Johnny Cage goes viral with 'Uncaged Fury' teaser ahead of Mortal Kombat II
The promo features Karl Urban as Johnny Cage, the iconic martial arts movie star from the Mortal Kombat franchise.
The teaser showcases Cage's over-the-top, action-packed persona in a fictional film where he takes down a gang of thugs after they mess with his beloved sunglasses. In a nod to his exaggerated ego, the trailer teases, 'The F stands for… Fantastically handsome.' This clever viral effort also includes official posters and a website for the fictional movie, blurring the lines between the Mortal Kombat universe and reality.
Ahead of the actual Mortal Kombat II trailer, Warner Bros mailed promotional boxes to select fans, containing Johnny Cage-branded sunglasses and a DVD of Uncaged Fury. They even created a fake IMDb page and references to other made-up films like Bonnie & Cage, further building the character's mythology.
Warner Bros has released a fake IMDb page for Johnny Cage. pic.twitter.com/4db23DoIm1 — DiscussingFilm (@DiscussingFilm) July 15, 2025
Directed by Simon McQuoid and written by Jeremy Slater, Mortal Kombat II serves as the sequel to the 2021 reboot. The new film continues the battle between Earthrealm and Outworld, with Cole Young returning to rally Earth's champions. The film hits theaters nationwide on October 24, 2025.
This unique marketing strategy has impressed fans, with many praising the immersive world-building. With the official trailer dropping tomorrow, anticipation for Mortal Kombat II is ramping up across the gaming and film communities.
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Express Tribune
a day ago
- Express Tribune
We were lied to
It is a rare achievement for a book and its corresponding television show to be as spectacularly terrible as each other, but We Were Liars is the unique work of art that pulls it off. Nobody else will tell you this, by the way. In a bid to eat into hours of your time that you will never get back, E Lockhart's We Were Liars attempts to sell us the story of Cadence Sinclair, her picture-perfect cousins, their tiny private island, their idyllic sun-drenched, sea-soaked summer holidays. There is also a terrible tragedy that Cadence alludes to but gives us no details about. A huge part of the reason for Cadence's reticence is that she has no memory of any of these terrible things, and no one with a fully functioning memory in her life sees fit to supply answers. Additionally, despite the promising title, nobody actually does any lying here. Everyone is just irritatingly obtuse. Cadence is left to play detective, causing you to come close to throwing either your remote or the book by the time she arrives at her tortuous conclusion. We really need to find a way to cure literary amnesia to spare future readers the pain of a rambling, incoherent protagonist who probably could have been shoved off a cliff at the earliest opportunity. Unfortunately, not everyone subscribes to these unkind thoughts about fictional amnesiacs like Cadence. Enraptured BookTokkers who were late in picking up this 2014 bestseller, along with giddy IMDb reviewers who fell in love with the Prime Video show of the same name which arrived in June, will conspire to trap you into the well of horror that is both the book and the limited series. Do not be the deluded fool who falls for their solemn (but mendacious) promises of excellence, unless you enjoy the incomplete, imaginatively punctuated sentences spilling forth from an unreliable teenaged narrator who unfurls a twist that makes you heartily wish she had perished on page 1 – of both the book and the script. A rambling mess If you are not already overflowing with gratitude for having been thusly warned, you should be, because you have now been spared two days of skimming through tedious descriptions of our heroine's trauma-induced headaches. And do not feel you will be left out of this headache party if you only plan on watching the show! You show watchers will also get to experience your fair share of We Were Liar-induced headaches after suffering through intense close-ups of blinding blonde hair and shiny white teeth. Before you are all up in arms, we must make it clear, we are not discriminating against dental hygiene and bright hair hair; what we are saying is, one should not have to reach for sunglasses upon finding oneself in extreme close quarters with teeth that dazzle like the sun and dominate the screen, certainly not one we are are squinting at these teeth on TV instead of our phones. Anyway, just what manner of trauma has caused Cadence to be plagued with her aches and pains is not made immediately clear; what is certainly clear is that gets them, and keeps us all in the loop with no thought to spare for commas or, indeed, punctuation of any description – at least not in the traditional sense. Devoid of scaffolding and structure, Cadence's sentences melt into one another with not quite the finesse of sugar pooling into caramel on a hot pan, but more like instant coffee granules spilling onto a wet kitchen floor. You are left with sludge, a mess that you wish you a nearby adult would clean up, until you remember that you are the only adult in the vicinity, and no one else is coming to do any cleaning. In doing so, Cadence has become the Holden Caufield of the 21st century, which is not quite the sterling recommendation lovers of The Catcher in the Rye would like to think it is. Irritating comrades Like all her fellow teenage protagonists, Cadence also has a love interest her age who goes by 'Gat'. Gat is the Montague to her Capulet, the Jack to her Rose. We are informed in both the book and show (via Cadence's expository monologue), that Gat is "contemplation and enthusiasm. Ambition and strong coffee." In case we missed it, we are reminded of it repeatedly, although the first time we get this opening description of him is when Cadence and Gat are both eight years old, so quite what she knows about either ambition or strong coffee at that age is a bit of a question mark. Perhaps the strong coffee is a metaphor for Gat's skin colour (owing to his Indian heritage, which of course must be given a food-oriented description if we are to have any hope of picturing what he looks like.) It certainly isn't because Gat is a caffeine addict. We have also yet to deduce what levels of ambition or contemplation Gat radiated at age eight that were picked by young Cadence. Gat is not the only person who is awarded such trite allegories. On both page and screen, Cadence's cousins and best friends, John and Mirren, come with similar labels. John, apparently, is "bounce, effort, and snark." Mirren, meanwhile, is "sugar, curiosity, and rain." How does one come spring-loaded with effort or sugar? This, like Gat's ambition and coffee, remains tantalisingly unclear, although if at least one easily impressed reviewer is to be believed, all of this is indicative of "beautifully executed, spare, precise, and lyrical prose." In addition to being snark, sugar, and strong coffee, John, Mirren, and Gat form the bedrock of Cadence's annual island holidays, which, as you may have guessed due to the presence of the mysterious Bad Thing, are not quite as idyllic as either lyrical prose or close-up shots of beautiful sun-kissed hair will lead you to believe. Will Cadence's besties help her find the answers she so desperately and tediously seeks? If you are the type of reader who prefers that their book or show sticks to the genre that has been promised in the blurb, then I have even more bad news for you, because We Were Liars takes liberties here as well. With a plot that moves with the speed of an elderly sloth with arthritis, we must ask ourselves: are we dealing with a murder mystery? A supernatural thriller? A medical drama? Is any of this real? Are BookTokkers high? The good news is that we do end up receiving answers for most of these questions. The bad news is that the answers will probably send you into a spiral of rage cleaning as you try to delete them from your mind. (Thoughts and prayers if you embark on this foolish book or show journey during a long-haul flight, when the advantages of rage cleaning are not available to you.) In short, I trust this public service message will have made it abundantly clear that you should definitely recommend We Were Liars — in both show and book format — to a much loathed foe.
Express Tribune
3 days ago
- Express Tribune
Do not fall for the lies spouted by ‘We Were Liars'
It is a rare achievement for a book and its corresponding television show to be as spectacularly terrible as each other in a stunning array of ways, but We Were Liars is the unique work of art that pulls it off. Nobody else will tell you this, by the way. In a bid to eat into hours of your time that you will never get back, E Lockhart's We Were Liars attempts to sell us the story of Cadence Sinclair, her picture-perfect cousins, their tiny private island, their idyllic sun-drenched, sea-soaked summer holidays. There is also a terrible tragedy that Cadence alludes to but does not deign to give us any details about. A huge part of the reason for Cadence's reticence is that she has no memory of any of these terrible things, and no one with a fully fucntioning memory in her life sees fit to supply answers. Additionally, despite the promising title, nobody actually does any lying here. Everyone is just irritatingly obtuse. Cadence is left to play detective, causing you to come close to throwing either your remote or the book by the time she has arrives at her tortuous conclusion. We really need to find a way to cure literary amnesia to spare future readers the pain of a rambling, incoherent protagonist who probably could have been shoved off a cliff at the earliest opportunity. Unfortunately, not everyone subscribes to these unkind thoughts about fictional amnesiacs like Cadence. Enraptured BookTokkers who were late in picking up this 2014 bestseller, along with giddy IMDb reviewers who fell in love with the Prime Video show of the same name which arrived in June, will conspire to trap you into the well of horror that is both the book and the limited series. Do not be the deluded fool who falls for their solemn promises of excellence, unless you enjoy the incomplete, imaginatively punctuated sentences spilling forth from an unreliable teenaged narrator who unfurls a twist that makes you heartily wish she had perished on page 1 - of both the book and the script. Consider this warning a public service. A rambling mess If you are not already overflowing with gratitude for this simple public service, you should be, because you have now been spared two days of skimming through tedious descriptions of our heroine's trauma-induced headaches. And do not feel you will be left out of this headache party if you only plan on watching the show! You show watchers will also get to experience your fair share of We Were Liar-induced headaches after suffering through intense close-ups of blinding blonde hair and shiny white teeth. Before you are all up in arms, we must make it clear, we are not discriminating against dental hygiene and bright hair hair; what we are saying is, one should not have to reach for sunglasses upon finding oneself in extreme close quarters with teeth that dazzle like the sun and dominate the screen, certainly not one we are are squinting at these teeth on TV instead of our phones. Anyway, just what manner of trauma has caused Cadence to be plagued with her aches and pains is not made immediately clear; what is certainly clear is that gets them, and keeps us all in the loop with no thought to spare for commas or, indeed, punctuation of any description - at least not in the traditional sense. Devoid of scaffolding and structure, Cadence's sentences melt into one another with not quite the finesse of sugar pooling into caramel on a hot pan, but more like instant coffee granules spilling onto a wet kitchen floor. You are left with sludge, a mess that you wish you a nearby adult would clean up, until you remember that you are the only adult in the vicinity, and no one else is coming to do any cleaning. In doing so, Cadence has become the Holden Caufield of the 21st century, which is not quite the sterling recommendation lovers of Catcher in the Rye would like to think it is. Irritating comrades Like all her fellow teenage protagonists, Cadence also has a love interest her age who goes by 'Gat'. Gat is the Montague to her Capulet, the Jack to her Rose. We are informed in both the book and show (via Cadence's expository monologue), that Gat is 'contemplation and enthusiasm. Ambition and strong coffee.' In case we missed it, we are reminded of it repeatedly, although the first time we get this opening description of him is when Cadence and Gat are both eight years old, so quite what she knows about either ambition or strong coffee at that age is a bit of a question mark. Perhaps the strong coffee is a metaphor for Gat's skin colour (owing to his Indian heritage, which of course must be given a food-oriented description if we are to have any hope of picturing what he looks like.) It certainly isn't because Gat is a caffeine addict. We have also yet to deduce what levels of ambition or contemplation Gat radiated at age eight that were picked by young Cadence. Gat is not the only person who is awarded such trite allegories. On both page and screen, Cadence's cousins and best friends, John and Mirren, come with similar labels. John, apparently, is 'bounce, effort, and snark.' Mirren, meanwhile, is 'sugar, curiosity, and rain.' How does one come spring-loaded with effort or sugar? This, like Gat's ambition and coffee, remains tantalisingly unclear, although if at least one easily impressed reviewer is to be believed, all of this is indicative of 'beautifully executed, spare, precise, and lyrical prose." In addition to being snark, sugar, and strong coffee, John, Mirren, and Gat form the bedrock of Cadence's annual sland holidays, which, as you may have guessed due to the presence of the mysterious Bad Thing, are not quite as idyllic as either lyrical prose or close-up shots of beautiful sun-kissed hair will lead you to believe. Will Cadence's besties help her find the answers she so desperately and tediously seeks? If you are the type of reader who prefers that their book or show sticks to the genre that has been promised in the blurb, then I have even more bad news for you, because We Were Liars takes liberties here as well. With a plot that moves with the speed of an elderly sloth with arthritis, we must ask ourselves: are we dealing with a murder mystery? A supernatural thriller? A medical drama? Is any of this real? Are BookTokkers high? The good news is that we do end up receiving answers for most of these questions. The bad news is that the answers will probably send you into a spiral of rage cleaning as you try to delete them from your mind. (Thoughts and prayers if you embark on this foolish book or show journey during a long-haul flight, when the advantages of rage cleaning are not available to you.) In short, I trust this public service message will have made it abundantly clear that you should definitely recommend We Were Liars - in both show and book format - to a much loathed foe. Have something to add to the story? Share it in the comments below.
Express Tribune
3 days ago
- Express Tribune
'Demon Slayer Infinity Castle' sets new box office record in Japan with highest opening weekend
Demon Slayer: Infinity Castle has achieved a record-breaking debut at the Japanese box office, setting the highest opening weekend earnings in the country's history. According to Crunchyroll, the film earned ¥7.31 billion (approximately USD 49.55 million) within four days of release, with over 5.16 million tickets sold. Its three-day opening total reached ¥5.52 billion (USD 37.42 million). The film, which begins the climactic arc of the Demon Slayer series, follows the Hashira Training arc and is the first in a trilogy set to conclude the main story. Infinity Castle has received a 9.3/10 rating on IMDb, with fans praising its animation quality, emotional depth, and large-scale production. Premium formats contributed to the film's total, with Deadline reporting $3.5 million from IMAX screenings. While the film has surpassed the opening weekend record previously held by Demon Slayer: Mugen Train, it has not yet approached Mugen Train's lifetime box office figure. Demon Slayer: Mugen Train remains the highest-grossing anime film in Japan, with a total of ¥40.4 billion (around USD 507 million) worldwide. Infinity Castle will continue its rollout internationally, premiering in Southeast Asia on August 12, followed by Latin America, Australia, and the Middle East on September 11, and in the US, UK, Canada, and India on September 12. European markets will follow, with France on September 17 and Germany on September 18.
