
The ‘Stuff' of a New York Legend, From Skateboards to $12,000 Sweaters
Hastreiter, now 73, has worn many hats over the years — artist, journalist, curator — but her passion for collecting has remained a constant. Now she has immortalized all her favorite objects, friends and stories in STUFF: A New York Life of Cultural Chaos (Damiani, $75).
'More than a memoir,' she writes, this book collects everything from a $12,000 sweater to a Jeff Koons dinner plate, stickers, jewelry and just about every category of art you can think of, resulting in a 'big chaotic archive' of a half-century's worth of New York culture.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
6 hours ago
- New York Times
A Talisman for Tasteful Travelers
You do not need to break the bank, or even pilfer it, to buy a St. Christopher medal. Like crosses, six-point stars and other religious iconography, the accessory, named for the Catholic saint revered as the patron of travelers, is available at many price points. On the higher-end, options include medals from Tiffany, David Yurman and various small jewelry brands. Some are gold and others have diamonds — but few, if any, luxury versions are quite like the St. Christopher medals sold by Lisa Eisner. For one thing, her silver and bronze medals come with blessings beyond any associated with the saint. They are anointed in ceremonies held in the garden of Ms. Eisner's Los Angeles home, typically with a combination of frankincense, myrrh, sagebrush and mugwort (some of which is grown on the premises). 'It's fluid,' her friend Haley Alexander van Oosten, the founder of L'Oeil du Vert perfumes, said of the formula, which she helped concoct. Ms. Eisner's medals, which start at about $850, also come with what some might call another intangible perk: The ability to say you own jewelry whose fans include the actresses Anjelica Huston and Julianne Moore, the stylist Karla Welch, and the Row founders, Mary-Kate and Ashley Olsen, who recently started offering Ms. Eisner's St. Christopher medals in their brand's stores. Want all of The Times? Subscribe.
Yahoo
18 hours ago
- Yahoo
How ‘The Gilded Age' Women Use Their Jewelry to Show Power and Status
At the heart of HBO Max's 'The Gilded Age,' the drama unfolds not just in whispered secrets but in the historically inspired jewels adorning characters' necks and wrists. Arguably the series' silent star, the jewelry reflects the intense competition among New York's nouveau riche to outshine one another. The series, which is inspired by New York's elite families from the late 19th century, has provided standout jewelry moments throughout its three seasons, with characters played by Carrie Coon, Taissa Farmiga, Christine Baranski and others dripping in pearls, diamonds, oversize gemstones and layered gold chains. More from WWD Completedworks Puts on a Performance in a London Park With Dianna Agron, Fatima Farheen Mirza Completedworks Breathes Life Into Fall 2024 Show With Dianna Agron, Riz Ahmed Fashion Influencer Karen Wazen Launches Jewelry 'They were not shy to wear their jewelry; this I admired, because women were still held back to be conservative, but this gave way to show power and position of status. Their jewelry was flamboyant and clearly showcased success in society,' jewelry designer Mimi So told WWD. The jewelry, like the characters, takes inspiration from history, as viewers see Farmiga's Gladys Russell often wearing pieces that resemble the vast jewelry collection of Consuelo Vanderbilt, on whom her character is based. Selected by costume designer Kasia Walicka Maimone, the pieces from the show illustrate the typical jewelry from the Victorian era, featuring delicate and intricate compositions and gilded details for effect. 'The design feels dated now, but in its time, it ruled. Diamonds weren't just a girl's best friend — they were her values, her status, her armor. Belle Époque tiaras. Edwardian collars. These pieces didn't whisper wealth but declared it, in carats,' CH Jewelers' executive Victoria H. Lee Castro told WWD. In the fifth episode of Season Three, Lady Sarah (Hattie Morahan) highlights the importance of jewelry at the time, scolding Gladys in front of everyone for choosing to wear diamond stars in her hair instead of a tiara, which ultimately leads to the dismissal of Adelheid (Erin Wilhelmi), who recommended Gladys to wear the piece in the first place. 'Everything is styled to feel opulent and intentional. It's less about exact historical replicas and more about storytelling. We love how the jewelry feels and speaks to the character. These pieces were clearly meant to be passed down as heirlooms and cherished for generations,' Logan Hollowell, designer and founder of Logan Hollowell Jewelry, said. 'That blend of opulence and storytelling will always inspire us.' Some of the show's standout jewelry pieces are also seen during scenes where the characters face each other at gala events, using their accessories and costumes to showcase their power and affluence. A ritual that comes straight from history. New York's Gilded Age marked the ascension of enterprising jewelers who catered to the prosperous families of the city. Among them, a name stands out: Tiffany & Co. Founded in 1837, the company built a reputation for fine craftsmanship and imported gemstones, selling pieces to Vanderbilts, Astors, Whitneys and Havemeyers. It was during the Gilded Age that Tiffany & Co. introduced the engagement ring as it is known today — before 1886, when the company unveiled what's called today the Tiffany Setting, diamond rings were set in bezels. The company also traveled the world during that time, promoting American craftsmanship. At the 1889 Paris Exposition Universelle, Tiffany & Co.'s exhibition was described as 'the most extraordinary collection of jewels ever produced by an American jewelry house,' according to the brand. Designs from that time serve as an inspiration to jewelers until today. Now, the show is introducing them to a new crowd through its characters. The season finale of 'The Gilded Age' Season Three will air on HBO Max on Sunday. Photos from HBO's 'The Gilded Age' View Gallery Launch Gallery: Photos from HBO's 'The Gilded Age' Best of WWD Madonna and Sean Penn's 1985 Malibu Wedding Brought Together the Best and Boldest of '80s Fashion Brigitte Macron's Makeup: How the French First Lady Channels '60s Glamour Into Her Signature Look What to Wear When It's Too Hot: Style Tips for Keeping Cool on Sweltering Days Solve the daily Crossword


New York Times
3 days ago
- New York Times
How a Tiffany Bracelet Is Made
Jean Schlumberger, a Tiffany & Co. designer for three decades beginning in 1956, had a talent for translating flora and sea creatures into eccentric jewelry. 'I saw nature and I found verve,' he once said of his work, whose admirers included Jacqueline Kennedy, Elizabeth Taylor and the Duchess of Windsor. In 1965, when the fashion writer Eugenia Sheppard and others gathered for the unveiling of his latest brooch — a diamond-encrusted platinum-and-18-karat gold cockatoo perched on a comically large topaz — some responded with delighted laughter. The horticulturalist Rachel 'Bunny' Mellon was among the first to acquire one (in her case, the perch was a cabochon lapis lazuli). By 1995, eight years after Schlumberger's death at age 80, the brooch had become so iconic that the house created a version with the nearly 129-carat yellow Tiffany Diamond, timed to the designer's retrospective at the Musée des Arts Décoratifs in Paris. Now, two years after Tiffany & Co. built an entire collection around Bird on a Rock, the line expands once again — this time with pieces that veer into abstraction. The Wings bracelet, with a repeating feather motif, embraces Schlumberger's back catalog of avian designs. 'Ideas come to me at pencil point,' Schlumberger said. So, Tiffany's chief artistic officer, Nathalie Verdeille, began her research at the company's archives in New Jersey, where she often looks over drafts and original settings firsthand. Her design team then shared two- and three-dimensional sketches with engineers and master craftspeople at the brand's Jewelry and Design Innovation Workshop, which opened in 2018 in Manhattan's Flatiron district. There the drawings were translated into resin or metal maquettes, and later into final prototypes. In either platinum or rose gold, the hinged Wings bracelet, which requires more than 50 hours to make, features delicate engraving and 261 diamonds of varying sizes, arranged in a cobblestone pattern that evokes ruffled feathers. The effect on the wrist is refined yet playful, a reminder, even in an age of technological supremacy, to enjoy the simple pleasures of nature.