House from HUGE 90s BBC sitcom hits market for £330k – but do YOU recognise it?
OFF THE BOX House from HUGE 90s BBC sitcom hits market for £330k – but do YOU recognise it?
THE house that featured in a hugely popular BBC sitcom from the 90s has gone on the market with a £330,000 price tag – but can you name the show?
As a clue, the main character's catchphrase was 'I don't believe it.'
Advertisement
6
The famous property in Christchurch, Dorset could be yours for less than £350,000
Credit: BNPS
6
The terrace house is described as being 'well-maintained'
Credit: BNPS
6
One Foot in the Grave starred Richard Wilson as Victor Meldrew alongside his long-suffering wife Margaret, played by Annette Crosbie
Credit: BBC
The property seen in the classic British comedy One Foot in the Grave was the home of the perpetually grumpy character Victor Meldrew and it could be yours for £337,500.
The exterior of the terraced property in Christchurch, Dorset, featured heavily in the 1990s show.
Some of the hilarious scenes shot outside it included the sea of garden gnomes delivered by mistake to Victor and a Citroen 2CV car that was somehow parked in his skip.
The sitcom followed the adventures of cantankerous pensioner Victor, played by Richard Wilson, and his long-suffering wife Margaret, played by Annette Crosbie.
Advertisement
The three-bedroom home is in Tresillian Way in the Walkford suburb of Christchurch.
Fans of the show have been known to turn up and have selfies taken outside the house.
Next door to it is the home where Victor's nemesis neighbour Patrick, portrayed by Angus Deayton, lived.
The 'well-presented' property has 920 sq ft of accommodation with a hallway, lounge, kitchen/diner and conservatory on the ground floor and three bedrooms and a bathroom on the first floor.
Advertisement
Outside it has a private rear garden and a garage in a nearby block.
It is being sold by local estate agents Mitchells who describe it as an "attractive house in a lovely quiet location" and say it has been well maintained.
Inside Graham Norton's incredible £6million New York townhouse he bought from huge supermodel as Brit star puts property on the market
It was last sold in 2015 and has been rented out by the current owners, so is now being sold with vacant possession.
Ben Jenkins, from Mitchells, said: "The show is always a talking point with any of the houses in that development and will always drum up a bit of interest that it was used in a television show.
Advertisement
"I think it got a lot of interest when it last sold ten years ago - the target buyers then were probably more the fans who remember it and it's less so with younger buyers now.
"But it's an attractive house and perfect as a buy to let investment."
One Foot in the Grave ran for six series and seven Christmas specials.
It was set in an unnamed town in southern England although many location scenes were shot around Christchurch and Bournemouth.
Advertisement
The interior of the house was not used for the show, with internal scenes shot at BBC Television Centre in London.
If that home doesn't appeal, here are some of the cheapest three-bedroom properties currently available.
This could be Britain's most cluttered home and it's for sale.
Meanwhile, a 500-year-old rundown cottage which featured in an iconic 90s music video could be yours
Advertisement
6
Fans of the show have been known to turn up to take selfies of themselves outside the property
Credit: BNPS
6
The property was last sold in 2015 and had been rented out by the owners
Credit: BNPS
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Scottish Sun
an hour ago
- Scottish Sun
Hollyoaks, Coronation Street and Waterloo Road stars sign up as fan-favourite hit drama lands SIXTH series
Series six of All Creatures Great and Small is set to feature lots of big names FAMILIAR FACES Hollyoaks, Coronation Street and Waterloo Road stars sign up as fan-favourite hit drama lands SIXTH series Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) ALL Creatures Great and Small is making a return to screens this autumn, and it's set to feature some familiar faces. Chris Gacoyne from Coronation Street, Philip Martin Brown from Waterloo Road and Lucy-Jo Hudson from Hollyoaks are three of the latest cast members revealed in the lineup for the sixth series. Sign up for Scottish Sun newsletter Sign up 6 Chris played Peter Barlow in Corrie Credit: Not known, clear with picture desk 6 You may know Lucy-Jo as Donna-Marie Quinn in Hollyoaks Credit: Channel 4 6 Philip Martin Brown was once the well-known English teacher, Grantly Budgen, in BBC drama series Waterloo Road Credit: BBC The period drama, based on James Herriot's beloved books, has amassed millions of viewers across the UK and US after first airing back in 2020. Series six will take viewers back to the beautiful Yorkshire Dales for more heartwarming tales, but this time the scenario the Skeldale gang find themselves in is entirely different. The cast shall exist in 1945, just as the war in Europe is coming to a close. On their way back to Darrowby, they will discover veterinary advancements, expanded families and, hopefully, a future filled by more brightness and peace. Many of the programme's fan-favourites will be continuing their stories, including Nicholas Ralph in his role as devoted vet James Herriot. Samuel West (Siegfried Farnon), Anna Madeley (Mrs Hall), and Rachel Shenton (Helen Herriot) will also be back under the spotlight. Though the stellar acting history of All Creatures Great and Small's new additions is bound to bring something flavourful. Lucy-Jo recently took to Instagram to gush about her new role. "So remember when I got a job I was beyond excited about earlier this year? Well this was it... All Creatures Great and Small. "And I have been stepping into a world of countryside charm and storytelling magic. All Creatures Great and Small viewers break down in tears at Christmas special as they say 'my heart was in my mouth' "I am finally able to share this with you. The scenery was out of this world, and it was a dream to be working with such a wonderful bunch of people." As well as these three new faces, Gaia Wise from The Lord of the Rings: The War of the Rohirrim, and Jonathan Hyde from Titanic have been revealed as part of the lineup. Viewers in the UK can expect the show to be available on 5 this autumn, but fans based in the US will be able to enjoy it on PBS in early 2026 - and there's going to be a Christmas special. 6 Lucy-Jo sports a short brunette hairdo as Susan in All Things Great and Small Credit: Helen Williams 6 The Aldersons and Herriots are promient families in the show Credit: Helen Williams
Daily Mirror
an hour ago
- Daily Mirror
BBC shares major update on Doctor Who future amid hiatus
Doctor Who will return with or without the extra funding from Disney, the BBC has now confirmed whilst the series is on hiatus following the departure of Ncuti Gatwa Doctor Who will return with or without the extra funding from Disney, BBC bosses confirmed yesterday. The sci-fi show is currently on a hiatus following the end of the two-year deal with Disney, which culminated with the departure of Ncuti Gatwa in the title role. Crushing rumours that the show would not return if Disney's huge cash injection did not return, the BBC's new head of content Kate Phillips said: "Rest assured Doctor Who is going nowhere. Disney has been a great partnership and it continues with The War Between The Land And The Sea next year." Speaking at the Edinburgh TV Festival Kate, who is just two months into her job, stressed: 'With or without Disney, Doctor Who will still be on the BBC." The uncertainty around the series has been caused by Disney's continuing reluctance to commit to either renewing its funding deal with the BBC - or pull out. But show creator Russell T Davies has indicated he's already working on scripts for the next series, and also for another one after that. Later in the session, the BBC's drama controller Lindsay Salt said she had 'no update' in terms of timings " on Doctor Who but said that information would be made public as soon as it was possible. Agreeing with Kate, she said the BBC commitment to Doctor Who as one of its biggest brands was water-tight, adding that the show was "hugely important to us"." Now Doctor Who fans have the spin-off show, The War Between the Land and the Sea, which expected to start around Christmas. Disney reportedly injected around £100million into Doctor Who, which gave a a significant boost to the show's production budget, allowing for CGI use of dinosaurs and other stunts. There is still a chance that the deal will be renewed, or that BBC Studios will find another partner to join forces with. In the session about the BBC, Kate also said the corporation 'acted fast' after misconduct allegations against former MasterChef presenter Gregg Wallace. And she urged anyone who felt they had grievances to air against top talent to come forward, stressing that they would be taken seriously. 'No one is irreplaceable,' she said. On MasterChef, she said she'd acted on the information she'd had in 2019. 'So there were two complaints. I dealt with them. I acted on them fast. I think I acted responsibly. I left him in no doubt of the expected behaviour that we expect at the BBC, if you like. I stand by the actions I took at the time with the knowledge that I had. Other allegations didn't come to us until much later, sort of at the end of 2023, and at that point we did act, and we acted fast.' Wallace was dropped from the series after multiple claims of inappropriate language and behaviour against him were upheld. Later his co-host John Torode was also dismissed after a complaint over his 'racist language' was upheld.
Scottish Sun
2 hours ago
- Scottish Sun
I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd
Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. TROUBLED SOUL I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) 'I REMEMBER the moment I first saw Nick. He was very tall – but kind of apologetically tall.' Legendary producer Joe Boyd is casting his mind back to January 1968, to the day 'very good-looking but very self-effacing' Nick Drake dropped a tape off at his London office. Sign up for Scottish Sun newsletter Sign up 5 Nick Drake died aged 26 in 1974, never enjoying commercial success in his lifetime Credit: Getty - Contributor 'He stooped a bit, like he was trying not to seem as tall as he was. 'It was wintertime and there were ash stains on his overcoat. He handed me the tape and trundled off. 'My first encounter with Nick's music was, most likely, that same evening or possibly the following one.' Boyd, an American who became a central figure in the late Sixties British folk-rock boom, was 25 at the time. Drake was 19. He cut a striking figure — lanky with dark shoulder-length hair framing his boyish features. Through his company, Witchseason Productions, Boyd came to helm stellar albums by Fairport Convention (with Sandy Denny), John Martyn, Shirley Collins and The Incredible String Band. But there was something indefinably mesmerising about those three songs passed to him by the quiet teenager who studied English Literature at Cambridge University. As Boyd switched on his 'little Wollensak reel-to-reel tape recorder', he was captivated by Drake's soft but sure tones, allied to his intricate fingerpicking guitar. 'I think the songs were I Was Made To Love Magic, Time Has Told Me and The Thoughts Of Mary Jane,' he says. 'From the first intro to the first song, I thought, 'Whoa, this is different'.' I'm speaking to Boyd to mark the release of a beautifully curated box set, The Making Of Five Leaves Left, a treasure trove of demos, outtakes and live recordings. Rounding it off is the finished product, Drake's debut album for Chris Blackwell's fabled Island Records pink label. Bob Dylan biopic is an immaculate portrayal of the grumpy singer's rise to fame - shame his women feel like complete unknowns In 2025, the singer's status as one of Britain's most cherished songwriters is assured. A troubled soul, Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. But Boyd, now 83, had no doubts about the rare talent that he first encountered in 1968. He picks up the story again: 'Ashley Hutchings, the Fairport Convention bass player, saw Nick playing at The Roundhouse [in Camden Town, North London] and was very impressed. 'He handed me a slip of paper with a phone number on it and said, 'I think you'd better call this guy, he's special'. 'So I called and Nick picked up the phone. I said, 'Do you have a tape I could hear?'. He said, 'Yes'.' Boyd still didn't hold out too much hope, as he explains: 'I was very much a blues and jazz buff. I also liked Indian music. 'White middle-class guys with guitars were never that interesting to me — Bob Dylan being the exception that proves the rule. 5 John Boyd holding The Making Of Five Leaves Left, a treasure trove of demos, outtakes and live recordings 'But Nick was something else. He wasn't really a folk singer at all.' Boyd describes Drake as a 'chansonnier', a French term for a poet singer who performs their own compositions, often drawing on the themes of love and nature. He says: 'I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures.' To Boyd, Drake's enduring appeal is also helped 'by the fact that he didn't succeed in the Sixties'. 'He never became part of that decade's soundtrack in the way Donovan or [Pentangle guitarist and solo artist] Bert Jansch did. 'So he was cut loose from the moorings of his era, to be grabbed by succeeding generations.' Drake was born on June 19, 1948, in Rangoon, Burma [now Myanmar], to engineer father Rodney and amateur singer mother Molly. His older sister Gabrielle became a successful screen actress. When Nick was three, the family moved to Far Leys, a house at Tanworth-in-Arden, Warks, and it was there that his parents encouraged him to learn piano and compose songs. I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures. Joe Boyd Having listened to the home recordings of Molly, Boyd gives her much credit for her son's singular approach. He says: 'When you hear the way she shaped her strange chords on the piano and her sense of harmony, it seems that it was reverberating in Nick's mind.' When Drake gave him those three demos, recorded in his room at Fitzwilliam College, Cambridge, Boyd 'called the next day and said, 'Come on in, let's talk'.' During the ensuing meeting, Drake said: 'I'd like to make a record.' He was offered a management, publishing and production contract. Just as importantly, he had found a mentor in Joe Boyd. What you hear on the box set is the musical journey leading up to the release of Five Leaves Left in July 1969. The set was sanctioned by the Estate Of Nick Drake, run on behalf of his sister Gabrielle by Cally Callomon, but only after two remarkable tapes were unearthed. His first session with Boyd at Sound Techniques studio in March 1968 — found on a mono listening reel squirrelled away more than 50 years ago by Beverley Martyn, a singer and the late John Martyn's ex-wife. A full reel recorded at Caius College by Drake's Cambridge acquaintance Paul de Rivaz. It had gathered dust in the bottom of a drawer for decades. Boyd says: 'I have never been a big enthusiast for these endless sets of demos and outtakes — so I was highly sceptical about this project. 'But when my wife and I were sent the files a few months ago, we sat down one evening and listened through all four discs. 'I was tremendously moved by Nick. You can picture the scene of him arriving for the first time at Sound Techniques. 'This is what he's been working for. He's got his record deal and here he is in the studio. I was stunned.' 5 Five Leaves Left was released in 1969 In pristine sound quality, the first disc begins with Boyd saying, 'OK, here we go, whatever it is, take one.' Drake then sings the outtake followed by some of his best-loved songs — Time Has Told Me, Saturday Sun, Day Is Done among them. It's just man and guitar, recorded before musicians such as Pentangle's double bass player Danny Thompson and Fairport Convention's guitarist Richard Thompson (no relation) were drafted in. Boyd continues: 'The trigger for those recordings, that first day in the studio, was wanting our wonderful engineer John Wood to get a feel for Nick's sound. 'Nick was wide awake and on it. He was excited about being in a studio and he wanted to impress.' All these years later, one song in particular caught Boyd's attention — Day Is Done. 'He takes it more slowly than the final version. This gives him time to add more nuance and the singing is so good.' Back then, as Five Leaves Left took shape, Boyd witnessed the sophisticated way Drake employed strings, oboe and flute. Inspired by subtle orchestrations on Leonard Cohen's debut album, Boyd had drafted in arranger Richard Hewson but it didn't work out. 'It was nice, but it wasn't Nick,' he affirms. When Drake suggested his Cambridge friend Robert Kirby, a Baroque music scholar, everything fell into place. Boyd says: 'Nick had already been engaging with Robert about using a string quartet but had been hesitant about putting his ideas forward.' SUBTLE ORCHESTRATIONS The producer also recalls being 'fascinated by the lyrics — the work of a literate guy'. 'I don't want to sound elitist but Nick was well educated. British public school [Marlborough College] and he got into Cambridge. 'Gabrielle told me he didn't like the romantic poets much. But you feel that he's very aware of British poetry history.' This is evident in the first lines of the opening song on Five Leaves Left — 'Time has told me/You're a rare, rare find/A troubled cure for a troubled mind.' 'When I think about Nick, I think about the painting, The Death Of Chatterton,' says Boyd. 'Chatterton was a young romantic British poet who died, I think, by suicide. You see him sprawled out across a bed.' I ask Boyd how aware he was of Drake's struggles with his mental health. 'It's a tricky question because I was aware that he was very shy,' he answers. 'Who knew what was going on with him and girls?' Boyd believes there was a time when Drake was better able to enjoy life's pleasures. 'When you read of his adventures in the south of France and in Morocco, it seems he was more relaxed and joyful. 5 Drake at home with mother Molly and sister Gabrielle 'And when I went up to Cambridge to meet Nick and Robert Kirby before we did the first session, he was in a dorm. 'There were friends walking in and out of the room. There was a lot of life around him.' Boyd says things changed when 'Nick told me he wanted to leave Cambridge and move to London. 'I agreed to give him a monthly stipend to help him survive. He rented a bedsit in Hampstead — you could do that in those days. 'Nick started smoking a lot of hashish and didn't seem to see many people. I definitely noticed a difference. 'He'd been at Marlborough, he'd been at Cambridge and suddenly he's on his own, smoking dope, practising the guitar, going out for a curry, coming back to the guitar some more. He became more and more isolated and closed off'. Boyd describes how Drake found live performance an almost unbearable challenge. He says: 'He had different tunings for every song, which took a long time. He didn't have jokes. So he'd lose his audience and get discouraged.' 'It still haunts me that I left the UK' For Drake's next album, Bryter Layter, recorded in 1970 and released in 1971, Boyd remained in charge of production. Despite all the albums he's worked on, including REM's Fables Of The Reconstruction and Kate and Anna McGarrigle's classic debut, he lists Bryter Layter as a clear favourite. It bears the poetic masterpiece Northern Sky with its heartrending opening line – 'I never felt magic crazy as this.' Boyd says: 'I can drop the needle and relax, knowing that John Wood and I did the best we could.' However, he adds that it still 'haunts me that I left for a job with Warner Bros in California after that. I was very burnt out and didn't appreciate how much Nick may have been affected by my leaving'. Drake responded to Boyd's departure by saying, 'The next record is just for guitar and voice, anyway'. Boyd continues: 'So I said, 'Well, you don't need me any more. You can do that with John Wood'.' When he was sent a test pressing of 1972's stripped-back Pink Moon, he recalls being 'slightly horrified'. 'I thought it would end Nick's chances of commercial success. It's ironic that it now sells more than his other two.' Then, roughly a year after leaving the UK, Boyd got a worried call from Drake's mum. 'Molly said she had urged Nick to see a psychiatrist because he had been struggling,' he says, with sadness, 'and that he had been prescribed antidepressants. 'I know Nick was hesitant to take them. He felt people would judge him as crazy — a typically British response.' Boyd again uses the word 'haunting' when recalling the transatlantic phone call he made to Drake. 'I said, 'There's nothing shameful about taking medicine when you've got a problem'. I know Nick was hesitant to take them [antidepressants]. He felt people would judge him as crazy — a typically British response Joe Boyd 'But I think antidepressant dosages were way higher in those days than they became. 'Doctors didn't appreciate the rollercoaster effect — how you could get to a peak of elation and freedom, then suddenly plunge back into depression. 'Who knows but it might have contributed to the feeling of despair Nick felt the night he took all those extra pills.' 5 Boyd says of Drake: 'He's unclassifiable and that's one of the reasons he endures' Drake died at home in Warwickshire during the early hours of November 25, 1974. As for Boyd, he made a lasting commitment to the singer who had such a profound effect on him. He says: 'When I left, I gave my company to Chris Blackwell because there were more debts than assets — and he agreed to take on the debts. 'But I said, 'I want it written in the contract that you cannot delete Nick Drake. Those records have to stay. 'I just knew that one day people would get him.'
