Line dancing classes for Guelph seniors prove age is just a number
Seniors practice their line dancing during a Guelph Wellington Seniors Association class in Guelph, Ont. on May 8, 2024. (Alexandra Holyk/CTV News)
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CTV News
an hour ago
- CTV News
Storybook ending for London Knights core group who call themselves ‘family'
Fans celebrate the Knights' win on Dundas Place, their third win in the last two decades. CTV's Brent Lale has the details.
CTV News
2 hours ago
- CTV News
Extra Extra: St. Croix Courier newspaper returns to Charlotte County, N.B.
CHCO-TV News Director Vicki Hogarth is pictured holding a picture of the first edition of the revamped Courier. (Avery MacRae/CTV Atlantic) There a lot of things easier to try and find in 2025 then a newspaper. As news outlets shift their focus to digital platforms, the classic newspaper filled with current affairs, comics and puzzles is becoming a thing of the past. Last year, the St. Croix Courier stopped printing in May after serving residents of southwestern New Brunswick since 1865. CHCO-TV in Saint Andrews purchased the paper in late 2024 with the goal of reviving the iconic paper. At first, the TV station continued writing articles that would go in the paper to be posted on their website. Then, on June 1 the first edition of the new Courier paper was made available for residents of Charlotte County. 'We decided to approach the print edition in a modern way,' says CHCO-TV Director Vicki Hogarth. 'Which is to do a curated monthly edition of the Courier that has some really great think pieces, some columns, some investigative pieces that people will turn to hopefully month-to-month, and then just continue to visit the website for breaking news.' Saint Croix Courier Copies of the first edition of the new Saint Croix Courier are pictured. (Avery MacRae/CTV Atlantic) Hogarth says reviving the paper has been a humbling experience, especially in an age where newspapers are 'drying up' across the country. She says there was a great deal of community interest to see the paper brought back and it's available for residents free of charge for the first year thanks to a $20,000 grant provided by the federal government. 'I think because it wasn't in the community for a year, it's making people appreciate that presence again and having it in their hands,' Hogarth says. 'I heard a lot of great, happy feedback, I've also had a lot of happy tears when I've been able to hand it over to people in person, and a lot of phone calls after they've read the first edition and felt that it speaks to the community again.' Businesses have been reaching out to CHCO to get copies of the Courier for there storefronts. Café Drewhaven co-proprietors Tina Howlett and Shawn Richard look forward to having The Courier available for customers. 'Some people just want to come in and have a cup of coffee and sit by themselves,' Richard says. 'And I think this is going to be a great addition to that.' The two life-long Charlotte County residents have fond memories of the paper from their youth. Both have had their picture in the paper and in the small seaside community, they say there are few things bigger then being featured in the Courier. 'To have a physical copy in your hand to just like bring back all that memory,' says Howlett. 'Like, wow, this is taking me right back to my childhood.' Residents around Saint Andrews are thrilled over the return. 'It's been so long since it's been in print that I really can't remember,' says Mike Craig. 'But, I am looking forward to seeing what's inside.' Café Drewhaven co-proprietors Café Drewhaven co-proprietors Tina Howlett and Shawn Richard are pictured holding copies of the Saint Croix Courier. (Avery MacRae/CTV Atlantic) Saint Andrews resident Charles Creaser says it's a great local paper. 'I know it's appreciated by a lot of people, especially in the communities of Charlotte County.' Hogarth says the paper is community driven and they will listen to residents to serve them to the best of their ability. Hogarth says 3,000 copies of the first edition of the new Courier have been published, a number that will change depending on the demand. New editions of the paper will be available on the first of every month at a wide range of locations in St. Stephen, Saint Andrews, and St. George, N.B. For more New Brunswick news, visit our dedicated provincial page.
CBC
3 hours ago
- CBC
How NPR's Tiny Desk became one of our favourite places on the internet
Social Sharing For almost 20 years, NPR's Tiny Desk Concerts have featured some of the biggest artists and promising upcoming musical talents. Everyone from Adele, to Usher and even Blue Man Group have fit themselves into the internet's most beloved cluttered office space in order to give fans an acoustic set like no other. In a conversation recorded live in front of an audience at this year's Radiodays North America conference, host Elamin Abdelmahmoud talks with series producer Bobby Carter about the journey of Tiny Desk, and the role he played in making the series a crucial and trusted hub for Black and other racialized musicians. We've included some highlights below, edited for length and clarity. For the full discussion, listen and follow Commotion with Elamin Abdelmahmoud on your favourite podcast player. WATCH | Today's episode on YouTube: Elamin: I think about that time period and about the similar spaces to Tiny Desk. MTV had Unplugged. Right here in Canada, MuchMusic had Intimate and Interactive. When you think about Tiny Desk, what do you think makes Tiny Desk a different space? Bobby: First of all, the intimacy. I think that's key. And now over the years, the thing is we have a fingerprint, right? When you see a Tiny Desk, you know exactly what it is because of those shelves, because it's in a regular office. Many artists come into the space thinking that's a soundstage. It is not, and it's the first thing we tell artists. Like, "Look. This is exactly what this is. This is a regular-ass desk in a regular-ass office. There's no great acoustics…. So be prepared." But it's the intimacy. We strip away all of the bells and whistles. As much as I love Unplugged, we don't even give you that. Like, the monitors in front of the stage where the artists can hear themselves? We don't give you that. You either got it, or you don't. And I think that's one of the things that really separates us from a lot of the music platforms. Elamin: Okay, so Tiny Desk starts in 2008. You join the team in 2014. If I'm not mistaken, the very first Tiny Desk concert you produced was this one right here: WATCH | The Foreign Exchange's NPR Music Tiny Desk Concert: Bobby: That's my guy Phonte. This is a duo called The Foreign Exchange. Actually, one of the very first groups to put together an album over the internet before meeting each other. This was in 2014. This wasn't the first band that I pitched. This is the first band that got approved. Elamin: How long did it take between the first artist you pitched? Bobby: I have no clue, but it was a long road to get there because, you know, it's NPR. And NPR has thankfully evolved in a lot of different ways. They changed a lot of their perspectives and views on what belongs at NPR. But we weren't quite there yet, right? But this really sort of proved that the stuff that I love not only belonged, but there are millions of others out there that love it as well. Elamin: So that journey happens kind of quickly because you get to Foreign Exchange, and then … T-Pain. What ends up happening is this takes off in ways that I imagine maybe surprised some of the people on the team. Do you want to talk about how big of a viral moment this was? WATCH | T-Pain's NPR Music Tiny Desk Concert: Bobby: It was the first real moment. It truly put Tiny Desk on the map. I always say, if you ask me what Tiny Desk is, I point them to this, because it's T-Pain. If you know T-Pain, you know when you listen to his music, his voice is altered through Auto-Tune. Elamin: The most Auto-Tuned singer of the early aughts, yeah. Bobby: He helped to pioneer Auto-Tune — not necessarily the first one to use it, but he was the first one to use the way he used it, and it changed the music industry. And what my colleague, Frannie, challenged him to do was to come in and perform without Auto-Tune. And when you take that away, there was this discovery that this dude does not need Auto-Tune. He can really sing. Elamin: A generational talent when it comes to singing, yeah. Bobby: He utilized it as a tool, and it was his identity. But in that, he sang, and it was completely stripped. Not even drums; it was keys and that voice. It was an eye-opening moment for the music industry, NPR, culture at large. It changed the game for us.
