'Friendship' Starring Paul Rudd Gets New Digital Release Date
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Entertainment gossip and news from Newsweek's network of contributors
A new film starring Tim Robinson and Paul Rudd premiered at the Toronto International Film Festival in September 2024 and landed in theaters last month.
Friendship, from the studio behind Oscar-winning films Everything Everywhere All At Once and Moonlight, is the feature directorial debut from the Primetime Emmy-nominated Andrew DeYoung and follows a suburban dad who falls hard for his charismatic new neighbor.
(L-R) Tim Robinson and Paul Rudd in 'Friendship'.
(L-R) Tim Robinson and Paul Rudd in 'Friendship'.
By Spencer Pazer / Courtesy of A24
READ: Guillermo del Toro's Frankenstein – Everything We Know, Trailer, Release Date
You may have missed this gem in theaters, so we've put together a guide that includes details on where to watch Friendship, as well as the Friendship digital release date and Friendship streaming information.
Friendship – How to Watch
Friendship is now available on Video on Demand platforms. You can rent and buy the title on places like Fandango at Home, YouTube, Prime Video, Google Play, and Apple TV+ for $19.99 to rent and $24.99 to buy.
Where Can I Watch Friendship?
Friendship is available to rent and buy on Video on Demand platforms.
It lands on places like Prime Video, Apple TV+, Fandango at Home, and Google Play on June 17, 2025.
Friendship Physical Release Date
Friendship is now available for pre-order on the A24 Store in the Blu-ray format. It is expected to ship in August 2025.
Bonus features include:
Commentary with Writer-Director Andrew DeYoung, Director of Photography Andy Rydzewski, and Conner O'Malley
Deleted Scenes
"Men Talking in the Dark" Extended Q&A with Eric Rahill, Paul Rudd, Tim Robinson, and Andrew DeYoung
Conner O'Malley Extended Garage Scene
Six Collectible Postcards with Behind the Scenes Photography
(Bonus features may vary depending on format and retailer)
Friendship Digital Release Date
Friendship will be available to watch digitally from June 17, 2025.
Is Friendship Available to Stream in the US?
Friendship does not yet have an official streaming release. However, as A24 has an exclusive streaming deal with HBO and Max, it will likely end up on Max in the future.
What Is Friendship About?
The official synopsis for Friendship, as per A24, reads:
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Cosmopolitan
42 minutes ago
- Cosmopolitan
Benito Skinner Joins Cosmo's 'Blind Date' Video Series About Dating
Benito Skinner is a hot commodity these days, in part thanks to his new Prime Video series Overcompensating, which he wrote, created, produced, and starred in. But amid all the mayhem that being a multi-hyphenated icon surely yields, it sounds like Benito still has time to tend to his dating life. No, I'm not referring to Benito's relationship with his partner of nearly 10 years, Terrence O'Connor. I'm talking about his dinner get-together on the latest episode of Blind Date, a video series with none other than Cosmopolitan's editor-in-chief, Willa Bennett. Even though dear Benito was about 32 minutes late (we were counting), he proved to be quite the charming guest. The sparks flew! Throughout their meal, Willa and Benito dove into all things dating and relationships— including Benito's stance on monogamy and the reason he had to dump someone via text once. Some might consider it rude to bring up your long-term relationship on a first date, but regardless, Benito shared where he and Terrence stand in the whole proposal which A-list actor hit on him (by his interpretation). Watch the full episode above and enjoy!
Yahoo
2 hours ago
- Yahoo
OUTtv: They're Here, They're Queer, They're Canadian!
While parts of Hollywood tiptoe backward on LGBTQ+ rights amid MAGA-fueled DEI backlash, Canada's OUTtv is strutting forward in heels — unapologetically and internationally. Billed as the world's first LGBTQ+ TV network, OUTtv launched in 2001 with a major assist from Canada's broadcast regulator, which granted it 'must-carry' status — meaning cable providers were required to include it in basic TV packages. That early boost helped the channel survive its startup years in the red light district high up on the Canadian TV dial. More from The Hollywood Reporter Scarlett Johansson, Jonathan Bailey and 'Jurassic World Rebirth' Cast Stun London at World Premiere Eurovision Drama and 'The Nameless': Movistar Plus+ Exec Touts Focus on Event Programming Lewis Hamilton Signed Off on Brad Pitt and Damson Idris' Driving in 'F1: The Movie' But under CEO Brad Danks, OUTtv has morphed into a scrappy global streaming player, now available on Prime Video (North America, Australia, New Zealand), Apple TV+ (U.S. and Canada) and the Roku Channel (U.S.). More recently, OUTtv grew its European footprint by launching the FAST channel OUTflix Proud on Freeview in the UK. 'We really said, 'It's time to put our big-boy pants on and make our own content,'' says Danks. A big bet on streaming platforms in international markets was also encouraged by OUTtv early on finding licensing content increasingly impossible or too costly to obtain, not least as emerging streamers nabbed series rights as they entered the Canadian market. So OUTtv joined the original series game to attract subscribers on cable and digital platforms. OUTtv pivoted to such originals as Call Me Mother (a drag queen competition), Sew Fierce (for drag wardrobe designers) and Drag House Rules (a satirical spin on the genre). Canada's earlier embrace of queer rights — including same-sex marriage in 2005 — also gave OUTtv a head start as the Canadian Supreme Court ruling in 2005, a decade ahead of a similar U.S. Supreme Court ruling, opened the way for greater gains for Canadian queer communities. To be certain, divided Canadians still debate trans athletes, gender-inclusive bathrooms and drag queen events, but with less hate-filled speech than stateside. But Danks says a backlash is bubbling. 'There's been a real conservative revival,' he notes. 'I get arguments from people I haven't seen in 25 years — about spreading disease and mental illness and all that stuff.' The hate mail is louder in the U.S., where OUTtv expanded via streaming deals. 'You get kind of used to it,' Danks shrugs. 'But it's on a higher volume level.' He adds Canada faces its own retreat on queer rights in recent years, compared to a decade ago. That backlash in Canada coincides with the MAGA movement stateside. 'I would not have thought the United States would have been in the throes of this democratic crisis they're in right now. If you would have told me 15 years this would have been happening, I would have told you you're crazy,' Danks argues. OUTtv continues to expand into more precarious territories — recently partnering with Chunghwa Telecom in Taiwan — while navigating censorship and coded rejections abroad. 'They'll say it's 'niche' or 'controversial,' ' Danks says. 'But we know what that means.' But as major Hollywood studios meld into their global-facing streaming platforms, local broadcasters looking to differentiate themselves in an increasingly crowded TV market are turning to OUTtv for partnerships. All of which has allowed what began as a regulatory oddity on the Canadian dial to become a global platform for queer storytelling — porn-free, proudly indie and determined to keep growing. 'It's a marathon,' Danks says. 'But we're still running.' This story appeared in the June 11 issue of The Hollywood Reporter magazine. Click here to subscribe. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Yahoo
2 hours ago
- Yahoo
‘Disclaimer' Editor Adam Gough on His Shorthand With Alfonso Cuarón: ‘We Don't Need to Talk Much'
When Alfonso Cuarón stepped into the world of series to direct AppleTV+'s 'Disclaimer,' he called on Adam Gough to assemble and cut the series. The two had previously worked together on 'Children of Men,' with Gough serving as an apprentice editor. In 2018, the two joined forces again to co-edit the Netflix film, 'Roma.' Through it all, they had developed a shorthand where minimal communication was key to their collaboration. More from Variety Finneas on Scoring 'Disclaimer' For Alfonso Cuarón - 'I Didn't Know How to Score For a String Quartet, So, I Had to Learn' 'An Almost Christmas Story' Director David Lowery on His First Animated Short and Choosing CG Over Live-Action 'Disclaimer': Why Cate Blanchett Wanted to Wear Something Red for Every Scene 'Disclaimer' is based on the novel of the same name by Renée Knight. It follows acclaimed journalist Catherine Ravenscroft, played by Cate Blanchett, who receives a novel from an unknown author. She is horrified to realize she is now the main character in a story that exposes her darkest secrets and forces her to confront her past. Sacha Baron Cohen plays her husband, Robert, and Kodi Smit-McPhee plays their son Nicholas. As the series straddles a non-linear structure, going between present, telling Catherine's story, Steven's story (Kevin Kline's) and flashbacks. Gough found episode 5 to be the most compelling. 'It's where we introduce Nicholas' perspective. This is when the entrapment of the catfishing kicks in with this Instagram sequence between Steven and Nicholas.' He adds, 'This is also where we start cutting between two perspectives.' Previously, every scene had been a standalone perspective. In finding the editorial rhythm, Gough says it took a moment because the show's cinematographers, Bruno Delbonnel and Emmanuel Lubezki, offered him different styles. 'But we're in the same time, same lighting, so we've got the sun going behind clouds in one scene, and we back out again to the other character, and they had this beautifully complicated lighting arrangement, which I can't get my head around, but was always having to keep that in mind.' As the Instagram sequence was scripted, Gough explains, it was 15 pages of script. Delbonnel and Lubezki shot every perspective. 'We had options to go to any character at that moment. So when Nicholas and Stephen were talking, we had both sides of the conversation.' That allowed him to increase tension and speed up interaction between the two as the messages were being sent. It also allowed Gough to jump to cuts and closeups with the actors to get reactions because 'we wanted to avoid using the graphic overlays, that has kind of become a little bit like a cliché.' In editing the finale, once again, everything Gough needed was in the script. This episode reveals what really happened to Catherine and what needed to be changed editorially. The episode flips the narrative on its head when Catherine gets to tell her side of the story. This is no longer a story of a woman who supposedly seduced a younger man and let him drown when he saved her son, it turns out, Jonathan, the young man, sexually assaulted her. Says Gough, 'We start introducing jump cuts and making it very rough, and the sound there wasn't important. We play into memory.' In his first assembly for the episode, Gough says as the flashbacks return to Italy, the voices are lowered and muffled. 'That story structure was always based on Catherine's perspective from that kitchen; you always still felt present in her story.' In cutting the assault sequence, Gough knew it was going 'to be absolutely horrendous and horrible.' The question was how long did he hold on Catherine's face? Gough admits, 'It was difficult to cut and something that I really appreciate working with Alfonso. When we can hit these heavy moments, we have the beautiful shorthand where we don't need to talk much. We can do very minimal communication.' Gough recalls cutting the birth sequence in 'Roma.' He says, 'It was pretty much just a session of looking at each other, head nods, very minimal answers, just very serious. We want to get through this once and do it right.' By the series ending, when Catherine is back at the house with Nicholas, Gough notes, 'It's brighter and more relaxed, and this build-up of Nicholas still not knowing. It's that crescendo of moments of completing his story, and that he is the heart of 'Disclaimer' as well.' He adds, 'I love that long push in the track that they do in at the end, and we go to white. It was knowing we'd gotten to a place of definitive punctuation at the end. For me, it was that final breath to settle any answers or doubts.' Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar
