The script sparked a bidding war, but nothing will prepare you for this thriller
(MA15+) 128 minutes
Horror movies never really go out of style but right now, they're having a moment. Filmmakers with a gift for the macabre are finding funding can be had for scripts that fiercely embrace extreme weirdness.
Zach Cregger won his place in this select company three years ago with Barbarian, a contorted exercise in body horror with enough twists to make the head spin and the skin crawl.
Its success helped to precipitate a bidding war for his screenplay for Weapons, a bigger and even more serpentine story that Cregger says was strongly influenced by his admiration for Stephen King. And it has already paid off spectacularly, earning him $US10 million ($15.3 million) for writing, directing and producing the film.
It's a small-town tale that takes off when all but one of the children in Ms Gandy's class at Maybrook Elementary disappear from their homes overnight and fail to return. Security cameras at some of the houses show them running out of their front doors with arms outstretched at precisely 2.17am and melting into the darkness. Seven hours later, only Alex Lilly (Cary Christopher) turns up for class.
Their parents are understandably grief-stricken, outraged and desperate for answers, and Justine Gandy (Julia Garner) is in their sights. Josh Brolin, cast as one of the fathers, Archer Graff, leads the attack before embarking on his own investigation. He wants to know why all the children came from her class and why she can't give them any clues as to where they've gone and why.
Cregger has said he sat down to work on the film in a similarly clueless state, trusting his ability to write his way to a solution. I can believe it. Ingenuity is high on his list of talents. Nor am I surprised that he began his show business career as the founding member of a sketch comedy group.

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Sydney Morning Herald
2 days ago
- Sydney Morning Herald
The script sparked a bidding war, but nothing will prepare you for this thriller
WEAPONS ★★★½ (MA15+) 128 minutes Horror movies never really go out of style but right now, they're having a moment. Filmmakers with a gift for the macabre are finding funding can be had for scripts that fiercely embrace extreme weirdness. Zach Cregger won his place in this select company three years ago with Barbarian, a contorted exercise in body horror with enough twists to make the head spin and the skin crawl. Its success helped to precipitate a bidding war for his screenplay for Weapons, a bigger and even more serpentine story that Cregger says was strongly influenced by his admiration for Stephen King. And it has already paid off spectacularly, earning him $US10 million ($15.3 million) for writing, directing and producing the film. It's a small-town tale that takes off when all but one of the children in Ms Gandy's class at Maybrook Elementary disappear from their homes overnight and fail to return. Security cameras at some of the houses show them running out of their front doors with arms outstretched at precisely 2.17am and melting into the darkness. Seven hours later, only Alex Lilly (Cary Christopher) turns up for class. Their parents are understandably grief-stricken, outraged and desperate for answers, and Justine Gandy (Julia Garner) is in their sights. Josh Brolin, cast as one of the fathers, Archer Graff, leads the attack before embarking on his own investigation. He wants to know why all the children came from her class and why she can't give them any clues as to where they've gone and why. Cregger has said he sat down to work on the film in a similarly clueless state, trusting his ability to write his way to a solution. I can believe it. Ingenuity is high on his list of talents. Nor am I surprised that he began his show business career as the founding member of a sketch comedy group.

The Age
2 days ago
- The Age
The script sparked a bidding war, but nothing will prepare you for this thriller
WEAPONS ★★★½ (MA15+) 128 minutes Horror movies never really go out of style but right now, they're having a moment. Filmmakers with a gift for the macabre are finding funding can be had for scripts that fiercely embrace extreme weirdness. Zach Cregger won his place in this select company three years ago with Barbarian, a contorted exercise in body horror with enough twists to make the head spin and the skin crawl. Its success helped to precipitate a bidding war for his screenplay for Weapons, a bigger and even more serpentine story that Cregger says was strongly influenced by his admiration for Stephen King. And it has already paid off spectacularly, earning him $US10 million ($15.3 million) for writing, directing and producing the film. It's a small-town tale that takes off when all but one of the children in Ms Gandy's class at Maybrook Elementary disappear from their homes overnight and fail to return. Security cameras at some of the houses show them running out of their front doors with arms outstretched at precisely 2.17am and melting into the darkness. Seven hours later, only Alex Lilly (Cary Christopher) turns up for class. Their parents are understandably grief-stricken, outraged and desperate for answers, and Justine Gandy (Julia Garner) is in their sights. Josh Brolin, cast as one of the fathers, Archer Graff, leads the attack before embarking on his own investigation. He wants to know why all the children came from her class and why she can't give them any clues as to where they've gone and why. Cregger has said he sat down to work on the film in a similarly clueless state, trusting his ability to write his way to a solution. I can believe it. Ingenuity is high on his list of talents. Nor am I surprised that he began his show business career as the founding member of a sketch comedy group.

AU Financial Review
2 days ago
- AU Financial Review
Horror film Weapons will leave you buzzing
As haunting images go, the advertising poster for the new horror mystery film Weapons has a ripper. The vision of silhouetted child-like figures running down an empty street, arms outstretched as if about to fly, poses many questions. That Weapons ultimately chooses not to answer them with any grand mythology or meaning doesn't matter so much when it successfully keeps its audience off-balance for two hours.