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Bob Iger Says Disney Unlikely to Follow Comcast and Warner Bros. Discovery In Exiting the TV Channel Business

Bob Iger Says Disney Unlikely to Follow Comcast and Warner Bros. Discovery In Exiting the TV Channel Business

Yahoo11-06-2025
Will Disney follow Warner Bros. Discovery and Comcast in splitting off most of its TV assets from its streaming business? Don't bet on it.
CEO Bob Iger appeared on CNBC Tuesday morning, where he was interviewed by David Faber about his company's acquisition of Comcast's share in Hulu, which was finalized Monday.
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But Faber also used the opportunity to ask whether Iger, who effectively kickstarted the idea of splitting linear TV from streaming in a CNBC interview two years ago, whether Disney is reevaluating its decision to keep its company together.
Warner Bros. Discovery said Monday that it would split itself in two: One company with the studios and HBO Max streaming business, and another with its global TV networks. That move followed a similar decision from Comcast, which is spinning out most of its cable channels into Versant later this year, but keeping NBC, Bravo, Peacock and theme parks for itself.
'Soon after I returned to Disney, I put everything on the table and asked the team to evaluate whether we should buy Hulu or whether we should sell Hulu, whether we should sell our linear television networks or whether we should hold on to them, and after a pretty lengthy process internally, and really taking a long look at what these properties could mean to us, long term, we decided that the best course for us to take was to not only buy [Hulu] in its entirety, but also to hold on to the linear television networks and to integrate them seamlessly with our streaming business,' Iger said. 'What that has enabled us to do is aggregate revenue, both on the sub fee side and on the advertising side. There is still enough linear television subscribers to generate a significant amount of revenue in advertising and in subscription fees. We program them seamlessly, we manage them in one organization. And so there's been great economies of scale in doing that.'
'It's one of the things that's enabled us to turn the streaming business around from a huge loss to profitability, and over the next several years, it will enable us to grow margins significantly on the streaming side, because of the ability to amortize program costs and the ability to essentially aggregate audiences in revenue,' he added. 'It's also interesting to us that as many others exit that business, I think it gives us a stronger hand to stay in that business. We're very focused. We will have, interestingly enough, a linear television business that's paired with a streaming business. So when you think about it, these spin off companies won't have the assets from a streaming perspective that we will have.'
And having a broadcast network like ABC is a big part of that.
'I think there's a lot more value in a broadcast network, again, if it's paired very, very seamlessly with a streaming business,' Iger said. 'I mean, you think about our core networks, obviously, ESPN is a big one. That will be connected, obviously, fully with ESPN's digital offering. Disney Channel is connected seamlessly with Disney Plus. FX and ABC have fed Hulu programming very effectively. And now when you think about all four, and we also have Nat Geo, which does the same with Disney Plus, when you think about those five networks and how they're programmed across linear and streaming, you've got a business that actually provides us an opportunity to not only grow, but to grow margins in the process as well. So, again, we like the direction we're going. We like the fact that we're one of the few that is doing this, because I think it sets us up to be even more competitive in a marketplace that's becoming even more fragmented.'
Iger also said that Disney+ will most likely follow the path laid by Netflix, which stopped reporting its subscriber numbers on a quarterly basis.
'Probably,' Iger said, when asked by Faber if the company will pursue that strategy. 'We're focused on EBITDA and cash flow and growing margins, and that's, in fact, what we're doing. I think at some point, what we're mostly going to disclose is the bottom line.'
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'So, Ashe and I, in secret the last two years, made an album together,' he said welcoming the singer songwriter to the House of Blues stage while setting up the pair's new single 'The Hudson.' Ashe handled piano on 'The Hudson' with the duo further offering up their 2021 collaboration 'Till Forever Falls Apart,' with their new album The Dream due September 19. Opening the aftershow solo on piano FINNEAS navigated 'Starf–er,' picking up an electric guitar as the House of Blues floor began to shake soon after, with the five piece backing band joining in as fans hopped along in time during a spirited take on 'Lotus Eater.' 'Chicago, thanks for staying up late with me. I appreciate you!' said FINNEAS detailing fond moments spent at House of Blues, like watching Sabrina Carpenter perform in 2023 and supporting his sister Billie Eilish on stage at the venue in 2013. 'This is a long day! I appreciate you being up in the wee hours!' 17 year old Chicago rapper Star Bandz performed at Lollapalooza on Friday with the Chicago Youth Symphony Orchestra offering up an unparalleled Lollapalooza performance Saturday night. Lollapalooza's spotlight upon young, local talent continued Sunday via the embrace of large ensemble The Happiness Club. The Happiness Club offers a performing arts education program to Chicago youth between the ages of 8 and 18 free of charge, providing camaraderie, purpose and leadership while helping kids to embrace the idea of responsibility. 'It's a really unique experience that, I think, changes their perspective on what's possible for them,' said Artistic Director Tanji Harper, who's been with Happiness Club for over 20 years. 'We're literally backstage at one of the biggest rock concerts that happens in all of the world. 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'Especially because we are all from different places, we try to incorporate a little bit of our individuality and cultures into everything. But, also, when it comes to ages and stuff like that, we really want Katseye to be a universally loved group rather than just for this demographic,' said the singer. 'We have been working so, so hard, rehearsing every single day for this moment,' added Daniela. 'We're going to be doing new things that people haven't seen yet. So, we're very excited to show that off.' A quieted hush fell over the crowd Sunday as an introductory video rolled on screen, alerting fans to the imminent arrival of pop star Sabrina Carpenter, who would perform for over an hour opposite rapper A$AP Rocky and Dutch DJ and producer Martin Garrix as Lollapalooza 2025 drew to a close in Chicago. 'I feel so grateful and so honored to be here, Lollapalooza!' said Carpenter early in Sunday's set. 'Thank you for bringing me back. Make some noise for all of the artists that performed this weekend!' Carpenter was the epitome of poise, delivering an energetic and entertaining performance on stage while controlling the moment with a quick wit between songs. Carpenter conjured up images of Fleetwood Mac's 'Seven Wonders' via the rewarding pop rock feel at the heart of 'Taste' second in the set, with a series of videos continually localizing the Lollapalooza performance for the Windy City faithful. Acoustic guitar drove 'Coincidence' as Carpenter crouched down with a tambourine early, with the video screens showing members of TWICE in attendance during 'Juno' later. But the real surprise lay in Carpenter's handpicked guests, as Chicago-born R&B/funk legends Earth, Wind & Fire arrived for a bit of a homecoming celebration alongside Carpenter on the Lollapalooza stage. 'Chicago, the first time I played here it was to a room of 300 people,' said Carpenter incredulously, looking back. 'Now, because of you guys, we get to play this one,' she continued. 'I just thought it would be fun if we could bring some friends out!' she exclaimed, introducing her iconic guests. Moving from 'Let's Groove,' a funky, rollicking bassline soon drove 'September,' with Philip Bailey smiling through a killer early vocal as the ensemble worked in a snippet of The Emotions' 1977 hit 'Best of my Love.' Nearby, fireworks and pyro soared as Garrix worked up the crowd over 75 minutes on Perry's stage. 'I played Ibiza Thursday night. Friday night and Saturday was Las Vegas and then today in Chicago. Tonight, I fly right after the show to Utah,' said Garrix, racking up frequent flyer miles in the run up to Lollapalooza. 'I remember the first time I came here. And I was just mindblown by the size of the festival - by the energy, by the crowds. And just the skyline,' said the DJ, looking back upon Lolla Chicago sets in 2014 and 2016. 'What I remember the most is that I walked on stage and it felt so surreal. You've got the crowd of people and then the skyline in the back. Really special.' For Garrix, the process of collaboration is a rewarding one which found him working with songwriter and producer Lauv on 'Mad' earlier this year while teaming with AFROJACK, David Guetta and Amél on 'Our Time.' Collaborating with Dutch DJ and producer Armin van Buuren and vocalist Libby Whitehouse, Garrix is set to release his latest single 'Sleepless Nights' this Friday, August 8. 'Any collaboration, I'm learning so much from the people that I collaborate with - from the production point of view or the songwriting point of view,' said Garrix Sunday backstage at Lollapalooza 2025. 'I love Armin. I've known him since forever. So, it was just a matter of time until we ended up doing a song together. And Libby was incredible,' he said. 'We recorded with her in the studio. We wrote the bridge together. And just the whole song has been fun. It's my first trance song ever. My first song at 138bpm,' Garrix explained. 'So, I'm excited to play it tonight.'

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