Ranveer Singh touches elderly fan's feet, kisses her hand, video goes viral
The video melted hearts across social media, with fans praising the 'Ram Leela' actor for his humility and kindness. 'Sweet momenta,' wrote one fan, while another called him 'Genuine service.'
On the work front, Ranveer Singh is currently busy with his upcoming action drama 'Dhurandhar', which is based on real-life events. While the exact plot remains under wraps, reports suggest that the film will feature Ranveer as an undercover spy and highlight the courage of Indian special agents operating in Pakistan.Last month, the makers released the film's first-look teaser, showcasing Ranveer in a gritty avatar with long hair, a cigarette in his mouth, and intense action sequences set to a pulsating background score. The teaser hints at a gripping and violent thriller. The film also stars Sanjay Dutt, R Madhavan, Akshaye Khanna, and Arjun Rampal in powerful roles. Arjun's rugged look complete with golden teeth, metallic sunglasses, thick grey beard, and intense expressions, caught everyone's attention. Tamil actor Sara Arjun plays the female lead.Written and directed by Aditya Dhar, 'Dhurandhar' is set to release in theatres on December 5, 2025.- EndsMust Watch
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Mouni Roy is tired of people saying stars call paparazzi all the time: 'You can't be at your best always'
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'Gehraiyaan' director Shakun Batra on Raanjhanaa's climax being altered by AI: 'It raises concerns because...'
Batra is the first Indian filmmaker to collaborate with Google on an experimental Al- driven storytelling campaign. With this latest campaign, Shakun's Jouska Films explores how Al can reshape storytelling read more Filmmaker Shakun Batra, who has directed Ek Main Aur Ekk Tu, Kapoor & Sons, and Gehraiyaan, is the first Indian filmmaker to collaborate with Google on an experimental Al- driven storytelling campaign. With this latest campaign, Shakun's Jouska Films explores how Al can reshape storytelling & streamline production. And in an exclusive interview with Firstpost, Batra spoke about all of it and also his own films he has directed so far. Edited excerpts from the interview STORY CONTINUES BELOW THIS AD What do you have to say about your collaboration with Google for the AI-driven storytelling? It's been a really exciting space to explore. The collaboration was born out of curiosity—just a genuine interest in what could happen if storytelling and these emerging AI tools met somewhere in the middle. We weren't aiming for perfection; we were testing, playing, pushing boundaries to see what new kind of cinematic language could emerge. Google came in with the same spirit—open to experimentation, which made it feel less like a partnership and more like a creative lab. We're still learning, and that's the most interesting part of it. Do you see AI as a potential threat or a boon in the filmmaking process in India? It's a bit of both—and I think it's important to be honest about that. On one hand, AI can absolutely be a leveller. In India, we have no shortage of stories, but we do often face limitations—budget, access to equipment, time. AI can help reduce those barriers. A student in a small town could potentially create something visually compelling with tools they can afford, without needing a massive crew or infrastructure. That's a huge shift in who gets to tell stories and how. But at the same time, there are real concerns. If we start treating AI as a shortcut that bypasses craft, or if it leads to generic storytelling, we risk losing the richness that comes from effort, collaboration, and time. There's also the question of how AI models are trained—whose work is being used, and whether artists are being credited and compensated. These are ongoing conversations. I don't think we should be blindly optimistic or overly fearful. We need engaged, intentional use—and open dialogue as we move forward. How did this collaboration come about? It started from a place of genuine curiosity. I had been experimenting with some of Google's early AI tools on my own—playing with visual prompts and narrative textures, to see what cinematic language could emerge. 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The whole film was special because of the people and place—Coonoor was magical, and the atmosphere stayed with me. It's probably my most cherished memory from any shoot. The final scene of Gehraiyaan, where the old lady recognizes Deepika, is one of the best cliff-hangers of recent times. Why do you end the film right there, and what do you feel happens next? STORY CONTINUES BELOW THIS AD We ended it there because that moment felt complete. It wasn't about delivering closure—it was about letting everything land in the silence. What happens next? I leave that for the viewer to decide. That's where the emotional weight sits—it becomes theirs, not mine. What are your upcoming projects? When can we see you direct next? Lust stories for Netflix is up next and I'm developing a few projects—some traditional, some experimental. I'm writing again, which feels refreshing. Hopefully very soon.
