
LeAnn Rimes reveals that her teeth fell out mid-performance
The 42-year-old singer was performing on stage in Washington last weekend when she felt a "pop" and realised that her front teeth - which have been replaced by a dental bridge - had fallen out in the middle of a rendition of her song One Way Ticket.
LeAnn "panicked" and fled the stage in an attempt to put the teeth back in her mouth but ultimately had to own up her to dental drama to the audience as she manually held in her teeth for the remainder of the gig.
In a TikTok post, the Can't Fight the Moonlight hitmaker said: "In the middle of One Way Ticket I feel something pop.
"If you've been around, you'll know I've had a lot of dental surgeries and I have a bridge in front and it fell out in the middle of my song... to which I panicked and said, 'Hold on!' and ran to the side of the stage and put it in."
LeAnn admitted that she had no choice but to "get real with everybody" about the unfortunate incident.
She said: "For the rest of the show, I was literally pushing my teeth in, like, every couple of lines and singing.
"By the way, I never knew how many Fs and Ths and Shs I have in my songs, especially Can't Fight the Moonlight."
Rimes explained that her teeth actually fell out for a second time when she performed the theme song to the movie Coyote Ugly.
She said: "It was the most epic experience ever. I don't usually have firsts in my career. That was a first and hopefully a last."
LeAnn first found success as a country singer when she was a child and previously explained that she is more interested in having "fun" in her career than achieving chart success at this stage of her life.
She told HELLO! magazine in 2023: "At this point, it's more about, 'What do I want to create? What lights me up and what's fun?'
"If I do something I love and the achievements come along with it, great.
"I couldn't be more proud of where I'm at as a songwriter, the messages I'm conveying and the mark I'm leaving with my music. I think it's more powerful than ever."
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A sorta-concept album about 'the chaos of emotions you go through in a 24-hour cycle, how you can be soft and strong at the same time, crazy and calm', it finds Laufey adding an extra dash of pop to her signature jazz-classical mélange. 'I think I've already shown the world who I am, so I was less preoccupied with the purity of the music and more interested in what I wanted to say.' To help that vision, she recruited Aaron Dessner as a co-writer and producer (working alongside her usual collaborator Spencer Stewart). Dessner – like Laufey, an identical twin with his brother and bandmate in The National, Bryce – famously collaborated with Taylor Swift in her Folklore and Evermore eras. Growing up, Swift was one of the few contemporary artists Laufey listened to. 'And my favourite albums of hers are the ones she's done with Aaron, so I always wanted to see if I could work with him,' she says. 'I love what we did together. 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Other songs like Too Little Too Late, A Cautionary Tale and Mr. Eclectic (sample lyric: 'Truth be told, you're quite pathetic/ Mr. Eclectic Allan Poe') are vicious and acerbic. They're the kind of songs that will leave you asking, 'Laufey, who hurt you?' She laughs. 'Most of those songs are born out of some sort of personal thought or experience. But they're also taken from anecdotes from my sister and conversations with my friends.' Much of Laufey's rise has been due to her pointed, diaristic writing; in the way modern anxieties punctured the dreamy gloss of, say, a timeless waltz or a retro bossa nova. Being so famous now, does it make the job that much harder? All of a sudden, here are people like me asking, 'So who exactly are you writing about?' Loading 'No, it's not any harder, because I'll never admit to any song being about anyone,' she says. Sure, but what about the fan theories online, the Reddit threads and TikTok videos speculating about her private life? 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