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Miley Cyrus' Brother Roasts Katy Perry's ‘Dying' Career

Miley Cyrus' Brother Roasts Katy Perry's ‘Dying' Career

Yahoo20-04-2025

Another celeb has hopped onboard the Katy Perry hate train. Trace Cyrus joined a slew of VIPs slamming Perry for her awkward space flight and pleading with her team to give it a rest already.
The musician launched into an expletive-filled rant Friday and accused Perry of copying his sister's every move. 'I first knew Katy Perry and her team were lame as f--- when her career was first dying and they were like 'Hmmm, what can we do? What worked for Miley?'' he scoffed in an X video.
''She cut her hair off and it broke the internet,'' he continued, mimicking Perry's team. ''And everybody freaked out. And she bleached it blonde. We should do that with you, Katy.''
Cyrus' roast came only days after Perry returned safely from a whopping 11-minute space flight in Jeff Bezos' Blue Origin rocket. Almost immediately after, a seemingly never-ending outpouring of hatred came from actors, singers, and fans (or ex-fans, now).
Olivia Munn, Jessica Chastain, Olivia Wilde, Emily Ratajkowski, and even corporations like Wendy's piled on their revulsion. They joked about sending her back, called the first all-female space mission a 'dumb stunt,' and made savage jabs about Perry's outfit on social media.
Chastain even reposted The Guardian's essay titled 'The Blue Origin Flight Showcased the Utter Defeat of American Feminism.'
Then Cyrus made his disgust loud and clear when he mocked Perry for her flopped career and insinuated she was a Miley wannabe.
''You're gonna do exactly what the f--- Miley did and blow up,'' he said, imitating Perry's team. 'Guess what? It didn't f-----g work.'
Perry ripped off Miley time and time again, he said, copying her haircuts, music choices, and singer collabs.
'And then they just tried some EDM songs or some s--- because EDM's hot,' he said, repeating: 'Didn't f---ing work.'
But, according to Cyrus, Perry's team's last move was the most foolish yet. ''Now we're gonna send your ass to space,'' he said, beginning to yell. 'Didn't f---ing work! It's not working, it's backfired, stop!'
Cyrus captioned his vid: 'Nice try Katy... it didn't work. Back to the drawing board,' with a crying emoji.
Perry's singing career has stagnated in recent years, but it hasn't been until this week that even fellow celebs have turned against her—minus billionaire Bezos and his fiancée, of course.

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Sly Stone, 82, dies after 'prolonged battle' with COPD: Signs, symptoms and risk factors

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Tyler Perry Slams Erasure Of Black History In Politically Charged BET Speech

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Tyler Perry Slams Erasure Of Black History In Politically Charged BET Speech

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How the Director and Stars of ‘Pavements' Brought Many Stephen Malkmuses to Life
How the Director and Stars of ‘Pavements' Brought Many Stephen Malkmuses to Life

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How the Director and Stars of ‘Pavements' Brought Many Stephen Malkmuses to Life

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That's certainly the case with Essem, a small-town boy with big rock dreams, who moves to the city with his girlfriend, becomes successful, meets another girl, and ultimately has to choose between the two. (That this love triangle framework maps almost exactly onto last year's Dylan biopic A Complete Unknown feels like an affirmation of Perry's feelings towards the legacy-act industrial complex.) The name Essem is, of course, a phonetic representation of Malkmus' initials, S.M. But in terms of actual similarities between character and person, there's only the vague echo of Malkmus' own journey from the Central Valley suburb of Stockton, California, to New York City in pursuit of rock & roll. 'To try and do some kind of real, authentic characterization of Stephen Malkmus in this context felt so wildly inappropriate,' Esper says. 'To try and put him in a jukebox musical just feels like it wouldn't serve what they were trying to do [with the film]. It functioned like a ride — you just throw yourself into it and perform that as best you can.' As for the embedded biopic, titled Range Life, Keery says his performance 'is not a direct reflection of Malkmus' but 'the punch-up Hollywood biopic version that they would write' if such a film were to be made. He continues: 'It's not exactly who he was. It's sort of the antithesis of the guy.' (Keery also gets to send up his own profession in several behind-the-scenes-featurette-style sequences, in which he descends into Method acting madness — asking to be called 'Stephen,' working with a voice coach to perfect his imitation of Malkmus' fried California tone, and eventually worrying he might've gone too far.) The Range Life scenes primarily fictionalize a real pivot point in Pavement's story: their brush with Nirvana-sized success with 'Cut Your Hair' and 1994's Crooked Rain, Crooked Rain, followed by the underappreciated triumph of their third album Wowee Zowee. It's perfect fodder for overwrought episodes in which the band and their Matador Records bosses (played by Jason Schwartzman and Tim Heidecker) debate artistic integrity and commercial reality. The most melodramatic moments are emblazoned with an awards-thirsty 'For your consideration' watermark. And yet, it's still rooted in something real, because Perry plucked much of the heavy-handed dialog Keery delivers verbatim from the Wowee Zowee press kit, contemporaneous Malkmus interviews, and things Malkmus told Perry himself. Keery says it was 'stressful' at times to navigate this multifaceted, hyper-meta narrative, but also fun. 'I enjoyed being put into this gray area where it's like, 'Is this really happening? Is this shtick?' It felt like the perfect way to pay homage to the band.' Perry wanted to preserve a sense of mystery around Malkmus, one epitomized by an early shot of the frontman hunched over a desk, writing a set list, back to the camera. 'You obviously see him throughout the movie, but you see him from the back,' Perry says. 'We see Joe and Michael from the front, but the front has a mask on.' Mysterious as Malkmus may be, Perry's instinct reflects something that distinguishes Malkmus from so many other mythical, enigmatic artistic geniuses we scrutinize. Esper pinpoints it, too, when discussing all the time he spent as a teenager poring over Pavement lyrics, learning the band's songs on guitar, and reading any interview he could find: a wariness of ever getting 'too close to knowing too much about' Malkmus himself. This was partly because, Esper jokes, 'I felt like I would discover that he would hate me.' But it was also the sense that behind the Singer was just a normal guy. 'I did feel like to figure out too much about him, his personal history, or even what his intention was lyrically or musically, was a mistake,' Esper says. 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Nowhere does the film distill this ideal better than the scene where Keery is working with the voice coach and shows her what he says is a photo of Malkmus' actual throat, hoping it might unlock the secret to a perfect performance. Asked — half as a joke, but also out of curiosity to know the extent to which the bit was committed — if that was indeed a photo of Malkmus' throat, Keery deadpans, 'He wouldn't release that. That was a step too far. But I'm still hunting that down. I'm determined to get that tongue pic. I think it will reveal a lot for everyone out there.' Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century

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