Tinā Sails Past Whale Rider At The New Zealand Box Office
Tin made waves across the Pacific, with the widest ever release for a New Zealand film. Released across 132 locations, its impressive debut also claimed the third-highest opening week of all time for a local film, just behind Hunt for the Wilderpeople …
The runaway film success of 2025, Tinā, has hit another milestone by taking $6,498,469 at the New Zealand box office, overtaking Niki Caro's Whale Rider, and securing the fifth spot on the Top Ten Most Successful Kiwi Films list.
Tinā made waves across the Pacific, with the widest ever release for a New Zealand film. Released across 132 locations (Aotearoa, Papua New Guinea, the Cook Islands, Fiji, and Samoa), its impressive debut also claimed the third-highest opening week of all time for a local film, just behind Hunt for the Wilderpeople and Sione's 2: Unfinished Business.
Annie Murray, New Zealand Film Commission (NZFC) CEO, says the incredible response to Tinā shows just how deeply audiences connect with stories that reflect their own lives and communities.
'Breaking into the top five most successful New Zealand films of all time, and surpassing a beloved classic like Whale Rider, is no small feat. Tinā's success in Aotearoa, combined with cinematic release in Australia and the United States, proves a distinctly local story can resonate globally. Its themes of grief, community, hope, and love speak to the human condition. Crucially, Tinā also shows that commercial and critical success are not mutually exclusive. When we invest in stories that speak to who we are, audiences show up in force.'
Tina 's director, producer, and writer, Miki Magasiva, continues to be overwhelmed by how strongly the film has performed.
'What a huge milestone for the team, and we're incredibly proud to reach this significant achievement. We want to sincerely thank everyone who helped us bring this film to life.'
These sentiments were echoed by co-producer, Dan Higgins, 'To surpass the legacy of Whale Rider is both humbling and surreal. The success of Tinā belongs to our extraordinary cast and crew, and to the audiences who filled cinemas in their hundreds of thousands—this milestone is truly yours.'
The film has been distributed in New Zealand and Australia by Madman Entertainment, Andrew Cozens, General Manager NZ, has been impressed with how local audiences have embraced the film.
' Tinā has shown the magic of the big screen is alive and well, capturing the hearts of New Zealand audiences with its incredible 24-week uninterrupted run. It has crossed cultural and generational lines to become a true phenomenon – with many audiences making repeat visits to the cinema.'
Since its release, Tinā has carved out a place in New Zealand film history, landing at number five on the Top Ten Most Successful Kiwi Films list:
Hunt For the Wilderpeople (2016) – $12,207,699
Boy (2010) – $9,322,000
The World's Fastest Indian (2005) – $7,059,147
Once Were Warriors (1994) – $6,801,471
Tinā (2025) – $6,498,469
Whale Rider (2003) – $6,496,371
Sione's Wedding (2006) – $4,075,000
What Becomes of the Broken Hearted (1999) – $3,201,000
What We Do in the Shadows (2014) – $2,595,000
Footrot Flats (1986) – $2,400,000
A moving and uplifting drama, Tinā follows Mareta, a grieving Samoan teacher who finds unexpected purpose at an elite school. With standout performances from Anapela Polataivao and rising star Antonia Robinson, the film also features Beulah Koale and Nicole Whippy.
Directed, written, and produced by Miki Magasiva, Tinā was produced by Dan Higgins and Mario Gaoa. The film was made with investment from the New Zealand Film Commission, the New Zealand Screen Production Rebate, and NZ On Air, with financing support from Kiwibank Limited. Madman Entertainment is distributing the film in New Zealand and Australia, and Rialto Distribution have acquired the global rights, including the United States.
About the New Zealand Film Commission (NZFC)
The New Zealand Film Commission (NZFC) is the government agency responsible for supporting and promoting New Zealand's vibrant screen industry. It invests in the development, production, and marketing of New Zealand films, both locally and internationally, and works to grow the country's reputation as a world-class destination for screen production.
The NZFC provides production financing for New Zealand feature and short films, offers talent development initiatives, and administers the New Zealand Screen Production Rebate (NZSPR) – a key driver in attracting major international productions. It also supports official co-productions and offers resources to connect New Zealand filmmakers with global partners.
Through its dual focus on nurturing local storytelling and bringing international productions to New Zealand's shores, the NZFC plays a vital role in the economic and cultural growth of the screen sector.
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Otago Daily Times
a day ago
- Otago Daily Times
'Huge milestone': Tinā surpasses Whale Rider at box office
Director Miki Magasiva says the achievement is a "huge milestone" and he's still overwhelmed by the continued success. Director Miki Magasiva's debut feature film Tinā has pipped iconic Whale Rider at the box office to become the fifth most successful New Zealand film. The film, released earlier this year across more than 100 locations in Aotearoa and the Pacific Islands, also claimed the third-highest opening week of all time for a local film. Magasiva, who also wrote and produced the movie, says he's incredibly proud of this achievement and thanked everyone involved. Co-producer Dan Higgins says it is 'humbling and surreal' to surpass the legacy of Whale Rider. The film follows a choir teacher, Mareta Percival (played by Anapela Polataivao), who is grieving the death of her daughter in the 2011 Christchurch earthquake. Sophie (Antonia Robertson) exchanges a look with her choir teacher Mareta (Anapela Polataivao) in the 2025 film Tinā. Photo: Supplied / Madman Entertainment New Zealand Film Commission chief executive Annie Murray says the success shows how audiences connected with the story. 'Breaking into the top five most successful New Zealand films of all time, and surpassing a beloved classic like Whale Rider, is no small feat,' Murray says. 'Tinā's success in Aotearoa, combined with cinematic release in Australia and the United States, proves a distinctly local story can resonate globally. Its themes of grief, community, hope, and love speak to the human condition. 'Crucially, Tinā also shows that commercial and critical success are not mutually exclusive. When we invest in stories that speak to who we are, audiences show up in force.' Tinā is preceded on the list by the Hunt For the Wilderpeople, Boy, The World's Fastest Indian and Once Were Warriors. Top 10 most successful NZ films Hunt For the Wilderpeople (2016) – $12,207,699 Boy (2010) – $9,322,000 The World's Fastest Indian (2005) – $7,059,147 Once Were Warriors (1994) – $6,801,471 Tinā (2025) – $6,498,469 Whale Rider (2003) – $6,496,371 Sione's Wedding (2006) – $4,075,000 What Becomes of the Broken Hearted (1999) – $3,201,000 What We Do in the Shadows (2014) – $2,595,000 Footrot Flats (1986) – $2,400,000
Scoop
a day ago
- Scoop
Tinā Sails Past Whale Rider At The New Zealand Box Office
Press Release – New Zealand Film Commission Tin made waves across the Pacific, with the widest ever release for a New Zealand film. Released across 132 locations, its impressive debut also claimed the third-highest opening week of all time for a local film, just behind Hunt for the Wilderpeople … The runaway film success of 2025, Tinā, has hit another milestone by taking $6,498,469 at the New Zealand box office, overtaking Niki Caro's Whale Rider, and securing the fifth spot on the Top Ten Most Successful Kiwi Films list. Tinā made waves across the Pacific, with the widest ever release for a New Zealand film. Released across 132 locations (Aotearoa, Papua New Guinea, the Cook Islands, Fiji, and Samoa), its impressive debut also claimed the third-highest opening week of all time for a local film, just behind Hunt for the Wilderpeople and Sione's 2: Unfinished Business. Annie Murray, New Zealand Film Commission (NZFC) CEO, says the incredible response to Tinā shows just how deeply audiences connect with stories that reflect their own lives and communities. 'Breaking into the top five most successful New Zealand films of all time, and surpassing a beloved classic like Whale Rider, is no small feat. Tinā's success in Aotearoa, combined with cinematic release in Australia and the United States, proves a distinctly local story can resonate globally. Its themes of grief, community, hope, and love speak to the human condition. Crucially, Tinā also shows that commercial and critical success are not mutually exclusive. When we invest in stories that speak to who we are, audiences show up in force.' Tina 's director, producer, and writer, Miki Magasiva, continues to be overwhelmed by how strongly the film has performed. 'What a huge milestone for the team, and we're incredibly proud to reach this significant achievement. We want to sincerely thank everyone who helped us bring this film to life.' These sentiments were echoed by co-producer, Dan Higgins, 'To surpass the legacy of Whale Rider is both humbling and surreal. The success of Tinā belongs to our extraordinary cast and crew, and to the audiences who filled cinemas in their hundreds of thousands—this milestone is truly yours.' The film has been distributed in New Zealand and Australia by Madman Entertainment, Andrew Cozens, General Manager NZ, has been impressed with how local audiences have embraced the film. ' Tinā has shown the magic of the big screen is alive and well, capturing the hearts of New Zealand audiences with its incredible 24-week uninterrupted run. It has crossed cultural and generational lines to become a true phenomenon – with many audiences making repeat visits to the cinema.' Since its release, Tinā has carved out a place in New Zealand film history, landing at number five on the Top Ten Most Successful Kiwi Films list: Hunt For the Wilderpeople (2016) – $12,207,699 Boy (2010) – $9,322,000 The World's Fastest Indian (2005) – $7,059,147 Once Were Warriors (1994) – $6,801,471 Tinā (2025) – $6,498,469 Whale Rider (2003) – $6,496,371 Sione's Wedding (2006) – $4,075,000 What Becomes of the Broken Hearted (1999) – $3,201,000 What We Do in the Shadows (2014) – $2,595,000 Footrot Flats (1986) – $2,400,000 A moving and uplifting drama, Tinā follows Mareta, a grieving Samoan teacher who finds unexpected purpose at an elite school. With standout performances from Anapela Polataivao and rising star Antonia Robinson, the film also features Beulah Koale and Nicole Whippy. Directed, written, and produced by Miki Magasiva, Tinā was produced by Dan Higgins and Mario Gaoa. The film was made with investment from the New Zealand Film Commission, the New Zealand Screen Production Rebate, and NZ On Air, with financing support from Kiwibank Limited. Madman Entertainment is distributing the film in New Zealand and Australia, and Rialto Distribution have acquired the global rights, including the United States. About the New Zealand Film Commission (NZFC) The New Zealand Film Commission (NZFC) is the government agency responsible for supporting and promoting New Zealand's vibrant screen industry. It invests in the development, production, and marketing of New Zealand films, both locally and internationally, and works to grow the country's reputation as a world-class destination for screen production. The NZFC provides production financing for New Zealand feature and short films, offers talent development initiatives, and administers the New Zealand Screen Production Rebate (NZSPR) – a key driver in attracting major international productions. It also supports official co-productions and offers resources to connect New Zealand filmmakers with global partners. Through its dual focus on nurturing local storytelling and bringing international productions to New Zealand's shores, the NZFC plays a vital role in the economic and cultural growth of the screen sector.
Scoop
a day ago
- Scoop
Tinā Sails Past Whale Rider At The New Zealand Box Office
The runaway film success of 2025, Tinā, has hit another milestone by taking $6,498,469 at the New Zealand box office, overtaking Niki Caro's Whale Rider, and securing the fifth spot on the Top Ten Most Successful Kiwi Films list. Tinā made waves across the Pacific, with the widest ever release for a New Zealand film. Released across 132 locations (Aotearoa, Papua New Guinea, the Cook Islands, Fiji, and Samoa), its impressive debut also claimed the third-highest opening week of all time for a local film, just behind Hunt for the Wilderpeople and Sione's 2: Unfinished Business. Annie Murray, New Zealand Film Commission (NZFC) CEO, says the incredible response to Tinā shows just how deeply audiences connect with stories that reflect their own lives and communities. 'Breaking into the top five most successful New Zealand films of all time, and surpassing a beloved classic like Whale Rider, is no small feat. Tinā's success in Aotearoa, combined with cinematic release in Australia and the United States, proves a distinctly local story can resonate globally. Its themes of grief, community, hope, and love speak to the human condition. Crucially, Tinā also shows that commercial and critical success are not mutually exclusive. When we invest in stories that speak to who we are, audiences show up in force.' Tina 's director, producer, and writer, Miki Magasiva, continues to be overwhelmed by how strongly the film has performed. 'What a huge milestone for the team, and we're incredibly proud to reach this significant achievement. We want to sincerely thank everyone who helped us bring this film to life.' These sentiments were echoed by co-producer, Dan Higgins, 'To surpass the legacy of Whale Rider is both humbling and surreal. The success of Tinā belongs to our extraordinary cast and crew, and to the audiences who filled cinemas in their hundreds of thousands—this milestone is truly yours.' The film has been distributed in New Zealand and Australia by Madman Entertainment, Andrew Cozens, General Manager NZ, has been impressed with how local audiences have embraced the film. ' Tinā has shown the magic of the big screen is alive and well, capturing the hearts of New Zealand audiences with its incredible 24-week uninterrupted run. It has crossed cultural and generational lines to become a true phenomenon - with many audiences making repeat visits to the cinema." Since its release, Tinā has carved out a place in New Zealand film history, landing at number five on the Top Ten Most Successful Kiwi Films list: Hunt For the Wilderpeople (2016) – $12,207,699 Boy (2010) – $9,322,000 The World's Fastest Indian (2005) – $7,059,147 Once Were Warriors (1994) – $6,801,471 Tinā (2025) – $6,498,469 Whale Rider (2003) – $6,496,371 Sione's Wedding (2006) – $4,075,000 What Becomes of the Broken Hearted (1999) – $3,201,000 What We Do in the Shadows (2014) – $2,595,000 Footrot Flats (1986) – $2,400,000 A moving and uplifting drama, Tinā follows Mareta, a grieving Samoan teacher who finds unexpected purpose at an elite school. With standout performances from Anapela Polataivao and rising star Antonia Robinson, the film also features Beulah Koale and Nicole Whippy. Directed, written, and produced by Miki Magasiva, Tinā was produced by Dan Higgins and Mario Gaoa. The film was made with investment from the New Zealand Film Commission, the New Zealand Screen Production Rebate, and NZ On Air, with financing support from Kiwibank Limited. Madman Entertainment is distributing the film in New Zealand and Australia, and Rialto Distribution have acquired the global rights, including the United States. About the New Zealand Film Commission (NZFC) The New Zealand Film Commission (NZFC) is the government agency responsible for supporting and promoting New Zealand's vibrant screen industry. It invests in the development, production, and marketing of New Zealand films, both locally and internationally, and works to grow the country's reputation as a world-class destination for screen production. The NZFC provides production financing for New Zealand feature and short films, offers talent development initiatives, and administers the New Zealand Screen Production Rebate (NZSPR) – a key driver in attracting major international productions. It also supports official co-productions and offers resources to connect New Zealand filmmakers with global partners. Through its dual focus on nurturing local storytelling and bringing international productions to New Zealand's shores, the NZFC plays a vital role in the economic and cultural growth of the screen sector.
