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Jerry Seinfeld Talks about His Love of Certain Subarus

Jerry Seinfeld Talks about His Love of Certain Subarus

Yahoo05-04-2025

Comedian is well known. Turns out he's also into Subarus.
On podcast, he discussed owning a couple of special WRX STI variants, one of which he'd just re-bought.
He notes the appeal as being a throwback to a time when cars from different countries felt like they embodied national heritage.
If you're an automotive enthusiast, you know that Jerry Seinfeld is really into Porsches. If you're a Seinfeld fan, then you know that Jerry drives Saabs. And also, he really hates it when he reserves a mid-size and you give him the keys to a blue Ford Escort. But in real life, it turns out Jerry Seinfeld is a fan of pancake motors of a different sort.
Speaking on 'The Smoking Tire' podcast this week, which is just about to hit its 1000th episode, Seinfeld surprised hosts Matt Farah and Zack Klapman by revealing his surprising affinity for hot Subarus. In fact, it turns out he'd just bought one last week, a WRX STI S209.
The S209 is a pretty special car, especially considering that the STI is on hiatus at present, with Subaru offering its fans nothing more hardcore than the WRX tS. When new, the S209, which cost a staggering $65,000, was Subaru's tuning arm pulling out all the stops. Thanks to more boost for the 2.5-liter flat-four, it had a slightly laggy 341 horsepower and was festooned with aerodynamic extras from a huge rear wing to dive planes up front.
For a guy who's into vintage 356s and has the wherewithal to buy the '99 911 Classic Club Coupe—a million-dollar one-off Porsche that's the most expensive 996-chassis 911 ever made—a huffed-up boostmobile seems an odd choice. But as Seinfeld explained in the podcast, it's the way Subaru was expressing Japan's character in automotive form with the S209, that brought him back to his first interest in cars in the 1970s.
From test-driving an MG Midget to taking delivery of his first car, a 1973 Fiat 128 Sport L, Seinfeld's car history is pretty varied. But then, so were the cars: British cars were faintly tweedy, Italians flamboyant and emotional, Volvos stolid and Swedish. Country by country, cars used to be much more heterogeneous. In the modern sea of crossovers, there's less room for character.
But a rally hero with anime aerodynamics and a chunky six-speed transmission? That's straight out of Initial D. Seinfeld told the Smoking Tire that he first bought a STI RA, then the S209, then sold the latter. He missed the S209 so much, he ended up buying it back.
It's enough to make you reimagine the episode where George Costanza gets the big fur hat as one where he buys a flat-bill 555 baseball cap instead. Or where Kramer takes up vaping. But if Seinfeld's affinity for special performance versions from Subaru is surprising, it's also hugely relatable. We miss the STI too, Subaru. Can we maybe put in a reservation to get it back?
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Sean ‘Diddy' Combs' ex-assistant tells jury that music mogul kidnapped her to help ‘kill Cudi'
Sean ‘Diddy' Combs' ex-assistant tells jury that music mogul kidnapped her to help ‘kill Cudi'

American Military News

time2 hours ago

  • American Military News

Sean ‘Diddy' Combs' ex-assistant tells jury that music mogul kidnapped her to help ‘kill Cudi'

Sean 'Diddy' Combs' former assistant Capricorn Clark, her voice quivering, told a Manhattan jury Tuesday that the armed rap mogul kidnapped her late one night in 2011 to help him 'kill (Kid) Cudi.' Taking the stand as the 17th witness, Clark bolstered testimony from Combs' ex, Casandra 'Cassie' Ventura, and Kid Cudi, whose real name is Scott Mescudi, about a disturbing incident in late 2011 that saw Mescudi's Hollywood Hills house burgled by Combs when he found out he'd been dating Ventura. '(Combs) came to my house with a gun and told me I had to go with him to kill Cudi,' Clark, Combs' assistant from 2004 to 2012, testified in Manhattan federal court. Clark said she was driven to Mescudi's home by a security guard with Combs, against her will, and called Ventura while he was inside, warning her that the Bad Boy Records co-founder was out for blood. The jury heard from Mescudi last week that upon hearing from Ventura, he brought her to the Sunset Marquis hotel to stay safe and then called Combs, who told him he just wanted to talk. When Mescudi got home, Combs was not there, but he discovered his house had been burgled, with Christmas gifts torn open and his dog locked in the bathroom. Under questioning by Assistant U.S. Attorney Mitzi Steiner, Clark said Tuesday that around a day later, she went to pick up Ventura from the Sunset Marquis and brought her to Combs' sprawling Los Angeles mansion, where the mogul began mercilessly beating Ventura upon their arrival. 'Puff was standing there in a robe and his underwear, and he immediately began kicking Cassie,' Clark testified. 'One-hundred percent full force, in her legs to begin with.' Asked to describe the beating in greater detail, Clark said, 'He kept kicking her. He never used his hands.' Sounding on the verge of tears as she recounted the chilling scene, Clark said she was too scared to contact the cops, as 'the mission of the day was to get (Kid) Cudi not to call the police.' ' He told me if I jumped in, he was gonna f–k me up too.' When Combs did not let up, Clark said she called Combs' security team and eventually Ventura's mother, Regina Ventura, telling her, 'He's beating the s–t out of your daughter. I'm in over my head … I can't call the police, but you can.' Jurors have already heard how weeks after the burglary, Mescudi's Porsche was blown up in his driveway in an apparent Molotov cocktail attack. Clark said she informed Combs that authorities were probing the arson and had contacted her. Earlier in her testimony, the former assistant, who started out working for Def Jam and then Death Row Records, described experiencing an extremely hostile workplace during her employment for Combs, including him aggressively shoving her when she expressed dissatisfaction with her work. After a lapse in working for Combs, which she said involved grueling and untenable hours, Clark returned as a marketing director for his Sean John clothing line in 2006. Clark said she was fired in 2012 over supposed issues related to vacation time and would work for him again in 2016 as Ventura's creative director until 2018. At one juncture, when the mogul's jewelry went missing, she said he subjected her to five days of lie detector tests on the sixth floor of an abandoned skyscraper near Times Square. When she arrived there, an unnamed bodyguard chain-smoking cigarettes threatened her. 'He said if you fail this test, they're going to throw you in the East River.' She would pass the test. After the burglary incident at Mescudi's, Clark said Combs' threats against her only increased, estimating he threatened her around 50 times between December 2011 and the following summer, usually in the presence of his longtime security guard, D-Roc, and Ventura. Combs, 55, could spend the rest of his life in prison if convicted in the case. He's pleaded not guilty to a five-count indictment, including counts of sex trafficking, racketeering conspiracy, and transporting individuals for prostitution. The Manhattan U.S. attorney's office alleges the rap entrepreneur, whose net worth has been estimated at close to a billion dollars, compulsively coerced women into humiliating sexual performances with male escorts for years with assistance from a network of high-ranking employees, akin to a mafia family who resorted to sex trafficking, forced labor, kidnapping, arson, bribery, and obstruction of justice to facilitate his desires. Prosecutors have presented extensive evidence of Combs' violent and unpredictable temper. A heavily pregnant Ventura spent four days on the stand during the first week of testimony, describing in devastating detail being trapped in a cycle of violent abuse, recovery, and humiliation during their 11-year relationship. The now 39-year-old singer said she was frequently beaten bloody and coerced into hundreds of degrading sexual performances with other men that Combs dubbed 'freak-offs,' tapes of which the mogul used against her as blackmail. ___ © 2025 New York Daily News. Distributed by Tribune Content Agency, LLC.

Online, young female OnlyFans stars make their lives look aspirational. Is it problematic?
Online, young female OnlyFans stars make their lives look aspirational. Is it problematic?

Yahoo

time6 hours ago

  • Yahoo

Online, young female OnlyFans stars make their lives look aspirational. Is it problematic?

Inside a sprawling six-bed, five-bath property overlooking Miami's Biscayne Bay, a new legion of OnlyFans creators is taking hold. In a May 14 TikTok that's since racked up 4 million views, the house's residents dance in barely-there bodycon dresses in front of brightly lit signs spelling out "BOPS." In another, they don matching cheetah-print lounge sets over the soundtrack of Lil Elt's 'Get The Gat.' They fly on private jets to the Super Bowl, own Porsches and Lamborghinis and rack up $4,000 dinner bills on a night out. It's all in a month's work at the Bop House, a content creator mansion where eight Gen Z OnlyFans creators produce content for their combined following of nearly 90 million users across social media platforms. 'I love what I do, and it's so much fun,' says Sophie Rain, the 20-year-old who co-founded the Bop House in December 2024. After launching an OnlyFans two years ago, she quickly became one of its top earners, bringing in $43 million in her first year. 'It gave me so much freedom." The content creators, who say they collectively brought in $250 million last year, feel their lifestyle offers them financial stability and freedom. But teenagers, particularly young girls, who see TikToks showcasing the content creators' opulent lifestyle, may get the impression that being an OnlyFans star is aspirational. While creators in the Bop House spoke openly with USA TODAY about their hardships growing up — and say they're not trying to be anyone's role model — their online content rarely touches on their complex backstories. Intentional or not, those omissions create a disconnect with viewers who don't see the challenges that lead women to seek out careers in adult entertainment, says child psychiatrist and Yale School of Medicine Professor Yann Poncin. 'I do think it creates an unrealistic sense of reality,' Poncin says. 'This just really presents as an exciting lifestyle. These girls seem to have it together. They have things, they have money, they have the shining objects.' More: OnlyFans, AI and 'sexy selfies' are impacting girls. This author wrote a book about it. Rain founded the content creation house with Aishah Sofey, and other creators between the ages of 19 to 25 have since joined, including Camilla Araujo, Alina Rose, Summer Iris, Ava Reyes and Julia Filippo. They split the house's monthly $75,000 rent and use the space to film OnlyFans and social media content. Their posts toe the line between sensual and sexually explicit but never involve full nudity. The name 'Bop House' nods to the Gen Z slang term "bop," meaning a woman who has had many sexual partners. Many of their videos poke fun at the term, and they respond to commenters saying they should 'get a real job.' It was, in part, the critics that inspired Rose to move into a house with other content creators. "They're going to call us bops no matter what," she says. So they leaned into it. Rain grew up in a family of six that relied on food stamps. She's now their primary breadwinner. Fans pay $4.99 a month for her content, with the option to pay more for daily photos and messages. She paid off her parents' mortgage and $15,000 in property taxes and gifted her older brother his dream car, a BMW M2, with her salary. 'It's honestly very stressful,' Rain says of supporting her family. 'It's such a blessing in disguise, though, because they can come to me if they need anything.' Rain considers herself a feminist, and hopes the Bop House will help de-stigmatize adult entertainment creators. Still, every now and then, she hesitates to press 'post' knowing how young girls might interpret her videos. 'I definitely think heavy on that,' Rain says. She wants young girls to pause before jumping into OnlyFans, because it's a "big life change with a lot of stigma around it." Still, she hopes the Bop House will help decrease that stigma around being an adult content creator for future women. Poncin says teenage years are a critical time when girls start developing their identity and determining who they are in relation to their larger peer group. Influencers and celebrities now play a part in shaping how teenagers perceive themselves. 'This is a time when you try on essentially different outfits of identity. 'Who am I? What am I? What am I becoming?'' Poncin says. Now, when he asks young people who they want to be when they grow up, 'influencer' is a common answer. Some of the commenters on the Bop House's TikTok account agree. 'I wanna be like you when I get older,' one follower wrote under a video of the women dancing. "I need to join the bop house,' said another. The hormonal and biological changes young women experience throughout their youth make them more attuned to social comparison, something social media can heighten as teens count their followers and likes. Rose attributes her start on OnlyFans to a lack of options. After her mom kicked her out at 18 years old, she was paying her cousin $300 a month to sleep in a room she was sharing with two other people Los Angeles. She scraped by making $800 a month working dishwashing jobs but eventually took up stripping at a nude club, where she made better money. 'I didn't have money to pursue anything else. It was very depressing,' Rose says. When the strip club closed during the pandemic, she turned to OnlyFans. She says the platform provides a safer work environment than the strip club, where she faced daily sexual harassment. Still, it's not a field she would ever want her younger sister or any other young girl to get involved in. 'I'm not somebody that they should be influenced by or look up to, because I don't think OnlyFans is something that they should want to do,' Rose says. 'OnlyFans should only be a thing because they lack the resources, and they really need money.' Reyes says she considers her audience demographics when posting for that reason – on Instagram and Twitter, where her audience is largely men, she frequently posts photos in bikinis and lingerie but keeps her content more PG on TikTok, where she knows younger girls are seeing her videos. She tries not to spend too much time in her comment section and doesn't concern herself with online discourse about her work. 'I just don't even really think about it that deep,' Reyes says.' 'I don't really care about if other people think that it's wrong or right, I just live my life and make the money.' More: An OnlyFans model's viral documentary and why it sparked a major conversation about sex Since its founding in 2016, the market for OnlyFans has exploded. The platform brought in $6.63 billion in revenue and boasted 4.12 million creator accounts by the end of 2023, a 29% increase from the year prior, according to regulatory filings from its parent company. The platform is unique in that it doesn't have an explore page function. It requires fans to type in an OnlyFans creator's user in a search bar to find their content, posing a challenge to unknown creators looking to get their start on the platform. It's nearly impossible to gain new subscribers without already having a strong presence on Instagram, Snapchat, Twitter and TikTok. This shift marks a generational change in how adult content is consumed. Millennials and Gen Xers didn't get to know adult entertainers unless they were watching porn, but social media has peeled back the division between creators and their viewers. Rain considered herself a 'nobody' in high school who kept to herself, and is adjusting to the changes that came with being in the limelight. Before she started an OnlyFans, she had never traveled by airplane. One of her most exciting moments was using her OnlyFans profit to fund a two-week trip to Japan with her older brother. 'It's a sex website, but it's so much more than that,' Rain says. 'It's a way to get connected to people and try new things and see new things.' Rose doesn't want to be on the platform forever. Eventually, she plans to use her OnlyFans salary to take up professional gaming and singing full time. 'People really think that we're not real humans, just because we have OnlyFans, and they see us as less than a person,' Rose says. 'I want them to know that we're human.' Rachel Hale's role covering Youth Mental Health at USA TODAY is supported by a partnership with Pivotal Ventures and Journalism Funding Partners. Funders do not provide editorial input. Reach her at rhale@ and @rachelleighhale on X. This article originally appeared on USA TODAY: OnlyFans star Sophie Rain is surging in popularity. Is it a problem?

Online, young female OnlyFans stars make their lives look aspirational. Is it problematic?
Online, young female OnlyFans stars make their lives look aspirational. Is it problematic?

USA Today

time7 hours ago

  • USA Today

Online, young female OnlyFans stars make their lives look aspirational. Is it problematic?

Online, young female OnlyFans stars make their lives look aspirational. Is it problematic? Show Caption Hide Caption Bids for TikTok pile up, with Amazon and OnlyFans founder in the race As a weekend deadline to find a buyer for TikTok approaches, bids for the short video site are piling up. Among the latest to throw their hats in the ring are Amazon and a group lead by Tim Stokely, founder of adult content site OnlyFans. Reuters Inside a sprawling six-bed, five-bath property overlooking Miami's Biscayne Bay, a new legion of OnlyFans creators is taking hold. In a May 14 TikTok that's since racked up 4 million views, the house's residents dance in barely-there bodycon dresses in front of brightly lit signs spelling out "BOPS." In another, they don matching cheetah-print lounge sets over the soundtrack of Lil Elt's 'Get The Gat.' They fly on private jets to the Super Bowl, own Porsches and Lamborghinis and rack up $4,000 dinner bills on a night out. It's all in a month's work at the Bop House, a content creator mansion where eight Gen Z OnlyFans creators produce content for their combined following of nearly 90 million users across social media platforms. 'I love what I do, and it's so much fun,' says Sophie Rain, the 20-year-old who co-founded the Bop House in December 2024. After launching an OnlyFans two years ago, she quickly became one of its top earners, bringing in $43 million in her first year. 'It gave me so much freedom." The content creators, who say they collectively brought in $250 million last year, feel their lifestyle offers them financial stability and freedom. But teenagers, particularly young girls, who see TikToks showcasing the content creators' opulent lifestyle, may get the impression that being an OnlyFans star is aspirational. While creators in the Bop House spoke openly with USA TODAY about their hardships growing up — and say they're not trying to be anyone's role model — their online content rarely touches on their complex backstories. Intentional or not, those omissions create a disconnect with viewers who don't see the challenges that lead women to seek out careers in adult entertainment, says child psychiatrist and Yale School of Medicine Professor Yann Poncin. 'I do think it creates an unrealistic sense of reality,' Poncin says. 'This just really presents as an exciting lifestyle. These girls seem to have it together. They have things, they have money, they have the shining objects.' More: OnlyFans, AI and 'sexy selfies' are impacting girls. This author wrote a book about it. Who are the members of the Bop House? Rain founded the content creation house with Aishah Sofey, and other creators between the ages of 19 to 25 have since joined, including Camilla Araujo, Alina Rose, Summer Iris, Ava Reyes and Julia Filippo. They split the house's monthly $75,000 rent and use the space to film OnlyFans and social media content. Their posts toe the line between sensual and sexually explicit but never involve full nudity. The name 'Bop House' nods to the Gen Z slang term "bop," meaning a woman who has had many sexual partners. Many of their videos poke fun at the term, and they respond to commenters saying they should 'get a real job.' It was, in part, the critics that inspired Rose to move into a house with other content creators. "They're going to call us bops no matter what," she says. So they leaned into it. Rain grew up in a family of six that relied on food stamps. She's now their primary breadwinner. Fans pay $4.99 a month for her content, with the option to pay more for daily photos and messages. She paid off her parents' mortgage and $15,000 in property taxes and gifted her older brother his dream car, a BMW M2, with her salary. 'It's honestly very stressful,' Rain says of supporting her family. 'It's such a blessing in disguise, though, because they can come to me if they need anything.' Rain considers herself a feminist, and hopes the Bop House will help de-stigmatize adult entertainment creators. Still, every now and then, she hesitates to press 'post' knowing how young girls might interpret her videos. 'I definitely think heavy on that,' Rain says. She wants young girls to pause before jumping into OnlyFans, because it's a "big life change with a lot of stigma around it." Still, she hopes the Bop House will help decrease that stigma around being an adult content creator for future women. How the young people interpret social media, influencers Poncin says teenage years are a critical time when girls start developing their identity and determining who they are in relation to their larger peer group. Influencers and celebrities now play a part in shaping how teenagers perceive themselves. 'This is a time when you try on essentially different outfits of identity. 'Who am I? What am I? What am I becoming?'' Poncin says. Now, when he asks young people who they want to be when they grow up, 'influencer' is a common answer. Some of the commenters on the Bop House's TikTok account agree. 'I wanna be like you when I get older,' one follower wrote under a video of the women dancing. "I need to join the bop house,' said another. The hormonal and biological changes young women experience throughout their youth make them more attuned to social comparison, something social media can heighten as teens count their followers and likes. What the viral Bop house videos are leaving out Rose attributes her start on OnlyFans to a lack of options. After her mom kicked her out at 18 years old, she was paying her cousin $300 a month to sleep in a room she was sharing with two other people Los Angeles. She scraped by making $800 a month working dishwashing jobs but eventually took up stripping at a nude club, where she made better money. 'I didn't have money to pursue anything else. It was very depressing,' Rose says. When the strip club closed during the pandemic, she turned to OnlyFans. She says the platform provides a safer work environment than the strip club, where she faced daily sexual harassment. Still, it's not a field she would ever want her younger sister or any other young girl to get involved in. 'I'm not somebody that they should be influenced by or look up to, because I don't think OnlyFans is something that they should want to do,' Rose says. 'OnlyFans should only be a thing because they lack the resources, and they really need money.' Reyes says she considers her audience demographics when posting for that reason – on Instagram and Twitter, where her audience is largely men, she frequently posts photos in bikinis and lingerie but keeps her content more PG on TikTok, where she knows younger girls are seeing her videos. She tries not to spend too much time in her comment section and doesn't concern herself with online discourse about her work. 'I just don't even really think about it that deep,' Reyes says.' 'I don't really care about if other people think that it's wrong or right, I just live my life and make the money.' More: An OnlyFans model's viral documentary and why it sparked a major conversation about sex 'I want them to know that we're human' Since its founding in 2016, the market for OnlyFans has exploded. The platform brought in $6.63 billion in revenue and boasted 4.12 million creator accounts by the end of 2023, a 29% increase from the year prior, according to regulatory filings from its parent company. The platform is unique in that it doesn't have an explore page function. It requires fans to type in an OnlyFans creator's user in a search bar to find their content, posing a challenge to unknown creators looking to get their start on the platform. It's nearly impossible to gain new subscribers without already having a strong presence on Instagram, Snapchat, Twitter and TikTok. This shift marks a generational change in how adult content is consumed. Millennials and Gen Xers didn't get to know adult entertainers unless they were watching porn, but social media has peeled back the division between creators and their viewers. Rain considered herself a 'nobody' in high school who kept to herself, and is adjusting to the changes that came with being in the limelight. Before she started an OnlyFans, she had never traveled by airplane. One of her most exciting moments was using her OnlyFans profit to fund a two-week trip to Japan with her older brother. 'It's a sex website, but it's so much more than that,' Rain says. 'It's a way to get connected to people and try new things and see new things.' Rose doesn't want to be on the platform forever. Eventually, she plans to use her OnlyFans salary to take up professional gaming and singing full time. 'People really think that we're not real humans, just because we have OnlyFans, and they see us as less than a person,' Rose says. 'I want them to know that we're human.' Rachel Hale's role covering Youth Mental Health at USA TODAY is supported by a partnership with Pivotal Ventures and Journalism Funding Partners. Funders do not provide editorial input. Reach her at rhale@ and @rachelleighhale on X.

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