logo
The singer-songwriter with a shape-shifting voice charts her own path

The singer-songwriter with a shape-shifting voice charts her own path

Washington Post11-02-2025

Next in Arts & Entertainment The singer-songwriter with a shape-shifting voice charts her own path
By Chris Kelly
February 11, 2025 at 6:00 a.m. EST
0
Sorry, a summary is not available for this article at this time. Please try again later.
Raye stays busy. One week in September, the singer-songwriter was in New York for a screening of her new concert film, a taping of 'The Daily Show,' a performance at a museum event and a set at the Global Citizen Festival in Central Park.
'I love being busy, but I've definitely got to the point where I need a break now,' she said over Zoom from the city. 'I've been going as hard as I can go for a really long time.'
Raye has certainly earned a period of rest and relaxation, and not just because her schedule has been nonstop since the February 2023 release of her debut studio album, 'My 21st Century Blues,' and recording of the orchestral live version at the Royal Albert Hall that came out less than a year later. She gave a powerful performance at the Grammy Awards in February, belting out 'Oscar Winning Tears' while barefoot on stage.
Raye performs 'Oscar Winning Tears' at the Grammy Awards on Feb. 2. ()
Raye has been in and around the music business for more than a decade, even if this latest media whirlwind is the first time audiences are hearing the 27-year-old artist. Before that, maybe they caught her opening gig on the last night in London of Taylor Swift's Eras Tour, or perhaps it was her record-breaking night at the Brit Awards 2024 when she took home six statues, including the ones for album, artist and best new artist.
Don't take the name of that last award literally. 'My 21st Century Blues' wasn't Raye's first musical output — it was a body of work that she had to fight to share with the world.
Stepping out as an independent artist
The artist, born Rachel Keen in South London, self-released her 'Welcome to the Winter' EP back in 2014, when she was just 17, and quickly signed with Polydor Records. Yet after a handful of EPs, more than a dozen singles and collaborations with the likes of EDM superstar David Guetta, Raye had not released a proper debut. In 2021, the singer took to social media, alleging that the label had refused to let her release an album, claiming she was sitting on music 'in folders collecting dust.' Less than a month later, Raye was released from the label.
Story continues below advertisement
Advertisement
The independently released 'My 21st Century Blues,' drawn from years of recordings, serves as a bold and dramatic introduction to what Raye is capable of. With an instant-classic voice that has drawn comparisons to Amy Winehouse and Adele, Raye can either pitter-patter chitchat or really belt it out, finding her pocket over hip-hop-inflected pop, modern funk or club-ready dance music. And the 'blues' of the album's titles are often deeply hued, with lyrics about personal experiences with body dysmorphia and sexual assault. She also tackles societal issues like environmental collapse and describes a ruling class as 'classist, sexist, racist, ableist, fascist, ageist, homophobic.'
Raye describes the process of finally crafting a debut album after becoming an independent artist as a 'step-by-step thing … not something that came together overnight.'
'There was a lot of soul searching and healing and processing that needed to take place,' she said. 'I needed to get back to, 'What's the point? Why did I choose to dedicate my life to this wild craft?''
In that way, the driving passion behind 'My 21st Century Blues' is Raye's love of music and musicianship, in all its forms. She recalled being overwhelmed and fighting 'mental battles' as she assembled a multigenre album that was perhaps not as cohesive as she would have imagined her debut would be. (The year hasn't been without its setbacks, however: In fall, her car was stolen along with her songwriting books in it.) Eventually, she learned to stop worrying and love the album.
Raye performs at the Pool in the Seagram building in New York on Sept. 9. ()
'You know what? I f---ing love these songs. I love the order I'm presenting them. I can envision how we're going to translate it live. I'm proud of these songs,' she said. 'Some are old, some are brand-new and I love them.'
Envisioning the album's live experience eventually led to Raye's decision to record a concert album at the Royal Albert Hall, the site of live albums by performers including the Who, Eric Clapton and Adele. Again, Raye's love of musicians was the guiding light: She had crossed paths with amazingly talented composers, arrangers and performers through her touring and performing, and after adding more and more musicians to her show, she took the idea to its logical conclusion.
Story continues below advertisement
Advertisement
'It's always been my dream to both compose a symphony of my own and to work with orchestral arrangers and players,' she said. 'Then the idea just kept getting more and more wacky.'
Coming up next
Recording and releasing 'My 21st Century Symphony' was 'an absolute dream,' but even with plans to take some time to recharge, she's already focused on the next dream, the next adventure. Next up is a trip with her band and then perhaps 'getting into her producer bag' and experimenting with 'orchestrating the room.'
'Performing live has really shaped a lot of how I see myself as an artist,' she said. 'I'm excited to create with musicians, instead of [being] in a room with one producer. I'm looking forward to seeing how that translates.'
And if 'My 21st Century Blues' is an album for a genre-less time, Raye might be an artist for our increasingly multidisciplinary one. She has worked on scoring for TV and film and has done a little filming with 'some cool directors.'
'I caught a little bug,' she says of her acting dalliance, but don't expect a quick jump to the screen: 'I'm not gonna attempt to indulge myself in a craft that I haven't studied for, so I would want to do the work and get confident in my skills.'
Story continues below advertisement
Advertisement
The rest of the 21st century looks bright for Raye, whether her art takes the form of a film score, acting, or another album.
When I spoke with her, she was focused on her next show — her second night at the famed Blue Note with jazz pianist-producer Robert Glasper — and a possible vision of the future crept in.
'I love a little jazz venue,' she said of the Blue Note. 'If my career goes [sideways] at any point, that's where I'm going to end up, and I think I'm going to have a great time if and when I do.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Your Ultimate Cheat Sheet to Governors Ball Music Festival 2025
Your Ultimate Cheat Sheet to Governors Ball Music Festival 2025

Elle

time4 hours ago

  • Elle

Your Ultimate Cheat Sheet to Governors Ball Music Festival 2025

The summer music festival season is officially in full swing, and Governors Ball will kick things off when it begins today in New York. This year's headliners include Olivia Rodrigo, Tyler, The Creator, and Hozier, joined by many more must-see acts hitting the various stages throughout the weekend. The festival will run until Sunday, June 8. Here's what to know if you plan on heading out this weekend. Governors Ball will take place in Flushing Meadows Corona Park in Queens. In addition to the main headliners, there are plenty of other artists to see: Tyla, Clairo, RAYE, Young Miko, Orion Sun, Yaya Bey, Amaarae, Mariah the Scientist, T-Pain, Conan Gray, Benson Boone, Feid, Glass Animals, and many more. Check out everyone's specific set times here. Tickets are still for sale online, starting at $189 for single-day general admission and $359 for a general admission weekend pass. Get Tickets What's a festival without some good food? Selections from the famous Queens Night Market will once again be up for grabs, like Eemas Cuisine, Mao's Baos, and Twisted Potato. Other food vendors include classic NYC favorites like Walter's Hot Dogs, La Newyorkina, Roberta's Pizza, Fan Fan Doughnuts, Gotham Burger Social Club, Van Leeuwen Ice Cream, and more. If you have some downtime between sets, there's plenty to keep you busy. You can grab some skincare freebies at the Kiehl's SPF Remix Booth; shop exclusive Gov Ball merch at the Pacsun Festival Hub; grab a cocktail at the Grey Goose Lounge; and stay caffeinated at the Dunkin' Donuts Scoop Shop. Check out more fun experiences here.

Lewis Black Jokes AI Makes All College Kids Lazy, Even ‘Sasquatch in a Suit' Barron Trump
Lewis Black Jokes AI Makes All College Kids Lazy, Even ‘Sasquatch in a Suit' Barron Trump

Yahoo

time5 hours ago

  • Yahoo

Lewis Black Jokes AI Makes All College Kids Lazy, Even ‘Sasquatch in a Suit' Barron Trump

Veteran comic Lewis Black is worried artificial intelligence models like OpenAI's ChatGPT are 'making everyone lazy' in college, from professors to students alike — including Barron Trump. Black, during a Thursday night segment on 'The Daily Show,' railed against AI's rapid rise on campuses across the U.S. 'Come on, professors, if you replace your teaching assistant with AI, then who are you going to leave your wife for?' he joked. 'And if you're not using your brain as a professor, what is your job? You're basically a scarf model with a drinking problem.' Black added that it is 'extra insulting' that Harvard professors are now using AI more and more: 'You're the top school in the country. Why did your students even bother paying an Asian kid to take their SATs?' The 76-year-old comedian also said college is all about 'experimenting,' like seeing how much LSD you can do without forgetting your name. Black himself seemed to enjoy college quite a bit — he earned degrees from the University of North Carolina and Yale University back in the day. Nowadays, he is concerned college freshman, such as the president's son, Barron, who just started at New York University this year, will be turning to AI to answer questions they should figure out on their own. 'What are we going to do if a student like Barron Trump isn't using his full cognitive ability?' Black asked. 'The only thing AI should be telling that Sasquatch in a suit is 'Be shorter, you freak. You're blocking the goddamn sun.'' The post Lewis Black Jokes AI Makes All College Kids Lazy, Even 'Sasquatch in a Suit' Barron Trump | Video appeared first on TheWrap.

Culture Club doc director: Boy George 'story more relevant now'
Culture Club doc director: Boy George 'story more relevant now'

UPI

time10 hours ago

  • UPI

Culture Club doc director: Boy George 'story more relevant now'

1 of 5 | From left, Roy Hay, Boy George, Jon Moss and Mikey Craig are the subjects of the documentary "Boy George & Culture Club," playing at the Tribeca Film Festival. Photo courtesy of Duncan Raban LOS ANGELES, June 6 (UPI) -- Director Allison Ellwood interviewed Boy George and his three Culture Club bandmates for the documentary Boy George & Culture Club, which premiered Thursday at the Tribeca Film Festival. In a recent Zoom interview with UPI, Ellwood said the struggles George, born George Alan O'Dowd, faced in the '80s are sadly still experienced by LGBTQ people today. Though he has since come out as gay, George dodged questions about his sexuality at the time and was frequently asked about his flamboyant attire. "I think, as such, their story is more relevant now than it perhaps was even at the time," Ellwood, 63, said. When George referred to himself as a drag queen at the 1984 Grammy Awards, it fueled fan and media speculation about his sexuality. In the film, he says, "If you're not gay, what has it got to do with you?" He then repeats the question to include trans people. "I feel like we're going backwards in that regard but that is still the question to ask," Ellwood said. "Why do you care?" Ellwood said she researched the Culture Club story before interviewing George, Jon Moss, Roy Hay and Mikey Craig individually so she knew what to ask them about. Still, Ellwood said, she was heartened to learn George had supportive parents even before he was a celebrity. "I had just assumed that his parents, particularly a father of that age in London, would have frowned upon his [sexuality]," she said. "They were very supportive of him which is really nice to hear." The filmmaker said all four Culture Club members were forthcoming about every aspect of their story, including George's relationship with drummer Moss. George and the band also discuss George's drug addictions and their frustrations with their third album, Waking Up with the House on Fire. "[George] was touchy about his friend who had died of an overdose at his house," Ellwood said. "He said, 'I could tell you about him but I don't want to talk about that.' That's understandable because that's going for the salacious thing vs. the relationship." All four Culture Club members agree Waking Up was rushed into production and release. Ellwood believes the album and the subsequent From Luxury to Heartache are underappreciated as a result. She cited the song "Mistake No. 3" as one of her favorites. "I'm hoping one of the things the film will do is have people go, 'Hey, I should check that out,'" Ellwood said. "You just remember the big hits. You don't necessarily remember the later material, some of which is really good." Those hits include "Do You Really Want to Hurt Me" and "Karma Chameleon." Archival footage in the documentary shows how Culture Club caused more fervor in public than even today's biggest artists like Taylor Swift. "People missed planes in Toronto because the streets were so packed the airport basically was shut down," Ellwood said. "It was Beatlemania." Moss, Hay and Craig express their frustrations that George became the focal point of all Culture Club press during that time. The record label even relegated their three photos to the back for the album cover for their debut, Kissing to Be Clever. Ellwood's documentary was an opportunity to give George's bandmates equal attention. "They all say he's a great frontman and he should have been the frontman, but they get their chance to tell their side of the story too," she said. Ellwood was also impressed by some of the footage her archival producers found of Moss before Culture Club. "We even found footage of Jon drumming with The Clash briefly," she said. Culture Club still performs occasionally and sometimes releases new music. If fans only know the '80s hits, Ellwood hopes her documentary showcases the depth of their music. "George's voice is stunningly beautiful," she said. "It's just so moving to hear him sing. I hope that people take away from the film the real musicianship that went into this too. Everyone thinks of George and his voice and his outfits and stuff but really they are quite extraordinary musicians." Boy George & Culture Club screens again Friday, Sunday and June 12 at Tribeca.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store