
Is ‘The Recruit' returning for season 3? Everything we know so far
The Recruit has fans hooked with its wild spy thrills and Noah Centineo's charm as Owen Hendricks, the rookie CIA lawyer dodging danger at every turn. After Season 2's explosive finale, everyone's dying to know: will there be a Season 3? Here's the full rundown on what's known so far, packed with the latest updates, fan buzz, and a peek at what could've been. A Quick Recap of The Recruit Season 2
Before diving into the big question, let's recap where things stand. The Recruit follows Owen, a young lawyer thrown into the CIA's deep end, juggling deadly missions and shady colleagues. Season 2, which hit Netflix on January 30, 2025, sent Owen to South Korea and Russia to save Nan Hee, the wife of NIS agent Jang Kyun (Teo Yoo). Packed with new characters like the mysterious Nichka (Maddie Hasson) and the scheming Violet (Aarti Mann), the season delivered betrayals, gunfire, and a nail-biting rescue. Those final moments left plenty of threads dangling, sparking hope for more. Has The Recruit Been Renewed for Season 3?
Brace for the bad news: Netflix pulled the plug on The Recruit after two seasons. The cancellation dropped in March 2025, just a month after Season 2 premiered. Fans were gutted, and even the show's team seemed blindsided. Despite rave reviews—Season 2 scored an 87% on Rotten Tomatoes—the show didn't pull the massive viewership Netflix craves. Season 2 clocked 15.3 million views in its first three weeks, down from Season 1's 26.4 million, which likely tipped the scales against renewal.
Showrunner Alexi Hawley had big plans before the axe fell, teasing a third season that could've taken Owen to places like Latin America or Africa. Noah Centineo hyped up a 'crazier' Season 3, saying Owen needed bigger stakes to match his growth. Sadly, those dreams are on hold, leaving fans wondering what might've been.
Ahmedabad Plane Crash
Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at BusinessUpturn.com

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
13 minutes ago
- Yahoo
Yes, ‘KPop Demon Hunters' is a legitimate Oscar contender
There's no doubt KPop Demon Hunters is a pop-culture sensation. Since Netflix's surprise animated hit dropped two months ago, you likely can't go a day without belting the words to its addictive single, "Golden," or coming across various fan art, song covers, or dance challenges online. Already Netflix's biggest original animated feature ever and the second-most-streamed English original movie of all time, the Sony Pictures Animated-produced film has achieved the rare feat of being universally beloved by critics (a 97 percent "fresh" rating on Rotten Tomatoes) and audiences alike. But can KPop Demon Hunters, which quickly sold out this weekend's limited sing-along theatrical run, turn its seemingly unstoppable momentum into Oscar nominations at the 98th Academy Awards? More from Gold Derby Jillian Michaels vs. Netflix's 'Biggest Loser' docuseries, explained 'Kiss of the Spider Woman': Everything to know about Jennifer Lopez's return to the Oscar race as new trailer drops The short answer: absolutely. Directed and written by Maggie Kang and Chris Appelhans, KPop Demon Hunters is an animated film that seems to buck every traditional awards trend. It centers on the fictional female K-pop trio Huntr/x, whose members — Rumi (Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo) — secretly moonlight as demon hunters to keep a magical barrier, known as the "honmoon," from breaking apart. Their powerful singing voices are the key to sealing off the human world from the demons that threaten to infiltrate it. Huntr/x meets their match when they face off against the Saja Boys, a rival demon boy group whose main mission is to weaken the seal and let the supernatural baddies in. If the likelihood of an Oscar nomination was measured solely by cultural impact, KPop Demon Hunters would be the biggest shoo-in at this early stage in the Academy Awards conversation. Predicting the actual probability it has to score a nomination — where its best shots are Best Animated Feature and Best Original Song (and possibly even Best Picture if the cards align) — is not as cut and dry, though the film has every cog in the awards machine working for it. Netflix's decision to put its weight (and resources) behind the film — submitting the crowd-pleasing 'Golden' for Best Original Song, for instance — helps its prospects immensely. Voiced by an Asian-led cast, the film's seven original K-pop tracks (written and produced by K-pop veterans like Teddy) have all become bona fide pop hits in their own right. 'Golden' continues to top the Billboard 100 singles chart, while the soundtrack album peaked at No. 2 on the Billboard 200. Other tunes, such as 'Your Idol' and 'Soda Pop,' continue to dominate the streaming and Billboard charts. Legitimizing the film's overall message and execution are stamps of approval from the very K-pop idols who inspired Huntr/x and the Saja Boys, from BTS and TXT to Ateez and Twice (the latter of whom covers the original song 'Takedown'), to name just a few. KPop Demon Hunters has also been lauded for its bold and vivid animation, thanks in part to Sony Pictures Animation's signature pop art style it's become known for through the Oscar-nominated Spider-Verse movies; engaging storytelling beats; and strong, fully realized characters. In a year where the animated Oscar race is wide open, no other animated film — Pixar's middling Elio or Chinese billion-dollar blockbuster sequel Ne Zha 2 (an A24 English release Aug. 22 with Michelle Yeoh could provide a box-office bump), for instance — has garnered as much attention as KPop Demon Hunters. That may end up playing into its favor, giving Academy voters no choice but to consider the Netflix hit more seriously when it comes time to fill out their ballots. Netflix has such confidence in the film's prospects that the streamer made KPop Demon Hunters one of the first features available on the Academy's Screening Room platform for voters to watch. For now, KPop Demon Hunters holds the key to its Oscar destiny. If it manages to ride out the second half of the year, when several high-profile animated features are slated to hit theaters (see: Scarlet, Arco, In Your Dreams, Demon Slayer: Kimetsu no Yaiba Infinity Castle, and Zootopia 2), there's a very good chance it will find itself as one of the five nominees for Best Animated Feature when nominations are announced Jan. 22, 2026. If the nominations do break its way, KPop Demon Hunters would have the chance to be the first Asian-led film outside of Hayao Miyazaki's seminal Studio Ghibli to win Best Animated Feature in the two decades the statuette has been presented. "It would be such an honor,' Cho told Gold Derby of the awards buzz surrounding KPop Demon Hunters, admitting 'it's still registering.' 'The fact that we went from making a movie that I think we all really loved and cared about to it developing into this phenomenon worldwide, to what is quickly becoming an Oscar and awards run,' Yoo said. 'I'm just along for the ride and I'll process it all after.' Best of Gold Derby Everything to know about 'The Batman 2': Returning cast, script finalized Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') Click here to read the full article. Solve the daily Crossword
Yahoo
37 minutes ago
- Yahoo
Culture minister says ‘biggest anxiety' is public service broadcasters' budgets
Culture minister Sir Chris Bryant has said his 'biggest anxiety' when it comes to the British TV industry is the reduced budgets of public service broadcasters (PSBs). The commissioning budgets of PSBs have been 'squeezed by the real-terms reduction of the BBC licence fee', as well as a reduction in advertising revenue, according to a report from the Culture, Media and Sport (CMS) Committee published earlier in the year. The MP also spoke about the Government's rejection of a streamer levy, after the report called for platforms, such as Netflix, Amazon, Apple TV+ and Disney+, to commit to paying 5% of their UK subscriber revenue into a cultural fund which would help PSBs through financing drama with a specific interest to British audiences. Speaking at the Edinburgh TV Festival, he said: 'We want to get a mixed economy. I love the fact that the streamers and big Hollywood houses make lots of shows in the UK … I want to mix it, to be making our own stuff.' Speaking about the importance of 'a mixed economy', he said: 'Film and TV, and high-end television in particular is fundamentally an international thing. 'I think that some politicians in the world don't seem to fully understand us, but one of the things I've been trying to achieve in the UK is, yes, it's great that the streamers do make fabulous stuff here, and lots of wonderful films made here. 'Tom Cruise is probably one of the biggest investors in the UK economy over the last decade. Brilliant. 'I really want to celebrate that, but I don't want everything that is made in the UK, all the IP (intellectual property), simply to go back to the West Coast of the United States of America. 'I'd like us to have some IP that remains here so that we can continue making investments and have strong UK production companies, which also make stuff which maybe sometimes is specifically made for a UK audience as well as for a wider audience. 'So I've been trying to make that mixed economy.' Cruise's blockbuster Mission Impossible films, particularly recent instalments, have frequently filmed in the UK, with locations including London, Derbyshire and the Lake District. Sir Chris added: 'My biggest anxiety is the state of public service broadcasting budgets, and if they haven't got any funding, they're not going to be making any progress.' After the report into British film and high-end television, chairwoman of the CMS committee, Dame Caroline Dinenage, said 'there will be countless distinctly British stories that never make it to our screens' unless the Government intervenes to 'rebalance the playing field' between streamers and public service broadcasters (PSBs).


Tom's Guide
38 minutes ago
- Tom's Guide
This gripping Western movie you (probably) haven't seen just landed on Netflix — and I'm still thinking about it
After combing through Netflix's lineup for the week, I noticed 'Broke' was being added today (August 21), a Western drama that went straight to digital back in May without even a limited theatrical release. That's likely why it didn't gain much traction, and it's a movie I certainly hadn't heard of. Now that 'Broke' is streaming on U.S. Netflix, I hope it attracts more attention given the platform's huge audience. After watching it myself, I'd rate it as a very compelling, moving and suspenseful drama, featuring Wyatt Russell in one of his best roles to date. It also tells an important story about resilience when life doesn't go according to plan. There's a lot to like in this compact story, including its interwoven timelines and somber soundtrack that somehow complements a narrative both sad and uplifting. It follows a bareback bronc rider as he battles a sudden blizzard, reflecting on his past and the choices that brought him to this critical point. If you're looking for something different to stream this week, here's why 'Broke' is worth adding to your Netflix watchlist. 'Broke' follows True Brandywine (Wyatt Russell), a bareback bronc rider struggling to maintain his rodeo career. When a sudden spring blizzard traps him in the Wyoming wilderness, True must navigate the harsh elements to survive. The movie unfolds through a series of flashbacks, revealing his past decisions and relationships, including his bond with his father, George Brandywine (Dennis Quaid), and his evolving relationship with his loving partner, Ali (Auden Thornton). As the storm intensifies, True's physical and mental endurance is pushed to the limit, forcing him to confront the choices that have brought him to this critical juncture. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. 'Broke' starts off with the protagonist in his main predicament: waking up in a blizzard, confused about how he got there, with signs of hyperthermia already setting in when he discovers his sock half off. The situation feels instantly tense because, even though we haven't met the character yet, you can already sympathize with him. The next few minutes remain tense as he stumbles through the snow, seeking shelter and warmth, and you might think the movie will play out as a survival thriller. But within the first ten minutes, we're treated to the first flashback of him during his motivational rodeo days before subsequent flashbacks throughout the story depict his downfall and hardships. This narrative structure is incredibly effective, keeping you curious to see more flashbacks of how he ended up in this situation. These memories almost come in waves alongside True's revealed brain injury, like pulsating migraines that taunt him with his 'failures' and the mistakes of pushing loved ones away when it got too hard. Russell is very much the center of this story. At times, you really feel for his character; at others, you find yourself disliking his actions. Yet his ability to convey determination, genuine happiness and regret keeps you invested in how his story unfolds, and the realness almost makes it feel like a true story. Although their screen time is somewhat limited, Quaid and Thornton also contribute to the story's message about keeping the people you care about close, especially during difficult times. This marks Carlyle Eubank's first proper outing as a director, and he shows real promise as a storyteller in the indie drama space. While his past work has leaned more toward action, here he demonstrates a strong instinct for exploring human experiences. These kinds of character-driven movies may not always grab headlines, but they're essential for grounding cinema in the lives and emotions of everyday people. 'Broke' may not be a staple in the Western genre, but it shows Russell's ability to carry a movie on his own. Even while taking on bigger, more high-profile projects like the recent Marvel project 'Thunderbolts,' Russell clearly demonstrates a knack for tackling emotionally layered roles like this one. Eubank ambles down a freshly laid road to tap into contemporary career worries while showing an affinity for the Western environment and sympathy for the people in it. And that's good enough to keep us engaged for much more than the tense blizzard scenes or dangerous bronc riding. For those seeking something a little more intense, stream these dark thriller movies on Netflix to get your adrenaline pumping. Stream 'Broke' on Netflix now. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.