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Box office grows 27% in 2025, but Bollywood remains worried

Box office grows 27% in 2025, but Bollywood remains worried

Time of India6 hours ago

Film producers and distributors are not enthused with the 27% year-on-year growth in all-India
box office collection
in the first five months of 2025, saying the growth does not capture the "existential" challenges that have engulfed the industry.
These challenges have, consequently, created an acute sense of "nervousness" among all key stakeholders in the film industry, they said.
The all-India box office collection rose to ₹4,812 crore between January and May this year from ₹3,791 crore in the year-ago period, according to the May box office report by media and entertainment research firm Ormax Media.
"Are we looking at numbers or real growth? Last year was an election year. So, it seems there is growth in collection. There is a huge difference between film business in multiplexes and the B-class and C-class centres," said Yusuf Shaikh, CEO and founder, Janta Cinema, an exhibitor that showcases films at affordable prices.
Shaikh said there are two critical challenges in the
Hindi film industry
. "We have lost 20-25% of the elite audience in theatres in the past few years. Even cheap ticket prices have not brought this audience to theatres," he said.
Another major concern, said Shaikh, is the glaring absence of well-made mass entertainers. "It is an irony. Elite audiences are absent in theatres. The masses who come to theatres do not have credible mass entertainers to watch," he said.
Most industry veterans believe that, incrementally, a sense of apathy is growing among audiences about watching Hindi films in theatres.
"Today, the audience for whom watching films in theatres was a ritual is missing. This has impacted the average opening and collection of Hindi films," said a film distributor, who requested anonymity. "Consequently, today, the mass audience is watching regional or non-Hindi films in theatres."
According to Ormax Media, the contribution of non-Hindi films-including English and other language films-to the all-India box office collection in the first five months of 2025 was a huge 63%, indicating an increasing acceptance of non-Hindi content by audiences in the Hindi belt. In the same period last year, the contribution of non-Hindi content to the all-India collection was 67%. This is because the share of collection of Hindi films to all-India collection grew to 37% in January-May 2025 from 33% in January-May 2024.
Chhaava and Raid 2 were two noteworthy hits that contributed to this growth.
"One or two hits do not promise change in the business situation. The Hindi film industry is disproportionately dependent on big-budget films. Today, the industry needs more successful
mid-budget films
," said Prashen Kyawal, a creative, post-producer and media-tech consultant.
Producer Rajesh R Nair concurs. "Instead of a big-budget film, we need a few mid-budget films, which have fresh stories and talent. The Hindi film industry must reinvent. Time has come to back fresh stories and new talent," he said.

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‘Sitaare Zameen Par' advance box office report Day 1: Aamir Khan's drama to open with Rs 6.88 crore; Trails behind ‘Laal Singh Chaddha'
‘Sitaare Zameen Par' advance box office report Day 1: Aamir Khan's drama to open with Rs 6.88 crore; Trails behind ‘Laal Singh Chaddha'

Time of India

time12 minutes ago

  • Time of India

‘Sitaare Zameen Par' advance box office report Day 1: Aamir Khan's drama to open with Rs 6.88 crore; Trails behind ‘Laal Singh Chaddha'

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Dil. Dard. Dishoom! How Bollywood titles are changing with the times
Dil. Dard. Dishoom! How Bollywood titles are changing with the times

Hindustan Times

time16 minutes ago

  • Hindustan Times

Dil. Dard. Dishoom! How Bollywood titles are changing with the times

Pore over a list of Bollywood releases long enough, and déjà vu will hit. Two films titled Kesari came out this year. One, subtitled Chapter 2: The Untold Story of Jallianwala Bagh, is a follow-up to the 2019 Akshay Kumar hit of the same name. The other, with Suniel Shetty, Vivek Oberoi, and a suffix: Veer. Even when some titles seem new, old connections emerge. Chhaava, one of the year's hits, means lion cub in Marathi. That's close to the 2024 Singham Again (Singham is lion in Tamil), and Tiger 3. All three titles indicate stories of a hypermasculine hero – an idea that also echoes in this year's Deva (starring Shahid Kapoor) and Sikandar (starring Salman Khan), and Pathaan, Jawan, and Animal (2023). Jump genres, and the titles still seem like they all emerged from the same cocoon. The love stories of our time are a mouthful: Sonu Ke Titu Ki Sweety (2018), Rocky Aur Rani Kii Prem Kahaani (2023) the upcoming Tu Meri Main Tera Main Tera Tu Meri. Horror is all one-word explosions: Stree (2018), Bhediya (2022), Munjya (2024) and, absurdly, Naagzilla (out in 2026). Turns out, movie-naming is just like baby-naming. There are trends, stand-out surprises, arguments, and always someone else who had the same idea as you. Grab some popcorn, the titles are talking. Winning words Kesari has been showing up in film titles as early as 1935, in the stunt film Hind Kesari. It's appeared across languages – there's a Punjab Kesari (1938, Tamil) and an Andhra Kesari (1983, Telugu). And given that a big chunk of 2025 releases are sequels, expect winning words and phrases to recur in the movie names. 'The film industry is highly speculative,' says trade analyst Komal Nahta. 'When something works, everyone tries to follow the same model.' Producer Himanshu Mehra views it as a 'smart and intentional move'. Movies deliberately use familiar terms and colloquial phrases because that 'travels better across states and audiences'. It's an old trick. Even in the '50s and '60s, it was important that film titles be simple, yet evocative. After all, audiences would watch them over and over, often years after they were released. Hence, Awaara (1951) and Barsaat (1949). If the title was related to a song, there was a strong chance that it was a romance. 'Whether it's Dil Deke Dekho (1959) or Tumsa Nahin Dekha (1957), filmmakers would pick a line that was particularly hummable or powerful,' says Shivendra Singh Dungarpur, founder-director of the film-restoration initiative Film Heritage Foundation. So when Aditya Chopra capitalised on it in the '90s, with Dilwale Dulhania Le Jayenge (1995), it was a calculated risk. Spread the word Apart from romcoms, titles today are shorter, snappier. We've moved from awkward post-liberalisation Hinglish (Jab We Met, 2007; Singh is Kinng, 2008) to being comfortable with English-only titles for masala movies (All the Best: Fun Begins, 2009; No Problem, 2010). Today's titles need to be click-worthy on streaming platforms too. It's probably why the 2022 Telugu film went simply with RRR. It's punchy and pronounceable for a pan-India and foreign audience, as well as for an Oscar jury. But there's room for creativity. We did have a romcom last year called Satyaprem Ki Katha. Filmmakers have learnt franchise-o-nomics from Hollywood, and the titles reflect it too. We have Marvel-style cinematic universes. YRF's spy-movie series bears fiery titles such as Salman Khan's Ek Tha Tiger, Hrithik Roshan's War and SRK's Pathaan. Rohit Shetty's cop-verse is connected by Ranveer Singh's Simmba and Ajay Devgn's Singham. Maddock Films' Horror Comedy Universe includes Stree and Bhediya and an upcoming vampire flick that may likely have a one-word title too. Mehra says he planned his latest movie Detective Sherdil, starring Diljit Dosanjh, 'to build a franchise around a titular character. Someone who can be can be in London, Austria, Punjab… anywhere'. The title of his 2023 film, Bloody Daddy, was chosen by director Ali Abbas Zafar with care too. 'When you hear the name, you immediately get that he's a father stuck in some crazy situation. And he will do anything to save his family.' Bloody Daddy wouldn't stand a chance in the '70s, when our films were about the common man's anger and disillusionment with the system. The titles of the time were 'potent, emotional and subject-driven,' says Dungarpur. Consider Bachchan's Angry Young Man phase: Deewar, Zanjeer (1973), Sholay (1975), Muqaddar Ka Sikandar (1978). 'Even Amar Akbar Anthony is a great example of a title perfectly capturing the essence of the film.' Our serious films today have more calling cards: Uri: The Surgical Strike (2019), Sam Bahadur (2023). 'It reflects the age we live in, where people are glued to their phones, where reality shows dominate. We're in an era of 'reality titles', so to speak,' says Dungarpur. Title case Stree was originally called O Stree, Kal Aana. Actor Rajkummar Rao suggested shortening it to sound less like the genre staples that rely on terms such as bhoot and darr. Simpler movie names are undoubtedly more evocative and powerful. But, like a good Insta handle or Tinder after 11pm, all the good ones are taken. Registering a title with the Indian Motion Picture Producers' Association (IMPPA), one of the handful of committees that allow for it in India, costs as little as ₹350, plus GST. So, producers tend to stockpile potential terms for future use. Titles that include 'Section' or 'Article' (referring to parts of the Constitution) are booked up, as are newsy keywords such as Surgical Strike. When Operation Sindoor made the headlines, industry bodies got 30 title applications in two days. 'It's a hustle,' says Nahta. 'Ninety-five percent of the producers won't even make the film. They're just hoping to resell it to a big-banner studio.' There are bound to be scalpers– it's all about the money. 'Some people demand ₹15 to ₹30 lakhs, even ₹1 crore, just for a title,' says one producer who did not wish to be named. The phrase Tujhe Dekha Toh Ye Jana Sanam is booked, as are common one-word masculine terms, and after the success of Stree, most popular terms related to female empowerment. This is an unfair business practice. 'You have to surrender a title if you're not using it,' says Anil Nagrath, secretary of the IMPPA. 'We allow a three-year hold, but you need to show production progress. If not, it's reassigned.' Trying to slip past with a spelling tweak or adding a number? The committee now checks everything: Spelling, font size, visual layout. 'You can't just shrink part of the name and sneak it through.' Understandably, there's quite a bit of infighting over this. In 2020, filmmaker Madhur Bhandarkar called out Karan Johar for taking Bhandarkar's already-booked title, Bollywood Wives, for the reality show The Fabulous Lives of Bollywood Wives. In other cases, there's no choice but to move on. Mehra's film Khaali Peeli (2020) was originally titled Kali Peeli, a nod to Mumbai's black-and-yellow taxis. But that title was taken too. 'So, we just twisted it into Khaali Peeli, a Bambaiya slang term that means 'just like that',' says the producer. 'It's still true to the story, and added that local flavour.' Closing credits So, is there such a thing as an ideal title? Filmmakers agree that there is. For Mehra, it's a name that strikes an emotional chord, the way Bajrangi Bhaijaan did. 'It's powerful. You have an Indian superstar, known as 'Bhaijaan', playing someone who is rooted in Hindu beliefs. It wasn't a gimmick. It felt honest.' Nahta looks for three important ingredients: 'It should be easy on the tongue. It should appeal to your senses, intellectually and emotionally. And ideally, it should convey what the film is about.' That said, a bad title can deliver an unexpected hit too. 'Consider Pratighaat (1987, a story of a woman taking on criminals and corruption). It wasn't a commonly used term for revenge, but Sujata Mehta's film was a hit.' Lost in translation Bajrangi Bhaijaan: Little Lolita's Monkey God Uncle (China) Dangal: Let's Wrestle, Dad (China) Deewaar: I'll Die For Mama! (US) Toilet: Ek Prem Katha: Toilet Hero (China), No Toilet No Bride (Germany) Seeta Aur Geeta: Seeta and Geeta: The Earthquake Sisters (Peru) The outlier Spell bound Sometimes, naming a film is less art, more astrology. In 2000, the late numerologist Bansilal M Jumaani added two extra As to Kaho Naa… Pyaar Hai. The movie became a massive hit, made Hrithik Roshan a superstar, and boosted tourism in New Zealand. Filmmakers believed Jumaani and his son Sanjay and daughter Swetta were on to something. Over the years they've tweaked the titles of Simmba and Singh Is Bliing, and added the Hindi tagline to Toilet: Ek Prem Katha. 'Every letter has a different vibration, and its own number,' claims Swetta Jumaani. 'Based on what number the name adds up to, we ask the filmmakers to add or delete some letters, and what colour combinations to use. Even how to orient the title, as with Chennai Express, which is tilted upwards. Dilwale Dulhania Le Jayenge is number 6, which is a good number for romance; 9 is great for action, like in Tanhaji.' They've got it wrong plenty of times too. From HT Brunch, June 21, 2025 Follow us on

‘Housefull 5' Box Office collection day 14: Akshay Kumar's film slows down as Aamir Khan's ‘Sitare Zameen Par' hits cinemas
‘Housefull 5' Box Office collection day 14: Akshay Kumar's film slows down as Aamir Khan's ‘Sitare Zameen Par' hits cinemas

Time of India

time33 minutes ago

  • Time of India

‘Housefull 5' Box Office collection day 14: Akshay Kumar's film slows down as Aamir Khan's ‘Sitare Zameen Par' hits cinemas

After a smashing start at the box office, Akshay Kumar 's comic entertainer 'Housefull 5' has started to slow down as it enters its third week. The film, directed by Tarun Mansukhani , released on 6 June and made waves with its unique twist—two climaxes! But just as the buzz begins to settle, another big star is stepping into the spotlight, Aamir Khan , with his sports comedy 'Sitare Zameen Par', which releases today. According to early estimates by Sacnilk, Housefull 5 collected Rs 2.65 crore on day 14, taking its total box office collection in India to Rs 167.90 crore in 14 days. A good start for 'Housefull 5' There's no doubt that 'Housefull 5' began its run on a high. It collected a massive Rs 24 crore on day one itself. The film picked up even more over the weekend, earning Rs 31 crore on Saturday and Rs 32.5 crore on Sunday. This took its first-week total to a whopping Rs 127.25 crore. Day 1 (Friday): Rs 24 crore Day 2 (Saturday): Rs 31 crore Day 3 (Sunday): Rs 32.5 crore Day 4 (Monday): Rs 13 crore Day 5 (Tuesday): Rs 11.25 crore Day 6 (Wednesday): Rs 8.5 crore Day 7 (Thursday): Rs 7 crore Total for Week 1: Rs 127.25 crore In its second week, 'Housefull 5' began to see a drop in earnings. Still, it managed to pull in decent numbers across the week. Day 8 (Friday): Rs 6 crore Day 9 (Saturday): Rs 9.5 crore Day 10 (Sunday): Rs 11.5 crore Day 11 (Monday): Rs 3.75 crore Day 12 (Tuesday): Rs 4.25 crore Day 13 (Wednesday): Rs 3 crore Day 14 (Thursday): Rs 2.65 crore (early estimate) Total collection after 14 days: Rs 167.90 crore Aamir Khan arrives with 'Sitare Zameen Par' But now, the comedy film faces a new test. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 5 Books Warren Buffett Wants You to Read In 2025 Blinkist: Warren Buffett's Reading List Undo Aamir Khan's 'Sitare Zameen Par' hits the big screen today, 20 June. As 'Housefull 5' continues its third week, Aamir's new film could take a share of the audience. The advance bookings for 'Sitare Zameen Par' show promise. As per early numbers by Sacnilk, the film has already sold thousands of tickets across the country. The advance booking numbers for Aamir Khan's 'Sitare Zameen Par' look promising. In Hindi (2D), the film has earned Rs 3.18 crore from 1,03,866 tickets across 9,037 shows. The Tamil version collected Rs 2.73 lakh from 2,149 tickets across 163 shows, while the Telugu version made Rs 9.84 lakh from 9,308 tickets across 342 shows. In total, the film has earned Rs 3.31 crore in advance bookings across India, covering a massive 9,542 shows nationwide. With such a wide release and solid bookings, the film is set for a strong start. And this could mean tougher days ahead for 'Housefull 5' at the ticket windows. Chitrangda Singh Defends 'Housefull 5' Amid Plagiarism Claims & Cringe Comedy Backlash

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