logo
New S.F. bistro mixes Midwestern comfort food with vinyl DJs

New S.F. bistro mixes Midwestern comfort food with vinyl DJs

A new San Francisco bistro is bringing together Midwestern comfort foods and the hip aesthetic of Japanese listening bars under one roof in the Mission District.
Side A will open on May 1 at 2814 19th St., the former home of longtime brunch favorite Universal Cafe. The restaurant is the first joint venture for couple Caroline and Parker Brown, who have, respectively, worked in the music and restaurant industries. He was most recently the chef de cuisine at Aphotic, the dark, Michelin-starred seafood temple in SoMa which closed last winter (but may resurface in Jackson Square).
Parker, who grew up eating kspinach-artichoke dip with his family, says that while the kitchen will use choice Bay Area produce, dishes will definitely have Midwestern heartiness. 'It's going to be more of a pork chops and applesauce and less of an avocado toast thing,' Parker said.
He called the short rib Parisian gnocchi his 'ode to the Chicago beef sandwich.' The puffy pasta bites come in a bowl with morsels of beef and a giardiniera, briny Italian pickles. It has undergone refinements and variations over the years, but he still takes pride in it being the first dish he ever put on a menu as a sous chef. 'It's near and dear to my heart,' he said.
Other dishes may include classic steaks and fried chicken cutlets topped with chicories and served with a honey mustard sauce. A cheeseburger will feature a thick patty, Tomales Farmstead Kenne cheese and red onion jam on an Acme sesame bun. A generous scrape of bone marrow adds plenty of richness. Not every dish will be so rich, however. Vegetarian dishes include eggplant with french lentils and topped with pickled summer squash. The 'garbage' salad is a mix of lettuce, pork belly confit, feta and dilly beans tossed with a wine vinaigrette. It comes topped with a quartered hard-boiled egg.
Though menu prices weren't yet determined, the Browns say affordability is one of the goals for Side A. 'It allows diners to become regulars and eat here more than once,' Caroline said.
Parker was born in Milwaukee, so the bar will always keep bottles of Miller High Life, along with a selection of seven other beers. There will also be an emphasis on wines from California and Italy, with a list of about 40 selected by beverage partner Paul Chung. Non-alcoholic beverages will include classic Arnold Palmers and lemonades incorporating house-made shrubs.
The bar counter will be active all day long on weekdays. The Coffee Movement, one of the Bay Area's top destinations for coffee, will be serving drinks on weekday mornings, as well as homemade doughnuts.
Landing a lease for the Universal Cafe space is a full circle moment for the Browns. Caroline moved to San Francisco in 2017, and her first job in the city was nearby. The popular restaurant's crowd of regulars and warmth reminded her of her native Chicago. 'I knew this was the type of restaurant we wanted to open someday,' she said.
The Browns had inquired about the space in 2021 and in 2023 with no luck. It wasn't until this year that a series of connections helped them to land in space. 'It's very special to do Side A here,' she said.
The space got a revamp led by neighboring designers Studio Ahead. The result is a clean, sleek look that maintains the same feel as the former tenant, with plenty of natural light. Caroline pointed to some of the wood cuts which remain in place, though some have been used to line the bottom of the bar. Metal shop 280 West made some of the new metal design pieces inside the dining room.
The clean white marble tables and bartop will also remain in place. Side A's dining room can seat 28 inside plus eight outside. Bar seating will be walk-in only and include 11 chairs.
The chic look sets the stage for the musical programming. Caroline has been a DJ since she moved to San Francisco, though the Browns have collected records since they met. Caroline will pull from their library, which includes titles picked up on trips to England, Italy and Mexico. Expect to hear soul, funk and disco grooves with some jazz and rock and roll mixed in during cafe and dinner service.
'It's all to remain authentic and really feel like you're at a dinner party in our home,' Caroline said. She added that there are plans to bring in DJs on the weekends.
As cool as all of this may sound, the Browns want the vibe to be down-to-earth and welcoming.
'We're Midwesterners, man. We're going to give you a hug no matter how you're dressed,' Parker said.
Side A. 2814 19th St., Opening May 1. 4 p.m.-10 p.m. Sunday-Monday, 4 p.m. to 10 p.m. Thursday, 4 p.m.-12 a.m. Friday-Saturday.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A.P.C. Celebrates Japanese Food With "Gourmet Japonais" Apparel Collection
A.P.C. Celebrates Japanese Food With "Gourmet Japonais" Apparel Collection

Hypebeast

time3 hours ago

  • Hypebeast

A.P.C. Celebrates Japanese Food With "Gourmet Japonais" Apparel Collection

Summary a Japan-exclusive collection inspired by Japanese food culture. The capsule features a series of standard fit T-shirts, caps and a tote bag — all of which feature iconic Japanese food. The trio of white T-shirts are designed with graphics of onigiri, edamame and what looks to be rice dumplings, assisted by the A.P.C. Japon logo right below. Meanwhile, the navy blue newsboy cap follows the same onigiri graphic in white. Closing it out are a duo of navy blue and green tote bags featuring either the rice dumplings or the edamame design. Check out the collection above. The A.P.C. 'Gourmet Japonais' collection is available now on theofficial webstoreand A.P.C. stores.

'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers
'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers

Yahoo

time6 hours ago

  • Yahoo

'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers

While Nick Kroll and Andrew Rannells voice some pretty hysterical characters in Big Mouth, they're now sharing the screen in the horror-comedy I Don't Understand You (now in theatres). Written and directed by married filmmakers David Joseph Craig and Brian Crano, the movie had a particularly interesting starting point. In I Don't Understand You Kroll and Rannells play a couple, Dom and Cole, who have just fallen victim to adoption fraud, but things are looking up. A pregnant woman named Candace (Amanda Seyfried) thinks they're the right fit for the family to adopt her child. But just before that happens, Dom and Cole take a romantic Italian vacation. Things take a turn when they get lost outside of Rome, trying to find a restaurant. As their stranded in an unknown location, the trip turns to bloody Italian chaos. As Craig and Crano identified, the first portion of the movie, up until the couple gets stuck going to the restaurant, is quite close to the real experience the filmmakers had. "We were adopting a child. We had been through an adoption scam, which was heartbreaking, and then had a completely different experience when we matched with the birth mother of our son," Crano told Yahoo. "But we found out that we were going to have him literally like two days before we were going on our 10th anniversary trip." "And we were like, 'Shit, should we not go?' But we decided to do it, and you're so emotionally opened up and vulnerable in that moment that it felt like a very similar experience to being in a horror movie, even though it's a joyful kind of situation." A key element of I Don't Understand You is that feeling of shock once the story turns from a romance-comedy to something much bloodier. It feels abrupt, but it's that jolt of the contrast that also makes that moment feel particularly impactful to watch. "Our sense of filmmaking is so ... based on surprise," Craig said. "As a cinephile, my main decade to go to are outlandish '90s movies, because they just take you to a different space, and as long as you have a reality to the characters that are already at hand, you can kind of take them wherever." "Personally, the situation of adoption was a constant jolt [from] one emotion to another that we felt like that was the right way to tell a story like this, which was literally, fall in love with a couple and then send them into a complete nightmare. And I think you can only get that if you do it abruptly, and kind of manically." While Rannells and Kroll have that funny and sweet chemistry the story needs, these were roles that weren't written for them. But it works because Crano and Craig know how to write in each other's voices so well, that's where a lot of the dialogue is pulled from. Additionally, the filmmakers had the "creative trust" in each other to pitch any idea, as random as it may have seemed, to see if it could work for the film. "When you're with somebody you've lived with for 15 years, there is very little that I can do that would embarrass me in front of David," Crano said. "So that level of creative freedom is very generative." "We were able to screw up in front of each other a lot without it affecting the rest of our day," Craig added. Of course, with the language barrier between the filmmakers and the Italian cast, it was a real collaboration to help make the script feel authentic for those characters. "All of the Italian actors and crew were very helpful in terms of being like, 'Well I feel like my character is from the south and wouldn't say it in this way.' And helped us build the language," Crano said. "And it was just a very trusting process, because neither of us are fluent enough to have that kind of dialectical specificity that you would in English." "It was super cool to just be watching an actor perform a scene that you've written in English that has been translated a couple of times, but you still completely understand it, just by the generosity of their performance." For Craig, he has an extensive resume of acting roles, including projects like Boy Erased and episodes of Dropout. Among the esteemed alumni of the Upright Citizens Brigade, he had a writing "itch" for a long time, and was "in awe" of Crano's work as a director. "Truthfully, in a weird way, it felt like such a far off, distant job, because everything felt really difficult, and I think with this project it just made me understand that it was just something I truly love and truly wanted to do," Craig said. "I love the idea of creative control and being in a really collaborative situation. Acting allows you to do that momentarily, but I think like every other job that you can do on a film is much longer lasting, and I think that's something I was truly seeking." For Crano, he also grew up as a theatre kid, moving on to writing plays in college. "The first time I got laughs for jokes I was like, 'Oh, this is it. Let's figure out how to do this,'" he said. "I was playwriting in London, my mom got sick in the States, so I came back, and I started writing a movie, because I was living in [Los Angeles] and I thought, well there are no playwrights in L.A., I better write a movie.'" That's when Crano found a mentor in Peter Friedlander, who's currently the head of scripted series, U.S. and Canada, at Netflix. "I had written this feature and ... we met with a bunch of directors, great directors, directors I truly admire, and they would be like, 'It should be like this.' And I'd be like, 'Yeah, that's fine, but maybe it's more like this.' And after about five of those Peter was like, 'You're going to direct it. We'll make some shorts. We'll see if you can do it.' He just sort of saw it," Crano recalled. "It's nice to be seen in any capacity for your ability, but [I started to realize] this is not so different from writing, it's just sort of writing and physical space and storytelling, and I love to do it. ... It is a very difficult job, because it requires so much money to test the theory, to even see if you can." But being able to work together on I Don't Understand You, the couple were able to learn things about and from each other through the filmmaking process. "David is lovely to everyone," Crano said. "He is much nicer than I am at a sort of base level, and makes everyone feel that they can perform at the best of their ability. And that's a really good lesson." "Brian literally doesn't take anything personally," Craig added. "Almost to a fault." "And it's very helpful in an environment where you're getting a lot of no's, to have a partner who's literally like, 'Oh, it's just no for now. Great, let's move on. Let's find somebody who's going to say yes, maybe we'll come back to that no later.' I'm the pessimist who's sitting in the corner going, 'Somebody just rejected me, I don't know what to do.' ... It just makes you move, and that's that's very helpful for me."

'I Don't Understand You': Nick Kroll, Andrew Rannells movie based on adoption fraud story from filmmakers
'I Don't Understand You': Nick Kroll, Andrew Rannells movie based on adoption fraud story from filmmakers

Yahoo

time7 hours ago

  • Yahoo

'I Don't Understand You': Nick Kroll, Andrew Rannells movie based on adoption fraud story from filmmakers

While Nick Kroll and Andrew Rannells voice some pretty hysterical characters in Big Mouth, they're now sharing the screen in the horror-comedy I Don't Understand You (now in theatres). Written and directed by married filmmakers David Joseph Craig and Brian Crano, the movie had a particularly interesting starting point. In I Don't Understand You Kroll and Rannells play a couple, Dom and Cole, who have just fallen victim to adoption fraud, but things are looking up. A pregnant woman named Candace (Amanda Seyfried) thinks they're the right fit for the family to adopt her child. But just before that happens, Dom and Cole take a romantic Italian vacation. Things take a turn when they get lost outside of Rome, trying to find a restaurant. As their stranded in an unknown location, the trip turns to bloody Italian chaos. As Craig and Crano identified, the first portion of the movie, up until the couple gets stuck going to the restaurant, is quite close to the real adoption experience the filmmakers had. "We were adopting a child. We had been through an adoption scam, which was heartbreaking, and then had a completely different experience when we matched with the birth mother of our son," Crano told Yahoo. "But we found out that we were going to have him literally like two days before we were going on our 10th anniversary trip." "And we were like, 'Shit, should we not go?' But we decided to do it, and you're so emotionally opened up and vulnerable in that moment that it felt like a very similar experience to being in a horror movie, even though it's a joyful kind of situation." A key element of I Don't Understand You is that feeling of shock once the story turns from a romance-comedy to something much bloodier. It feels abrupt, but it's that jolt of the contrast that also makes that moment feel particularly impactful to watch. "Our sense of filmmaker is so much based on surprise, Craig said. "As a cinephile, my main decade to go to are outlandish '90s movies, because they just take you to a different space, and as long as you have a reality to the characters that are already at hand, you can kind of take them wherever." "Personally, the situation of adoption was a constant jolt [from] one emotion to another that we felt like that was the right way to tell a story like this, which was literally, fall in love with a couple and then send them into a complete nightmare. And I think you can only get that way if you do it abruptly, and kind of manically." While Rannells and Kroll have that funny and sweet chemistry the story needs, these were roles that weren't written for them. But it works because Crano and Craig know how to write in each other's voices so well, that's where a lot of the dialogue is pulled from. Additionally, the filmmakers had the "creative trust" in each other to pitch any idea, as random as it may have seemed, to see if it could work for the film. "When you're with somebody you've lived with for 15 years, there is very little that I can do that would embarrass me in front of David," Crano said. "So that level of creative freedom is very generative." "We were able to screw up in front of each other a lot without it affecting the rest of our day," Craig added. Of course, with the language barrier between the filmmakers and the Italian cast, it was a real collaboration to help make the script feel authentic for those characters. "All of the Italian actors and crew were very helpful in terms of being like, 'Well I feel like my character is is from the south and wouldn't say it in this way.' And helped us build the language," Crano said. "And it was just a very trusting process, because neither of us are fluent enough to have that kind of dialectical specificity that you would in English." "It was super cool to just be watching an actor perform a scene that you've written in English that has been translated a couple of times, but you still completely understand it, just by the generosity of their performance." For Craig, he has an extensive resume of acting roles, including projects like Boy Erased and episodes of Dropout. Among the esteemed alumni of the Upright Citizens Brigade, he had a writing "itch" for a long time, and was "in awe" of Crano's work as a director. "Truthfully, in a weird way, it felt like such a far off, distang job, because everything felt really difficult, and I think with this project it just made me understand that it was just something I truly love and truly wanted to do," Craig said. "I love the idea of creative control and being in a really collaborative situation. Acting allows you to do that momentarily, but I think like every other job that you can do on a film is much longer lasting, and I think that's something I was truly seeking." For Crano, he also grew up as a theatre kid, moving on to writing plays in college. "The first time I got laughs for jokes I was like, 'Oh, this is it. Let's figure out how to do this,'" he said. "I was playwriting in London, my mom got sick in the States, so I came back, and I started writing a movie, because I was living in [Los Angeles] and I thought, well there are no playwrights in L.A., I better write a movie.'" That's when Crano found a mentor in Peter Friedlander, who's currently the head of scripted series, U.S. and Canada, at Netflix. "I had written this feature and ... we met with a bunch of directors, great directors, directors I truly admire, and they would be like, 'It should be like this.' And I'd be like, 'Yeah, that's fine, but maybe it's more like this.' And after about five of those Peter was like, 'You're going to direct it. We'll make some shorts. We'll see if you can do it.' He just sort of saw it," Crano recalled. "It's nice to be seen in any capacity for your ability, but [I started to realize] this is not so different from writing, it's just sort of writing and physical space and storytelling, and I love to do it. ... It is a very difficult job, because it requires so much money to test the theory, to even see if you can." But being able to work together on I Don't Understand You, the couple were able to learn things about and from each other through the filmmaking process. "David is lovely to everyone," Crano said. "He is much nicer than I am at a sort of base level, and makes everyone feel that they can perform at the best of their ability. And that's a really good lesson." "Brian literally doesn't take anything personally," Craig added. "Almost to a fault." "And it's very helpful in an environment where you're getting a lot of no's, to have a partner who's literally like, 'Oh, it's just no for now. Great, let's move on. Let's find somebody who's going to say yes, maybe we'll come back to that no later.' I'm the pessimist who's sitting in the corner going, 'Somebody just rejected me, I don't know what to do.' ... It just makes you move, and that's that's very helpful for me."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store