Rod Stewart shares special message for Glastonbury founder Michael Eavis
Eavis, who will turn 90 in October this year, arrived on stage in a wheelchair, accompanied by his daughter Emily, the festival's organiser.
As Eavis entered the main stage at Worthy Farm, Stewart, 80, greeted him with an embrace and a kiss on the cheek.'Happy Birthday to Michael Eavis, he's the guy who founded Glastonbury,' Stewart told the crowd. 'Let's all give him a big round of applause. Michael, where are ya? Don't be shy!'
Stewart then launched into a performance of his 1975 hit 'I Don't Want to Talk About It', featuring a singalong from the enormous crowd.
Eavis's appearance wasn't the only surprise of the show. Stewart brought out Simply Red singer Mick Hucknall straight afterwards, for a rendition of Simply Red's 1989 track 'If You Don't Know Me by Now'.
He then welcomed Rolling Stones rocker Ronnie Wood, for their 2004 Faces hit 'Stay With Me', followed by Scottish star Lulu.
Elsewhere, Stewart's set included hits such as 'Maggie May' and 'Do Ya Think I'm Sexy?'.
His performance came just days after he endorsed Nigel Farage in a newspaper interview, telling Brits to 'give Farage a chance'. He claimed that the Reform UK leader is 'coming across well' when asked about the political future of the UK.
Eavis also made headlines earlier this week when he stated that those who disagree with Glastonbury's political leanings 'can go somewhere else'.
The event has long been known for its strong political undercurrent, with stages such as Left Field and Green Fields' Speakers Forum regularly hosting politicians, pundits, and celebrities.
Asked by the Glastonbury Free Press, the festival's resident newspaper, if the event still stands for something, Eavis did not mince his words.
'Oh heaven's above, yes, of course it does,' he said. 'And I think the people that come here are into all those things. People that don't agree with the politics of the event can go somewhere else!'
US pop star Olivia Rodrigo will be closing the festival with her headline performance on the Pyramid Stage at 9.45pm on Sunday night.
Keep up to date with 's Glastonbury live blog here.
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Elle
2 days ago
- Elle
What That Episode 3 Twist in ‘Outlander: Blood of My Blood' Really Means
Spoilers below. When Ellen's not busy having steamy dreams about Brian, she's got a serious case of eldest daughter syndrome to contend with. In episode 3, 'School of the Moon,' Mrs. Fitz wakes Ellen from the subconscious reverie of sex with Brian, instead catapulting the MacKenzie firstborn back into the harsh light of reality. Her little brothers are making a mess of both clan politics and her love life. All of Leoch is abuzz with the news that she'll soon marry Malcolm Grant, whom Ellen has absolutely no desire to wed. (Not when there's a hunky Fraser just down the road.) Much of the resulting episode concerns Ellen's efforts not only to prevent her marriage but to stop her brothers from, however inadvertently, handing the lairdship to an outsider. First, she confronts Colum, the more rational of her male siblings. When it's clear that he won't respond to her anger, she tries to appeal to his common sense. She insists she's more valuable to him within Leoch's walls than in a Grant's bed, and it's ridiculous for her to have to atone for Dougal's brash stupidity in episode 2. ( Ellen also makes it clear she's heartbroken to watch Colum betray her, given that she nursed him back to health after the leg injury that almost killed him several years ago. He's thankful for her tenderness, sure, but no amount of love between them can change what he feels he 'must' do on behalf of the clan. Unfortunately, her other brother is an equal source of consternation. Although Dougal claims he attacked the Grants to defend Ellen's honor, she knows he 'would have used any excuse to pick a fight with them.' Dougal tries to convince her it's Colum who should receive the bulk of her ire—Colum made the betrothal arrangement! Colum broke their father's promise!—and, initially, Ellen has little reason to disagree. At least until Dougal tries to marry her off, too. When Dougal notices a certain visitor at the Gathering, Marcus MacRannoch, eyeing his sister from afar, he forgets all thought of Ellen's honor. Instead, he brokers his own deal: If Dougal is to be made laird, he'd align himself with the Stuarts—and therefore with the broader Jacobite cause, of which MacRannoch is a part—by promising Ellen's hand to MacRannoch himself. In response, McRannoch promises to make it known that 'any clansman who desires a Stuart king [should] champion you as the laird.' If all this talk of Jacobites and Stuarts reads like gibberish to you, here's a quick primer for those less educated in 18th-century Scottish politics: Jacobitism was an ideology popular in the Highlands amongst those who wished for the royal House of Stuart to re-secure their seat on the British throne. This is relevant information for Outlander fans, given that the flagship series begins in 1743 and concerns the doomed Jacobite rebellion of that period. Both Dougal and young Jamie—Brian and Ellen's future son—are Jacobite rebels when the show first begins. But as Blood of My Blood makes clear, their cause spread its roots long before Jamie was even born. At the Gathering, nothing stays a secret for long, especially when Colum and Dougal are about as subtle with their intentions as Brian is with his affections. (Alas, more on that later.) When Ellen meets with her younger sisters, Janet and Jocasta, the latter informs her that Dougal's plans have already gotten back to her. Her husband, John Cameron, is 'intimate with the Jacobites and their leaders,' and he overheard whispers of Dougal's offer to MacRannoch. Furious but hardly surprised, Ellen recognizes she's become no more than 'a piece on a chessboard' to the MacKenzie men. But it's not only her fate at stake. Talking to Ned, she recognizes that if her idiot brothers continue to divide support amongst their clansmen, a third party (i.e. McKinney) will win the lairdship, and Clan MacKenzie as they know it might disappear. All this sibling squabbling prompts Ellen to reflect on their collective childhood trauma. Years ago, during a midnight cattle raid, Colum and Dougal rode out together without Red Jacob to guide them. Initially intending to raid the Lowlands as their father had instructed, Dougal instead broke off to raid the MacDonalds' lands, and the men of Clan MacKenzie—trusting Dougal's prowess over Colum's—followed him. Unfortunately, the MacDonalds caught on to this scheme and sounded the alarm. After one of them shot a fusil that startled Colum's horse, the would-be laird fell, shattering his leg. As Ellen's flashback depicts, the brothers return home to a father who will show them no pity or concern. He is enraged that his men had 'no faith' in Colum as a leader. Now, he sees his son only as 'a cripple,' and his disgust literally injures Colum further. (When Colum attempts to prove to Red Jacob that he can still stand and fight, he instead tumbles down a set of stairs, worsening his condition all the more.) In the meantime, their father beats Dougal into submission with a whip, declaring him 'a bloody fool.' Ellen understands that the events of the cattle raid marked a turning point in their family. That night, Red Jacob lost his faith in his sons: He believed that neither Colum nor Dougal would make a worthy MacKenzie laird. But Ellen also knows that the lairdship is as much about words as it is war, regardless of whether the clansmen care more about pissing contests or collecting rents. And so she devises a plan that she asks Ned to present to her brothers: At the oath-taking ceremony, Colum and Dougal will announce their intentions to lead Clan MacKenzie together. Colum will serve as laird, while Dougal will become war chieftain. When the brothers do indeed swear allegiance to each other at the oath-taking ceremony, Ellen could all but collapse in relief. The clansmen approve of the partnership—even MacKinney, once he realizes he can never stand against the MacKenzie boys as a unit. Watching from up on the balcony in Castle Leoch, Jocasta and Janet turn toward their older sister, knowing full well Ellen was the architect behind the arrangement. 'You've managed it artfully,' Janet says, 'as Da would've.' Wow, it's almost as if Ellen herself should be leading this clan! Afterward, in a brothel, Ned promises the Grants' new bladier—one Henry Beauchamp—that the MacKenzies will maintain their vow: Regardless of how Colum and Dougal exercise their power, Ellen will marry Malcolm. And with this business now complete, Ned takes the opportunity to reward his new ally: He introduces Henry to the mistress, Una Hay, whom he claims would know of any 'woman, alone, in Inverness.' Henry has little hope in this search, but he nevertheless describes his wife to Una, who promises she'll send word when she tracks down Julia. But, of course, Julia isn't alone in Inverness. She's hidden away at Castle Leathers, desperately trying to hide the growing swell of her stomach. Early in the episode, Davina walks in on Julia stowing her writing parchment in the ceiling boards. Surprised by the sudden intrusion, Julia's hands fly momentarily to her abdomen, and Davina—appropriately suspicious—strips back her new maidservant's sheets, inspecting them for blood. 'I ken [understsand] you have a bellyful,' she says with a pointed look. Julia stumbles in her repeated attempts to deny the pregnancy. But Davina is not so easily tricked, and she encourages Julia to pursue an abortion. She claims the lost Mrs. Beauchamp will be 'treated no better than dirt' as a lone woman with a child out in the Highlands, nor would Lord Simon Fraser of Lovat ever permit a bastard in his house. Julia is quick to point out Davina's hypocrisy: She had a bastard son, and he still lives under Simon's roof, doesn't he? But Davina outlines the key difference in their situations. Julia is carrying a fatherless child. Brian was and is the laird's son. And Lord Lovat knows it, she says, almost sadly. If Julia decides to keep her baby, Simon will 'get rid of the bairn [child] himself.' Soon, Brian and Murtagh return from the Gathering, both of them heartbroken after having learned of Ellen's pending betrothal. Somehow, Murtagh is clueless enough not to suspect his cousin's crush, perhaps because Murtagh's own undying love for Ellen has proven so enduring. But even with their sullen looks, they straighten their backs to present a report on the Gathering to Simon, initially focusing on which attendees supported the Jacobite cause. Brian, however, soon steers the conversation toward Colum's alliance with the Grants, and, in particular, the ensuing union between Ellen and Malcolm. Initially, Simon reacts exactly as Brian expected he would: He's angry, certain the MacKenzies now seek to turn the Grants—formerly a Fraser ally—against him. 'An engagement can be broken,' Simon plots, playing directly into Brian's hand. But the young Fraser is aghast when his father hatches a nasty plan in response. Lord Lovat decides to launch a rumor, claiming that the reason Ellen has yet to marry is on account of a stained reputation. Brian objects to this idea, hoping for a 'more honorable' way to halt Ellen and Malcolm's wedding. But, really, what other way is there? What did Brian expect from his abusive, cold-hearted, power-hungry father? At least Murtagh's happy with the turn of events! He thinks Brian's scheming is on his behalf. 'If Malcolm refuses Ellen, I may yet have a chance of winning her hand,' he says with glee. 'Suppose I should be thanking you.' Brian, hearing this, grimaces. But he doesn't take the opportunity to correct his best friend. For now, the love between him and Ellen must remain a secret. Elsewhere in Leathers, the secrets are proving impossible to conceal. Realizing she won't be able to deny her pregnancy for much longer—especially now that Davina already suspects it—Julia realizes she has a terrible decision to make. She devises a scheme: She will sleep with Simon Fraser in order to convince him that the baby she's carrying belongs to the laird himself. (Look, I probably should have seen this coming, but the plot twist got me. I gasped.) Maybe, if Julia gives birth to a child Simon believes is Brian's half-sibling, she can keep Henry's baby. But such a plan presents a bevy of problems. If and when Henry does reunite with Julia, Simon will never allow the Beauchamps to depart with a child he believes is his. And what about Brian? How long will he live under the impression he has a new sibling? Might the truth turn him against Julia somehow? Might the Frasers and Beauchamps become enemies? In a letter to her husband that she can't possibly send, Julia pleads for Henry's forgiveness. Like Ellen, mere miles away, Julia is acting for the sake of her family. Let's just hope the men don't find a way to destroy the women's carefully laid plans.
Yahoo
2 days ago
- Yahoo
Lewis Capaldi Recalls Terrifying ‘Mental Episode' That Left Him ‘Convulsing' Backstage Mid-Concert
Lewis Capaldi has come a long way since he started working on his mental health a couple of years ago, with the Scottish singer-songwriter revealing that he once had a 'mental episode' that left him 'convulsing' backstage at a show. While guesting on the Tuesday (July 15) episode of Theo Von's This Past Weekend podcast, Capaldi reflected on the tough moments in his career that forced him to confront the fact that he needed help. The musician made headlines in 2023 when he struggled to get through his Glastonbury set that year, but shortly before that happened, he says he had an incident at a concert in Chicago that was 'even worse.' More from Billboard Lewis Capaldi Performs 'Survive,' Says Glastonbury Return Was 'Best Day of My Life' on 'Tonight Show' Djo Scores First Airplay Chart No. 1 With 'Basic Being Basic' Druski Announces Coulda Fest Tour Featuring BigXthaPlug, Young M.A & Soulja Boy: See the Dates 'I couldn't come back on stage and finish the song,' Capaldi told Von of performing in the Windy City. 'I was like, backstage, convulsing and having this crazy panic attack, mental episode. It was really, really bad. It was the first time people at my shows had seen it.' The musician has been open about dealing with mental health issues as well as Tourette's, a disorder that causes difficult-to-control movements and sounds known as tics. In April 2023, Capaldi revealed that his struggles with Tourette's were becoming so severe, he was considering stepping back from music. After his onstage breakdown at Glastonbury two months later, Capaldi did just that. Immediately after stepping off stage at the festival — where fans had helped him get through his set by loudly singing the words for him — the artist knew it would be his last show until he got some help, he told Von. 'When it happened and when it was happening, it was, like, the lowest moment of my life, and it was horrible,' he recalled on the podcast of Glastonbury 2023. 'I had this moment where I was on stage like two, three songs in. I was like, 'This is the last time I'm going to play a gig for a long time. I need to try and get through the rest of the show, but when I come off, I'm done.'' Capaldi is now back and better than ever before after spending the past two years reconnecting with himself, with the star telling Von that therapy and exercise have helped him immensely. This past June, he made a triumphant return to Glastonbury with a surprise set, shortly after which he announced that he'd be donating 734,000 hours of free virtual therapy with BetterHelp inspired by his own mental health journey. While speaking to Von, he gushed that this year's Glastonbury performance was a 'bit of a comeback moment.' 'It was lovely,' he added. 'It was a really special moment.' Watch Capaldi's full conversation with Von below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword


Atlantic
2 days ago
- Atlantic
What Muriel Spark Knew About Childhood
This is an edition of the Books Briefing, our editors' weekly guide to the best in books. Sign up for it here. The most recent issue of The Atlantic taught me that the Scottish author Muriel Spark had, according to Judith Shulevitz, 'a steely command of omniscience,' and frequently played with 'selective disclosure, irony, and other narrative devices.' I knew that Spark was funny, and that her work was highly recommended by people whose taste I respect. But I quickly realized I had very few other facts at my disposal. Most important, I'd never read her writing. So before I'd even finished Shulevitz's review of a new biography of the novelist, I downloaded The Prime of Miss Jean Brodie —Spark's best-known work—from my local library. First, here are four new stories from The Atlantic 's Books section: How not to fix American democracy 'Surface Support,' a poem by Michael D. Snediker Literature's enduring obsession with strange sisters Why so many MIT students are writing poetry The novella's title character works at an Edinburgh school for girls in the 1930s; she's an outré teacher who has marked a special group of pupils as 'hers.' She cares very little for teaching the approved curriculum. Instead, she takes her students to the theater; she walks them through Edinburgh's Old Town; she regales them with tales of her former loves; she praises the fascist regimes of Mussolini and Hitler. Her girls, she notes, will benefit far more from the artistic education provided by Brodie 'in her prime'—unmarried and pushing 40, she is entirely aware of her sexual and intellectual power, which are both at their peak. But the story, while named for Brodie, is not actually about her; it is primarily told through the recollections of the girls, and one in particular: Sandy, who in her adulthood has become a nun. The book's main question is not what will become of Brodie—we know from the early pages that she will be fired from the school, 'betrayed' by one of her chosen girls. Instead, it investigates the heady, hormonal days of adolescence, and the moral education of the students. That last theme is where Spark's 'central concern,' as Shulevitz puts it, becomes clear. The author was a Catholic convert, and her writing is full of characters searching for, asking about, and turning to God. For the girls, whom Brodie begins shaping when they're barely tweens, their teacher is something like a deity: at times hard to understand, often capricious, but ultimately fascinating, beautiful, and never wrong. As they grow up, most of the kids simply become who they were always going to be, shaking off Brodie's rules and stipulations and following their own whims. But Sandy feels her teacher's authority for the rest of her life. Her entanglement with Brodie, which continues into her late teens, leads her down a winding path that culminates in her own conversion to Catholicism. Her act of submission to the Church, which requires her to shed her individuality, is actually her final moment of separation from her former mentor: She has allowed God to dethrone her teacher. But even though Sandy's conversion mirrors Spark's own, I was surprised and pleased to see that the author doesn't make Sandy a perfect nun, devoted solely to the Church, free of Brodie's shadow. Instead, Spark is realistic about the effect a particularly magnetic figure can have on a young, impressionable person. Many years later, when Sandy is asked who or what most influenced her, it's Brodie's name on her lips. Similarly, Spark's is on mine. I've now got Memento Mori and Loitering With Intent, two of her other novels, waiting for me on my e-reader. The Judgments of Muriel Spark By Judith Shulevitz The novelist liked playing God—a very capricious one. What to Read The Backyard Bird Chronicles, by Amy Tan Tan coped with the political tumult of 2016 by returning to two of her childhood refuges: nature and art. Drawing was an early hobby of hers, but she'd felt discouraged from taking it seriously. At 65, she took 'nature journaling' lessons to learn how to depict and interpret the world around her—most notably the inter-avian dramas of the birds behind her Bay Area home. The Backyard Bird Chronicles is a disarming account of one year of Tan's domestic bird-watching, a book 'filled with sketches and handwritten notes of naive observations,' she writes. That naivete is endearing: The accomplished novelist becomes a novice, trying to improve through eager dedication. Over the course of this engaging book, her illustrations grow more sophisticated, more assured—leaving readers with a portrait of the hobbyist as an emerging artist. — Sophia Stewart Out Next Week 📚 Baldwin: A Love Story, by Nicholas Boggs 📚 Where Are You Really From, by Elaine Hsieh Chou 📚 Dominion, by Addie E. Citchens Your Weekend Read The Logic of the '9 to 5' Is Creeping Into the Rest of the Day By Julie Beck Over the past couple of years, the vloggers of social media have taken to documenting their routines from 5 to 9 p.m. Some creators also make a morning version, the '5 to 9 before the 9 to 5,' starting at 5 a.m. These routines are highly edited, almost hypnotic, with quick cuts, each mini-scene overlaid with a time stamp. Hours pass in just a couple of minutes, and the compressed time highlights a sense of efficiency. The videos have big to-do-list energy; the satisfaction they offer is that of vicariously checking boxes.