
Sabrina Carpenter and Sydney Sweeney's favourite self-tanner is the best for a natural looking glow this winter
Her secret? Aussie sunless tanning brand, Loving Tan.
The cult-favourite self-tanning brand known for its natural finishes and pro-quality formulas, is currently offering one of its rare sitewide sales.
From May 15 to May 22, shoppers can enjoy 15 per cent off everything (excluding sets and gift cards) with the code TAN15, plus a bonus gift: a free back applicator with orders over $50.
Which means you can pick up a 2HR Express Mousse for just $33.95 (usually $39.95).
Loving Tan's hero product is the 2HR Express Dark Mousse, which is a go-to for Sabrina Carpenter when she's touring the globe.
With more than more than five million units sold globally, it's a best-seller for good reason.
The mousse delivers a deep, natural-looking tan in just two hours and has earned accolades across the beauty industry, from being crowned the number one self-tanner at Ulta Beauty to being featured in publications like Vogue and Allure.
It's also recently been seen on Sydney Sweeney at the Met Gala, and on country star Ella Langley at the ACM Awards, proving its versatility across skin tones and styles.
Shoppers have given the fake tan, a 4.8-star rating on Loving Tan's website.
'This is natural looking and my skin feels great,' one impressed shopper wrote.
'It left me with the most seamless sun kissed and bronzed tan, also super easy to apply, ' a second person added.
'I've used tons of self tanners and none compare to this one. It's natural, doesn't have an intense odour, and lasts! Will definitely be repurchasing,' a third reviewer commented.
Also included in the sale is Loving Tan's new Deluxe Freckle Pen, which uses the same tanning technology found in their self-tanners to create long-lasting, natural-looking faux freckles.
Designed with a precision tip and infused with aloe, it offers a playful way to enhance the skin with a sun-kissed touch that lasts up to three days.
For those looking to elevate their application technique, the newly launched Flawless Brush Collection offers professional-level blending tools that help achieve an airbrushed finish with zero streaks or mess. The brushes are designed to work seamlessly with Loving Tan's mousse formulas, making at-home tanning easier and more polished than ever.
As one of the only sales Loving Tan runs throughout the year, this event is a rare opportunity to stock up on the products that beauty insiders — and stars like Sabrina Carpenter — swear by.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sky News AU
4 hours ago
- Sky News AU
‘Donald Trump has great jeans': Sydney Sweeney controversy mocked with spin-off ad
Sky News host Chris Kenny reacts to the AI-generated parodies which have been spawned from Sydney Sweeney's controversial American Eagle campaign. 'My favourite one though is this one that involves of course the US President,' Mr Kenny said. 'Donald Trump has got great jeans ... I can imagine him turning up at this summit in double denim.'


Perth Now
4 hours ago
- Perth Now
‘Boycott': Aussies fume over Netflix's latest price hikes
Aussie Netflix users have been quick to call out the streaming giant following its sixth price increase since entering the Australian market in 2015. On Wednesday, the platform announced all subscription tiers would be impacted as early as September this year. Understandably, it's not been met with open arms by users already impacted by the cost-of-living pinch. Taking to social media, users even threatened to 'cancel' their subscriptions as they vented their frustrations. 'Greedy company. Raising prices multiple times per year will only push more ships into the sea,' one person said. 'Boycott Netflix. Raising prices again...,' another added. Aussies react to Netflix price rises. Credit: Supplied In response to the promotion of the Netflix original film My Oxford Year, other Netflix subscribers argued the quality of content available for streaming didn't warrant the uptick in price. 'Worst content on your platform in history losing so many shows and you think you need a price increase 😂,' one user said. 'Another price increase? Cancel time,' another chimed in. Subscribers on Netflix's two standard plans will be forced to part with an extra $2 every month, with the 'standard with ads' option shifting from $7.99 to $9.99, and the ad-free Standard plan now set at $20.99 monthly. Prince Harry and Meghan Markle have become regular features on Netflix. Credit: Netflix / Netflix Premium subscribers are looking at the steepest leap, with a $3 rise, taking the plan from $25.99 to $28.99. According to tech site Tom's Guide, Netflix's initial prices for Australian users were $8.99 monthly for a basic ad-free plan and $14.99 for premium access, making today's Premium option nearly double the cost. Netflix said the higher prices would allow them 'to bring you even more exciting, new entertainment', promising 'fresh, can't-miss shows and movies every week'. Netflix (inclusive of price updates) $9.99/month - inclusive of ads $20.99/month - Standard ad-free $28.99/month - Premium ad-free Amazon Prime $9.99/month — inclusive of ads $12.98/month — ad-free Stan $12/month — Basic ad-free $17/month — Standard ad-free $22/month — Premium ad-free Apple TV+ $12.99/month — ad-free Disney+ $15.99/month — Standard inclusive of ads $20.99/month — Premium ad-free Binge $10/month — Basic inclusive of ads $19/month — Standard ad-free $22/month — Premium ad-free Paramount+ $6.99/month — Basic inclusive of ads $10.99/month — Standard ad-free $13.99/month — Premium ad-free Australian streaming platform prices compared. Credit: Supplied

Sydney Morning Herald
4 hours ago
- Sydney Morning Herald
Rocky Horror changed my life 50 years ago. I've been in a time warp ever since
In 1973, I was a 19-year-old hoofer either busking the streets of London in top hat, tails and tap shoes or being the soda jerk at a Knightsbridge cafe, dressing like Ruby Keeler, keeping boredom at bay by tap dancing on tables to 1930s music. Jim Sharman, another Aussie, arrived at the cafe with actor Richard O'Brien, whose unfinished rock musical based on Frankenstein, Jim had agreed to direct. Jim was explaining that the script needed two more servants as one was not enough for back-up vocals. On seeing me, he turned to Richard and said, 'There's your servant.' It was my first professional role on the London stage – in the tiny attic of The Royal Court Theatre, the Theatre Upstairs. A three-week rehearsal period to be followed by a three-week run for a play described by O'Brien as a 'fun knees-up'. The Rocky Horror Picture Show was the result of a symbiotic, creative, relationship between O'Brien, Sharman, set designer Brian Thomson, musical director Richard Hartley, costume designer Sue Blane and, of course, actor Tim Curry. The following year, we all gathered in the freezing cold Bray Studios an hour outside London to begin filming The Rocky Horror Picture Show. Fox offered Jim a big budget and all-star cast but Jim wanted to use the original stage cast so Fox slashed the budget and gave him less than six weeks to shoot it. The one casting that they insisted on was that Brad and Janet be played by Americans. He flew to LA and cast Susan Sarandon and Barry Bostwick. The film opened to silence. Fox gave it a minimal distribution and it was shelved. But then a man in the publicity department at Fox's LA office decided to take it off the shelf and have a look. He thought it could work being shown at midnight screenings at the Waverly Theatre, New York City and sent it over. The same audience came week after week and began dressing up as the characters. Then they started calling out to the screen – the first one was when Janet puts a newspaper over her head to protect herself from the rain, that was the beginning of the callbacks. Soon after that, they began performing in costume in front of the screen and the 'shadowcast' was born. We had no idea about this until we were invited to New York for a one-year celebration of The Rocky Horror Picture Show and there were fishnets galore – lines of sequinned Columbias, Frank-N-Furters and the rest of the cast. It was fabulous. I think one of the reasons it has become a cult hit is because it is a joyous celebration of all things homosexual, bisexual, transsexual, heterosexual and cross-dressing. The script is witty, there's not a dud song in it, and it doesn't take itself seriously. The film has helped sexually liberate great swaths of conservative America. It took me some time to realise many of the fans were a combination of nerds who stayed in their rooms, unable to express themselves or people struggling with their sexuality. I find it so uplifting to be part of something that has and, 50 years later, continues to liberate so many. Many fans tell me that they had felt isolated or lonely, even cast out by their families, then discovered The Rocky Horror Picture Show community and found their people. I've met so many fans who have met their partners this way and now have a gaggle of mini fans. It brings me so much joy to be part of a film which has had such a positive and profound effect on so many people and continues to this day.