
Jimmy Page Debuts On Multiple Charts At Once, But The Music Isn't New
Jimmy Page and The Black Crowes' Live at the Greek returns to the U.K. charts with a new peak, more ... More than two decades after its original release. (MANDATORY CREDIT Watal Asanuma/) Jimmy Page (guitar) of Led Zeppelin performing on stage at Earl's Court, London, May 1975. (Photo by Watal Asanuma/)
Jimmy Page hasn't needed to release a steady stream of solo material to remain a legend. As a founding member of Led Zeppelin, he helped craft some of the most iconic rock songs in music history and sold tens of millions of albums. But when it comes to working without his band, Page has been much more selective. That makes his latest win on the charts in the United Kingdom all the more exciting.
A new version of one of his only solo-adjacent releases returns him to multiple charts this week. The project has been on something of a major comeback, one which has now lasted several frames, which is unusual for this kind of full-length.
More than 25 years ago, Page joined The Black Crowes for a one-off performance at the Greek Theatre in Los Angeles. The show was a special one for fans of both acts, and thankfully, it was preserved and released as Live at the Greek.
This week, the live effort debuts on two U.K.-based tallies, the Official Vinyl Albums chart and the Official Albums Sales list. It narrowly misses reaching the top 10 on both, settling instead at Nos. 11 and No. 13, respectively.
In addition to its debuts, Live at the Greek also returns to a third list this week. The collection reappears on the Official Physical Albums chart, which tracks the bestselling projects on physical formats like vinyl, CD, and cassette across the country. It's not new to this roster, but this period does mark its best performance yet.
The title comes in at No. 11 on the physical-only tally, matching its placement on the vinyl roster. This marks its seventh appearance on the ranking, and its first in nearly a quarter century. The last time the live effort was spotted on the list was back in August 2000, when it tumbled to No. 95.
Not only is Live at the Greek back, it has now reached a brand new peak, besting its former high point of No. 39 – the only time it appeared inside the top 40 on the tally until now.
This sudden interest in Live at the Greek comes thanks to the fact that it was recently reissued on vinyl in celebration of a special anniversary. The project was released in 2000 – a quarter-century ago – and recorded the year prior, in 1999.
A signed version of Live at the Greek is expected to be made available on Page's official website later this month. If that exclusive edition is offered in limited, but large-enough quantities, it could become responsible for another huge sales push.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
7 hours ago
- Yahoo
'Mind-blowing': Former Barenaked Ladies frontman recalls performing with Brian Wilson
TORONTO — When Steven Page penned an ode to musical visionary Brian Wilson, he never expected to share a stage with the Beach Boy, perform alongside him nor hear him sing "Brian Wilson" to a roaring Toronto audience. But in the summer of 2000, Page says he felt an "absolute dream come true" when all that happened during Wilson's tour stop with Paul Simon at Toronto's Molson Amphitheatre. Page says he knew Wilson had performed the song at previous concerts and expected to hear it, but not as the opening number. As news of Wilson's death broke Wednesday, Page looked back fondly at the memory of being in the audience while a musical hero sang Barenaked Ladies' 1992 hit "Brian Wilson." "Every musician in Toronto was sitting around us, and they all kind of turned their head to look at me," said Page, who later joined Wilson and Simon for the encore to sing Wilson's "Love and Mercy" and the Beach Boys' "Fun, Fun, Fun." "And I thought, like, do I stand up and wave, or do I hide, or what do I do? I mean, just absolute dream come true." Wilson's family posted news of his death to his website Wednesday. He was 82. "Obviously, (I was) sad to hear that Brian had passed. It's been a tough couple years for him, I think, with his declining health and the loss of his wife, Melinda," Page said. Page wrote the song "Brian Wilson" when he was a 19-year-old student at Toronto's York University, drawing inspiration from his own struggles and eager to see more empathy in discourse about mental health in the music industry. Even though he named it after the much-lauded musician who faced highly publicized mental health struggles, Page says he was actually not a great fan of the Beach Boys before then, considering them "lightweight and not as musically evolved." He changed his tune after a classmate made him a mixtape. Page said he always felt Wilson was depicted in the press as a "rock 'n' roll casualty" and wanted to bring more empathy and nuance to discussions of mental health in rock music. "Even then, as a teenager I could hear in the music this kind of struggle between light and dark and that really appealed to me," said Page, who split with Barenaked Ladies in 2009. The tune became a hit for the band and a staple in their live set. Eight years after it appeared on their debut album "Gordon," Barenaked Ladies recorded an album at the same L.A. studio used to make the Beach Boys' classic 1966 album "Pet Sounds." Page says their producer at the time, Don Was, said he had a surprise for the band and introduced them to Wilson and his wife, Melinda. Page says during that meeting, Wilson played them a recording of his rendition of "Brian Wilson," which appeared on his 2000 live album, "Live at the Roxy Theatre." "It was amazing to hear this song that I wrote in my parents' basement when I was a teenager being sung by one of the most important composers in the history of mankind. Even if it was a joke, it was mind-blowing," Page said. "At one point where I sing: 'If you want to find me / I'll be out in the sandbox wondering where the hell all the love has gone / Playing my guitar and singing and building castles in the sun,' he changed it to 'playing my piano.' He just turned to me and said 'I don't play guitar.'" Page also recalls performing "Brian Wilson" with the Barenaked Ladies at a pre-Grammy tribute celebration honouring Wilson in 2005, when he was selected as the MusiCares Person of the Year. The group performed an a capella-style version of the song and was the only act that played a song not written by Wilson. Page said the Beach Boys' harmonies were "hugely" influential on the Barenaked Ladies, which also boasted a five-man lineup. The Beach Boys, he said, gave the group "a palette to choose from that didn't really exist in music without them." "On top of that, Brian's adventurousness in the studio — as far as choices of instruments, the way the songs can flow in and out of each other — those are the kinds of things that, as we matured as musicians, continued to excite. And still continue for me to excite and inspire me." "He really is one of the greats. He is like Beethoven and Paul McCartney all mixed together," Page said. Randy Bachman, former Guess Who guitarist and Bachman-Turner Overdrive frontman, also played tribute to Wilson in a social media post where he referred to the Beach Boys as being "like family" after playing several shows with the group in the '60s. "They were the American answer to the Beatles. They wowed everyone with the songs, structures, vocals harmonies … We lost one of the greatest composers and messengers who took jazz harmony, put it to a Chuck Berry beat and made a new genre of music," Bachman wrote. According to a post on his Facebook page, Wilson became an honorary citizen of Calgary in the city's famed white hat ceremony in 2011. This report by The Canadian Press was first published June 11, 2025. Cassidy McMackon, The Canadian Press Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
a day ago
- Yahoo
Black Music Appreciation Month: Marcus ‘DJ Maniac' McGee talks 20 year journey
WICHITA FALLS (KFDX/KJTL) — During June, we are paying tribute to Black Music. One local artist shares his 20-year journey. Meet Marcus 'DJ Maniac' McGee. The Wichita Falls native has been a turntablist for more than 20 years. 'I like to scratch,' McGee said. 'That really got me into it as well, like the hip hop side of it.' Deejaying began when McGee heard the same songs repeatedly at nightclubs in Wichita Falls. That's when he set out to buy his own turntable set, learning the fundamentals of scratching, beat juggling, and more. 'It all comes together as a really cool dish, like if I [were] a chef or something,' McGee said. Mixing new beats by combining pop and rock hits to serve through his creative style. 'With deejaying and I thought hip hop was just with hip hop songs until I seen these other DJ mix with Led Zeppelin and Pantera. Even some old-school Jazz stuff too that goes into samples of 90s Wu-Tang and A Tribe Called Quest,' McGee said. 'If you find that one song that was hot for a minute and then you put it up for a little bit and then you just randomly bring it back. It will bring back memories to people like, 'oh my god, I remember this song'.' Aside from beat sampling, McGee also takes influences from other deejays such as Wichita Falls' own DJ Sabor and DJ Jazzy Jeff. Taking a little piece of them and mixing it with his own twang. The veteran disc jockey has spent hours perfecting his craft to keep you grooving to the tunes. 'It's really, really fun to figure out what people want and what people need to hear. That's a big difference,' McGee said. 'People will want certain songs and won't even dance to it. When you play a song that they don't even know that they want it and they hit, and then you have a pretty good crowd.' Bringing people together on the dance floor. 'Really awesome just to see what I love to do and showing people that I love to do it and be able to share it,' McGee said. Turning tracks and heads. 'You really have to respect the culture to do it. Right? Anybody can deejay, but not everybody can actually rock the crowd or have a song that's playing that makes that one person get up,' McGee said. 'You have to know how to control your environment. Always learning, always trying to improve my craft. As long as I'm here, I'm going to respect that craft. Hopefully, if you ever see me out and about, I'll be rocking it.' McGee jokes he's retired twice from deejaying to his gaming lounge, but his phone always rings for more gigs. 'It's kind of the same thing from deejaying to Maniacs Mansion. I just went out, tried it, did it and I'm still here doing both. So I must be doing it right,' McGee said. DJ Maniac's still spinning the turntable and offering up the best tunes through his creations. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
a day ago
- Yahoo
Billy Joel tried to kill himself twice before realizing he could channel his sadness into music
Previously untold details of Billy Joel's life are revealed in the two-part documentary "Billy Joel: And So It Goes," which premiered last week and hits HBO in July. (Evan Agostini / Invision / Associated Press) Billy Joel's life is awash in revelations these days — some bad, some worse. Last month, the "Only the Good Die Young" singer-songwriter canceled all his upcoming concerts, revealing he was struggling with a brain disorder that causes a potentially reversible kind of dementia. Then last week, he divulged that he attempted suicide twice in his 20s after falling in love with his bandmate's wife and causing the downfall of the band itself. Advertisement Read more: Billy Joel cancels all of his upcoming shows after revealing brain disorder diagnosis "I felt very, very guilty about it. They had a child. I felt like a homewrecker,' Joel says (via People) in the first half of the two-part documentary "Billy Joel: And So It Goes," which premiered last Wednesday and hits HBO Max in July. 'I was just in love with a woman and I got punched in the nose, which I deserved." Joel said both he and his friend and Attila bandmate, Jon Small, were upset by what happened while Joel was living with Small and Small's then-wife, Elizabeth Weber. So upset that Attila — a Led Zeppelin-inspired metal band, according to the New York Times — broke up and Joel started boozing, which sent him into a tailspin. 'I had no place to live," Joel says in the documentary. "I was sleeping in laundromats, and I was depressed, I think to the point of almost being psychotic. So I figured, 'That's it. I don't want to live anymore.'" Advertisement He tried twice to end his life in the early 1970s, according to the documentary. First, he took the entire lot of sleeping pills that his sister, then a medical assistant, had given him to help him sleep. That put him in the hospital. Read more: Christie Brinkley details turbulent marriage with Billy Joel: 'I hesitated to put that scene in the book' "He was in a coma for days and days and days," Judy Molinari says in the program. She thought she had killed her brother. Joel says in the doc that he woke up in the hospital still suicidal, hoping to do it "right" the next time. His sister said he wound up drinking "lemon Pledge" furniture polish. That time, an unlikely person took him to the hospital: Small, his then-estranged best friend. Advertisement "Eventually," Small says in the documentary, "I forgave him." As for those impulses to harm himself, they wound up paying off for Joel after he checked out of a facility he had checked himself into after the second suicide attempt. Read more: 'We apologize': CBS vows to air Billy Joel milestone concert again after ending is cut off "I got out of the observation ward and I thought to myself, you can utilize all those emotions to channel that stuff into music." Joel reconnected with Weber about a year after that, wrote about her in the 1973 song "Piano Man," and married her from then until 1982. Marriages to Christie Brinkley, Katie Lee and current wife Alexis Roderick would follow. Advertisement The first part of the documentary covers Joel's childhood and runs through his 1982 motorcycle accident, according to the New York Times. He doesn't meet his "Uptown Girl," Brinkley, until Part 2. Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times.