
Tech DJ teams up with producer for powerful new release
The Berlin-born DJ, producer and visionary has been shaping the sound and spirit of techno for over four decades.
2
As the founder of the iconic Love Parade in 1989, which started as a small dance protest with just a few friends, Dr. Motte ignited a global movement.
By 1999, the Love Parade had grown into the biggest dance music event in history, uniting 1.5 million people on the streets of Berlin in a celebration of peace, music, and togetherness.
Dr. Motte's life's work is rooted in the belief that electronic music can be a unifying, cultural force.
In 2019, he launched Rave The Planet, an annual initiative and parade aimed at securing techno's place as a recognised cultural heritage.
Thanks to his ongoing activism, Berlin's techno scene was officially added to the German UNESCO Commission's list of intangible cultural heritage, a huge milestone in preserving the genre's roots and cultural impact.
Dr. Motte & Marc van Linden – Our Future Is Now - STREAM HERE.
In celebration of this year's Rave The Planet which takes place on July 12 in Berlin, and his unwavering dedication to the scene, Dr. Motte has teamed up with heavyweight producer Marc van Linden for a powerful new release: Our Future Is Now, the official anthem of the Rave The Planet parade 2025.
It's a sonic manifesto built on iconic synth stabs, acid-soaked 303s and Dr. Motte's evocative spoken word. It pulses with unity, hope and the belief that the future we dream of is being shaped on today's dance floors.
All proceeds go to Rave The Planet's non-profit mission to protect, promote and celebrate techno culture and to keep the spirit of the original Love Parade alive.
On the decks, Dr. Motte is as captivating as ever. His sets are unpredictable journeys through the techno cosmos. Raw, energetic, and emotionally charged.
Whether he's playing intimate underground clubs or headlining major festivals he continues to embody the essence of rave culture.
Now, as he marks 40 years in music in 2025, The Night Bazaar is honoured to welcome Dr. Motte to The Night Bazaar Sessions with an exclusive DJ mix on Mixcloud. It's a powerful transmission from one of techno's true masters and a timely reminder of the music's enduring power.
He told us: 'This mix is my little journey through different shades of our scene – from raw underground energy to classic rave spirit. Music connects us, no matter if it's fresh tracks, timeless remixes or our own productions.
"For me, it's always about spreading the idea behind it: love, unity and positive energy.'
And don't forget to check out the June edition of The Night Bazaar Drum & Bass Music Show with Promo ZO which is available to listen to now at HERE. https://www.mixcloud.com/thenightbazaar/promo-zo-the-night-bazaar-drum-bass-music-show-june-2025/
2
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
7 hours ago
- The Independent
Bayreuth's 2025 production of Wagner's 'Meistersinger' features a Technicolor look — and a twist
In Wagner 's home theater, a twist has been added to the classic opera 'Die Meistersinger von Nürnberg.' Instead of Walther joining the guild of master singers and preparing to marry Eva after he wins the song contest, in Bayeuth's new version she grabs the medal out of the young knight's hands, returns it to her father, then leads her future husband offstage for a future forsaking the traditions of their family and city. 'No thank you. Let's go!' explained soprano Christian Nilsson, who is singing Eva in her role debut. 'She is a strong girl.' Matthias Davids' production runs through Aug. 22, emphasizing entertainment with a Hollywood Technicolor look highlighted by an upside-down inflatable cow and a tiny St. Catherine's Church atop 34 steep steps. Cow image dominates set Nilsson's Eva arrives for the Feast of St. John. encased in flowers with additional blossoms in her headdress, carried atop horizontal poles by four men. 'We were always referring to Eva as the prize cow. We said she is sold like a prize cow,' said Davids, a 63-year-old German director known for his work in theater musicals. That idea led to the huge heifer, manufactured by a company that makes inflatables and covered with flame retardant coating, according to set designer Andrew Edwards. Sixtus Beckmesser, the petulant town clerk who loses the song contest to Walther, pulls the plug on the cow, which darkens and sags, during the final oration defending the imperative of German art by the cobbler Hans Sachs. While Sachs runs to restore the connection — reinflating the bovine balloon and restoring light — the young lovers reject him and what he stands for. Townspeople, many wearing conical red caps that give them elf-like looks, shrug their shoulders at the final notes as Sachs and Beckmesser argue upstage. Wagner's happy ending not always kept When 'Meistersinger' premiered in 1868, Wagner presented a happy ending in which Walther and Eva joined together and he is admitted to guild. Davids' ending is less jarring than Kasper Holten's 2017 Covent Garden staging, set in a men's club where Eva is horrified Walther would want to join the misogynistic Meistersingers and runs away in tears. 'I saw some productions and I always found them kind of heavy and meaningful,' Davids said. He read Wagner's letters about his desire to produce a comedy to earn money and decided to search for lightness and humor while realizing comedy can't constantly sustain over four hours. Details were worked out during rehearsals, with Davids inspired by the chemistry of Nilsson and tenor Michael Spyres, who also was making his debut as Walther. Nilsson maintains a beatific beam during Walther's prize song. 'I really felt like in this production Eva and Walther truly had a fun connection — fun, young, loving connection — and I just leaned into that and listened to Spyres' beautiful tenor,' Nilsson said. Bringing levity, and an Angela Merkel look-alike, to the stage Davids' contrast was sharp from Barrie Kosky's 2017 production, set partly in Wagner's home of Wahnfried and the Nuremberg trials courtroom, with Walther and Sachs portrayed as Wagner of various ages. This time Georg Zeppenfeld was a grandfatherly Sachs in an argyle button through sweater vest. Beckmesser, played fussily but without histrionics by Michael Nagy, had a shimmering silver sweater below a cream Trachten jacket, mirror sunglasses and lute transformed to resemble a heart-shaped electric guitar outlined by pink light that gave him an Elvis Presley look. Jongmin Park, an imposing Pogner as Eva's father, was attired in a more flowing robe. Eva wore a traditional dirndl and Walther, an upstart, a punkish T-shirt. Susanne Hubrich costumed various townspeople to resemble German entertainer Thomas Gottschalk, comedian Loriot, fans of the soccer club Kickers Offenbach and former German Chancellor Angela Merkel. 'Ms. Merkel is a Wagner fan and attends the Bayreuth Festival almost every year,' Hubrich said. 'I spoke with her after opening night. She was amused.' Edwards, the set designer, had orange and yellow spears of light that resemble fairgrounds and included architectural details from the Bayreuth auditorium such as circular lamps in sets of three in the church and seats like the ones the audience was viewing from. Conductor Daniele Gatti, returning to Bayreuth for the first time since 2011, and the cast were rewarded with a positive reception from a spectators known to make displeasure known after more provocative performances. 'Just looking around the audience, there was a lot more smiles on people's faces at the end than normally you see at the end of Wagner productions,' Nilsson said.


Times
18 hours ago
- Times
The revamped art nouveau Berlin bolt hole loved by Brigitte Bardot
Overlooking the small but pretty Steinplatz, close to west Berlin's Zoologischer Garten, this upscale but intimate five-star stands out from its residential neighbours with a striking art nouveau façade that dates back to the early 20th century. Taken over by the German Roomers brand in 2025, the interior's historic curves and arches are still embellished with modern Jugendstil designs that favour natural motifs, and the small lobby welcomes guests with plush armchairs and granite-and-marble floors. Rooms remain sumptuous with additional contemporary touches and facilities are top-notch throughout, ranging from an overhauled restaurant, bar and atrium lounge, and a top-floor spa area offering massages, treatments and nifty city vistas. Service is friendly and professional. This article contains affiliate links that will earn us revenue Score 8/10Designed by German art nouveau legend August Endell, Hotel am Steinplatz originally opened in 1913 and quickly became a meeting point popular with celebrities such as Alain Delon, Brigitte Bardot, Romy Schneider and Vladimir Nabokov. Dormant for a while during the Cold War years, it was reopened exactly a century later, in 2013. The rooms, kitted out by Berlin designer Tassilo Bost, are all a little different in terms of layout and have restrained colour schemes (browns, beiges, blacks) and, more often than not, high ceilings and curving walls and windows, soft-leather furnishings and art deco lamps and mirrors. The dapper black-and-white marble bathrooms have heated floors and glamorous images printed on glass walls, and new Roomer touches include Marshall Bluetooth speakers, Lavazza coffee machines and 19-69 Kasbah toiletries. The smallest rooms (Deluxe) are still a good size and have views onto the quiet central atrium. The suites facing the leafy Steinplatz square get more light, as well as more space — some have separate living areas — and bathtubs. Your splurge option is the Sauna Suite, with its own private sauna; the Balcony Suite, where actress Romy Schneider was once a regular, has a spacious private 9/10 The ground-floor restaurant is the dapper French-themed Manon Brasserie Nouvelle. It's a small but smartly designed space with stylish seating in reds and oranges, and offers a Francophile menu that spans baked camembert, salmon with potato pancakes, and steak frites; the wines are excellent. Next to the restaurant is the bar, a plush and welcoming space, complete with a killer cocktail menu and regular DJs. Breakfast, served in Manon, is a buffet spread of cold cuts and croissants, warm dishes (sausages, scrambled egg, bacon), plus an à la carte menu of egg and pancake dishes — and, if you're in the mood, a glass of sparkling wine or a morning shot of Belvedere vodka. • Read our full guide to Berlin• More great hotels in Berlin Score 8/10The primary public space here is a small art deco lobby near reception consisting of a couple of leather chairs, a double-sided fireplace and a library of art and design tomes; make sure to peek at the adjacent glass-encased guestbook from the 1920s. The light-filled top-floor spa and fitness area, on the other hand, provides treatment rooms, saunas and a range of high-tech cardio machines and free weights. The courtyard has a retractable roof and Riviera-style furnishings that make it perfect for lounging; in summer, you can also take advantage of the bar's small but pretty outdoor terrace. Score 9/10The hotel is set on a quiet side street just off a busy one (Hardenbergstrasse) along which you can reach Zoologischer Garten in around ten minutes on foot. This is one of the main transport hubs for west Berlin and is surrounded by high-end shops and galleries. Plenty of cultural sights and great gastronomic options are also walkable in 20 minutes or less, including the C/O Berlin photo gallery, the Deutsche Oper, and the Helmut Newton museum, as well as the endless boutiques of Ku'damm and an array of great restaurants on Kantstrasse. Price room-only doubles from £180 Restaurant mains from £22 Family-friendly YAccessible Y Paul Sullivan was a guest of Roomers Berlin ( • Best affordable hotels in Berlin• Berlin v Munich: which is better?


The Guardian
19 hours ago
- The Guardian
Swiping Right review – punchy questions about dating across the political divide
If the Guardian's Dining Across the Divide column were a show, it would look very like Swiping Right. Performed by Sophie Anna Veelenturf of the Belgian company Berlin, it considers how much political opinions should affect our social and sexual relationships. Veelenturf talks directly from experience. An eager participant in online dating, she wonders which potential partners she is filtering out – and, likewise, which of them is filtering her out – because of their stated political leanings. On an app such as Bumble, she identifies herself as being leftwing and consequently meets like-minded people. In an increasingly polarised society, one tribe has decreasing opportunity to talk to the other. Left and right do not even meet, let alone exchange views. But there are exceptions. At the ages of 17, 21 and 23, Veelenturf dated three rightwing men, who she identifies respectively as Max, Noah and Jeff. As part of her research for Swiping Right, which consists primarily of recorded conversations, she contacted these and other friends and ex-partners to see how big a part they thought political difference played in their relationships. The picture that builds up is nuanced. There are those who seek to convert their partner to what they regard as the obvious rightness of their worldview. There are others who enjoy the excitement of being with someone who thinks passionately and independently even when they disagree. Some have too little interest in politics to care; others discover you can keep a lid on differences only until those differences start affecting life choices, such as the friend's husband whose conservative values conflicted with her independence. That is before you include those free thinkers who vote right on some issues and left on others. Veelenturf is willing to be open minded, even if there are some lines she will not cross. If the show is theatrically constrained by its reliance on recordings, it raises spiky questions about the tricky business of getting along. At Zoo Southside, Edinburgh, until 24 August All our Edinburgh festival reviews