teochew Puppet Troupe in 2014 with his wife, Goey Paik Wei. His children are also involved in the family business. Goh Sin Ee, 24, is a mainstay in the Gaik Lai Teochew Puppet Troupe, where she performs in female and young male roles, Goh Sin Jie, 23, inherited Toh's drum skills and is seen as the future guardian of the Goh family troupe, while the youngest, Goh Yi Han, 18, is proficient in the yangqin and suona (Chinese oboe) and hopes to carry on his father's legacy in Teochew music. The Goh family (back, from left): Lih Tat, Toh, Sin Ee, Yi Han, Goh Shan and Ling Goh; front: Sin Jie. After Ling decided to focus more on Teochew opera, Lih Tat took over as director of Kim Giak Low Choon Teochew Puppet Troupe. All three siblings are involved in some way or another with the Teochew Puppet and Opera House, including teaching classes and conducting workshops in skills such as body movement, Teochew opera singing, Teochew drum and percussion, Teochew folk music and opera make-up. In George Town, they currently have 40 students who regularly attend classes and train with them. 'We hope to one day open a centre for teaching Teochew arts,' says Ling. She adds that the path to mastering the performing arts is long. 'This form of traditional art isn't just about technique – it's about knowing the history and meaning behind it. 'Chinese opera stories often carry moral lessons, so understanding them is part of the craft. Even as a master, you never stop learning,' says Ling. Carrying the torch However, Ling laments over how interest in Chinese performing arts has faded over time. 'We often perform at Chinese temples (in Penang and nearby states) for special occasions, such as Chinese New Year or Hungry Ghost Festival. But it's quite sad to see that fewer and fewer people are going to see these art forms. "Younger generations often view them as 'old school'. But traditional doesn't have to be dry or boring. That's why we try to find ways to push the art form beyond its boundaries by innovating and modernising in order to connect to new audiences,' says Ling. In 'Maestro Of Paper Shadows', audiences get a taste of Teochew puppetry, opera and music. In its shows, the troupe has used state‑of‑the‑art special effects and collaborated with other art forms, including Mak Yong and contemporary dance. It also often travels to Kuala Lumpur to visit high schools and universities, aiming to spark an interest in Teochew performing arts among Malaysian youths and connect with new audiences. Ling, the producer of Maestro Of Paper Shadows, hopes that those who have never experienced Teochew puppetry and opera before will come for the PJPAC show. 'My mum often says that she wants to continue practicing the arts until the very end. I hope the show will give the audience some food for thought on the kind of passion and sacrifice it takes to dedicate your entire life to the arts, especially in something as niche as Teochew puppetry and opera. 'As a family, we want to keep that fire burning – not just for ourselves, but because it is our culture, our traditions, our heritage,' she concludes. Maestro Of Paper Shadows is showing at Petaling Jaya Performing Arts Centre (PJPAC), 1Utama Shopping Centre, Petaling Jaya on Aug 6, 8pm. More info:


Hype Malaysia
31-07-2025
- Hype Malaysia
Bernard Chandran's Latest BC Beach Culture Collection Blends Heritage Craft With Resort Cool
Bernard Chandran's recent Spring/Summer 2026 men's fashion show 'BC Beach Culture' explored the creative process – not as a means to virtue signal, but as a matter of practice. The aesthetic of the collection was not built from specially-acquired fabrics, nor from scraps thrown together. It was created through a deep respect for fine fabrics and the masterful workmanship that Bernard Chandran embodies. Developed over several years through creations for his family and himself, Dato Sri Bernard Chandran refined his craft in utilising heritage stock in contemporary and inventive ways. Guided by his innate aversion to waste, the collection was entirely created with only fine remnant fabrics in mind. Each garment was meticulously designed to best utilise the fabrics no matter how much or how little the yardage. Inspired by impressions of his personal pieces, Bernard was moved to create a collection for the runway. Marrying luxury remnant fabrics with sport linings, adding lace trimmings to silk chiffon, and adorning pieces with Swarovski crystals and sequins – the Spring/Summer 2026 collection draws heavily from beachwear silhouettes such as tank tops, swim shorts, Cuban-collared shirts, and even traditional inspirations like the kaftan, transforming them into a whole new category of hyper-luxurious, bold loungewear. BC Beach Culture embodies Bernard Chandran's problem solving creative process, translating it into beachwear-inspired, fluid masculine silhouettes. Visit Bernard Chandran's official website for more.


Borneo Post
22-07-2025
- Borneo Post
Young stars shine on global stages, celebrating Sarawak pride
Taylor performing at the Sanremo Junior World Finals in Italy. KUCHING (July 22): Being Sarawakian is more than just a matter of birthplace – it is a deep sense of belonging, identity, and resilience that unites people across generations and cultures. Whether in the kampung or on the international stage, that quiet confidence and pride in our roots is unmistakable – and this pride is felt most keenly as Sarawak celebrates its momentous Sarawak Day. This year, The Borneo Post turns the spotlight on a new generation of Sarawakians making waves far beyond our shores. Each of them carries the soul of Sarawak wherever they go, reminding the world that talent nurtured in our hills and valleys can shine just as brightly on global stages. We asked them what 'Sarawak pride' means to them. A Voice for the Nation: Taylor Louise Eleven-year-old singing sensation Taylor Louise, who grew up in Kuching, has never been shy about where she comes from. 'To me, Sarawak pride means embracing who we are – our roots, our culture, our people – with love and gratitude. It's about being proud of where we come from and showing the world that even from a small place like Sarawak, big dreams can grow. 'On Sarawak Day, I feel extra thankful to belong to a state that's rich in diversity, kindness, and creativity,' she said. Taylor's multicultural heritage – with roots in Chinese, Baba Nyonya, Bidayuh, Malay, and Iban ancestry – deeply informs her artistry. 'I've grown up celebrating everything – Chinese New Year, Gawai, Hari Raya, Christmas – all in one joyful and beautiful year! This unique mix has helped me appreciate the richness of Sarawak's culture, and even when I perform in other countries, I always try to bring a piece of home with me,' she shared. One of her proudest moments was performing at the world finals of Sanremo Junior in Italy earlier this year. 'Before my performance, the Malaysian flag was displayed, and a video of my hometown, Kuching, played on the screen. It was such a special feeling to be able to share the beauty of where I come from – our culture, our people, and the place I'm blessed to call home. That moment wasn't just about me; it felt like a celebration of Sarawak,' she recalled. She is set to make her national musical theatre debut this August as the youngest cast member of Dreamweaver The Musical – Sarawak's first original English-language musical – at the Petaling Jaya Performing Arts Centre (PJPAC), 1 Utama. 'In Dreamweaver, I'm honoured to play a character that represents the voice, hopes, and spirit of Sarawak's children. Through this captivating musical journey – which celebrates tradition, resilience, and the incredible craftsmanship of our weavers – I feel like I'm using my voice not just to perform, but to help tell a story that uplifts our community,' she said. Wherever she goes, she brings a piece of home with her. 'During international competitions, I often bring along Sarawakian souvenirs and keychains to give to people I meet – small gifts that carry a big piece of home. One moment I'll never forget was when I proudly raised my country's flag during a parade overseas. 'Whether I'm performing, posting, or just connecting with others, I do my best to let the spirit of Sarawak shine wherever I go,' she said. SJ Borneo perform at the World Championship International Competition Grand Finals in Thailand. SJ Borneo: Siblings in Harmony Sibling duo SJ Borneo – Shawn and Jane Thien, who are 15 and 12 years old respectively – are redefining what it means to represent Sarawak on the international music scene. 'Sarawak pride means carrying our identity with confidence, wherever we go. It's about honouring our roots while sharing our music and culture with the world,' they said. Winners of the Gold 3rd Prize at the 2025 World Championship International Competition in Bangkok, the siblings took the stage wearing traditional costumes, playing the Sape and djembe. 'Our music is deeply influenced by our heritage – from the Sape' to the stories of our elders,' they shared. 'In every performance, we blend local languages, Malay, Chinese, and English. We choose songs that reflect kampung life, unity, and identity. Even in modern stages or settings, we bring Sarawak with us through our costumes, rhythms, and messages.' They hope their work encourages others to begin where they are. 'Don't be afraid to be different. Don't wait for the perfect moment, start with what you have and keep growing. You don't need to leave Sarawak to make a difference. Instead, bring Sarawak to the world,' they advised. Baptista with his father, Korintus Leban, during a photo call at his performance at RWMF 2025. Baptista Emmanuell Korintus: Strings of Heritage At just 10 years old, Baptista Emmanuell Korintus from Belaga is already a cultural ambassador for his community – the Sekapan, a sub ethnic group of the Orang Ulu. The youngest sape player ever to perform on the main stage of the Rainforest World Music Festival (RWMF), he also clinched a Silver Medal at the Malaysia Championship of Performing Arts 2025 – earning him a spot to represent Malaysia at the World Championship of Performing Arts (WCOPA) in Long Beach, California this month. However, due to current safety concerns, the Malaysian team has decided to postpone its participation. 'I am proud to be a Sarawakian because people of diverse cultures, ethnicities, and religions can live together in peace and harmony in our beloved homeland, Sarawak,' said Baptista. What makes Baptista's journey even more remarkable is his determination to shining a light on his Sekapan heritage. 'I come from the Sekapan ethnic group, a minority in Sarawak that many Sarawakians themselves are unaware of. 'Through my skill in playing the Orang Ulu sape in competitions and performances, I have the opportunity to serve as a young ambassador in introducing the Sekapan people to the wider public,' he said. His performances are infused with a deep sense of humility, inspired by the Sekapan phrase 'Ngelotak Danum', which echoes the Malay proverb 'Biar ikut resmi padi, makin berisi makin tunduk' (be like the rice stalk, it bends lower as it is laden with ripening grains). For Baptista, success in any field begins with passion – but it must be supported by hard work, prayer, and the willingness to sacrifice both time and money to reach the desired level. 'I hope the sape will continue to be recognised as a traditional musical instrument of the Orang Ulu in Sarawak. 'My goal is to expand teaching methods so that more young people my age can discover and learn to play the sape, ensuring this cultural heritage is not lost to time,' he said. Dion performing at the Dance World Cup World Finals in Burgos, Spain, in a piece inspired by the traditional Ngajat Iban and Sarawak's iconic birds — the Burung Ruai (Great Argus) and the Kenyalang Hornbill. Dion Das Louis: Little Birdie with big dreams Dion Das Louis, fondly known as the 'Little Bornean Birdie', soars high as a proud Sarawakian. At just nine years old, he has already made his mark on some of the world's biggest stages – including the 2024 WCOPA in the United States and the 2025 Dance World Cup Finals in Spain, where he outshone 34 international competitors to bring home a silver medal. 'Sarawak pride, for me, is being grateful to be born as an anak Dayak Sarawak – to embrace one's heritage and identity amidst the rich diversity of cultures and traditions, while living in harmony with other ethnicities in the state,' said Dion. He proudly carries his Dayak Iban identity with him wherever he goes – through his costumes, music, and performance themes. 'When people find out I'm from Borneo, Sarawak, they often associate it with beautiful people and rich culture. They love our traditional costumes, and I always receive compliments from them. 'I wish more people would learn about the diverse ethnic cultures and traditions we have, so they can truly experience the beauty of Sarawak,' he said. Dion believes in preserving and promoting culture through performance, intentionally weaving Sarawak elements into his dance, costumes and music. His goal is to serve as an ambassador for the performing arts and inspire young people to appreciate and uphold the importance of preserving their cultural traditions. As a young Sarawakian, Dion's message to others who wish to follow a similar path is simple: believe in yourself. 'Never give up, always do your best by working hard – and most importantly, never forget your roots and heritage,' he said. Ryan and Aleysha proudly don traditional Sarawakian attire while holding the Sarawak flag, showcasing the rich cultural heritage of their homeland. Aleysha and Ryan Zachary: Twin Voices of Sarawak Twelve-year-old twins Aleysha and Ryan Zachary Shareef Van Der Horst are already veteran performers, having competed at the 2024 WCOPA Grand Final in the United States alongside only a handful of Malaysians. 'Whenever we perform overseas, we're always proud to say we're from Sarawak,' said Aleysha. 'People often get confused between Sarawak and Malaysia, so we make sure to explain we're from this very special place.' The duo – half Bidayuh, half Malay – grew up in a household that nurtured their love for music from a young age. Enrolled in vocal and music classes since they were five, Aleysha now sings and plays piano, while Ryan sings and plays guitar. Their mother, Shirley Hasmani Eddie, who accompanies them to every competition, stressed the importance of early exposure. 'If your children love this industry, support them. Send them to competitions. Don't just say 'no need lah'. It's tiring, yes, but if you don't start young, the talent pool will always be small,' she said. For Aleysha, composing songs is a cherished dream. Inspired by artists like Taylor Swift and Alicia Keys, she hopes to one day write her own songs and perform them on the piano. 'My proudest moment was receiving a scholarship from the New York Film Academy after winning a gold medal at the 2024 WCOPA. 'I'm very proud to be a Sarawakian. I hope that through my performances, people around the world will learn more about Sarawak – its unique culture, traditions, and what makes it so special,' she said. Ryan echoed his twin's sentiments. 'Performing in the WCOPA Grand Final was one of my proudest moments. 'I want to spread the word about Sarawak — how great it is, what our cultures are like, and how amazing the food is,' he said. Their mother believes that their identity as twins is a unique strength. 'There are many sibling acts, but not many twin performers. That's their brand. They want to go international — and bring Sarawak with them,' she said. Despite their diverse talents, what binds Taylor, SJ Borneo, Baptista, Dion, Aleysha and Ryan together is a deep-rooted pride in where they come from. Whether through music, dance, language, or storytelling, each of them is a living testament to the spirit of Sarawak — one that embraces unity in diversity, humility in strength, and courage in dreams. entertainment lead music performance sarawak day young stars