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Lewis Capaldi Recalls Terrifying ‘Mental Episode' That Left Him ‘Convulsing' Backstage Mid-Concert

Lewis Capaldi Recalls Terrifying ‘Mental Episode' That Left Him ‘Convulsing' Backstage Mid-Concert

Yahoo12 hours ago
Lewis Capaldi has come a long way since he started working on his mental health a couple of years ago, with the Scottish singer-songwriter revealing that he once had a 'mental episode' that left him 'convulsing' backstage at a show.
While guesting on the Tuesday (July 15) episode of Theo Von's This Past Weekend podcast, Capaldi reflected on the tough moments in his career that forced him to confront the fact that he needed help. The musician made headlines in 2023 when he struggled to get through his Glastonbury set that year, but shortly before that happened, he says he had an incident at a concert in Chicago that was 'even worse.'
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'I couldn't come back on stage and finish the song,' Capaldi told Von of performing in the Windy City. 'I was like, backstage, convulsing and having this crazy panic attack, mental episode. It was really, really bad. It was the first time people at my shows had seen it.'
The musician has been open about dealing with mental health issues as well as Tourette's, a disorder that causes difficult-to-control movements and sounds known as tics. In April 2023, Capaldi revealed that his struggles with Tourette's were becoming so severe, he was considering stepping back from music.
After his onstage breakdown at Glastonbury two months later, Capaldi did just that. Immediately after stepping off stage at the festival — where fans had helped him get through his set by loudly singing the words for him — the artist knew it would be his last show until he got some help, he told Von.
'When it happened and when it was happening, it was, like, the lowest moment of my life, and it was horrible,' he recalled on the podcast of Glastonbury 2023. 'I had this moment where I was on stage like two, three songs in. I was like, 'This is the last time I'm going to play a gig for a long time. I need to try and get through the rest of the show, but when I come off, I'm done.''
Capaldi is now back and better than ever before after spending the past two years reconnecting with himself, with the star telling Von that therapy and exercise have helped him immensely. This past June, he made a triumphant return to Glastonbury with a surprise set, shortly after which he announced that he'd be donating 734,000 hours of free virtual therapy with BetterHelp inspired by his own mental health journey.
While speaking to Von, he gushed that this year's Glastonbury performance was a 'bit of a comeback moment.'
'It was lovely,' he added. 'It was a really special moment.'
Watch Capaldi's full conversation with Von below.
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Lil Yachty apologizes to Stephen Jackson over 'demeaning' George Floyd lyric
Lil Yachty apologizes to Stephen Jackson over 'demeaning' George Floyd lyric

USA Today

time6 hours ago

  • USA Today

Lil Yachty apologizes to Stephen Jackson over 'demeaning' George Floyd lyric

Stephen Jackson and Lil Yachty are seemingly on good terms after the former NBA star called out the rapper for mentioning the late George Floyd in an unreleased track. Lil Yachty, whose real name is Miles McCollum, shared a snippet of a track during a recent Twitch livestream, according to Rolling Stone and Billboard. The song reportedly featured a lyric about Floyd, a 46-year-old black man who died in May 2020 after a white Minneapolis police officer Derek Chauvin knelt on his head and neck for nearly 10 minutes while arresting him. 'Put my knee up on her neck, I went George Floyd,' Yachty rapped on the song, per Billboard. Jackson condemned the 'One Night' rapper in a now-deleted Instagram post, calling the lyric 'demeaning' and writing, 'Don't ever say his name, bro. None of y'all knew G. Nothing about him.' The San Antonio Spurs alum has long been open about the loss of his friend Floyd, revealing in 2020 that the pair grew up in the same Houston, Texas neighborhood. USA TODAY has reached out to Lil Yachty's representatives for comment. Jackson says Yachty apologized for distasteful lyric In an Aug. 14 Instagram story, the 'All the Smoke' podcast host later revealed that he is no longer upset with Yachty after the musician reached out and apologized. 'I took my post down about Yachty because I'm emotional about George. I apologized to him. We spoke and he apologized as well,' Jackson said. 'I salute him. Not a lot of people like to own up to when they [expletive] up.' Jackson added that he agreed a public apology was unnecessary after the two worked things out, and as Yachty understands the frustration caused by the lyrics. He added that he never had an issue with Yachty directly, but rather the idea of it being okay for people to demean the dead. He later added in an Aug. 15 Instagram post that he won't be discussing the situation in interviews, adding that 'he's a smart young man' and 'We move on from it.'

What That Episode 3 Twist in ‘Outlander: Blood of My Blood' Really Means
What That Episode 3 Twist in ‘Outlander: Blood of My Blood' Really Means

Elle

time9 hours ago

  • Elle

What That Episode 3 Twist in ‘Outlander: Blood of My Blood' Really Means

Spoilers below. When Ellen's not busy having steamy dreams about Brian, she's got a serious case of eldest daughter syndrome to contend with. In episode 3, 'School of the Moon,' Mrs. Fitz wakes Ellen from the subconscious reverie of sex with Brian, instead catapulting the MacKenzie firstborn back into the harsh light of reality. Her little brothers are making a mess of both clan politics and her love life. All of Leoch is abuzz with the news that she'll soon marry Malcolm Grant, whom Ellen has absolutely no desire to wed. (Not when there's a hunky Fraser just down the road.) Much of the resulting episode concerns Ellen's efforts not only to prevent her marriage but to stop her brothers from, however inadvertently, handing the lairdship to an outsider. First, she confronts Colum, the more rational of her male siblings. When it's clear that he won't respond to her anger, she tries to appeal to his common sense. She insists she's more valuable to him within Leoch's walls than in a Grant's bed, and it's ridiculous for her to have to atone for Dougal's brash stupidity in episode 2. ( Ellen also makes it clear she's heartbroken to watch Colum betray her, given that she nursed him back to health after the leg injury that almost killed him several years ago. He's thankful for her tenderness, sure, but no amount of love between them can change what he feels he 'must' do on behalf of the clan. Unfortunately, her other brother is an equal source of consternation. Although Dougal claims he attacked the Grants to defend Ellen's honor, she knows he 'would have used any excuse to pick a fight with them.' Dougal tries to convince her it's Colum who should receive the bulk of her ire—Colum made the betrothal arrangement! Colum broke their father's promise!—and, initially, Ellen has little reason to disagree. At least until Dougal tries to marry her off, too. When Dougal notices a certain visitor at the Gathering, Marcus MacRannoch, eyeing his sister from afar, he forgets all thought of Ellen's honor. Instead, he brokers his own deal: If Dougal is to be made laird, he'd align himself with the Stuarts—and therefore with the broader Jacobite cause, of which MacRannoch is a part—by promising Ellen's hand to MacRannoch himself. In response, McRannoch promises to make it known that 'any clansman who desires a Stuart king [should] champion you as the laird.' If all this talk of Jacobites and Stuarts reads like gibberish to you, here's a quick primer for those less educated in 18th-century Scottish politics: Jacobitism was an ideology popular in the Highlands amongst those who wished for the royal House of Stuart to re-secure their seat on the British throne. This is relevant information for Outlander fans, given that the flagship series begins in 1743 and concerns the doomed Jacobite rebellion of that period. Both Dougal and young Jamie—Brian and Ellen's future son—are Jacobite rebels when the show first begins. But as Blood of My Blood makes clear, their cause spread its roots long before Jamie was even born. At the Gathering, nothing stays a secret for long, especially when Colum and Dougal are about as subtle with their intentions as Brian is with his affections. (Alas, more on that later.) When Ellen meets with her younger sisters, Janet and Jocasta, the latter informs her that Dougal's plans have already gotten back to her. Her husband, John Cameron, is 'intimate with the Jacobites and their leaders,' and he overheard whispers of Dougal's offer to MacRannoch. Furious but hardly surprised, Ellen recognizes she's become no more than 'a piece on a chessboard' to the MacKenzie men. But it's not only her fate at stake. Talking to Ned, she recognizes that if her idiot brothers continue to divide support amongst their clansmen, a third party (i.e. McKinney) will win the lairdship, and Clan MacKenzie as they know it might disappear. All this sibling squabbling prompts Ellen to reflect on their collective childhood trauma. Years ago, during a midnight cattle raid, Colum and Dougal rode out together without Red Jacob to guide them. Initially intending to raid the Lowlands as their father had instructed, Dougal instead broke off to raid the MacDonalds' lands, and the men of Clan MacKenzie—trusting Dougal's prowess over Colum's—followed him. Unfortunately, the MacDonalds caught on to this scheme and sounded the alarm. After one of them shot a fusil that startled Colum's horse, the would-be laird fell, shattering his leg. As Ellen's flashback depicts, the brothers return home to a father who will show them no pity or concern. He is enraged that his men had 'no faith' in Colum as a leader. Now, he sees his son only as 'a cripple,' and his disgust literally injures Colum further. (When Colum attempts to prove to Red Jacob that he can still stand and fight, he instead tumbles down a set of stairs, worsening his condition all the more.) In the meantime, their father beats Dougal into submission with a whip, declaring him 'a bloody fool.' Ellen understands that the events of the cattle raid marked a turning point in their family. That night, Red Jacob lost his faith in his sons: He believed that neither Colum nor Dougal would make a worthy MacKenzie laird. But Ellen also knows that the lairdship is as much about words as it is war, regardless of whether the clansmen care more about pissing contests or collecting rents. And so she devises a plan that she asks Ned to present to her brothers: At the oath-taking ceremony, Colum and Dougal will announce their intentions to lead Clan MacKenzie together. Colum will serve as laird, while Dougal will become war chieftain. When the brothers do indeed swear allegiance to each other at the oath-taking ceremony, Ellen could all but collapse in relief. The clansmen approve of the partnership—even MacKinney, once he realizes he can never stand against the MacKenzie boys as a unit. Watching from up on the balcony in Castle Leoch, Jocasta and Janet turn toward their older sister, knowing full well Ellen was the architect behind the arrangement. 'You've managed it artfully,' Janet says, 'as Da would've.' Wow, it's almost as if Ellen herself should be leading this clan! Afterward, in a brothel, Ned promises the Grants' new bladier—one Henry Beauchamp—that the MacKenzies will maintain their vow: Regardless of how Colum and Dougal exercise their power, Ellen will marry Malcolm. And with this business now complete, Ned takes the opportunity to reward his new ally: He introduces Henry to the mistress, Una Hay, whom he claims would know of any 'woman, alone, in Inverness.' Henry has little hope in this search, but he nevertheless describes his wife to Una, who promises she'll send word when she tracks down Julia. But, of course, Julia isn't alone in Inverness. She's hidden away at Castle Leathers, desperately trying to hide the growing swell of her stomach. Early in the episode, Davina walks in on Julia stowing her writing parchment in the ceiling boards. Surprised by the sudden intrusion, Julia's hands fly momentarily to her abdomen, and Davina—appropriately suspicious—strips back her new maidservant's sheets, inspecting them for blood. 'I ken [understsand] you have a bellyful,' she says with a pointed look. Julia stumbles in her repeated attempts to deny the pregnancy. But Davina is not so easily tricked, and she encourages Julia to pursue an abortion. She claims the lost Mrs. Beauchamp will be 'treated no better than dirt' as a lone woman with a child out in the Highlands, nor would Lord Simon Fraser of Lovat ever permit a bastard in his house. Julia is quick to point out Davina's hypocrisy: She had a bastard son, and he still lives under Simon's roof, doesn't he? But Davina outlines the key difference in their situations. Julia is carrying a fatherless child. Brian was and is the laird's son. And Lord Lovat knows it, she says, almost sadly. If Julia decides to keep her baby, Simon will 'get rid of the bairn [child] himself.' Soon, Brian and Murtagh return from the Gathering, both of them heartbroken after having learned of Ellen's pending betrothal. Somehow, Murtagh is clueless enough not to suspect his cousin's crush, perhaps because Murtagh's own undying love for Ellen has proven so enduring. But even with their sullen looks, they straighten their backs to present a report on the Gathering to Simon, initially focusing on which attendees supported the Jacobite cause. Brian, however, soon steers the conversation toward Colum's alliance with the Grants, and, in particular, the ensuing union between Ellen and Malcolm. Initially, Simon reacts exactly as Brian expected he would: He's angry, certain the MacKenzies now seek to turn the Grants—formerly a Fraser ally—against him. 'An engagement can be broken,' Simon plots, playing directly into Brian's hand. But the young Fraser is aghast when his father hatches a nasty plan in response. Lord Lovat decides to launch a rumor, claiming that the reason Ellen has yet to marry is on account of a stained reputation. Brian objects to this idea, hoping for a 'more honorable' way to halt Ellen and Malcolm's wedding. But, really, what other way is there? What did Brian expect from his abusive, cold-hearted, power-hungry father? At least Murtagh's happy with the turn of events! He thinks Brian's scheming is on his behalf. 'If Malcolm refuses Ellen, I may yet have a chance of winning her hand,' he says with glee. 'Suppose I should be thanking you.' Brian, hearing this, grimaces. But he doesn't take the opportunity to correct his best friend. For now, the love between him and Ellen must remain a secret. Elsewhere in Leathers, the secrets are proving impossible to conceal. Realizing she won't be able to deny her pregnancy for much longer—especially now that Davina already suspects it—Julia realizes she has a terrible decision to make. She devises a scheme: She will sleep with Simon Fraser in order to convince him that the baby she's carrying belongs to the laird himself. (Look, I probably should have seen this coming, but the plot twist got me. I gasped.) Maybe, if Julia gives birth to a child Simon believes is Brian's half-sibling, she can keep Henry's baby. But such a plan presents a bevy of problems. If and when Henry does reunite with Julia, Simon will never allow the Beauchamps to depart with a child he believes is his. And what about Brian? How long will he live under the impression he has a new sibling? Might the truth turn him against Julia somehow? Might the Frasers and Beauchamps become enemies? In a letter to her husband that she can't possibly send, Julia pleads for Henry's forgiveness. Like Ellen, mere miles away, Julia is acting for the sake of her family. Let's just hope the men don't find a way to destroy the women's carefully laid plans.

Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it
Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it

Business Insider

time11 hours ago

  • Business Insider

Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it

Where is this year's song of the summer? It's the question that's haunted road trippers and pool partiers for months now. But like so many low-stakes mysteries, the answer has been hiding in plain sight (or, in this case, earshot) all along. If we're going with cold, hard facts — Billboard chart data — there's one song that's dominated the airwaves as the weather has warmed. It's just that a soaring love ballad a 24-year-old TikToker wrote about his wife is not exactly the ideal soundtrack for your day at the beach. Released in February, Alex Warren's "Ordinary" took a few months to take off, becoming a bona fide commercial juggernaut by June, when it ascended to No. 1 on the Billboard Hot 100. It's remained atop the all-genre chart for nine weeks so far, and continues to dominate Billboard's Songs of the Summer chart, where it hasn't budged from its No. 1 position since Memorial Day. Though it makes every attempt to sound momentous, "Ordinary" is a love song that's true to its name. Dedicated to Warren's wife, Kouvr Annon, the song uses vaguely spiritual lyrics to describe their connection. His vocals backed by hymnal echoes and a pounding drum line, Warren insists "the angels up in the clouds are jealous" of his marital bliss and compares his wife to a sanctuary, a vineyard, and a sculptor. If the song's theme of divine love wasn't clear enough, the couple also costars in the music video, and Warren later released a "wedding version" of the song paired with footage from their real-life nuptials. That the song is generically gooey has worked to its advantage in the airplay department. "Ordinary" owes much of its longevity to companies like iHeartMedia, America's biggest radio network, which allocates tens of thousands of spins to the song each week. In its most recent week atop the Hot 100, "Ordinary" tallied over 73 million radio airplay audience impressions, according to Billboard, compared to only 12.4 million streams and 6,000 copies sold. The song's lack of specificity also makes it a broadly appealing soundtrack for lovey-dovey moments on TikTok, where both versions of "Ordinary" have been used in millions of videos with billions of cumulative views. Annon's own uses of the song, usually featuring sweet moments with Warren, frequently collect over 1 million likes. Please help BI improve our Business, Tech, and Innovation coverage by sharing a bit about your role — it will help us tailor content that matters most to people like you. Continue By providing this information, you agree that Business Insider may use this data to improve your site experience and for targeted advertising. By continuing you agree that you accept the Terms of Service and Privacy Policy . Call it the home court advantage: As a former YouTuber who joined Hype House, a flashy collective for big-name TikTokers, in 2020, Warren learned and then perfected the art of getting engagement. He and Annon briefly lived in the Los Angeles mansion together, constantly creating content, orchestrating David Dobrik-style pranks, and sharing glimpses of their lives together; Warren described the experience as "college, but for social media." "It helped me learn how to create content that resonates with an audience and can captivate people," he told Variety. Warren's self-conscious positioning as America's top new "wife guy" offers the media a tidy narrative to push while reporting on the song's success — and helps cement "Ordinary" as a favorite song choice for romantic montages and relationship content across the internet. But the differential between the song's commercial utility and its artistic value has perplexed critics and fans alike. "Genuinely WHO is listening to this," reads a recent tweet with over 27,000 likes. Even r/popheads, a Reddit community for recreational pop scholars whose self-appointed mission is to take the merits of the genre seriously, is full of cold contempt for the song's dominance. "I don't think you can deeply hate the song by itself," one commenter wrote, "because it's so fucking boring." Rolling Stone's Larisha Paul coined the phrase "'The Voice' Audition Core" to characterize the musical formula that "Ordinary" follows: ideal for soundtracking a throwaway emotional moment on reality TV, but devoid of any real personality. Indeed, Warren performed the song on the "Love Is Blind" season eight reunion special, slotting easily into a generic vision of happily ever after literally accompanied by a montage of couples. genuinely WHO is listening to this — kaitlyn⋆. 𐙚 ˚ (@kateawaycar) August 4, 2025 Still, there's no denying that "Ordinary" is the summer's defining hit. Remaining atop the Hot 100 for over two months is no small feat, and even as late-season challengers have emerged — most recently in the form of a fictional K-pop group from a Netflix film — there isn't enough time before the autumnal equinox for another song to challenge Warren's reign. It's just a shame that many excellent summertime jams actually have been released this year, they just lacked the radio push or market power to challenge "Ordinary" at the top of the charts. Addison Rae is Warren's fellow former TikToker-turned-singer, but the similarities end there; her cool-girl collaborators and creative curiosity resulted in a debut album, "Addison," that toes the line between nostalgic and eccentric. (The appropriately named "Summer Forever" is a standout.) Lorde's latest album, "Virgin," includes gems like "Shapeshifter" and "Favorite Daughter," which wrap arresting lyrics in melodic, highly accessible packages, the ghost of last year's " Brat summer" hovering on the margins. Care for something a little less personal, a little more irreverent? Tinashe and Disco Lines have you covered with the freshly remixed "No Broke Boys." And forget song of the summer, Haim's "Relationships" may be the song of the year. Danielle Haim and her sisters manage to spin the agony of indecision into flippant, funky magic. As the season winds down, a new Taylor Swift album draws closer, and the charts begin to change shape, may "Ordinary" serve as a reminder that summer trends may disappoint or underwhelm — but they never last forever.

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