logo
From Chopper's Debut To First Look At 'Squid Game 3': Highlights From Netflix TUDUM 2025

From Chopper's Debut To First Look At 'Squid Game 3': Highlights From Netflix TUDUM 2025

Hype Malaysia2 days ago

Over the weekend, Netflix fans were glued to their seats during the Netflix TUDUM 2025 livestream, waiting for new details on their favourite shows. The star-studded affair united fans and celebrities for a spectacular showcase, dropping news after news about upcoming releases, from 'One Piece' to 'Squid Games'.
If you missed it, the live event is still available on Netflix. However, if you want the highlights, we've got you covered! From the first look at the final season of 'Squid Game' to Tony Tony Chopper's long-awaited debut, here are the most epic reveals from TUDUM 2025:
'Squid Game' Takes Over Los Angeles To Bring The First Trailer Of The Final Season
Opening TUDUM 2025 are the iconic pink guards from 'Squid Game', performing an epic opening dance sequence. The cast of Netflix's biggest show – Lee Jung-jae (Gi-Hun), Lee Byung-hun (Front Man), Park Sung-hoon (Player 120), Kang Ae-sim, and Choi Seung-hyun – then emerged to bring fans the exclusive first look at 'Squid Game: Season 3', debuting on 27th June 2025 (Friday) on Netflix.
'One Piece' Cast Teases Upcoming Season & Introduces Fans To Tony Tony Chopper
Fans were delighted by the appearance of the 'One Piece' cast – Iñaki Godoy, Mackenyu, Emily Rudd, Jacob Romero and Taz Skylar – at the TUDUM event. During the night, the cast shared an exclusive preview of the upcoming season, which will premiere on Netflix in 2026. Not only that, but the cast also surprised the audience by introducing the one and only – Tony Tony Chopper, voiced by Mikaela Hoover.
'Stranger Things' Cast Drops News On Final Season's Release Timeline
The cast of 'Stranger Things' – Finn Wolfhard, Noah Schnapp and Caleb McLaughlin – also took the stage in an homage to the show to reveal the fifth and final season of the iconic Netflix series. The series finale will premiere on Netflix across three dates: four episodes on 26th November 2025 (Wednesday), three episodes on Christmas Day 2025 (25th December, Thursday) and the finale episode on New Year's Eve (31st December 2025, Wednesday).
'Wednesday' Cast Closes The Night With Season 2 Preview & Performance From Lady Gaga
To close the show, the Addams family – Jenna Ortega, Luis Guzmán, Joanna Lumley, Fred Armisen, and Isaac Ordonez – gathered on stage to share an exclusive, six-minute look at the second season of 'Wednesday'.
Jenny Ortega also joined the formidable Lady Gaga on stage during her electric medley performance before the official announcement of Lady Gaga's 'Wednesday' guest star role. The star will appear in Part 2 of Season 2, playing the mysterious Rosaline Rotwood, a legendary Nevermore teacher who crosses paths with Wednesday.
'Wake Up Dead Man', 'The Rip', 'Frankenstein' and 'Happy Gilmore 2' Drop Official Release Dates
Of course, Netflix is also about the movies and this year's TUDUM saw the release date announcement of four exciting films – 'Wake Up Dead Man: A Knives Out Mystery', 'The Rip', 'Frankenstein' and 'Happy Gilmore 2'. The casts of the four movies also went up on stage to share sneak peeks into their highly anticipated films. The premiere date of the movies is as follows:
Wake Up Dead Man: A Knives Out Mystery: 12th December 2025 (Friday)
The Rip: 16th January 2026 (Friday)
Frankenstein: November 2025
Happy Gilmore 2: 25th July 2025 (Friday)
Which announcement TUDUM 2025 are you most excited about?
Sources: Netflix (1)(2)
What's your Reaction?
+1
0
+1
0
+1
0
+1
0
+1
0
+1
0

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Studio Ghibli marks 40 years, but future looks uncertain
Studio Ghibli marks 40 years, but future looks uncertain

Malaysian Reserve

timean hour ago

  • Malaysian Reserve

Studio Ghibli marks 40 years, but future looks uncertain

TOKYO — Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation. But the future is uncertain, with latest hit 'The Boy and the Heron' likely — but not certainly — the final feature from celebrated co-founder Hayao Miyazaki, now 84. The studio behind the Oscar-winning 'Spirited Away' has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985. Its popularity has been fuelled of late by a second Academy Award in 2024 for 'The Boy and the Heron', starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world. In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator — raising questions over copyright. The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region. Julia Santilli, a 26-year-old from Britain living in northern Japan, 'fell in love with Ghibli' after watching the 2001 classic 'Spirited Away' as a child. 'I started collecting all the DVDs,' she told AFP. Ghibli stories are 'very engaging and the artwork is stunning', said another fan, Margot Divall, 26. 'I probably watch 'Spirited Away' about 10 times a year still.' 'Whiff of death' Before Ghibli, most cartoons in Japan — known as anime — were made for children. But Miyazaki and Takahata, both from 'the generation that knew war', included darker elements that appeal to adults, Miyazaki's son Goro told AFP. 'It's not all sweet — there's also a bitterness and things like that which are beautifully intertwined in the work,' he said, describing a 'whiff of death' in the films. For younger people who grew up in peacetime, 'it is impossible to create something with the same sense, approach and attitude', Goro said. Even 'My Neighbor Totoro', with its cuddly forest creatures, is in some ways a 'scary' movie that explores the fear of losing a sick mother, he explained. Susan Napier, a professor at Tufts University in the United States and author of 'Miyazakiworld: A Life in Art', agrees. 'In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together' unlike good-versus-evil US cartoons, she said. The post-apocalyptic 'Nausicaa of the Valley of the Wind' — considered the first Ghibli film despite its release in 1984 — has no obvious villain, for example. The movie featuring an independent princess curious about giant insects and a poisonous forest felt 'so fresh' and a change from 'a passive woman… having to be rescued', Napier said. Natural world Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world. A case in point was 1997's 'Princess Mononoke', distributed internationally by Disney. The tale of a girl raised by a wolf goddess in a forest threatened by humans is 'a masterpiece — but a hard movie', Napier said. It's a 'serious, dark and violent' film appreciated more by adults, which 'was not what US audiences had anticipated with a movie about a princess'. Ghibli films 'have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change', she added. Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature. 'That's why some children watch Totoro 40 times,' she said, adding that audiences 'discover something new every time'. – French connection – Miyazaki and Takahata — who died in 2018 — could create imaginative worlds because of their openness to other cultures, Yonemura said. Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation 'The Man Who Planted Trees'. Takahata studying French literature at university 'was a big factor', Yonemura said. 'Both Miyazaki and Takahata read a lot,' she said. 'That's a big reason why they excel at writing scripts and creating stories.' Miyazaki has said he was inspired by several books for 'Nausicaa', including the 12th-century Japanese tale 'The Lady who Loved Insects', and Greek mythology. Studio Ghibli will not be the same after Miyazaki stops creating animation, 'unless similar talent emerges', Yonemura said. Miyazaki is 'a fantastic artist with such a visual imagination' while both he and Takahata were 'politically progressive', Napier said. 'The more I study, the more I realise this was a unique cultural moment,' she said. 'It's so widely loved that I think it will carry on,' said Ghibli fan Divall. 'As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love,' she said. — AFP

Victoria Beckham's Netflix series parades fashion triumphs, tears
Victoria Beckham's Netflix series parades fashion triumphs, tears

Malaysian Reserve

time3 hours ago

  • Malaysian Reserve

Victoria Beckham's Netflix series parades fashion triumphs, tears

While showcasing her new collection at Centurion NY, Beckham opens up about the improving fate of her business by CHRIS ROVZAR FOR someone who has been famous since the late 1990s, Victoria Beckham is surprisingly busy in the 2020s. After many years in the red, her eponymous fashion company Victoria Beckham Holdings Ltd saw revenue growth of more than 50% in 2023, and shrunk its operating losses before tax to £2.9 million (RM16.57 million), putting it on the road to profitability, no small thing for an independent luxury fashion brand. Beckham also introduced a successful fragrance line two years ago, and became the accidental star of a Netflix documentary series about her husband, football star David Beckham. Her charming, funny cameos showed a playful and relatable side to the megawatt couple, they of the matching purple Versace wedding outfits. This year is looking no less buzzy for Victoria. For the first time ever, she showed her resort collection in person, rather than digitally, at a glamorous trunk show at Centurion New York, where American Express' (Amex) Centurion members could have an early pick of the pieces. In the fall, Beckham will be the star of her own Netflix docuseries, which will follow her day to day as the creative director of her fashion and beauty brands. 'It's hard work and determination that has built the brand into what it is now, and why I'm so proud as an independent brand to be able to say I'm profitable,' she told Bloomberg in an exclusive interview at Centurion. The company can't yet say that it was in the black in 2024. (Official figures for last year have not been finalised, so the company could not confirm that earnings before interest, taxes, depreciation and amortisation were positive.) In recent years, the organisation has received millions in cash injections from its owners, which include Beckham and her husband, Simon Fuller's XIX Management and NEO Investment Partners, a private equity firm. But the strategy seems to be working, as revenue has grown by double digits for three straight years. We sat down to discuss her future plans, the most important person in her stores and what she collects. Our conversation has been condensed and edited for clarity. — Bloomberg Clothing and accessories from Victoria Beckham's resort 2026 collection were displayed around Centurion NY Q: So, what made you decide to show this collection in NY? I was having brunch with Tom Brown and Anna Wintour a few months ago, as you do, and she said to me, 'You should come back to New York (NY) and show one of your collections.' It's something that I've been thinking about for a while, because I showed my first ever collection here in NY in 2008. NY has been such a huge part of my story so far. I was approached by Amex to come over here, and it just worked perfectly to do it. Q: Were you nervous when you did that first presentation in 2008? I was so nervous. And let me tell you, I'm just as nervous now. Because I really care. You know, I'm a product person, I love creating the clothes and the makeup and the fragrances. I'm very hands-on with the creative process. I never want to settle. No matter what it is that I'm creating — it could be a simple white T-shirt — it's gotta be the right fabric, the right shape, the right execution. My name's on the label. Q: For the last publicly available numbers, from 2023, your losses shrank dramatically. What changed to make that happen? We bought our price point down, and we merged the two brands that we had at the time into one. I wanted to challenge myself and my teams to create collections that didn't feel like a compromise. They felt very considered, perfectly executed, using really great fabrics. But how could we do that at an affordable luxury price point? And it wasn't easy. Q: Are you going to have to face raising prices in the US because of tariffs? At the moment, we are just monitoring the situation very closely. Q: Your clothing is very functional; each outfit seems to have a clear use case. I believe that everything that I do should be rooted in some form of reality. You should be able to wear everything. It always makes me laugh when you see people go into events and they have to go in a car where they stand up. Or they can't walk properly. You gotta be able to dream, but you've still gotta be able to wear these clothes. Q: You have a documentary coming up in the fall. My husband convinced me to do this documentary. To be honest, I wasn't sure anybody would really want to see what I do every day. It focuses on what I do, and my role as founder and creative director of the two brands. I thought long and hard about it, and then I realised that now is the time to do it. I've been very defined by a four- year period in my life when I was in the Spice Girls. And I am so proud of that. But with that came all the preconceptions. I've been in the fashion industry creating my own collections for nearly 20 years. And it's taken this long for me to feel confident enough in what I do and my brand, knowing that now is the time that I can talk about my past. I can talk about the journey, I can talk about struggles, because I can do that confidently feeling it's not going to damage the brand. Nothing is sugar-coated. Leather goods and shoes from Victoria Beckham's resort 2026 collection Q: Are there tears? There are tears. And it did occur to me the other day, what am I going to think when I see those tears on a huge screen? Or on an iPhone? To be completely honest, I am in the hands of the editor now. Q: Is your husband on it? Well, he might end up on the cutting-room floor. I mean, who knows? They have filmed a little bit of David and the children because they're such a huge part of everything. Q: On the Pursuits team, we're fans of your style. What are you collecting these days? I collect watches, so I have a nice Patek [Philippe] collection. And we both like to collect contemporary art. That's something that we've both really enjoyed learning about over the last few years. The colour palette of this collection was inspired by a Francis Bacon piece from 1979 that I had in my store, because I've recently done a collaboration with Sotheby's. It's muted tones with pops of colour. And there's a red flower print that was inspired by some Gary Hume pieces that I have in my house. They were the first pieces of art that we actually ever owned. Q: The car your family had growing up became the subject of a meme after David's documentary. Do you drive yourself these days? I do drive. Q: What kind of car? I have a Ferrari. Q: Which one? Oh my gosh, you're gonna ask me which one. Please don't say that I don't know which one. [Turns to her hairstylist, Ken Paves, who is standing across the room] Can we please text David and ask? Q: When it comes to fashion, how do you discover stuff? Are you too famous to go to shops? No. I absolutely love to go out and go shopping quite often. I'll go out in my workout clothing, maybe in a baseball cap. I like to experience brands physically, as opposed to online. Q: Do you take any of that back to your store in London? Yes. Especially customer service. Q: What have you learned about customer service? How important the security guards are that work at the front of the stores. Q: Oh, because of theft? Because of how people are treated when they come into the store. That's part of my brand DNA, welcoming people. The other day I said to my security when I was walking into my store, 'You're the most important person in here.' I remember when I was younger going into stores, it could be really quite intimidating. And I just would never like to make people feel like that. Even if you're just coming in to get inspired by the architecture or look at the collaborations that I might be showcasing. Or the contemporary art. Q: Do you imagine yourself selling the company to a luxury group in the long term? I'm open right now. I'm very proud of how far we have come as an independent brand. I think that the future for me, the next step for me is retail globally. Q: Does that mean we might have a store here? I'd love to. I think that will hopefully happen at some point next year. Q: Great, thank you so much for your time. Thank you. I really appreciate you. And I will let you know what car I drive. Ken Paves, from across the room: It's a Ferrari Roma. She's a really good driver, by the way. Aha! Thanks. Yes. I've driven him several times. Paves: We got there very fast. This article first appeared in The Malaysian Reserve weekly print edition

Malay Mail's Top 10 Picks: ‘Ejen Ali The Movie 2: Misi Satria' smashes box office records, stays top of the charts
Malay Mail's Top 10 Picks: ‘Ejen Ali The Movie 2: Misi Satria' smashes box office records, stays top of the charts

Malay Mail

time3 hours ago

  • Malay Mail

Malay Mail's Top 10 Picks: ‘Ejen Ali The Movie 2: Misi Satria' smashes box office records, stays top of the charts

KUALA LUMPUR, June 6 — Ejen Ali The Movie 2: Misi Satria is showing no signs of slowing down, raking in an impressive RM40.6 million in just 13 days and expanding its fanbase to international markets including Canada and Australia. The animated sequel continues to dominate local cinemas and holds firmly to its No. 1 spot. This week's chart also marks the debut of the highly anticipated Keluang Man film, which opens at No. 4 behind Mission: Impossible — The Final Reckoning and the live-action Lilo & Stitch remake. With June in full swing, there's no better time to dive into top-tier entertainment. From must-watch films and trending series to chart-topping music and buzzworthy books, Malay Mail has rounded up the week's best picks you won't want to miss. Top 10 films in local cinemas (Domestic & International) (May 29 to June 1) Ejen Ali The Movie 2: Misi Satria Mission: Impossible — The Final Reckoning Lilo & Stitch Keluang Man Final Destination Bloodlines You Are My Son j-hope Tour 'HOPE ON THE STAGE' In Japan Live Viewing Blood Brothers: Bara Naga DAN DA DAN: Evil Eye Ace Source: and GSC Top 10 streaming on Netflix and Viu (May 26 to June 1) Netflix (Top 10 TV) TV Series Tastefully Yours: Limited Series The Haunted Palace: Season 1 Our Unwritten Seoul: Limited Series Bet: Season 1 Oh My Ghost Clients: Season 1 Black Out: Season 1 Ejen Ali: Season 1 Sirens: Limited Series Ejen Ali: Season 2 Dear Hongrang: Season 1 Source: Netflix Top 10 Viu (Top 10 shows) Sugar Daddy Pabila Dia Tersenyum The Haunted Palace Lambaian Huda Running Man (2025) Pump Up the Healthy Love Bidaah Second Shot at Love Undercover High School Tiada Seperti Leyla Source: Viu Frontpage Top 10 songs of the week (Spotify) (May 28 to June 4) Fourtwnty — Mangu (w/ Charita Utami) Jin — Don't Say You Love Me Nadhif Basalamah — bergema sampai selamanya NIKI — You'll Be in My Heart — Spotify Singles sombr — back to friends yung kai — blue Tenxi — Garam & Madu (Sakit Dadaku) (w/ Jemsii, Naykilla) Billie Eilish — BIRDS OF A FEATHER JENNIE — like JENNIE Billie Eilish — WILDFLOWER Top 10 Malay songs of the week (Spotify) (May 28 to June 4) Faris Adam — Stecu Stecu Ara Johari — Menjaga Jodoh Orang Lain Nadeera — Bukan Lagi Kita MikkyZia, F4dli — Aku Dah Lupa Nuh — Teruntuk Mia Tenxi — Garam & Madu (Sakit Dadaku) (w/ Jemsi, Naykilla) Imran Ajmain — Seribu Tahun Lagi NAKI, Fahimi — Masa Noh Salleh — Rahsia Tuhan Dayang Nurfaizah, Faizal Tahir, Tuju, Yonnyboii — X Missing U Source: and Spotify here and here Top 10 books of the week (May 23 to May 29) Fiction King of Envy by Ana Huang (Bloom Books) Sunrise on the Reaping by Suzanne Collins (Scholastic Press) Library of Lost Hearts by NF Afrina (NF Afrina) Days at the Morisaki Bookshop by Satoshi Yagisawa (Harper Perennial) Welcome to the Hyunam-dong Bookshop by Hwang Bo-reum (Bloomsbury) A Little Life by Hanya Yanagihara (Vintage) A Curse for True Love by Stephanie Garber (Flatiron) Once Upon a Broken Heart by Stephanie Garber (Hodder & Stoughton) As Long as the Lemon Trees Grow by Zoulfa Katouh (Bloomsbury) I Hope This Doesn't Find You by Ann Liang (Scholastic Press) Non-Fiction Atomic Habits by James Clear (Penguin Books) The Subtle Art of Not Giving a F*ck by Mark Manson (Harper) I'm Not Lazy, I'm on Energy Saving Mode by Dancing Snail (apop books) When I Was a Kid 3 by Cheeming Boey (Grey Pigeon) Ikigai by Héctor García & Francesc Miralles (Penguin Life) Once Upon a Miao (Remastered): I Love My Hometown by Jian Goh (Space Voyager) The Things You Can See Only When You Slow Down by Haemin Sunim (Penguin Life) The Let Them Theory by Mel Robbins (Hay House LLC) The Mountain is You by Brianna Wiest (Thought Catalog Books) I Want to Die but I Want to Eat Tteokbokki by Baek Sehee (Penerbit Haru) Mutiara Minda (Malay Novels) Rahsia Danny by Teme Abdullah (Iman Publication) Thariq Ridzuwan Commando's: His Treasure by Hudanajwa (Idea Kreatif) Rumah Untuk Alie by Lenn Liu (Nukilan biruni) Mi Veneno 2 by Hudanajwa (Idea Kreatif) Mi Veneno 1 by Hudanajwa (Idea Kreatif) Mi Linda by Hudanajwa (Idea Kreatif) Bukan Cinta Sempurna by Bellesa (Idea Kreatif) Bayang Sofea by Teme Abdullah (Iman Publication) Faris My Best Friend's Brother by Cik Bawang (Rinsya Chasiani) Pesuruh by Ahadiat Akashah (Roket Kertas Produksi) Source: MPH

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store