logo
'Saiyaara' box office collection Day 4: Ahaan Panday and Aneet Padda starrer crosses Rs 100 crore mark; sees minor dip on first Monday

'Saiyaara' box office collection Day 4: Ahaan Panday and Aneet Padda starrer crosses Rs 100 crore mark; sees minor dip on first Monday

Time of India6 days ago
Saiyaara, the romantic drama directed by Mohit Suri, has officially entered the Rs 100 crore club within just four days of its release.
Saiyaara Movie Review
The film, which marks the big-screen debut of
Ahaan Panday
and
Aneet Padda
, has defied expectations to become one of 2025's biggest sleeper hits.
It has also set a new benchmark for box office collections by films featuring debutant actors.
Box Office Performance
According to early estimates by Sacnilk, Saiyaara opened with a solid Rs 21 crore on Day 1 (Friday). The numbers grew on Saturday, reaching Rs 26 crore, and peaked on Sunday with an estimated Rs 35.75 crore, the film's highest single-day total. On Monday, as expected, the film saw a dip in collections, earning an estimated Rs 22.50 crore.
Despite the Monday drop, Saiyaara managed to surpass the Rs 100 crore mark, bringing its total India net collection to Rs 105.75 crore in just four days.
Highest Earning Films of 2025
With this milestone, Saiyaara has climbed to the 7th spot on the list of highest-grossing Bollywood films of 2025, overtaking
Akshay Kumar
and Ananya Panday's 'Kesari Chapter 2' (Rs 92 crore lifetime) and Sunny Deol's 'Jaat' (Rs 88 crore net). It now trails just behind Salman Khan's 'Sikandar' (approx.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
American Investor Warren Buffett Recommends: 5 Books For Turning Your Life Around
Blinkist: Warren Buffett's Reading List
Undo
Rs 110 crore) and Akshay's 'Sky Force' (approx. Rs 112 crore).
The film has struck a chord with audiences, thanks to its emotional narrative, soaring music, and breakout performances by the debutants. If it continues its strong run at the box office, 'Saiyaara' could cross the Rs 150 crore mark by the end of its first week, potentially breaking into the Top 5 Bollywood releases of the year.
Bollywood Stars Shower Praise
Industry peers have also taken notice. Ahaan and Aneet's performances have received praise from across the fraternity, with stars like
Anil Kapoor
,
Ranveer Singh
, Alia Bhatt,
Varun Dhawan
and
Karan Johar
publicly applauding the newcomers. Ranveer even posted a heartfelt message on Instagram, praising Saiyaara and its leads. In response, Ahaan shared, 'Words don't suffice when cinema himself is showing praise. Thank you, sir.'
In a star-driven box office, 'Saiyaara' has rewritten the rules by not only becoming the most successful dual-debut film in Bollywood history, but doing so in record time.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sanjay Dutt Reveals What He Did With Rs 72 Crore Property That Fan Left Him Before Dying
Sanjay Dutt Reveals What He Did With Rs 72 Crore Property That Fan Left Him Before Dying

News18

time26 minutes ago

  • News18

Sanjay Dutt Reveals What He Did With Rs 72 Crore Property That Fan Left Him Before Dying

Last Updated: Sanjay Dutt returned a Rs 72 crore inheritance from fan Nisha Patil to her family. It's not every day that someone leaves you property worth Rs 72 crore. However, that's exactly what happened to Sanjay Dutt. The actor recently opened up about this unbelievable moment in his life and revealed that he chose to return the entire inheritance to the fan's family. In a conversation with Curly Tales, Dutt was asked whether it was true that a female fan had bequeathed him the property before passing away in 2018. Confirming the story, he said simply, 'I gave it back to her family." Back in 2018, a devoted fan of Sanjay Dutt, Nisha Patil, made headlines after she left her entire property, worth a massive Rs 72 crore, to the actor. The unexpected gesture left Dutt stunned. Nisha, a 62-year-old homemaker from Mumbai, was reportedly suffering from a terminal illness and had informed her bank to hand over all her assets to Dutt after her death. The actor, who made his debut in 1981 with Rocky, has enjoyed a successful, albeit controversial, career in Hindi cinema. Over the decades, Dutt starred in a range of popular films including Vidhaata, Naam, Saajan, Khal Nayak and Vaastav, cementing his place as one of Bollywood's most charismatic actors. However, his journey was interrupted by legal troubles. He was arrested under the Terrorist and Disruptive Activities (Prevention) Act (TADA) for possessing illegal weapons linked to the 1993 Bombay blasts. Though eventually acquitted under TADA, he was convicted under the Arms Act and sentenced to five years in prison. He completed his sentence in 2016 after several paroles and furloughs. Dutt made a major comeback with the 2003 blockbuster Munna Bhai M.B.B.S., a film that became a cultural phenomenon. His life story was later adapted into the 2018 film Sanju, directed by longtime collaborator Rajkumar Hirani, with Ranbir Kapoor portraying the actor. Sanju went on to become one of Indian cinema's biggest hits. Currently, Dutt is busy with multiple projects. In 2025 alone, he has five films lined up. The Bhootnii and Housefull 5 have already hit theatres, while Akhanda 2, Dhurandhar, and The RajaSaab are set to release later this year. He is also part of the Kannada film KD – The Devil, which is slated for release in 2026. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Is Dulquer Salmaan doing something astonishingly right in Telugu that he can't seem to replicate in Malayalam?
Is Dulquer Salmaan doing something astonishingly right in Telugu that he can't seem to replicate in Malayalam?

Indian Express

time33 minutes ago

  • Indian Express

Is Dulquer Salmaan doing something astonishingly right in Telugu that he can't seem to replicate in Malayalam?

There was a time when Dulquer Salmaan soared higher than any of his contemporaries in Malayalam. Almost anything and everything he touched turned into gold. Even when he stumbled once in a while, Dulquer bounced back with stellar force, repositioning himself at one of the top spots pretty soon. However, that hasn't been the case for the past few years. I am not insinuating that he has completely lost his fan base, clout or even suggesting that he has lost his touch. But a series of poor decisions and misjudgments have indeed taken a toll on his base in Malayalam, which, once lost, is not easy to regain, considering that the audiences are quite fastidious and pernickety. As he's the son of Mammootty, one of the biggest stars in Malayalam cinema history, there's nothing wrong with describing Dulquer Salmaan as 'one of the biggest nepo kids in the industry'. While outsiders with no godfathers or any prior connection to the show business have to toil endlessly to even land roles that get their faces registered in the minds of audiences, Dulquer undoubtedly benefited from his father's legacy to receive a debut film. And much like most other nepo babies, he received the lead role in his first film. However, what set him apart was the kind of movie and role he chose to commence his journey with. Director Srinath Rajendran's Second Show (2012) was not just a unique noir gangster film, but it leaned significantly towards the emerging aesthetics and narrative style of that era, characterised by the unfiltered portrayal of grey in both people and society at large. Revolving around a group of young perpetual-troublemakers who eventually get involved in organised crimes, Dulquer played a character, Lalu, who wasn't noble and pure-hearted, nor instantly likeable in the movie. In a way, Lalu can be called the anti-hero of Second Show. But since the film did not feature any virtuous characters and it was a story of raw, unpolished people, among them, Lalu was the lesser evil. Although the movie became a hit and Dulquer's performance opened to widespread acclaim, the risk he took here cannot be overlooked. Take the case of Bollywood nepo kids like Agastya Nanda, Khushi Kapoor, Suhana Khan, Ibrahim Ali Khan, Aaman Devgan, Rasha Thadani or even the latest sensation Ahaan Panday of Saiyaara, who made their debut in recent years. Not just that they were projected as stars or sure-shot stars even before their debuts, through massive PR stunts, they all played in their respective first outings characters that were carefully sutured to make people instantly develop an affinity towards them. Whether these efforts yielded positive results for all of them or if these actors' performances matched the monstrous levels of hype they received is a different topic altogether. But a closer look at the characters they all played would lay bare the master plan. The same can be said about the major nepo kids of Dulquer's generation in Malayalam as well. From Fahadh Faasil and Prithviraj Sukumaran to Pranav Mohanlal, Kalidas Jayaram, Kalyani Priyadarshan and Vineeth Sreenivisan, most of them made their acting debuts playing good-natured characters, with the only exceptions being Indrajith Sukumaran and, to some extent, Keerthy Suresh. But Dulquer took on a character, if not executed properly, could make people loathe him completely. And considering that Second Show was Srinath Rajendran's directorial debut as well, the risk was even greater. Nonetheless, all of them emerged with flying colours. Subsequently, Dulquer kept delivering bangers after bangers, mostly playing characters that were tailor-made for him in movies like Ustad Hotel, ABCD: American-Born Confused Desi, 5 Sundarikal and Neelakasham Pachakadal Chuvanna Bhoomi. When he attempted to break out of his comfort zone and try his hand at something new in Theevram, it didn't get much reception from people, although his efforts didn't go unnoticed. Despite facing setbacks with movies like Pattam Pole, Salalah Mobiles, Samsaaram Arogyathinu Haanikaram/Vaayai Moodi Pesavum and Njaan, he took no time in making a comeback with Bangalore Days, Vikramadithyan, 100 Days of Love, Charlie and Kammatipaadam. Meanwhile, he also won over the hearts of Tamil audiences with his striking performance in Mani Ratnam's OK Kanmani, where his breathtaking chemistry with Nithya Menen received the most appreciation. With Jomonte Suvisheshangal, Comrade in America, Parava (where he played an extended cameo) turning out to be massive box-office successes, Dulquer cemented his position in the industry. But that was 2017. Since then, Dulquer's Malayalam career has been a rollercoaster ride. While most of his films failed to impress audiences, their frequency also declined significantly due to various factors, including more lucrative offers from other industries. After the underperformance of Solo, he returned to Malayalam cinema only a year and a half later with Oru Yamandan Premakadha, which became a critical and commercial disaster. Soon, he began working on the biographical period crime thriller Kurup, helmed by Second Show's Srinath Rajendran. Made on a massive scale, it was unlike anything DQ had done till then, and he tried to give it his all. In between, he also worked on the small-scale project, Varane Avashyamund (2020). Although the movie was a success, it didn't offer him quite enough to regain what he had lost. Barring a cameo in the disappointing Maniyarayile Ashokan, which he bankrolled too, Dulquer had no other movie that year. Thus, all began waiting for Kurup, and it arrived in November 2021 with a bang. Not just that the movie was a critical and commercial success, DQ also showcased his untapped potential by masterfully playing fugitive Sukumara Kurup without diluting any of the real-life person's vileness. Despite his next, Salute (2022), also earning favourable responses, since it had a direct-to-OTT release owing to the Covid situation, DQ's box office base here was affected once again. Although his non-Malayalam films like Hey Sinamika, Sita Ramam and Chup: Revenge of the Artist were released in Kerala too, the desire for fans to watch a Dulquer movie in theatres kept getting delayed. The biggest blow of all came when his much-anticipated and massively hyped gangster drama King of Kotha (2023) tanked at the box office and became a meme goldmine eventually. It's been almost two years since King of Kotha now, which means he hasn't had a single success in his home ground in about four years. However, amid all these, he found success in Telugu. There too, he received an enviable debut, playing Gemini Ganesan in Nag Ashwin's biographical drama Mahanati. Delivering an extraordinary performance and that too as a yesteryear star, he quickly won over the audience's hearts. Hanu Raghavapudi's period romantic drama Sita Ramam was just what he needed after that to take him to lofty heights. With the movie capitalising fully on both his charm and cuteness, and his mesmerising on-screen chemistry with co-actors, particularly women, it gave him the sort of push that his Malayalam movies weren't offering him. Considering that Dulquer had more arrows in his quiver than most of his Telugu peers — many of whom were also more fixated on larger-than-life mass entertainers — DQ was quickly crowned their heartthrob by Telugu audiences, who had been desperately searching for one. Unlike in Malayalam, where he struggled amid actors who were arguably far more talented, and burdened by his own ambitions fueled by the excessive expectations of his fans, DQ cherry-picked the best of the guy-next-door roles in Telugu and experimented with them whenever possible. In Venky Atluri's Lucky Baskhar (2024), he found the best mix of both, and Dulquer managed to bring out his A-game effortlessly, contributing to the period crime film's massive success. The reception that his cameo appearance in Kalki 2898 AD received in the Telugu market, and the disappointment of the audience over his role being too small, further underscored the space DQ has managed to carve in the hearts of Telugus. A post shared by Dulquer Salmaan (@dqsalmaan) Interestingly, his performance in Lucky Baskhar also earned him the Special Jury Award at the Gaddar Telangana State Film Awards, presented by the state government to recognise excellence in Telugu cinema. Later, he met with Telangana Chief Minister Revanth Reddy in Hyderabad to express his gratitude for the honour. As a result of all these, despite his next outing, Aakasam Lo Oka Tara, being only in its pre-production stage at the moment, expectations are high among the audience already. For an actor with a massive fan base in his home turf, staying away from it for so long — especially after delivering a major disappointment — is no small move. It remains to be seen whether this has affected his box office pull. For that, we will have to wait for Dulquer's next, RDX director Nahas Hidhayath's I'm Game, to find out. Nonetheless, if he manages to replicate in Malayalam what he's been doing right in Telugu, DQ's journey back to the top may not take long.

Saiyaara Box Office Collection Day 10: Ahaan Panday-Aneet Padda's movie earns  ₹75 crore in 2nd weekend
Saiyaara Box Office Collection Day 10: Ahaan Panday-Aneet Padda's movie earns  ₹75 crore in 2nd weekend

Mint

time33 minutes ago

  • Mint

Saiyaara Box Office Collection Day 10: Ahaan Panday-Aneet Padda's movie earns ₹75 crore in 2nd weekend

Saiyaara Box Office Collection Day 10: Ahaan Pandey and Aneet Padda's debut movie, Saiyaara, has continued its dream run right into the second weekend at both the domestic and worldwide box office, minting an excellent ₹ 75 crore. With this, the Mohit Suri directorial, which is already the biggest opener for debutants in Hindi cinema's history, has become one of the biggest second weekends ever. From multiplex audiences to single screens in mass circuits, Saiyaara is enjoying exceptional word of mouth across demographics. This dream run is expected to continue for Saiyaara till at least August 1, after which it will face some competition from Dhadak 2 and Son of Sardaar 2. According to industry tracker Sacnilk, Saiyaara witnessed a 17.66% jump in its earnings on Sunday, minting an impressive ₹ 31.18 crore net on its second Sunday. With this, Saiyaara has minted ₹ 75.18 crore on its second weekend, which is only 10% less than what it earned during its opening weekend. The outstanding second weekend numbers indicate its 'long legs' at the box office. Saiyaara's 10-day total now stands at ₹ 248.43 crore net in India. It will possibly achieve ₹ 300 crore net by the end of the second week. Sacnilk reported that Saiyaara is performing exceedingly well in North America, the UK, the Middle East, and Australia. After 10 days, Saiyaara has grossed approximately ₹ 370 crore worldwide, of which around ₹ 120 crore gross came in the second weekend. Saiyaara is now just ₹ 7 crore away from the lifetime gross of Shahid Kapoor-Kiara Advani's Kabir Singh ( ₹ 377 crore), which would make it the highest-grossing romantic Indian film of all time. It will likely surpass it by Monday. Ready for its ₹ 400 crore gross feat by Tuesday, Saiyaara now eyes the ₹ 500 crore milestone. Saiyaara is a romance-drama about Krish Kapoor (Ahaan Panday), a budding musician, and Vaani Batra (Aneet Padda), a shy writer. Through their relationship, the film explores love, loss, and drama.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store