Fantastic Four director Matt Shakman says Pedro Pascal's Reed Richards will "lead the Avengers", and let's spare a thought for Sam Wilson
Fantastic Four director Matt Shakman has just revealed who will be leading the Avengers in Avengers: Doomsday.
While speaking to Variety on the challenges of casting Reed Richards – a role that ultimately went to Pedro Pascal – Shakman said, "He goes from being the nerdy scientist who's locked away in the lab, to the husband and the father who'd do anything to protect his family, to the guy who's leading the Avengers."
Given Marvel's proclivity for keeping pretty much every story beat and spoiler under wraps, this certainly could be seen as a slip of the tongue on Shakman's part.
Right now, all we know about the makeup of the Avengers comes from the tease found at the end of the Thunderbolts post-credits scene.
There, the newly-christened 'New Avengers' (Red Guardian, Bucky Barnes, Yelena, Bob/Sentry, Ghost, and John Walker) are in a legal battle with Sam Wilson's Avengers over the rights to the name. They're also monitoring interstellar activity, which is when Fantastic Four's ship arrives on the scene (though Marvel boss Kevin Feige's comments about what it may or may not be have only muddied the waters).
Now, it appears Mr. Fantastic will be leading the way for Earth's Mightiest Heroes as they remain on track for a showdown with Robert Downey Jr.'s Doctor Doom.
Speaking to GamesRadar+, Shakman also let us in on another sliver of story information – Galactus will be on a "collision course" with Reed and Sue's child, Franklin.
"What was so charming about this movie is it's about the tiniest, youngest thing in the world and the oldest, biggest thing in the universe," Shakman teased.
Fantastic Four, starring Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach hits cinemas on July 25.
For more on the Marvel Phase 6 opener and future MCU projects, check out our complete guide to upcoming Marvel movies.
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Gizmodo
an hour ago
- Gizmodo
Josh Brolin on ‘Weapons,' ‘Dune 3' Teases, and Why He Hates Modern Marketing
Josh Brolin had had the kind of career most actors can only dream about. He's done it all, working with all the biggest directors, writers, and producers in every genre, from western to sci-fi and back around again, sometimes both at the same time. And, when you talk to him, you feel that experience. That gravitas. That expertise. It's incredibly cool, very impressive, and just a tiny bit intimidating. io9 spoke to Brolin recently about his latest film, Weapons, which opens August 8. Written and directed by Zach Cregger, it's the story of how a town reacts when an entire classroom of children mysteriously disappears into the night. Brolin is Archer, the father of one of the boys, who makes it his own personal mission to figure out what happened. It was a role that Pedro Pascal was first attached to but had to drop out of. Brolin is not usually a second choice actor though, so we talked about if he had any hesitation coming into the role as well as what Cregger brings that reminds him of other filmmaking legends. From there, we touched upon the film's marketing, his thoughts on spoilers, as well his involvement (or lack there of) with Denis Villeneuve's Dune: Part Three. He got honest about Goonies 2, the cancelation of Outer Range, and more. Check it out. Germain Lussier, io9: The press notes for Weapons said you didn't immediately decide to do this, but that you just kept coming back to it. What was it about the film that made you finally decide to do it? Josh Brolin: No, I just think I'm a skeptic anyway. I mean, there are very few things in the last 20 years, like [the Coen Brothers] or Denis, where it was like, 'Hey, do you want to do Dune? We'll send you the script.' And it was like, 'Yes,' before I even read it. You know, it's one of those things. But I think Zach had done one movie, and I know somebody had dropped out of this movie, and then they called me. 'Do you want to read the script?' And I was really taken by the design. It's just a very smartly designed script. It's a very smart script in a genre that's always perceived to be only cosmetic. And I think something's changed recently with a couple of filmmakers, with Get Out and Sinners and all this kind of stuff, and they're mixing it up. And I just think it's timing. I don't think they're all kind of playing off each other. And oh, we got a copycat this and all that. But I think Zach is a very unique, very emotional guy who is using the horror genre to his benefit in a lot of ways. And using the sketch comedy that he did, and incorporating that somehow. So it's a very unique voice in a very tired, or seemingly tired, genre. io9: You mentioned some of the fantastic directors you've worked with. Even though this is just Zach's second feature, is there anything about him that makes you think he could eventually get to that Coen Brothers, Denis Villeneuve level? Brolin: I mean, he reminds me of the Coens in that he embraces absurdity. He embraces this idea of how we get in our own way. And how kind of, for lack of a better word, 'stupid' we are sometimes, making it way harder than it needs to be. And that has nothing to do with the kids disappearing and all that. But you have Julia [Garner]'s character, who's an alcoholic. You have Alden [Ehrenreich]'s character, who's going out with this married woman. You know what I mean? It's like what we do to just make chaos out of our lives in order to what? Feel like we're living a full life when we're actually doing quite the opposite. And then he takes this massive subject to what's the thing that you value the most, and what if that was taken away from you? Are you going to come back to a self that's actually reliable? Or you're going to have to work yourself through all that chaos in order to get to a place that is valuable yourself. Then if you finally get that valued thing back, then suddenly you treat it differently than you had before. And I think that's what happens with Archer. He's a changed man by the end. io9: You've done a lot of movies, especially of late and this one is no exception, where you can't really talk about a lot of the spoilers before release. So I'm curious, what are your feelings about this kind of fear of spoilers that's become so incessant in the last decade? Do you think knowing beforehand things about the movie will ruin the experience? Brolin: I do. I think it totally ruins your experience. And that's a new thing. If you look back at some of the promotion of the '70s and the '80s and even the '90s, it created a mystery. The whole thing with PR is it pulled you in and gave you hints of what was to be. And then there was some, like, saturation. It almost was like an insecurity. It's like, 'We don't know what to do now, so we're going to show you the whole movie, what everything is about. We're going to ruin all the spoilers, all that kind of stuff, and then we expect you to see the movie.' It doesn't make any sense. So that's why I love these trailers. It's not only the first trailer. There was a teaser, and then there was a trailer, and then they started resorting back to different teasers. And it's great because look at what's happened. People are embracing it. The views are a ton. And everybody's talking about the movie like it's its own character. It's kind of great. io9: Yes, it is. And that actually leads me to another question. As somebody who's been in the business so long, do you enjoy, or have you ever enjoyed, following the marketing and the PR of a film? After you're done with it, you go off and make something else, then this whole other team comes in. Do you like to observe and find yourself surprised by how the movies you're in are sold? Brolin: Yeah, sadly I really enjoy that. I enjoy the business aspect of anything. People are like, 'Oh, business is not creative, and you're in the creative business. You're acting, or you're writing, or you're painting, and all that.' And I don't agree. I think the best business people I've seen and experienced are the people who are most creative. And usually the people that didn't finish college. You know what I mean? It's just my experience. People who just said, 'I'm not getting what I need out of this, and I'm going to go self-educate.' And very motivated people. Self-motivated. So, I love that aspect of it. It's interesting. Sociologically, it's interesting. It's like reading a Malcolm Gladwell book. io9: I love that. Okay, I have three nerdy non-Weapons questions. First is Denis just started making Dune III. Gurney is a big part of Dune III. Can you say if you're in Dune III, and if so, are you excited to go back? Brolin: [Silence] No. Somebody's shaking their heads. No. I'm not in Dune IV. io9: All right. Understood. Brolin: No, I don't know. I mean… no, that's not true. io9: [Laughs] Brolin: I think it's out there. I mean, if I check, I'm not there right now. io9: That's true. You are currently in Los Angeles. [Note: This interview was on July 21.] Brolin: And if I check, I read that I'm in Dune III. Fingers crossed. io9: Well, we hope you are. Warner Brothers officially has somebody writing a Goonies 2 script for the first time. Considering how beloved that movie has become, if it worked out and your character was in it, would you have any trepidation going back to that? Brolin: I would. io9: Why so? Brolin: Because I love The Goonies, [but] it's been 41 years. Let it lay. I mean, no, I love the idea, but I don't know. If they made one with different kids, then it becomes a different thing, and I think it taints the original one. I think people get excited, and people who were in the original movie, they get excited about being able to work with that group again because it was such an amazing experience. So do I think it should be done? I don't know, man. I love it just standing like it does. io9: Last non-Weapons thing is I work for a sci-fi site and we were really big Outer Range fans. Were you okay with how it ended, leaving so many things open, or you wish you'd had some more time with it? Brolin: I was mad when it happened. I didn't agree because that show got better. If you look at it again, from a business sense, and you look at it was like a 78% approval rating to a 92%, and we did it for way less budget and all that kind of stuff, it only makes sense that you would try and hold on to that and explore it more. I love that it was a big swing. I love that we got two seasons out of it. I think there were great actors that now have gone on [to great things]. Look at what Lewis Pullman is doing, look at what Imogen Poots is doing. I think it was pretty stupid not to hold on to some of those actors, but you make your decisions and you move on, and you hope for the best later. So we're good. io9: Yeah, that's cool. Weapons allows us to see scenes from multiple points of view. And I just talked to Zach, and he told me he'd shoot them all at the same time. How does acting change at all in that scenario? Obviously, you do a lot of takes of things, but is there a differnece when you know multiple takes of the same thing are going into the movie? Brolin: You're the first person who's asked that. It's all written in different… So say we're doing the same thing, it's not just written once, it's written twice, and I just figured he'd use the one from before. Just do a different angle on it, but he didn't. So he wanted it shot as it was written, which I appreciated. 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Yahoo
an hour ago
- Yahoo
Why The King Of The Hill Revival Is Explicitly Not Trying To Make You Feel Nostalgic
When you buy through links on our articles, Future and its syndication partners may earn a commission. King of the Hill is finally making its big return on the 2025 TV schedule, and I think fans who fire up their Hulu subscription on Monday will quickly be met with one inevitable truth about the new episodes. A lot has changed in Arlen over the decades, and it's not just the viewers who will struggle to cope with that. Hank and Peggy have been overseas for quite some time, and will spend some time playing catch-up with the new Texas and all the changes happening within their friend group. It's certainly not a return that will invoke nostalgia, but as Toby Huss and Mike Judge said when I spoke to the them and the cast at San Diego Comic-Con, that's by design. America as a whole has changed in the decade and a half since King of the Hill left television, and Huss mentioned a comparison creator Judge made about how viewers should see this series: The thing you [Mike] mentioned earlier about it being like Andy Griffith is back and he's pissed off. I think the thing about the show is that it really not nostalgic. Their coming back is not nostalgic, and it doesn't feel like it's a nostalgic thing, like, 'Let's look at the old fun people we had fun with.' It's nothing like that. It's a whole other iteration of their lives,just a few years later. It's charming in its own way, and it's safe and it's inviting because it's, you know, meeting these old people, old friends again, but it never felt nostalgic. Things have changed for every character in King of the Hill, as CinemaBlend wrote about when we pointed out key details in posters and other footage we've seen. Arlen is not the same place it was when Hank and Peggy left, and it takes both a while to find their footing. Fortunately, Mike Judge said that exact premise is what really got the ideas rolling in the King of the Hill writers' room. The creator told me that once they landed on the idea of Hank taking a contract to live on an American base in Saudi Arabia for several years, it began to make sense why they felt like fishes out of water when returning to Texas: Once we got the idea that they've been out of the country for 10 or so years and they're coming back, that felt right. A lot of ideas came out of that because then you get to have Hank be annoyed by all these new things, and also that they were in this Aramco base where they have this kind of fake idyllic American city for Americans. Living on an American base abroad has, as one might guess, made Hank and Peggy a bit out of touch as to how much America has changed in their absence. Not to worry though, as the entire alley gang and Bobby have been there, and are ready to fill them in as I've witnessed across the episodes I received ahead of the premiere. More On King Of The Hill King Of The Hill Struggled To Figure Out What To Do About Bobby's Voice In The Revival The good news is that while the series is not nostalgic in tone, it certainly feels like classic King of the Hill. Despite the tragic deaths of past actors (including the more recent losses of Dale actor Johnny Hardwick and John Redcorn actor Jonathan Joss), the series hasn't lost a step in finding ways to give new adventures on par with some of the greatest episodes of the show's past. I saw the entire series ahead of its arrival, and as a longtime King of the Hill fan, I can confidently say I want a lot more episodes. I particularly like the decision to age up characters like Bobby, Joseph and Connie, as it presents a fresh new storyline that not only is interesting, but incredibly relevant to the lives of young adults today. Readers will get to see for themselves when they watch King of the Hill's return on Hulu on Monday, August 4th. I'm excited to see the world's response to the show returning, and I'm hoping it's big enough that a Season 2 renewal is just around the corner. Solve the daily Crossword
Yahoo
an hour ago
- Yahoo
King Of The Hill Struggled To Figure Out What To Do About Bobby's Voice In The Revival
When you buy through links on our articles, Future and its syndication partners may earn a commission. New episodes of King of the Hill are set to premiere as part of the 2025 TV schedule years after the series originally ended in 2009. Needless to say, a lot has changed since then. Hank and Peggy will have to adapt to new elements in Arlen, Texas after spending a good deal of time overseas. Some things, however, have not changed, including the now-adult Bobby's voice. CinemaBlend actually spoke to his voice actress and the series' showrunner, who shed light on that creative decision. I had the honor of speaking to the creators and cast of King of the Hill during San Diego Comic-Con 2025. During, the chat, I specifically asked Pamela Adlon if she'd given any thought to changing Bobby's voice for the revival. The actress said the decision was more up to Mike Judge, Greg Daniels and showrunner Saladin Patterson but that there had been a lot of discussions by the time she was officially tapped to reprise her role: I was like, 'OK, what are we doing?' I did all my research. Adults whose voices never changed? I googled it. I'm grateful to be doing it, but you don't want Bobby to fall in between somebody who sounds very young and a middle-aged lady. King of the Hill isn't the first series to have this unique situation, and it's actually something that's come up quite a bit in the anime genre. Dragon Ball hero Goku has been voiced by a woman, Masako Nozawa, since he was introduced back in the 1980s. While Americans are used to Goku having a distinct child and adult voice, it's not an issue at all for Japanese fans that the character is currently voiced by an 88-year-old woman. Normally, I wouldn't compare the two, but it feels apt, given the context of how Americans see King of the Hill. Showrunner Saladin Patterson told me that the reason we'll ultimately hear Bobby with the exact same voice when viewers stream the revival using a Hulu subscription is that he decided that is what the fans would want: Greg and I had a conversation about what the fans are gonna really wanna see when they revisit this. We personally like hearing Pam just do Bobby, you know, not trying to change it, not trying to pitch it up, whatever, you know, we, we feel that that's going to be most comfortable for people to hear that voice they recognize and it's Pam. I mean it's magical, right? So you know why, why tweak the magic? The fact that Bobby Hill's voice is the exact same may be a comfort to some, especially since King of the Hill was forced to make some. Said creative moves were partially due to the death of Dale voice actor Johnny Hardwick. Toby Huss has taken over playing the character, and his former role as voice of Kahn Souphanousinphone will be played by Ronny Chieng. It's an adjustment that won't go unnoticed but, ultimately, the spirits of both characters are still alive. More On King Of The Hill King Of The Hill Star Talks Replacing 'One Of A Kind' Johnny Hardwick As Dale Gribble, And I Love Mike Judge For Revealing How Much Of The Late Actor We'll Hear I think it would be much harder to cope with a voice as iconic as Bobby Hill suddenly being changed to a more gruff tone. For me, it would've been disturbing to hear him sounding any other way, and I think the familiarity helps with some of the other changes with the character we see in the revival. With all that said, change is a big theme of King Of The Hill's latest season, as Hank and Peggy get reacquainted with American life after living on an idyllic American base in Saudi Arabia. As someone who zoomed through the eight episodes pretty quickly, I'm already hungry for more seasons, and happy that Hank and Peggy are back in Arlen -- that they reunite with a son who still sounds like he always has. Disney Plus + Hulu Bundle: From $10.99 A MonthKing of the Hill's Hank Hill is practical, and even he could probably see the value in subscribing to both Disney Plus and Hulu for $10.99 a month. Not only that, but there's also choice to pay more ($19.99 a month) to go Deal Watch all new episodes of King of the Hill when they drop on Hulu on August 4th. I'm hoping the series gets enough attention to score a quick renewal.