
Songwriter Jann Klose collabs in joyful melody
Celebrated and award-winning songwriter Jann Klose has always been a lone-ranger kind of word and song man. He's collaborated before, but his new single When I'm With You, released last month, marked the first time that he opened creative floodgates and allowed someone else in to share his entire process.
That certain someone was Everett Bradley of Bon Jovi. It's where friendship, openness to mutual influence and talent intersected to create an upbeat tune of multiple layers and universal appeal, while still making a listener feel like the music is talking to them, individually.
'I used to write everything by myself,' Klose said. 'I didn't want anyone else touching it. But this was different. Everett's a close friend. He started the session with a groove, not lyrics, and that opened something up.'
A partnership that 'opened something up'
The two had played in the same music circles in New York for years before finally working together. When they did, it turned into more than just a writing session. 'We've both got enough childhood trauma to fill a library,' Klose said. 'That kind of honesty made it feel safe to go deep. We just spoke openly and let the music follow.'
Also Read: Film extraordinary: Bono's Stories of Surrender
The track reflects this sentiment. 'It's not about being in love,' he said. 'It's about connection. For me, I thought of my best friend. But it could be anyone. It could be someone who makes you feel seen, who doesn't judge you.' The song, he said, is also a reaction to the way people have stopped paying attention to each other. 'We live on our phones. Everyone's staring down all day. There's very little actual presence anymore,' he said. 'Music still cuts through that. It reaches people in a different way.'
Many artists believe music can change the world, or the world within. 'I don't know if it can fix anything. But I know it helps me. It helps people feel something. And maybe that's enough. Because you don't fix the world in one go. You fix things between people. One conversation, one connection at a time.'
It's not charcoal music
Bradley also produced the track and directed arrangements to a sound that feels fresh without turning it into charcoal music; overdone and overcooked. 'It's the kind of track that feels personal, even while it's playing loud,' Klose said. The single was recorded in New York with a team of musicians Klose has worked with before.
The idea of writing with someone else wasn't always on the cards. Klose didn't want to ever really do it. 'I didn't trust it,' he said. 'I was worried someone would run off with my idea or it just wouldn't come out the way I wanted. But that changed when I came back to South Africa in 2016. I was part of a writing camp, and it was the first time I really let other people into my writing.' He then collaborated with artists like Karin Zoid, Amanda Black, Tamara Dey and Zion. 'I think it was the space, or maybe I was just ready. I dropped the fear and realised the music could actually be better with other people in the room.'
Making music is stressful
With a partner or not, said Klose, creating new music is always stressful. 'Every time it's nerve-wracking,' he said. 'Someone's always going to say it should've been produced differently, or you should've sung it another way. But you've got to let that go. At some point, you just back yourself.'
Klose grew up in Kenya, South Africa, Germany and the United States and has released seven albums and two EPs. His music has featured in Greetings from Tim Buckley, One Little Finger, and MTV Cribs, and he's shared stages with John Oates, Pat Benatar, Suzanne Vega and The Yardbirds amongst others.
Now Read: Guy Buttery's 'Orchestrations' is a musical meditation

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The Citizen
29-06-2025
- The Citizen
Songwriter Jann Klose collabs in joyful melody
Celebrated and award-winning songwriter Jann Klose has always been a lone-ranger kind of word and song man. He's collaborated before,... Celebrated and award-winning songwriter Jann Klose has always been a lone-ranger kind of word and song man. He's collaborated before, but his new single When I'm With You, released last month, marked the first time that he opened creative floodgates and allowed someone else in to share his entire process. That certain someone was Everett Bradley of Bon Jovi. It's where friendship, openness to mutual influence and talent intersected to create an upbeat tune of multiple layers and universal appeal, while still making a listener feel like the music is talking to them, individually. 'I used to write everything by myself,' Klose said. 'I didn't want anyone else touching it. But this was different. Everett's a close friend. He started the session with a groove, not lyrics, and that opened something up.' A partnership that 'opened something up' The two had played in the same music circles in New York for years before finally working together. When they did, it turned into more than just a writing session. 'We've both got enough childhood trauma to fill a library,' Klose said. 'That kind of honesty made it feel safe to go deep. We just spoke openly and let the music follow.' Also Read: Film extraordinary: Bono's Stories of Surrender The track reflects this sentiment. 'It's not about being in love,' he said. 'It's about connection. For me, I thought of my best friend. But it could be anyone. It could be someone who makes you feel seen, who doesn't judge you.' The song, he said, is also a reaction to the way people have stopped paying attention to each other. 'We live on our phones. Everyone's staring down all day. There's very little actual presence anymore,' he said. 'Music still cuts through that. It reaches people in a different way.' Many artists believe music can change the world, or the world within. 'I don't know if it can fix anything. But I know it helps me. It helps people feel something. And maybe that's enough. Because you don't fix the world in one go. You fix things between people. One conversation, one connection at a time.' It's not charcoal music Bradley also produced the track and directed arrangements to a sound that feels fresh without turning it into charcoal music; overdone and overcooked. 'It's the kind of track that feels personal, even while it's playing loud,' Klose said. The single was recorded in New York with a team of musicians Klose has worked with before. The idea of writing with someone else wasn't always on the cards. Klose didn't want to ever really do it. 'I didn't trust it,' he said. 'I was worried someone would run off with my idea or it just wouldn't come out the way I wanted. But that changed when I came back to South Africa in 2016. I was part of a writing camp, and it was the first time I really let other people into my writing.' He then collaborated with artists like Karin Zoid, Amanda Black, Tamara Dey and Zion. 'I think it was the space, or maybe I was just ready. I dropped the fear and realised the music could actually be better with other people in the room.' Making music is stressful With a partner or not, said Klose, creating new music is always stressful. 'Every time it's nerve-wracking,' he said. 'Someone's always going to say it should've been produced differently, or you should've sung it another way. But you've got to let that go. At some point, you just back yourself.' Klose grew up in Kenya, South Africa, Germany and the United States and has released seven albums and two EPs. His music has featured in Greetings from Tim Buckley, One Little Finger, and MTV Cribs, and he's shared stages with John Oates, Pat Benatar, Suzanne Vega and The Yardbirds amongst others. Now Read: Guy Buttery's 'Orchestrations' is a musical meditation


The Citizen
06-06-2025
- The Citizen
Film extraordinary: Bono's Stories of Surrender
The narrative tracks the formation of the band, many of the songs, and what lies beneath. Stories of Surrender is personal and for everyone at the same time. Picture Supplied It's a film that ends on a high. A kind of unexpected high that's heavy and light at the same time, but biographical in its totality of moment. Bono's Stories of Surrender, now on Apple TV, ends with an incredible rendition, in full tenor armour, with Torna A Surriento or Take Me To Sorrento. It was one of his father's favourite songs. A vocal tour de force for the U2 frontman. Stories of Surrender was released at the end of May. It's a monochrome ninety-something minute epic based on Bono's one-man theatre performances after publishing his biography of the same name. If you have read the book, you will appreciate the show immensely. Even if you haven't, it's still a fantastic watch, if for nothing else than the star's showmanship. It's the theatre of the one-man show, brought to life in a style not dissimilar to Rattle and Hum of the late eighties. It's storytelling about the ghosts of life stages past, present and hints of a future. It's about how love and justice drove a man to be loud about his convictions. Father and son, mother and son. Facing the possibility of death when his heart nearly failed in 2016. It's storytelling, it's struggle, it's humble In between, Bono's struggle with God, religion, his need to banish his ego and be one of us, ordinary folk. And then, there was the band. There is the band. Where is the band? Larry Mullen Jr., Adam Clayton and The Edge are not there. His dad is not there. Mom, Iris, is a central character who shaped his adulthood in her absence. A harp and a few other strings accompany Bono's tuneful breaks between conversation with the audience. Empty chairs are arranged and rearranged to illustrate the ghosts, the souls that have and continue to impact his life. The simplicity of it all, in black and white, is engaging to the very end. It's theatre that holds a shotgun of emotion, relevant to all of us. The narrative tracks the formation of the band, many of the songs, and what lies beneath. The singer called himself a 'fucking idiot' in the early days of U2, particularly at the time of writing I Will Follow, the anthemic opening track of their debut Boy. He tells of taking The Edge's guitar and how he started making 'drill-like' sounds. The Edge responded, encouraging him despite not being sure whether he liked it. Bono handed back the guitar, and The Edge turned the riff into what we know today. It's a moment in time that defined a band that can argue, fight, and create, but always together. Bono is one of four Bono called the show a Quarterman performance because he is one of four. And nothing without his comrades. Also Read: U2's 'How to Reassemble an Atomic Bomb' is a satisfying throwback Manager Paul McGuinness, now retired, was credited as the glue that held them all together. Bono tells of their first breakup after Boy and their brushes with fundamentalist Christianity. He credits the love of his life, Alison Hewson, nee Stewart, as the woman who co-wrote his story. Later, the singer, fully shed of his Achtung Baby Macphisto persona, now only a man in reflection, confesses. He places his ego in the dock and asks himself whether his crusade to save the world was simply a child-like desire to be the centre of attention, or real? Surrender, also on the band's debut album, was the first song that Bono wrote at 18. It was the track that entrenched the somewhat angst, somewhat in love, somewhat seeking internal and external justice feel of the band's entire career. Not haunting, exactly, more like loitering in the back of his head, still muttering wisdom wrapped in sarcasm of Bobo's da' Bob Hewson. Like most sons since time began, Bono had a thing about wanting his dad to get him, to understand him and to be proud of him. And when he didn't, he turned up the volume. That need for approval, that ache, became the amplifier for the life he built, said Bono. The influence of Da' The story of Bob Hewson, inside the story, settles into the worn armchairs of Finnegan's Pub in Dublin, the Sorrento lounge to be precise. This was where father and son would share space more than conversation. He shares anecdotes from Pavarotti to his dad meeting Princess Diana and how, when Pride was released, Bob Hewson admitted to 'feeling some'. Stories of Surrender isn't just about a band, a singer, and his story. It's in a way, all our stories. And it's fantastically woven together as a work where one man exposes himself, and we can all hide behind his narrative. It's learning that other people are the giants on whose shoulders we rise and stand. And reach for the stars. It's a film where moments of surrender can resonate loudly, to the point of your own tears. ALSO READ: The Spikes and Bondage that set rock free


The South African
14-05-2025
- The South African
Tyla and Blackpink's Lisa team up for captivating new single
South African sensation Tyla is joining forces with global superstar Lisa for the enchanting track When I'm With You . The song was released as part of Lisa's debut solo album Alter Ego on 28 February 2025. The collaboration has quickly captured the hearts of fans worldwide, including those right here in South Africa. The song showcases Tyla's soulful vocals alongside Lisa's distinctive flair, blending effortlessly into a smooth, emotive soundscape. When I'm With You explores the deep longing and all-encompassing desire to be close to a loved one. Tyla's heartfelt lyrics and Lisa's dynamic delivery create an intimate atmosphere that resonates with listeners. As Tyla herself sings, 'I don't want to be nowhere without you / Baby, I don't want to let you out of my sight,' the track becomes a tender ode to connection and devotion. Tyla, a proud South African artist, has been steadily rising on the international stage. Her recent performances at major events like Coachella 2025 have cemented her status as a global star. Lisa, a rapper and dancer from K-pop powerhouse Blackpink, has taken a bold step with Alter Ego . The album is her first solo album. The album features a rich mix of hip-hop, electropop, and trap, and includes collaborations with renowned artists like Doja Cat, Rosalía, and Future, alongside Tyla. Lisa's versatility shines through, but it's her synergy with Tyla on When I'm With You that stands out as a heartfelt highlight. The song's production credits include top names like Sammy Soso and Ari PenSmith, ensuring a polished and contemporary sound that appeals to a global audience. In the words of Tyla, 'This song is about that feeling when you just want to be close to someone, no matter what.' Lisa adds, 'Collaborating with Tyla brought a new depth to the track. Her voice and spirit are incredible.' Together, Tyla and Lisa have created a beautiful anthem for love and connection that South African fans can proudly claim as part of their musical heritage. Keep an eye out for live performances and further collaborations from these two rising stars. The future looks bright, and When I'm With You is just the beginning. Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1. Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.