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Pete Davidson & Nicholas Hoult Heist Movie How To Rob A Bank Gets Release Date

Pete Davidson & Nicholas Hoult Heist Movie How To Rob A Bank Gets Release Date

Yahoo08-05-2025

Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Amazon MGM Studios announced the release date for How to Rob a Bank, a crime action thriller from director David Leitch starring Pete Davidson and Nicholas Hoult.
When is the release date for How to Rob a Bank?
Per Deadline, How to Rob a Bank scored a Labor Day weekend release and will hit theaters on September 4, 2026.
How to Rob a Bank stars Davidson, Hoult, and Emmy winner Anna Sawai as bank robbers who share their heists on social media while eluding the police.
Leitch will direct from a screenplay by executive producer Mark Bianculli. Leitch and his wife, Kelly McCormick, will produce through their 87 North banner alongside Imagine Entertainment. Additional producers include Brian Grazer, Jeb Brody, and Allan Mandelbaum.
How to Rob a Bank is Leitch's first movie since 2024's The Fall Guy, an action comedy starring Ryan Gosling and Emily Blunt. The Fall Guy focused on a stuntman (Gosling) who must find the missing lead actor (Aaron Taylor-Johnson) of a major Hollywood production being directed by his ex-girlfriend (Blunt). Despite its underperformance at the box office, The Fall Guy received mostly positive reviews and praise for its action sequences.
Because of his experience as a stunt coordinator, How to Rob a Bank will likely include intricate and highly choreographed action sequences. These stunts have become staples in Leitch's previous movies, including Bullet Train, Hobbs & Shaw, Deadpool 2, and Atomic Blonde.
Davidson recently appeared in Riff Raff, a crime comedy starring Jennifer Coolidge and Bill Murray, and Dog Man, an animated superhero comedy. Davidson recently wrapped production on another heist movie, The Pickup, starring Eddie Murphy.
Hoult is coming off a strong 2024, with starring roles in The Garfield Movie, The Order, Juror #2, and Nosferatu. Hoult will play Lex Luthor this summer in James Gunn's Superman.
(Source: Deadline)
The post Pete Davidson & Nicholas Hoult Heist Movie How To Rob A Bank Gets Release Date appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

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Harvey Weinstein Says He Has ‘Regrets' and ‘Acted Immorally' Ahead of New York Retrial Verdict: ‘But Never Illegal, Never Criminal'
Harvey Weinstein Says He Has ‘Regrets' and ‘Acted Immorally' Ahead of New York Retrial Verdict: ‘But Never Illegal, Never Criminal'

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Harvey Weinstein Says He Has ‘Regrets' and ‘Acted Immorally' Ahead of New York Retrial Verdict: ‘But Never Illegal, Never Criminal'

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'I hated my gayness for a long time, that's why I needed to share my story'
'I hated my gayness for a long time, that's why I needed to share my story'

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'I hated my gayness for a long time, that's why I needed to share my story'

Suzi Ruffell is a comedian, podcast host and writer who has released her first book 'Am I Having Fun Now? Anxiety, Applause and Life's Big Questions, Answered' She joins Yahoo's Queer Voices series to discuss her book, coming out and living with anxiety. The comedian is on a nationwide tour with The Juggle from Friday 6 June to 23 November. I think it's really important to share the journey of coming out in the book because it makes that part of who I am now. But also because I think that sometimes there are people that might suggest we've reached equality, that there's no further to go, that if LGBT people want more why do we still need Pride? And when people will say things like that, I think it's important to let those people in a little bit and talk about the fact that it can be really hard to come out. It was really hard for me to come out. It took me a long time to really accept that about myself. 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It Starts On The Page: Read ‘The Diplomat' Season 2 Finale Script 'Dreadnought' With Foreword By Debora Cahn
It Starts On The Page: Read ‘The Diplomat' Season 2 Finale Script 'Dreadnought' With Foreword By Debora Cahn

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It Starts On The Page: Read ‘The Diplomat' Season 2 Finale Script 'Dreadnought' With Foreword By Debora Cahn

Editor's note: Deadline's It Starts on the Page (Drama) features standout drama series scripts in 2025 Emmy contention. The Diplomat creator Debora Cahn loves a cliffhanger. After leaving multiple major characters' fates up in the air at the end of the first season of the Netflix thriller, Cahn throws another huge wrench into international relations between the U.S. and the UK by the end of Season 2. More from Deadline Keri Russell & Allison Janney Talk Going Head-To-Head As Female Power Players In 'The Diplomat' Season 2 & Tease What's To Come After That Finale Twist 'Ginny & Georgia' Season 3 Soundtrack: From Remi Wolf To Sofi Tukker 2025 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming The breakneck six-episode season picks up right where things left off in Season 1, plunging viewers into the panic that broke out after a car bomb exploded in the heart of London, killing Parliament member Merritt Grove and leaving Kate's (Keri Russell) husband Hal (Rufus Sewell) as well as her deputy chief of mission Stuart Hayford (Ato Essandoh) severely injured. Kate and British Foreign Secretary Austin Dennison (David Gyasi) have just started to think they might have solved the mystery surrounding the bombing of a British aircraft carrier in the Persian Gulf. But, as they soon learn, the truth is far more complicated than they could have ever imagined, and their quest only becomes more thorny with the arrival of U.S. Vice President Grace Penn (Allison Janney). Written by Cahn and directed by Alex Graves, the Season 2 finale, titled 'Dreadnought,' does provide both the audience and the characters with the answers they are desperately seeking. But at what cost? A pretty steep one, that's for sure. Russell earned an Emmy nomination for her performance as the ambassador to the UK, and Season 2 has already racked up a few major nomination including a DGA Awards nod for Graves and Golden Globes recognition for Russell and Janney. Here is the script for 'Dreadnought' with an intro by Cahn, in which she describes how she tried to do a 'non-sh*tty' version of the idea for the big 'Hal kills the President' finale plot twist that may have sounded 'stupid' and 'problematic' at first, and the one line in the script that reassured her that they have pulled it off. Every idea, when it first drops, sounds stupid. Maybe not every, but a lot of them, and 'Hal kills the President' sounded particularly Vice President has done a very bad thing. Hal, believing his wife Kate would be a better vice president anyway, tells the President about the bad thing and the President drops was problematic on a number of levels. One, our fictional president was a white male of a certain age, who bore a passing resemblance to Joe Biden, who was, when we were writing the story, running for a second term. Our season was slated to drop four days before the election. Suggesting that a white male president of a certain age hears a piece of bad news and drops dead in the Oval seemed if it didn't rhyme with the real election, President clutches chest and expires behind Resolute Desk sounded lame. But it was the finale, and anything finale-worthy was likely to sound lame in its baldest form, so I found myself saying, 'Yes, but we'll do the not-shitty version,' like that was some sort of literary device I'd learned from a close reading of not-shitty version required underplaying pretty much everything. We didn't want to see it happen, we just wanted to see Hal telling Kate. We didn't want to see Hal freak out. We wanted to see him caught in some kind of administrative snaggle – he needs to call his wife, he needs his cell phone, but he's in the CIA station and they don't allow cell phones in the station, so somebody's getting their assistant to call Kate's assistant and he finally erupts – slams his hand on the glass wall and says, 'Get my wife on the phone.'It seemed important that the eruption be both vocal and physical. We'd delayed it and contained it and this would be the only place where the magnitude of the situation was visible. I try not to write a lot of stage directions so that when they appear they make an impact. I even used all caps, which I also try to avoid. SLAMS. When we were filming the scene, I asked our director, Alex Graves, if it felt like a SLAM or just a slam because I really wanted it to be a SLAM, and Alex pointed out that if Rufus Sewell hit the glass any harder it would shatter, and perhaps we could make the slam a SLAM in then there was Hal's delivery of the news. Hal struggles to find the words, and lands on, 'He got really upset.'That's when I decided it would be okay. Which is what happens. An idea sounds implausible or trite and you spend a lot of time trying to build it out and ground it and support it with a great deal of research and nuance and complexity, but ultimately you have to fall in love with some piece of it, and for me it was that line, describing the cardiac death of a president.'He got really upset.' 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